Chapter 8 eleven to twenty

eleven Most poets use scenery to express emotion.It specializes in love language and is wonderful, such as Niu Qiao's "I am willing to work hard all my life, so that you can enjoy yourself today. (1)", Gu Qiao's "Change my heart for your heart, and I will remember each other deeply." (2) "Ouyang Xiuzhi"'s belt gradually widened and he did not regret it, and he was haggard because of Yixiao. (3) "Meichengzhi" had many troubles, only for the time, and he was merciful. (4) "These words seek ancient and modern people's words Among them, it was rare.

Notes: (1) Niu Qiao's "Bodhisattva Man": "Jade stove ice mat mandarin duck brocade, powder melts fragrance and sweat flows into the mountain pillow. The sound of the pulley outside the curtain, the brows are closed and the smile is startled. The willow shade is indifferent, and the cicada hairpin falls on the temples. It takes a lifetime of hard work. , make you happy today." (2) Gu Qiao's "Voice of Heartfelt Love": "Where does the eternal night go? Never come to the sound. The incense pavilion is hidden, the eyebrows are drawn, and the moon is sinking. Struggle and endure but not find each other? Resentment and loneliness. Change my heart, for you Heart, you know each other and remember each other deeply."

(3) Liu Yong's "Feng Qiwu": "Standing against a dangerous building, the wind is gentle, looking at the extreme spring sorrow, and the sky is gloomy. In the afterglow of the grass and smoke, who will rely on the silence without words? I plan to get drunk with the picture of sparse madness. Wine is a song, strong music is still tasteless. Clothes gradually become wider and you will not regret it, and you will be haggard because of Yixiao." This word was also mistakenly included in "Ouyang Wenzhong's Modern Poems Yuefu" and "Drunkard's Fun Outside".

(4) Zhou Bangyan's "Qing Gongchun": "Clouds meet Hiraoka, mountains surround cold fields, and roads gradually expand to isolated cities. Fading willows and crows, startling winds drive wild geese, and a moving sound of autumn. When you are tired of driving, rest in the light smoke. , see the stars in the faint. The dust is haggard, afraid of the dusk, lingering from the thoughts. The Huatang welcomes the old days. The flowers are colorful, and the fragrance and mist are drifting. I hate the secret agreement, but it is not completed in a hurry. Many troubles are only for the time, and I am merciful."

twelve The word is the body, and it should be fine and suitable for repair.What poetry can't say can be said, but what poetry can't be said can't be said.Poetry has a broad view and words have a long meaning. Thirteen It is better to talk about the state than to talk about temperament and charm.There are boundaries, this is also.Temperament, charm, the end also.There is a boundary and the two follow. fourteen "The west wind blows the Wei River, and the setting sun fills Chang'an. (1)", Meicheng put it into the lyrics (2), and Bai Renfu put it into the song (3). This is also the one who borrowed the realm of the ancients as my realm.However, it does not have its own realm, and the ancients did not use it for me.

Notes: (1) Jia Dao's "Reminiscences of Wu Chushi on the River": "Sailing away from Fujian, the toads lost their fortunes. The autumn wind blows the Wei River, and the fallen leaves are all over Chang'an. This night, the party was evening, and it was thundery and cold. The Lanwei did not return, and the news was like a sea of ​​clouds. " (2) Zhou Bangyan's "Qi Tian Le" (Autumn Thoughts): "The greenery is withered and the roads in Taicheng are exhausted, and it is autumn evening in different townships. The rain is cold at dusk, and the weaving is persuaded by the singing, and the cutting is heard in the deep pavilion. The cloud window is quiet. Sigh heavy Flicking Luo Yin, thinning the flower mats. There is still a sack, and the dew firefly shines on the scrolls at night. Jingjiang has stayed the longest. Where old people meet each other, what is the limit of thinking? The westerly wind on the Weishui River, the chaotic leaves in Chang'an, the empty memory of poetry. Looking far away from high. Zhengyuye is fresh, and crab claws are first recommended. Drunken mountain man, but sorrow is swaying."

(3) Bai Pu's "Double Tune·Deshengle" (autumn): "The jade dew is cold, and the crocodile is singing. Listen to the fallen leaves and the westerly wind on the Weishui River. The cold geese are singing in the sky. Tao Yuanliang is drunk in the east fence." Also "Wu Tong Yu" drama The second fold "Putianle": "Hate is infinite, sorrow is infinite. When you are in a hurry, you can't avoid mountaineering. Luan drives away. Chengdu is looking forward to it. What's more, the wild geese flying west of the Chanshui River are sent to the saddle with a sound. Sad. The hometown, the westerly wind over the Wei River, and the setting sun in Chang'an."

fifteen For long tunes, Zhou, Liu, Su, and Xin are the best.The two words (1) of Meicheng's "Langtaoshaman" are strong and frustrating, and have already opened the forerunner of the Northern Song.If Tuntian's "Eight Sounds of Ganzhou" (2) and Dongpo's "Shui Tiao Ge Tou" (3), then the works of Zhu Xing are of high standing through the ages, and they cannot be judged by ordinary tunes. Notes: (1) Zhou Bangyan's "Waves and Sands Slowly": "The dawn is heavy, the frost withers the grass on the shore, and the fog hides the city battlements. The fat car in the south is ready to go, and the tent in the east gate is drinking. It is just blowing the face and hanging down. Hold the knot. Cover up the red tears, and fold the jade hands. When I read Hanpu Lihong, I will never hear the news after time. I love you. I hope that the earth is far away and the sky is wide. The dew is cold and the wind is clear and there is no one. Unforgettable, only light farewell. Cui Zun is not exhausted, relying on the broken cloud, retaining the waning moon in the west building. The quilt is piled up with light strips. The chain is untied, and the old incense is stopped. The song of complaint is forever, and the Qionghu is gone. Hate the spring. , Not with people, make the night, pear blossoms and snow all over the ground."

Another queer: "Thousands of leaves battle, the sound of autumn dews, the geese cross the sandy moraine. The fine grass and smoke are still green, and the distant mountains become greener in the evening. You can see faintly, and the crescent moon is white by the clouds. The reflection is falling, and the curtain is thousands of houses. Listen to the number Sound, where is the flute on the building? Decorate with autumn colors. Pulse. Passion disappears. Rosary beads and jade, Linshui is still sad, let alone Tianya guest? Recalling youth singing and wine, traces at that time. Years are getting old, clothes are wide, and the heart is troubled. The end is narrow. After flying away, the flow of people is obstructed. The Lanqiao is about, and the road is separated.

(2) Liu Yong's "Eight Sounds of Ganzhou": "The rain sprinkled the river and the sky in the evening, and the autumn was washed away. The frost and the wind were miserable, the Guanhe was desolate, and the building was in the afterglow. It is a place where the red is declining and the green is fading, and the things are resting. Only The water of the Yangtze River is silent and low. I can't bear to climb high and look far away. Looking at my hometown, it's hard to return to my thoughts. I sigh for the traces of the years, what is the pain and drowning. I miss the beautiful woman and the makeup building. I miss it a few times, and the sky is back to the boat. Fight to know me , Leaning on the railing, I am worried."

(3) Su Shi's "Shui Tiao Ge Tou" (Bingchen Mid-Autumn Festival, drinking happily, getting drunk, writing this article, and conceiving a child.): "When will the bright moon come? Ask the blue sky for the wine. I don't know the palace in the sky. What year is this eve ?I want to ride the wind to go back, but I am afraid that Qionglou Yuyu, the heights are too cold. Dance to find out the shadows, how does it seem to be in the world? Turn to Zhuge, a low-lying household, and sleepless. There should be no hatred, what is the long-term goodbye Round? People have sorrows and joys, and the moon has cloudy and sunny waxing and waning. This matter is difficult to complete in ancient times. I hope that people will live a long time and share the joys and joys of thousands of miles." sixteen Jiaxuan's "Congratulations to the Bridegroom" ci "Send Maojia's Twelve Younger Brothers (1)" has a wonderful composition.And the language has a state, and this ability is almost better than that of a god.However, it is not intentional, so future generations cannot learn it. Notes: (1) Xin Qiji's "Congratulations to the Bridegroom" (sent to Maojia's 12th younger brother): "The green trees listen to the pelicans. Geng Nakan, the partridges live, and the cuckoos are loud! When the crows return in spring, there is nowhere to be found, and the bitterness and hatred are all gone. It’s not a farewell to the world. Immediately, the pipa will be closed to the black, and the green chariot at the longer gate will leave the golden palace. Look at the swallows and swallows, and send them back to the concubine. The wind is cold, and the house is full of clothes like snow. The heroic man's sad song has not yet been heard. Birds still know how to hate, but they don't cry clear tears and long cry blood. Who will share me, drunk and bright moon?" seventeen Jiaxuan's "Congratulations to the Bridegroom" lyrics: "The willows are dark and Lingbo Road. Sending spring back to the fierce storm and rain, a new green. (1)" and "Ding Fengbo" lyrics: "From now on, the wine is full of wine and the moonlit night. The ears are hot. (2)"" The words "green" and "hot" are all used for ups and downs.With Han Yu's "Dongpu Ci" and "Congratulations to the Bridegroom" use "Yu", "Qu" and "Ye" to note "Female", and use "Ye", "Xie" and "Ye" to "Shi" and "Moon". ancestor. Notes: (1) Xin Qiji's "Congratulations to the Bridegroom": "The willows are dark and lingering on the wave road. Sending spring back to the fierce storm and rain, a new green. Thousands of miles of Xiaoxiang grapes are blooming, and people are about to untie the boat. And the mammoth swallows leave people to talk to each other. The boat flies to create dust Step by step, spit flowers cold and sing my new lines. Waves are like arrows, urging oars to sing. There are countless Huangling temples going down the mountain. Listen to Xiang'e and Lingling, for whom is the pain? Travel to Eastern Wu, the spring is late, and the river is full of tides Stable crossing [?]. Watching the golden sparrows and goblets flying and dancing. The former Liu Lang came here again, and asked if there are thousands of trees and flowers in Xuandu? Worry is for Qian, so I will complain." (2) Xin Qiji's "Ding Fengbo": "Golden seals are piled up with Luli, and Heliang writes heart-broken poems. Don't hold the flags and go. Where? Yutang Yuan wants to think about it. Let's make an appointment with the three bachelors to get drunk together. Let's try in the spring breeze A few shots of the flag. Since then, the wine is full of wine and the moonlit night. The ears are hot. It should be talking about Nongshi over there." (3) Han Yu's "Congratulations to the Bridegroom" (chanting Narcissus): "Graceful and courteous like jade. Try new makeup, delicate yellow and half green, and the Han Palace is uniform. Leaning on the small fence and standing idle, green belts like dancing in front of the wind. Record Luo Pu Nian's couple. Luo socks are full of dust and fragrance, and Li Zhenghong walks lightly on Lingbo. The dream is broken, and the Chu River is singing. If you see the spring work, you should be the master. Forbearance teaching capital, Xianting flute pipe, cold wind and rain. Take all the flowers and send them with tears and incense. You must believe in your love. In the slanting light of the smoke and water, it is the place where poets call their souls. Who will you talk to for eternal hatred?" (4) Han Yu: "The willows are green and cloudy, and the cold food festival has just passed. The door is covered with a golden shop to sleep alone, which is more cold night. The east wind is strong, and the pear blossoms are dying. What's the matter that the king and grandson don't return early? Lonely swinging moon." eighteen Tan Futang's "Selected Poems in the Box" said: "Jiang Lutan's "Shuiyunlou Ci" and Cheng Rongruo and Xiang Liansheng have been divided into three legs for two hundred years." , the long tune only retains the style. "Yi Yun Ci" is more than refined and solid, but not elegant enough, neither of which is comparable to tolerance.However, looking at Gao Wen and Zhi An's generation, it is almost far away. nineteen The theory of the age of poets flourished in the early days of the country.Zhulong said: Ci became big in the Northern Song Dynasty and deep in the Southern Song Dynasty (1).After this poet, the group worships him.However, it is not without eyes.Zhou Baoxu said: "The Southern Song Dynasty does not suffer from the stupid rate of the Northern Song Dynasty, and it is not as high as the Hunhan of the Northern Song Dynasty." He also said: "Most of the poems in the Northern Song Dynasty are based on scenes and emotions, so the pearls are round and jade-like, and the four photos are exquisite. To Jiaxuan and Baishi, they are transformed into In order to describe the scene immediately, the deep is shallow, and the song is straight. (2) "Pan Si Nong said: "Ci originated in the Tang Dynasty, and flourished in the Five Dynasties, but the meaning, style, depth, and song were not prosperous in the Northern Song Dynasty. There was the Northern Song Dynasty, just like poetry had the prosperous Tang Dynasty. In the Southern Song Dynasty, it declined a little bit. (3) "Liu Rongzhai said: "The Northern Song Dynasty Ci is dense and sparse, hidden and bright, deep and fast, thin and broad, and fine. Hun. The Southern Song Dynasty just turned around. (4) "It can be seen that this matter has its own opinion.Although Zhi'an's Ci is quite shallow, Pan Liu is especially so.However, his respect for the Northern Song Dynasty is the same as that of the masters of Yunjian in the Ming Dynasty. Notes: (1) Zhu Yizun's "Ci Zong Fa Fan": "The words of the world must be called the Northern Song Dynasty. However, Ci began to be extremely refined in the Southern Song Dynasty, and it began to change greatly in the Song Dynasty." (2) See Zhou Ji's "Miscellaneous Works on Jiecunzhai Analects". (3) See Pan Dexing's "Yangyizhai Collection" Volume 22 "Book with Ye Shengming Li". (4) See Liu Xizai's "General Introduction to Art", Volume Four "General Introduction to Songs and Songs". twenty Tang, Five Dynasties and Northern Song Ci can be described as fragrant and true.If you are among the gentlemen among the clouds, then use flower ears.Xiangzhen is the case, not to mention the second?