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Chapter 9 21~30

Words in the world 王国维 2786Words 2018-03-20
twenty one The best of "Yanbo Ci" is quite like He Fanghui.Although it is not as good as Rongruo, it must be above the philosophers of central Zhejiang. two two The profundity and eloquence of "Futang Ci" and the subtle beauty of "Jiangcun Ci" are all in the old man of Bantang.Jiangcun learns from Mengchuang, but the sentiment is better than Mengchuang.Covered with the high glory of Luling in Linchuan, and aided by the sparseness of Baishi.The words of scholars are the extreme rules.However, the natural wonders of the ancients have not yet been seen. two three

Song Zhifang's "Butterfly Love Flower": "The new clothes are discarded, and I still look for the old spring clothes." (1) "Tan Futang "Butterfly Love Flower": "If you connect the branches and you, thousands of flowers and herbs will come from the canal." (2) "It can be said that the prosperity is profound. Notes: (1) Song Zhengxing's "Butterfly Love Flower": "The treasure pillow is light and the autumn dream is thin, the red moths are double moths, and the gorse is upside down. The new clothes are discarded, and I still look for the old spring clothes. But the heartbroken flowers are not Falling, people are sad, and the face in the mirror is not yesterday. I once missed the promise of the young girl, and I still think about it in Shuangye."

(2) Tan Xian's "Butterfly Love Flower": "In the tent, the misty fragrance is like mist, and the ashes are not ashes. I wake up and hear the lingering words. I connect the branches with you, and thousands of flowers and herbs come from the canal. The lotus seeds are green and the heart is lonely. Singing will leave, the wind and rain every day. The fragrance of cardamom and the willows are gone. twenty four The "Bantang Ding Draft" and Feng Zhengzhong's "Magpie Stepping on the Branches" are the most refined ones in "Owl Weng Ci". "Looking far away, worrying and resting and looking at the eyes" and so on, the gloomy Yi is in a hurry, which makes people can't worry about it. There are only six columns in the "Final Draft", which is not allowed. (1) Wang Pengyun's "Magpie Stepping on the Branches" (Feng Zhengzhong's "Magpie Stepping on the Branches" has fourteen lines, Yu Yi is confused, both meanings and metaphors, and Meng Qi recites Yan. The spring day resides, and it belongs to harmony in turn. They are all words and have nothing to do Sustained, but the chapters and sentences are particularly messy. Recalling Yun Shengyun: "If you don't do something that is not beneficial, why send a life with a limit?" Three times the preface, I am pregnant with it. Recorded on March 28th by Guangxu Bingshen. 10.): "The pistils are falling and the setting sun is red, and you hate your neighbors, and the warblers turn around all day long. Like snow poplars blowing and scattering, the east wind is powerless to limit the spring. Lazily cut Xiangluo instant noodles and change them to light shirts, happy Drooping shallow. Tears are still visible on the lapel, and the sound of the flute urges Liangzhou to press." One. "The slanting sun is perilous and lingering for a long time, asking about the flowers and branches, but is it old? Sleeping in the morning is like drinking in the middle of the night. Who pities the person in the dream to lose weight. The curtain of the incense pavilion is full of smoke and willows, and it is unbelievable. I don’t believe it is common. Take a rest. The singing feast is back to the dancing sleeves, so I cherish the third queen of spring." The second. "When the score reaches Yangguan, the sound is about to split, the pavilion is short and the pavilion is long, and the willows are so broken. Picking vegetables and skirts to rest in spring, with Luo shame fingers concentric knot. The solitary light of thousands of miles is the same as the bright moon. The infinite fall of joy and true forbearance said that it is the first time to say goodbye to a life that hurts a life." Third. "The wind is blowing in the spring, the clouds are thin and the clothes are thin, it is rare to have a light shade, and the fragrant things are leisurely. A few days later, the azaleas will fall again, and the green paper will never forget the deep appointment. When I am old, I will sing about the loneliness, the flowers on the eaves of the rain, and the empty memories in front of the lamp. Discretion. The sound of the jade flute in the next courtyard is playing, what is there for mourning and joy in front of you?" Fourth. "Walk about what you want to do, there is no basis for the flowers, and the wind comes and goes frequently. Looking at Zhulou is hard to send a message, who will read Si Xun's mistake when it hurts the spring? It is useless to pull the gossamer into a weak thread, a few idle clouds, but lost. Ideas. At the singing and dancing place with brocade tents and bead curtains, do you think about old joys and new hatreds?" Fifth. "Days are sleepy and nights are short, a moment of joy is worth a thousand dollars in exchange. Swallows look at Yingying and spring, dare to say goodbye to the king? Faint thunder is heard across the bank, evening rain and morning glow, so close to the clouds. Alone. Wu Yi thinks about his old partner, and the eyes of Longshan are full of smoke and dust." Sixth. "Looking far and worrying, rest your eyes, walk around the precious clumps, and see that the bamboo shoots will become bamboos. The dawn dew is dark and the pearls are rustling, and the Fanglin area is like a new bath. Outside the eaves, the spring mountains and jasper jade, in the dream, Luan, I remember Qingxiang opera. Since Set a new string and move the geese's feet, but the sound of the strings does not reach the heart." Seventh. "Who sends the spring to go with the water? Drunk Fangzun, but looking at the morning and evening. Changing the embankment and grassy road, all advocates are acacia trees. Candles have hearts and lamps to explain words, tears are exhausted and lips are scorched. Is this hatred depressed? Sit against the east wind and pity the weak Xu, where will Ping Piao know in the future?" Eighth. "Will you be happy with the wine? Drunk and sleepy, there is no sleepiness. Don't hate the double-line paper with brocade characters, teardrops are broken and the makeup powder is broken. The light swallows are blown by the wind. Whoever sends the news, I look forward to breaking the black clothes. .The song has no leisure and hides itself, and the mirror is worried about the lonely temples." The ninth. "It's rare to see flowers flying up a tree, but it's hard to tie a streamer, and it's a waste of weaving willow strands. Zheng and geese fly obliquely and line up brocade pillars, but Yi doesn't understand the spring. Who speaks all over the rails? Think about it, and there is no one to hate it." Ten.In the present "Bantang Final Draft · Duck Weng Collection", there are six columns of "Magpie Stepping on Branches", and the third, sixth, seventh, ninth and fourth columns are deleted.

twenty five Guzai Gaowen is a word!Feiqing's "Bodhisattva Man", Yongshu's "Butterfly Love Flower", and Zizhan are all popular works. What is the purpose?All were woven by Gao Wen and Shen Wen (1).Ruan Ting's "Flowers and Grass Picking up" said: "Grand Po ordered the palace to grind scorpions. He was tortured by Wang Gui and Shu Quan's generation before his death, and he was forced to suffer this kind of disqualification after his death. (2) "From today's perspective, there is only Po Already? Notes: (1) Wen Tingyun's "Bodhisattva Man": "The hills overlap and the golden light fades away, and the clouds on the temples want to burn the fragrance and snow on the cheeks. I am lazy to draw moth eyebrows, and it is late to make up and wash. I look at the front and back mirrors of flowers, and the flower faces complement each other. The new post embroiders Luo Ru, both of them Golden partridge." Zhang Huiyan commented on "Selected Words": "This kind of person is rare, and the style of writing is like "Nagato Fu". The four lines of "Zhaohua" are the meaning of "Li Sao" first served. "

Ouyang Xiu's "Butterflies in Love with Flowers", that is, Feng Yansi's "Magpies Stepping on Branches": "How deep is the courtyard? The willows are piled up with smoke, and the curtains have no number. The Yule carved saddle tours the place, and the height of the building does not see Zhangtai Road. The rain is in the wind. In the evening of mad March, the door is hidden at dusk, and there is no plan to stay in the spring. Tears ask the flowers without saying a word, and the chaotic red flies across the swing." Zhang Huiyan's "Selected Words" commented: "The courtyard is deep, and the boudoir is far away. The building I don’t see you, but King Zhe doesn’t care. Zhangtai Youye is the path of a villain. The rain is violent and the wind is violent, and the government orders are violent. The chaotic red flies away, and the person who repelled him is not just one person. Is it Han Fan’s work?

Su Shi (residence work of Dinghui Academy in Huangzhou): "In the absence of the moon, hanging the phoenix trees, the first silence of the people is lost. Whoever sees a lonely person coming and going alone, a ghostly and lonely shadow. Startled but turned back, there is no regret. Pick up all the cold branches and refuse Habitat, lonely sandbank cold." Zhang Huiyan's "Collected Words" commented: "This Dongpo was written in Huangzhou. Jushi Yanyang said ["Selected Words of Tang and Song Dynasty" Volume 2]: The moon is missing, and the thorns are faint. Leakage is broken, it is dark. You are lonely, you have no ambition. You come and go alone, you are helpless. You are startled, and a wise man is uneasy. Looking back, you will never forget your love. No one will look at you, and you will not notice. Pick up all the cold branches. Willing to live, not stealing to settle in a high position. Lonely sandbank is cold, not a place to rest. This word is very similar to the poem "Kaopan".

(2) Wang Shizhen's "Flowers and Grass Picking up": "The servant tasted the play and said: Mr. Po ordered the palace to grind the scorpion, and the Huzhou poetry case was suffered by Wang Guishu's generation during his lifetime, and he was forced to suffer this kind of job after his death?" twenty six He Huanggong said: "Jiang's historical poetry does not call it "soft words and discussions", but appreciates it as "the willows are dark and the flowers are dark", and I know that Xiang Yu's art of war is unavoidable. (1) "Of course" the willows are dark and the flowers are dark" is naturally the syntax of the Ouqin generation, and there are differences in painting and chemical industry before and after. I follow Baishi and cannot go along with Huang Gong.

Notes: (1) Shi Dazu's "Double Swallows" (Yong Yan): "After the Spring Club, in the middle of the curtain, it was dusty and cold last year. I want to go to the old nest and try to merge with each other. I also carve beams and caissons, but I can't negotiate with soft words. Floating and swiftly blowing the flower tip, the green tail parting the red shadow. The fragrant path, the celery mud and the rain. Love sticking to the ground and fly, and compete for the light and handsome. The red building is late, and the willows are dark and the flowers are dark. You should live in the fragrance and be stable. Forget, Tianya Fangxin. Worry about the loss of Cui Dai and Shuang'e, and rely on the daily painting column alone." He Huanggong said, see He Chang's "Wrinkle Water Xuan Ci Qiang".For Jiang's discussion on historical Ci, see the quotation in Volume 7 of "Anthology of Wonderful Ci Since ZTE".

twenty seven "The spring grass in the pond, Xie Jiachun, the five characters are new through the ages and ages. The rumors behind closed doors are Chen Zhengzi, and the poor spirit has no supplement." This is also the "On Poetry Quatrains".Mengchuang and Yutian are not happy to hear this. twenty eight Zhu Zi's "Qingsui Pavilion on Poetry" said: "There are sentences in the ancient poems, but there are no sentences in modern poems. They just keep talking about the future. Such poems can be written one hundred times a day." Yu said that there are sentences in the poems of the Northern Song Dynasty, After the Southern Song Dynasty, there were no sentences.The words of Yutian and Caochuang are the so-called "one can write a hundred poems a day".

twenty nine Zhu Zi said: "Mei Shengyu's poems are not plain, but withered." Yu said that the words of Caochuang and Yutian are the same. (1) See Zhu Xi's "On Poetry in Qingsui Pavilion". thirty "Self-pity poems and wine are thin, hard to cope with, many spring colors. (1)" "How many times can I travel, and it will be next year to see flowers. (2)" Are these words considered aphorisms?It is worth such a pen! Notes: (1) Shi Dazu's "Xiqianyingying": "The waves of the moon are suspicious, the jade pot is near the sky, and there is no dust. The emerald eye circles, the ice silk weaving, the zodiac is worthy of the light. Self-pity poetry and wine are thin, hard to cope Then, there are many spring scenes. The most rascal, is to follow the fragrance and take advantage of the candle, and once accompanied the madman. The trace. The memory. When Du Lang is old, he listens to the east wind flute. The lights in the willow courtyard are sparse, and the plum hall is snowing. Who is with the fine spring green .The old relationship is still undecided. I still study by myself and travel in the past. I'm afraid that if it happens, I will miss the beautiful night and the cold curtain."

(2) Zhang Yan's "High Balcony" (West Lake Spring Feeling): "The warbler catches the leaf nest, the flat waves curl the catkins, and the broken bridge leans back to the boat. How many times can you swim? Seeing flowers is next year again. East wind and live with roses, The roses and spring are already pitiful. It is even more desolate, the evergreen Xiling, a wisp of wild smoke. Back then, where did the swallows know? But the moss was deep and the grass was dark and slanted. Seeing new worries, now they are also at the edge of the gulls. No intention to return Continue the dream of singing and singing, close the heavy door, and sleep lightly drunk. Don't open the curtain, afraid of seeing flying flowers, afraid of listening to cuckoos."
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