Chapter 27 Chapter Twenty-Five

In the construction of socialist spiritual civilization, professionals in the field of ideology and culture have an irreplaceable special role. Party committees at all levels must promptly formulate and implement the overall plan for the training of specialized talents, adjust the structure and layout of talent training; establish and improve the selection, assessment, use, reward and punishment system, form an effective incentive mechanism, and create a healthy growth and outstanding talents. Good conditions; We should care about the work and life of outstanding talents, help them solve practical difficulties, relieve their worries, and play their roles better.Efforts should be made to cultivate a group of theorists who master theories, learn both Chinese and Western cultures, and integrate theory with practice; Famous journalists, editors, and hosts who are popular among the masses and loved by the people; a group of publishers who are familiar with the principles and policies of the party and the state, have a strong sense of social responsibility, and are proficient in business knowledge; Superb writers and artists really make these outstanding talents become leaders in the field of propaganda and cultural undertakings and leaders in spreading socialist spiritual civilization.

This is a story about leaders and writers. In 1985, Liu Haicheng was appointed Deputy Secretary and Propaganda Minister of the Nanyang Prefectural Committee of Henan Province.At that time, it was Comrade Li Jinming, Secretary of the Prefectural Party Committee (currently Deputy Secretary of the Zhejiang Provincial Party Committee), who talked to him.Liu Haicheng became anxious when he heard this, and said, I have been doing organizational work, from an ordinary cadre in the organization department to an organization minister, and also as the secretary of the county party committee. I am only interested in organization work and rural work. I can be the propaganda minister. not good.Comrade Li Jinming said, I have seen your file a long time ago. You studied liberal arts in college, you can write and draw, and you wrote 1.5 million-word reading notes when you were the secretary of the county party committee. Know that you can't do it?

What he said left Liu Haicheng speechless.So he became the Minister of Propaganda. Liu Haicheng said in his own words: I am a bit of a competitive person. Since I became the Minister of Propaganda, I want to make a name for myself.So when I took office, I began to recruit three teams, one was the news team, the other was the theory team, and the third was the literature and art team.Among the three teams, I put the most effort into the latter two teams.Theoretically, at 3 o'clock, the issue of surname, society, and capital was being debated, and the literary team was at a time when there were many things that were hard to return to.

In this way, I have the opportunity to witness the three stages of the birth, development and formation of the Nanyang Writers Group... The Nanyang Writers Group is not only in Henan Province, but also in the whole country. It is also a peculiar cultural phenomenon.In this small Nanyang Basin, there are such influential writers throughout the country as Er Yuehe, Zhou Daxin, Tian Zhonghe, Zhou Tongbin, Qiao Dianyun, Liao Huage, etc.However, when you get close to the Nanyang writers group, you will find that there is a support body like Liu Haicheng behind them. They use their own policy level and willingness to be a ladder to let the writers go higher and higher, and let their ideals fly at the highest point. Dedicate pure, beautiful and healthy literary products to the country and the nation...

Speaking of writers, Liu Haicheng, who also had a literary dream, was full of emotion.He said that the most important thing for a leading cadre is to make a fair and objective evaluation of writers.A writer is different from the art of rapping and performing arts. He has sung and acted, and the wind has passed without a trace.The writer's works must face reality, have their own thinking, and have unique narrative art and ability.However, because of the fact that there is no basis for words and written evidence, everything written by a writer in black and white can be used as a handle by a notary in the hall, which is an extremely dangerous profession.Unfortunately, most writers spend a lot of energy in writing their entire lives, have no time for communication, and are self-employed workers who are extremely vulnerable.This is a strong group in the spiritual field, but a disadvantaged group in real life, this must be understood.Therefore, we require writers to firstly produce good works, and secondly, not to beat them to death with a single stick if something goes wrong.As a writer, don't look at the leader with your right eye closed, and as a leader, don't look at the writer with your eyes closed.Both sides should look at each other with eyes open, and be full of affection... During 1988 and 1989, "Nanyang Daily" serialized "Legend of Bie Ting Fang" written by Nanyang writers Xingzhe (Qin Jun) and Wang Suihe, in It aroused great repercussions in the society. Proponents and opponents held their own opinions, forming two camps with strict barriers, pushing Liu Haicheng to the cusp of the 121 storm. Here it goes.

Bie Tingfang is a modern historical figure in Nanyang.The topic about him has to start from the beginning. Around 1985, Comrade Hu Yaobang came to Nanyang for inspection.Before coming here, he first went to Shangluo, Shaanxi, and then went from Shangluo to Nanyang after the inspection.During his stay in Nanyang, one of Comrade Hu Yaobang was the director of the Local Chronicles Office, and the other was the chairman of the Federation of Literary and Art Circles. They were both members of the Communist Party.On the basis of adhering to principles, we must also guard against the left side, and the harm of the extreme left often causes us greater losses.We should protect the writers' creative enthusiasm and spirit of exploration, give them a relaxed environment, create a stable state of mind, and give them reliable support.It is precisely based on these careful considerations that Liu Haicheng decided to bring this matter to the ministerial office meeting for study and decision, in order to gain the support of party members and let everyone participate in the action of caring for writers.

Liu Haicheng's suggestion won the firm support of Sun Quandang, then vice minister and party secretary of the Federation of Literary and Art Circles. The office meeting decided: this work does not beautify historical figures, does not advocate bourgeois liberalization, so it is not appropriate to stop serialization... The serial turmoil has been well resolved. The two authors said gratefully at the meeting of the Federation of Literary and Art Circles: Thanks to the leaders for giving us key support at a critical time... Perhaps outsiders will not pay attention to this story, but it has attracted the attention of local writers because it happened in Nanyang.This is the time when a group of writers such as Er Yuehe, Qiao Dianyun, Zhou Tongbin, and Tian Zhonghe are at their most creative. If they are a little negligent, their creation will be greatly affected, so perhaps there will be no prosperity in the creation of Nanyang writers in the future...

Sun Quandang originally studied philosophy in college, but he did not expect to start a career in literature and art after joining the work.From 1984 to 1989, he served as the deputy director of the Propaganda Department of the prefectural committee and secretary of the party group of the Federation of Literary and Art Circles. Therefore, the growth of the Nanyang writers group is not unrelated to him. Has his half. When talking about the Nanyang writers group, Sun Quandang was not without emotion.Sun Quandang said in his own words: I was the chairman of the Federation of Literary and Art Circles from 1984 to 1986.I used to be in the Secretary Section of the Propaganda Department. At that time, the leader wanted to solve the problem of my position, saying that being the chairman of the Federation of Literary and Art Circles could solve the problem, so I became the vice minister and chairman of the Federation of Literary and Art Circles.I was originally engaged in theoretical research and education, and I entered the Baihutang by mistake when I came to the Literary Federation, but I was able to follow my plan, because during this period, I really fell in love with literary and artistic creation, and made many friends with writers and artists.Especially after Liu Haicheng came to the Propaganda Department, he also loved literature and art and literature, so we got together.As the saying goes, a good man has three gangs, especially when setting up a stage to sing a big show, there are not many pillars, so a few of us voluntarily made up the pillars and built a stage.But the protagonists of opera are writers, they are on the stage, and we are at their feet.You have seen the stage set up in rural opera, right? There are many piles underneath, and wooden planks are placed on it.We are the pillars and piles under the stage. Without the piles buried in the soil, the stage cannot be built, and without the stage, the stage cannot be sung.Having been the leader of the Federation of Literary and Art Circles for so many years, my experience is that the first thing a leader should learn is to set up a platform, not tear it down.You are just a wooden stake, half buried in the soil, and people have to step on your shoulders.The higher you set up the stage, the more popular the show will be, which means the more successful your work will be.

Nanyang is a place where people gather together, with rich cultural heritage.In the literary Yu army, Wan (Nanyang) has always been an important town.But in the early 1980s, Wan Jun had just emerged from the smoke of the Cultural Revolution. It can be said that his formation was disorderly, ragged, scarred and chaotic.At that time, Qiao Dianyun was an old rightist. During the Cultural Revolution, he was labeled as a counter-revolutionary.Tian Zhonghe (Zhang Qihua) was a rightist, and was dragged around during the movement. Zhou Tongbin was the director of the Revolutionary Committee of the Education Bureau during the Cultural Revolution. At this time, he was said to be a rebel. The deputy chief of the publicity department of the small city, who just came back from the army and is not used to it, looks depressed and so on, and so on, the writers can't sit together at all, and even if they barely get together, they attack each other and make irresponsible remarks.I remember that the first meeting after I came to the Federation of Literary and Art Circles was the Literary Theory Symposium held in November 1984. Because it couldn’t be held, I changed the logo to the Great Unity Working Conference of the Literary and Art Circles in Nanyang. At the meeting, I talked about the importance of unity. It is said that only by unity can works be produced, only by unity can there be strength, and only by unity can the glory of Wanjun be maintained.At the meeting, everyone was touched.According to the situation at that time, the party group of the Federation of Literary and Art Circles proposed to provide political protection to several writers with outstanding creative achievements and solve practical difficulties in life.For example, Qiao Dianyun was promoted to vice-chairman of the Writers Association, and Zhou Tongbin and Tian Zhonghe were both established, and they were given an explanation and political treatment in the name of the organization, and they were stopped from disturbing them with side issues.As soon as this trend started, everyone saw that serious creation and solid work have many benefits, and it is not beneficial to gossip, so everyone immediately united.From then on, Wan Jun's formation was basically neat, and the upward trend was revealed.

Liu Haicheng loves to make friends with writers.This kind of friendship is completely equal and comradely, not the kind of condescending charity.He said that writers are mostly sensitive and emotional people, they don't need fake gifts, they need sincere communication.A leading cadre can only gain their trust if he understands them, understands their difficulties, respects their labor, and truly cares for them.Under their advocacy, all counties and cities in the Nanyang area have set up writer salons, and each county takes turns to be the host, inviting writers from the county or some other counties, and discussing a topic in each issue, focusing on literary creation.Liu Haicheng and Sun Quandang often appear in the salon and are rarely absent.They regard the writer's salon as a window to explore the hidden heart, a window full of suspense and wisdom, and also a window to worry about the world. They can understand the writer's heartbeat in time, grasp the pulse of thought, so as to guide others in time, or Adjust and correct yourself.

This is a classic example of painstaking and meticulous thought work. Liu Haicheng said that all work must start from the first sign of the wind, and it cannot be concluded at any time. Some leading cadres usually do not communicate with writers, and label them randomly when there is a problem. This is not the style of the Communist Party.The Communist Party should embrace a large number of writers, and should not push them away.Simplification or complexity or superficiality will bring harm to the party's literary and artistic undertakings.Yong Zhangyin is a worker of Nanyang Instrument Factory. Sun Quandang has repeatedly reported the great achievements of these writers to the leaders inside and outside the city, hoping that the leaders will love them.Unexpectedly, the leader thought for a while, and still took out the pen. Just as he was about to sign, Sun Quandang stopped him with his hand and said, I have already prepared for the leader.As he spoke, he took out the sharpened pencil. The leader laughed and said, keep this pencil, and I will use it next time when the Federation of Literary and Art Circles re-applies.It's done in one go.In this way, all the writers at or above the provincial level in Nanyang have solved the problem of conversion from peasants to non-farmers.Nanyang writers have a characteristic. Except for a few writers such as Tian Zhonghe, Zhou Tongbin, and Ma Bende who have received higher education, most of them graduated from junior high school and high school. With such education, it is difficult to win the first place in the evaluation of professional titles and get fair treatment. .Because although these writers are not highly educated (such as Qiao Dianyun, Er Yuehe, etc.), their creations have been recognized by readers, and they are famous all over the world.How to solve it properly is an important issue.Sun Quandang went to the meeting alone, using his status as the deputy head of the professional title reform team to argue for each writer.After the evaluation of professional titles, 9 writers with full or sub-high ranks were selected in one competition. There were only 17 writers in the whole province, and Nanyang actually accounted for half of them. When the news reached Zhengzhou, Mr. Nan Ding, the then chairman of the Provincial Federation of Literary and Art Circles, specially invited Sun Quandang to dinner, praising him for doing a great deed for Nanyang writers. The Nanyang writers were strong and strong at once, and they first took the lead in terms of momentum.At a salon meeting, Liu Haicheng asked casually: Why didn't I see the seal?Everyone said yes, why didn't you see Yong Zhangyin? Liu Haicheng asked: Has the problem of his conversion from farming to non-agricultural farming been solved?Everyone can't tell clearly, don't know. Liu Haicheng said that we should pay more attention to the life of writers and pay more attention to implementation. These words reached Yong Zhangyin's ears, and the worker writer was very moved.He wrote a letter to Liu Haicheng, saying in the letter that it was just a sentence in the salon, you will remember it, and it helped me solve such a big problem.In the future, I will work hard to write and repay the love... After another period of time, when I was at work, the secretary told Liu Haicheng: Yong Zhangyin died. He was admitted to the hospital at 9:00 am. hospital.Liu Haicheng immediately notified Sun Quandang and rushed to the hospital. In the morgue, there were two corpses, one was Yong Zhangyin and the other was an old lady.Two corpses, two treatments. The old lady seemed to have some identity, she was covered with a snow-white sheet, and the crowd was crowded, coming and going.Yongzhangyin's side was deserted, and a dirty sheet covered the poor writer's face.Liu Haicheng lifted the cloth sheet and saw Yong Zhangyin's slightly deformed face due to sudden death.His eyes were staring, and the previous frank and casual temperament had been transformed into turbid substance and condensed. In this faint background color, an expression of astonishment and panic emerged from it, his mouth was slightly opened, It seems to be talking to himself: Is this the life a writer chooses? Liu Haicheng hastily closed Yong Zhangyin's eyelids, as if afraid of disturbing his ongoing dream.He turned his back and couldn't help the tears streaming down his face... Seeing the leaders of the prefectural committee coming, the hospital entered the hospital without knowing it. The director led a group of people to change a bed of snow-white sheets for Yong Zhangyin.Someone is busy doing plastic surgery on the dead man, making him more presentable, making him look more like a writer... Seeing the leader of the prefectural committee coming, the director of the factory where the deceased was located rushed over sweating profusely. The leader of the prefectural committee asked the factory director why the deceased died. I like to drink two sips, because my family is poor and can't afford alcohol, so I drink industrial alcohol.He went to work during the day and wrote at night. He was so tired that he couldn't hold on, so he drank to relieve his fatigue. In addition, his wife didn't help him when the oil bottle was down, and he didn't do any housework. After a few incomes, he thought he was incapable and couldn't make money, so he was angry with him.All these factors added up, and Yong Zhangyin's body collapsed.When he couldn't bear it anymore, he came to the hospital alone to see a doctor, and he died before the examination was over. Yong Zhangyin's memorial service was held with great grandeur.Liu Haicheng and Sun Quandang sent wreaths to him in their own names and attended the memorial service in person.At the meeting, Zhou Tongbin said that when I died, I would be satisfied with the secretary of the prefectural party committee looking at me.Er Yuehe said that when I die, the leader will send me a wreath. Less than two months after Yong Zhangyin's death, Chen Guijia, the main actor of the Nanyang Opera Troupe, suddenly fell ill while performing in Luoyang. He was diagnosed with a brain tumor and died on the operating table. After receiving the report, Liu Haicheng couldn't calm down for a long time.These writers and artists are already middle-aged, there are seniors and juniors, young and old, and there are many chores in their careers. Writers are exhausted, and actors are exhausted. How can they have time to think about their own bodies?What a loss that so many talented people died young.Since leading cadres have physical examination treatment, why can't these writers and artists enjoy it?So Liu Haicheng submitted the cases of Yong Zhangyin and Chen Guijia to the office meeting of the prefectural committee, suggesting that writers and artists establish a system of physical examination.Finally, a document was formed: all writers above the Provincial Writers Association and actors above the Provincial Dramatists Association will enjoy free physical examination every year. It wasn't just a treat, it was an honor, the writers said. So far, writers and artists in Nanyang are still enjoying this honor. Later, after Liu Haicheng was transferred to the Provincial Press and Publication Bureau as the director, he brought this practice to the publishing industry.All editors-in-chief, national model workers, or winners of the May 1st Medal can have free physical examinations every year, and can travel abroad for free for half a month.Since the implementation of this move, it has been very popular with everyone. Sun Quandang said in his own words: In March 1985, a library meeting was held in Nanyang area. At the meeting, I fired a cannonball. I said that outsiders praised our Nanyang people for their honesty. I wondered if there was a conservative and closed side behind this honesty?At that time, some people said that I was deviant and talking nonsense.I insist that this kind of mental state in Nanyang is incompatible with the spirit of the Third Plenary Session of the CPC Central Committee. If Nanyang writers want to make a difference, they must overcome the basin consciousness and get out of the basin. So with the support of the prefectural committee, in 1986, the Federation of Literary and Art Circles held a big discussion on overcoming basin consciousness.This discussion broadened the horizons of the writers, and everyone was gearing up for a big job. However, a sudden incident hit the writers' passion. In 1986, He Zhongxing, a playwright in Xixia County, adapted a play based on Qiao Dianyun's novel "Homeland Drunk" and participated in a drama competition in Nanyang.As soon as this play was performed, it immediately caused an uproar. "Hometown Drunk" describes a township cadre who is full of food all day long and has nothing to do all day long. He is obsessed with wine and reception culture all day long, but has no intention of doing the four modernizations.This kind of work that directly criticizes some cadres in reality with ironic means has become rare in recent years. Therefore, some township cadres are dissatisfied, saying that this work is full of liberalization and should be severely criticized.When the news came, the writers were silent, and the creative flame that had just been ignited was suddenly poured with cold water. Sun Quandang believes that the deep meaning of the Third Plenary Session is to emancipate the mind and seek truth from facts.Why is it necessary to promote the emancipation of the mind across the country? That is to say, the Party Central Committee must have seen the various realities of people's ideological imprisonment. This is the deep harm that the extreme left line has done to people for many years. Seek to be wise and protect yourself.Such a state of mind is incompatible with the spirit of the times required by reform and opening up.Emancipating the mind is not only useful for reform and opening up, it is even more useful for literary creation. As the saying goes, if you write boldly and drink as much as you want, you can't write good articles with trembling hands. Encourage them to emancipate their minds and create boldly. Only in this way can writers create contemporary masterpieces. Sun Quandang reported his true thoughts to Liu Haicheng, which was approved by Liu Haicheng.Sun Quandang said, what is liberalization?Liberalization is to overthrow the leadership of the Communist Party, but Qiao Dianyun's idea is to mend the pot, not to smash the pot.If the hat of liberalization is firmly placed on Lao Qiao's head, it will hurt the creative enthusiasm of a group of writers. If the writers in the entire Nanyang area are managed like a little daughter-in-law, only some mediocrity will be left in the era of reform and opening up. record, that is our failure to lead. In order to withstand Zuo's interference, Liu Haicheng and Sun Quandang made a plan, and simply made Lao Qiao a positive model, which would save a lot of trouble.At that time, the Nanyang area was holding a political and ideological report meeting, so Lao Qiao joined the delegation as a model political and ideological worker and made a tour report in the whole region.In this way, those who originally wanted to hold on to Old Joe's braid saw that he had become a positive model, and thought that the times had really changed, so they stopped pursuing it. Qiao Dianyun made a big splash at the report meeting. He strung together three stories to form an excellent speech.After the report group was over, he wrote these three stories into three short stories "Cold Shock", "Mountain Demon" and "Daughter's Blood", which were well received after publication. Er Yuehe's real name is Ling Jiefang, and his ancestral home is Xiyang, Shanxi. Because he was born when his hometown was liberated, he was named Ling Jiefang.His father, Ling Zhenxiang, was a cadre who went south, and later settled down in Nanyang. Ling Jiefang spent his student days in Nanyang, and he and Sun Quandang used to be high school classmates.Ling Jiefang joined the army in 1968 and was promoted to the party in the army. After changing jobs, he became the deputy chief of the propaganda department of the Nanyang Municipal Party Committee.At the beginning of my research, I wrote a large number of academic articles, but they were not noticed because they were inexplicable. In 1983, Ling Jiefang, who was in distress, wrote a letter to Feng Qiyong, an expert on red studies, expressing the shortcomings of red studies research, which aroused Feng's great interest, so he wrote to invite him to attend the annual meeting of red studies next year.At this annual meeting, Mr. Feng Qiyong met Ling Jiefang. During the conversation, Mr. Feng persuaded him to give up the study of red studies and change his mind.Mr. Feng said that there are many scholars in the Redology research team, and it may be difficult for you to make a breakthrough in research.But your writing skills are profound, if you change your novel creation, you will definitely succeed.Then, Feng Lao recommended him to write novels about the Three Emperors of the Qing Dynasty. Listening to Jun's words is better than ten years of reading. Mr. Feng's words were very inspiring to Ling Jiefang. After the annual meeting, Ling Jiefang hurried back to Nanyang and reported his creative plan to the then department leaders.The Propaganda Department is a place to produce literary materials. A lot of experience needs to be summed up, and how many typical models need to be publicized. Besides, Ling Jiefang is a pen of the Propaganda Department. Now he suddenly announces that he will write some historical novels in the future. How can this be done? The leaders of the Ministry helped Ling Jiefang in a persuasive manner, saying that work should be the most important thing, the party's cause should be the most important thing, the organization's work should be the most important, and the individual's creative work should be small... Ling Jiefang couldn't figure it out, so he told Liu Haicheng and Sun Quandang about his troubles, because the Propaganda Department of the Nanyang Prefectural Committee was directly in charge of the Propaganda Department of the Nanyang Municipal Party Committee, and the two felt that what Ling Jiefang said was reasonable, so they continued to help Ling Liberate and run around. Liu Haicheng approached the leader of the Municipal Propaganda Department and said, I heard that it is very difficult for Ling Jiefang to ask for creative leave, and there is no manuscript paper for writing, so I asked him for leave today... Sun Quandang also approached the leader of the Nanyang City Propaganda Department and said, Jiefang is my old classmate, he is a person with a solid foundation in literature, he has prepared for so many years in obscurity, and now it is time for him to blossom and bear fruit. Some conditions should be created for him... The leaders of the Propaganda Department of Nanyang City saw that the superiors came to intercede for Ling Jiefang, and they couldn’t sit still. They said, if Ling Jiefang was an ordinary clerk, we should just turn a blind eye and close one eye. He is the chief of the propaganda department... … Liu Haicheng said that there are a lot of publicity chiefs who can write materials, but it is not easy to find writers who can write novels.The growth period of a writer is too slow, and the growth conditions are particularly harsh. Ling Jiefang is the one who can win honor for our Nanyang literary circle. I will bet on him. If he can’t write, I will write materials for you in the Propaganda Department ! Sun Quandang said, what if there is no head of publicity?This is easy to handle, you try to get another one, can't you just get a side-by-side king? As expected, the Propaganda Department of the Nanyang Municipal Party Committee followed its plan and specially selected a propaganda cadre to free up Ling Jiefang to devote himself to novel creation. It can be said to be unique. From then on, Ling Jiefang began to use Er Yuehe's pseudonym to write the series of novels about emperors in the Qing Dynasty, which quickly became popular all over the country, and now he has become one of the most famous writers in China.It is precisely because of the favorable creative environment at the right time, place and people that Nanyang writers can stand out. In 1987, in the National Short Story Awards, among all 17 winning works, three novels from Henan won the award, accounting for one-sixth of all works. These three works were all created by Nanyang writers. "May" by Tian Zhonghe won the first place in the national short story."Full Ticket" by Qiao Dianyun won the fourth place. The seventh place went to Zhou Daxin's "Han Family Girl". The Nanyang District Federation of Literary and Art Circles held a grand celebration party. At the banquet, the writers were gearing up and said that they won 147 awards this year and another 258 awards next year.The old writer Qiao Dianyun was very excited. He raised his glass and said with tears in his eyes: People say that the party is the mother, but we in Henan say that the party is the mother. The mother tells us to drink alcohol, and we will go wherever the mother tells us... At night, Qiao Dianyun was drunk, and many writers were drunk... A few years later, Qiao Dianyun got an incurable disease.Before he died, he took Liu Haicheng's hand and said, I have no difficulties anymore, my house was arranged by you, the child was arranged by you, and I can still remember the words you wrote on the child's job search .My biggest regret is that I didn't write a word of thanks to you in my work... In 1991 and 1992, Liu Haicheng and Sun Quandang were transferred from Nanyang one after another. Liu Haicheng first served as the president of "Henan Daily", and later served as the director of the Provincial Press and Publication Bureau; Director of the Cultural Agency. At parting, all the writers cried. The poet Liao Huage wrote a poem to see him off.One of the poems reads: When a leader is gone, Nanyang writers fly the flag at half-mast for him... Going downstream along the Fujiang River, you will enter the water system of the Yangtze River, and then go eastward along the river, and when you reach Yichang and go north, you will enter the mountains and valleys of Shennongjia.In the embrace of this mountain, Shiyan City, Hubei Province, a famous automobile city, is located here. The person who contacted the author was Xinhua Bookstore in Shiyan City.The author and his party went to Shennongjia for an autumn tour, and after returning, they were invited to dinner by Mr. Huang Chengyong, the general manager of the Xinhua Bookstore in the city.Before eating, I went to the bookstore to browse. I was new to the bookstore and didn't have much gratitude. I just felt that there were a lot of books here. After several searches, there were really some good books that I couldn't find.When the author browsed, it was natural to compare it with Beijing Book Building, Shanghai Nanjing Road Xinhua Bookstore, and Shenzhen Xinhua Bookstore.Although the scale of the bookstore cannot be compared with them, but in terms of the types and grades of books, it is really difficult to distinguish between them. Therefore, the author has a certain admiration for Mr. Huang Chengyong.When a writer writes and reads books, he naturally loves books. Whenever there is a new tour, he always loves to visit the Xinhua Bookstore, just like a housewife loves to visit the vegetable market.If the bookstore there is well run and there are many bookstores, it is just plain to think that there is a rich cultural background and spiritual wealth there, and this city or place will be viewed with special respect.Even in some very wealthy coastal cities, as long as you can’t find a decent bookstore after a few visits, the author thinks that this is a city characterized by nouveau riche, and I look down on it in my heart.Because the author privately believes that the growth of a region and a city's civilization must be irrigated with sufficient water of civilization, and those large and small bookstores are lush forests of water and soil conservation, and they are the places where the source of civilization is stored. .If a place doesn't even have a decent bookstore, what awaits them will be a desert. This is the ending that even elementary school students can see. Therefore, I have many reasons to look down on it.It is the author's little experience to measure the weight of a city by looking at Xinhua Bookstore.However, because of the system, most of our Xinhua Bookstores are not doing well. All Xinhua Bookstores that are doing well probably have some deep-seated reasons.Such a thought flashed like a flash of light and flint, and soon drifted away.Next, we started eating. After eating, I found out that the name of the restaurant was Zhuangyuan Building, and it was also run by Shiyan Xinhua Bookstore.The so-called Zhuangyuan building is still related to books. In addition, this Xinhua Bookstore also runs a newspaper called Rishuyou, with 5,000 copies per issue. reader.This has some unusual meanings in the current book world. What is even more surprising is that before the farewell, the bookstore gave the author and his party a pack of gifts for each of them. When they opened it, they turned out to be 10 decks of playing cards!Famous day scholarly poker.As the name suggests, Scholarly Poker is naturally related to books. There are 54 well-drawn portraits of celebrities, half of which are Chinese and foreign, including Confucius, Qu Yuan, Aesop, etc., all of whom are famous masters in the literary world.Most of the works of the listed people are included in the must-read extracurricular literary masterpieces of middle schools and the hundreds of excellent Chinese literature books of the century.What is interesting is the king of the playing cards, Confucius is the king, Qu Yuan is the king, Lu Xun is the A of hearts, Bing Xin is the 2 of hearts, Qian Zhongshu is the Q of hearts, Shakespeare is the A of clubs, and Balzac is the A of spades etc.The seat culture is prevalent in China, starting from "Water Margin", and has been staged to today's political life.However, the creators of calligraphy, painting and poker made decisions without asking for instructions, and named Confucius and Qu Yuan the king of kings, and the strange old men with eccentric tempers and flamboyant personalities had no choice but to bow their heads under the shadow of the solitary son's deep gaze. Surrender to the mercy of fate.Ask the creators, answer: Although poker was invented in the West, it has been spread to the East for a long time. The genes have been transformed and integrated into the quintessence of the country, which is more prosperous than the West; , the two kings should be assumed by the Chinese, why not?Besides, this ranking is only what we see in our store and does not represent official opinions. At best, it only reflects the cultural level of Shiyan. Why not?Confucianism is his king, not only has his qualifications in the Chinese literary world, and his reputation is second to none, but also has an incomparable and far-reaching influence in Chinese history of the Confucian culture with benevolence, loyalty and forgiveness as the core.The image of Qu Yuan as a great patriotic poet and his "Songs of Chu" have also nourished generations of Yan and Huang descendants. There is only one person who directly links major festivals in Chinese folk traditions with writers, so Xiao Wang can also.Speak clearly and confidently. This creator is none other than Huang Chengyong.I paid special attention to Huang Chengyong again. Speaking of poker, Huang Chengyong published a passage in the "Book Friends" newspaper he founded. He said: Society is a big game, and everyone is in it.To fall to the ground is to receive the last card; alas, to play the last card.Playing cards according to the rules is to respect objective laws; revising the rules is to carry out system reform and innovation; reshuffle the cards is to reorganize resources.If you have a good card, you must seize the opportunity and play it right; if you don't have a good card, you must adjust the structure and wait for the opportunity... And Huang Chengyong also has a card in his hand, which is his cultural card.This card is his calligraphy and painting poker.Huang Chengyong said: My initial motivation was for entertainment. We were going to open a hotel, which is the Zhuangyuanlou Hotel you saw. I thought this hotel should have some cultural taste and entertainment. Special poker cards, I hope to entertain and teach, so I thought of playing cultural cards, and replaced the original drawing with the head portrait of a famous writer, so that even when everyone is entertaining, they can also pay attention to the content in their hands, which is better than those in poker. It's much healthier to poison and corrupt teenagers with pornographic images of naked women on the cards.Therefore, we designed and selected 54 avatars of famous Chinese and foreign writers (including the writers recommended by the Ministry of Education as must-read books for primary and middle school students?), and briefly introduced their life and representative works, which can be enjoyed and learned, for the current promotion Make a small effort to educate the citizens and strengthen the quality education of primary and middle school students... A pair of cultural cards, what a pain in the ass! To be considered scholarly, one must have high artistic taste. The binding design of this set of poker is top-notch in China.The Xinhua Bookstore in Shiyan City and the counties and districts under its jurisdiction have uniformly used the C1 design for the past year. It is clear at a glance from the logo and color, and there is a sense of trust and solemnity in the visual language. The background color of this pair of poker is the reader. My favorite Xinhua Red.In order to improve the artistic taste, the famous writer and painter Gao Mang is specially invited to draw the portraits of 54 great Chinese and foreign writers with white line drawing. The author also studied art in the early years, and it is worthy to look at Mr. Gao Mang's paintings from a semi-professional perspective. It is called a masterpiece in the painting. For the taste of this poker, Huang Chengyong traveled thousands of miles to Beijing to invite Mr. Gao Mang, not only invited Mr. Gao out of the mountain, but also climbed to Wangnianjiao. Here is a passage of his text as evidence: On the afternoon of January 8, 2001, when it was snowing first, I had a talk with Mr. Gao Mang at his residence.Mr. Gao Mang is tall and has a high nose. He is 75 years old and looks like he is 60 years old.I have several translations published by him in my family, and I am no stranger to him.Before visiting him, the letter of recommendation from Mr. Zeng Zhuo from Wuhan had already arrived.It was proved not to be a liar (has a liar visited before?, so we are very casual with each other. I offered two boxes of tea and told him that the tea was from my hometown. Gao Mang said: OK, I will entertain you with a strong sense of nostalgia. Gao Mang and Huang Chengyong talked quite speculatively.Na Gaomang is a famous translator, writer, painter, and editor in China. He once served as the editor-in-chief of "World Literature" and translated "Paul Korchagin" (drama). He was issued an order signed by Russian President Yeltsin himself Medal of Friendship.Being able to have a high-spirited discussion with him shows that Huang Chengyong is not just a book seller. Book seller, Shu Jia, is the nickname Huang Chengyong gave himself.然而，当笔者聚焦书香扑克，聚焦书友，聚焦黄成勇，方知黄成勇首先是一个读书人，其二还是一位著书人，其三才是一个成功的卖书人。黄成勇26岁那年，曾任十堰地区竹山县的文化局长。在这一段时间里，黄成勇本来可以在仕途上接着走下去，但没有想到，因为他从小爱书，迷书，竞让书改变了他的生命样式。他说：大概是寂寞吧？大概还有孤独吧？要不怎么会喜欢书呢？喜欢书，一下子就喜欢书的一切：喜欢书的各式开本，各样装帧，喜欢闻新书墨香、旧书的霉味，喜欢各种纸张的色泽和手感，喜欢了解书的印刷和编辑艺术，喜欢写书的人和编书的人，喜欢书的掌故和轶事，喜欢逛书店和书摊，不为书花点钱心里就痒痒。说来真不好意思，至今还喜欢连环画，随意翻翻，仿佛翻看自己的童年。人生也像一本书吧，被时光翻看，那么不经意地就翻去了几十页，回忆生活中保存下来的，可以称之为欢欣和愉悦，大多都与书有关…… 这样一个爱书之人，他的内在结构似乎已决定了他运行的轨迹，因此他于1991年调往十堰市新华书店任经理，彻底下了书海，终日与书共舞，且其乐融融，从此不思仕途之事。 黄成勇，书痴也。 即称爱书，便由表及里，那就是以书会友，因此，黄成勇以书为缘，结交了许多作家学者。他说：书的缘分，使我成为一个积极的书的结缘者。当我把特别喜欢的书，特别喜欢的书的作者，用读书笔记和访问记的形式见诸报端和刊物时，实在是想以此引起人们对书的兴趣，不成想却因此结识了.一大批书的专家们，他们都是读书大家和藏书大家，我从他们那里得到了鼓励和提醒，更重要的是还获得了关于书的持续的和不断翻新的乐趣…… 这样就引发了黄成勇的以书为题的创作冲动。多年来，他京访姜德明，沪访倪墨尖，汉访碧野、访曾卓，蓉访流沙河，长访钟叔河……凡书界名家一一拜访，自我感觉山水览胜，个中妙处难以言说，于是就细心记述下来，这样就有了一本散文集《沐浴书香》问世，该书收有散文40余篇，读来既有学者之重，又有清丽之轻，以这种态势走下去，日后能成为散文大家也未可知。 然而，黄成勇还是把主要精力花在了书店上。 十堰的新华书店之所以办得好，是因为他不只是一个会读书的人，更是一个懂书、知书、爱书又会写书的人，还是一个用心养书的人。这就是十堰市新华书店成功的秘诀。 1997年，《中国图书商报》评选全国书业界十大新闻人物，黄成勇名列其中。 1998年，黄成勇又被国家新闻出版署授予首届全国书刊发行行业最高荣誉奖中国书刊发行奖。 而黄成勇创意的书香扑克也获得了极大成功。请看第32期《书友》报的一则新闻： 本报讯：（通讯员随郧报道） 书香扑克问世以后受到业内人士和书友的热情赞誉和广泛欢迎。经向全国部分地（市）以上新华书店发函征订，陆续收到省内恩施、潜江等店的订单，外省包括福建龙岩、三明，浙江宁波，辽宁本溪，山东东营，甘肃张掖、白银、武威，江苏扬中、张家港、泰州等店大量传真订单。《中国图书商报》5月31日出版的第931期刊发书香扑克专题报道后，省内外各级书店表现出极大兴趣，纷纷来电订购、咨询详细发货事宜。江西省高安市一家民营书店负责人收阅《中国图书商报》后，多次来电联系购买书香扑克。截至6月30日，本报已发出书香扑克3.86万副。不少读者个人来函联系购买，有的甚至夹寄现金（按邮局规定是不可以这样交寄的），鉴此， 本报从6月底起陆续接受书友个人邮购。 书香扑克备受青睐，充分说明通过这种形式宣传好书，寓教于乐，提高人民群众的文化品位和文明素质是一个很好的尝试。和湖北十堰新华书店有许多共同点的深圳市新华书店，虽为全国书业界的佼佼者，但它初始创业的根基却建在人所共知的文化沙漠上。深圳的经济几乎是一夜腾飞的，但在一份关于读书的问卷调查上，有人却大言不惭地问道： 读书干吗？ 读书能挣钱吗？ 在被调查的500人中有384人坦言疏远书籍甚至拒绝书籍。 1983年，深圳市政府有关文化设施的建设方案相继出台，有图书馆、博物馆、大剧院、科技馆、电视台、深圳大学、新闻文化中心、《特区报》等等，独独忘却了新华书店。这个具有典型意义的忘却，使深圳人付出了沉重的代价。 当人们在飞金流彩的深圳大街上穿行，给人感觉更多的是灼人的物欲。关于南国文化深沉的另一面却鲜得一见，因为看不见一个城市的心灵，许多人都对这个城市的未来持怀疑态度。于是，文化沙漠的命名油然而来。 显然，文化沙漠将会给这个城市带来厄运，也许是看见了令人堪忧的前景，深圳市领导们决心改变这一切。 若要抑制沙漠蔓延，就要多种树多种草。深圳市新华书店的领导和员工率先成了植树人和种草人。按说，深圳也不乏读书人，而在偌大的深圳却常常无书可买。在五六年时间里深圳已是高楼林立，却没有新华书店的一席之地。深圳市新华书店仍是原来宝安县的老家底，一排小得可怜的门市部，全部面积才300平方米。深圳此时已有40多万人，星期天来买书的人摩肩擦背人头攒动，即使费九牛二虎之力挤进书店，也难买到令人中意的书。 汪顺安是深圳市首任新华书店总经理，也是在任期间初步解决了深圳人读书难的功臣。他曾深夜敲开市长的家门，让市长特批了40万元，作为新华书店网点建设资金。以后又惨淡经营精心谋划，在红岭北路建了一幢5000平方米的大楼，自用一层，其余出租，一年下来，可以收60多万元租金。这只会下金蛋的鸡为深圳市新华书店立下了汗马功劳，几年之后，深圳市新华书店已在南山、蛇口、沙头角等地连开12个门市部。每一个书店都是一片绿洲，它对于改革深圳市文化土壤起着非同寻常的作用。 在深圳市领导支持下，1993年，深圳书城破土动工，全城总面积4.2万平方米，楼高33层，总投资1.8亿元。 此时的深圳，已是遍地绿洲茂树葱茏了。正是有了这些改变气候、土壤、环境的一系列努力，深圳才把目光瞄上了第七届全国书市。1995年3月1日，深圳市人民政府向国家新闻出版署申报，希望能在深圳举办全国第七届书市。 报告中说：深圳有着读书热情高，购买力较强的读者群。深圳经济特区建立以来，两个文明建设取得了较大的成就，社会全面发展，群众安居乐业，市民读书热持续高涨，人均购书量已连续6年居全国城市的首位。如第七届全国书市能在深圳举行，定能给出版者、作者、读书者提供更好的交流机会，达到互相促进的目的。国家新闻出版署鉴于深圳吞吐图书的能力和影响力，欣然同意深圳市人民政府举办第七届全国书市。 果然，第七届全国书市取得了圆满成功。书市的最高日流量达6万人次，不少读者常常因为书市停止售票而不能进场。整个书市期间，共接待购书读者近百万人次。根据图书销售金额统计排队，哲学社会科学、文学艺术、文化教育、自然科学技术四大类始终排在前4位。从中可以看出，深圳人对出版物质量和品位的追求较之以往有了明显提高。价值观已在悄悄发生变化，注重高雅精品，看重内容品质，丰富精神生活，注重精神修养，提高自身素质，增强实际能力已逐步成为深圳人现实生活的一个重要方面。 第七届全国书市是对深圳图书人的一个总考验，同样也是对深圳人文化素质的一次总考试。 深圳人爱书读书的热情给人们留下了深刻的印象。深圳把文化沙漠的帽子远远地扔到了太平洋。 把书城办成永不落幕的书市是现在深圳新华书店对深圳人的许诺。现在人们去书城，二楼、三楼、四楼全是书，全国每年出10万种新书，书城就拥有8万种，读者想要工具书、科教书、文学作品，各分类书店琳琅满目，BLMS系统随时检索书架上的书况，及时补货、添货。各家连锁店的书也配送合理，读者可以就近购书。在社会图书网点青年迷你书店、大观书苑、朝花书店以及数以百计的图书流动车和数不清的地摊的围剿蚕食下，新华书店作为全国图书发行的主渠道，以现代化的科技经营手段和管理手段占领和拓展着精神文明建设的领地。 1997年，由深圳市文化局主持的深圳书城精神文明示范单位表彰暨文化旅游景点项目论证会在深圳举行，会上，就深圳书城在大文化观念下的定位、策划书城作为文化旅游景点的新项目、书城的形象策划、书城和文化旅游景点在深圳两个文明建设中的作用和承担的责任，以及书城的未来发展方向和应该达到的目标进行了广泛的论证。他们对书城的未来进行了设计，未来的书城，将是一个以图书购物为重点，集文化传播、娱乐休闲、景点浏览等多功能为一体，内容丰富、特色明显、影响广泛、名副其实的文化旅游景点。 笔者在深圳市文明办袁处长和现任新华书店总经理的陪同下来到书城，游走在当年论证会所设计的未来里。几年前的设计现已得到了圆满的落实，如今的书城已是深圳市传播精神文明和先进文化的重要窗口。临别时，新华书店负责人送了我两本书，一看，原来是我多年前出版的书，因年代久远，连我自己也失却了。现在，他们帮我寻找到了自己的过去，让我重温了青苹果的滋味，又让我领略了书城的浩瀚和博大…… 一支由老战士组成的特种部队出发了。 他们不顾年迈体弱，不怕劳累奔波，不计得失，不讲报酬，在市场经济的今天，以俯首甘为孺子牛的精神，面向社区，面向人民群众，面对广大青少年，如啼血杜鹃般完成最后的绝唱，成为当今先进文化和革命传统的辛勤传播者。 在大连沙河口区，有一个著名的老干部关心下一代报告团，这个报告团的成员大部分由老红军、八路军等老干部组成。他们是沃林、王怀惠、郭耀堂、卢猛、皮起风、金道永、张立兴、高玉宝、王子华、辛克、张久成、张云晓、石岩、刘世廉、岳维忠、张富国、修湘、段云海、田惠民、李厚民、张毅、王扑玉共22名老同志。 几年来，这个报告团不仅足迹遍及沙河口，而且还遍及大连市，有的甚至走出大连在全国各地巡回演讲，不管是从报告总场次讲，还是个人报告场次讲，这个报告团都有可能是全国之最。 这个报告团中，若论单打冠军当数著名的战士作家高玉宝。 战士作家高玉宝，1927年4月6日出生在辽宁省瓦房店市闫店乡孙家两屯，只念了一个多月的书就给地主放猪，9岁给日本鬼子当童工，15岁替父亲当劳工，1947年参加中国人民解放军，6个月后入党，在辽沈、平津、衡宝战役中立过六次大功、两次小功。 在行军作战中，高玉宝以画图代替文字写出20万字的自传体长篇小说《高玉宝》。该书1955年出版后，在国内引起很大反响，在国外有12个国家和地区，用15种语言翻译出版，在国内有7种民族文字出版发行，仅汉文就印了450多万册。《我要读书》和《半夜鸡叫》被编入我国中、小学生课本。其后，他又写出长篇小说《春艳》、《我是一个兵》和《高玉宝续集》，并发表100多篇短篇小说、散文、报告文学作品。 高玉宝历任战士、通信员、文艺干事、师职创作员、沈阳军区创作室名誉主任等职。曾担任第二届团中央委员、中德友好协会理事，多次参加全军、全国劳模、先进工作者大会，并参加第三届世界青年代表大会、第四届世界青年与学生和平友谊联欢节。他先后23次受到毛泽东、朱德、周恩来。等党和国家领导人的接见。1995年4月29日，参加全国劳模大会，受到国家主席的接见；1998年11月29日，受到来大连视察工作的总理的亲切接见。从1948年到1999年底，他共写讲稿65万字，在部队、学校、厂矿、机关等单位，为战士、学生、工人作报告3656场，听众达到60余万人。 1989年1月13日《辽宁日报》刊登了一幅漫画，画面上有一个八九岁的小女孩面前放着一盆茶蛋，辍学的小女孩边卖蛋，边面对40年前的高玉宝写的一本书《我要读书》掉眼泪。当高玉宝看到这幅漫画时，他哭了，提笔写道：看了此画泪满腮，我那童年别再来。无知无识怎建国，当以全心育英才。 高玉宝决心把自己的一生献给下一代，鼓励青少年刻苦学习，读书立志，长大了好报效祖国。1990年4月沙河口区成立了关心下一代工作委员会，高玉宝被聘为副主任、讲传统报告团副团长。凡是邀请他参加的青少年活动他从不推辞，作报告的日程总是排得满满的，有时一天讲三场，仅1995年就在北京、上海、南京、开封、台州等16个城市作报告182场，听众16.933万人次，他被34个单位聘为名誉校长、政委、辅导员等荣誉职务，每天还收到不少来信，最多时一天收到200多封，他坚持做到有信必回。几年来他为青少年购买赠送各种书籍1万多册，花了4万多元。 高老不仅作报告教育青少年，他还以自己的行动影响青少年，坚持做到言行一致，说到做到。1990年6月的一天，事先约定要去大连聋哑学校作报告，正赶上他心脏病发作，他的孩子们都为他担心，劝他等病情稳定一下再说。高老说：那么多孩子在盼着我，而且都是些残疾儿童，无论如何我也不能凉了他们的心。于是吃了药，骑上自行车硬挺着去了。他走上讲台，以《幸福不忘共产党》为题作报告，一边讲，手语老师一边比画作翻译。报告结束，他浑身像散了架一样，但看到台下的残疾孩子热烈鼓掌的欢快情景，不由得走到孩子们中间，拉拉他们的手，摸摸他们的头，高兴得老泪纵横。 1995年10月的一天，晚上10点多钟，熟睡中的高玉宝被突然来的电话铃声惊醒了。他拿起话筒一听，是武汉市黄陂路小学的学生打来的电话。what is the problem?原来是这个学校开展金秋读书节活动，孩子们读了《高玉宝》一书后备受感动，都很想见一见高玉宝本人，哪怕是听一听他说话的声音也好。这些小机灵还真有点子，他们通过中央电视台打听到了高玉宝家的电话。 第一个孩子刚放下电话不久，第二个孩子的电话又来了，一连接了4个小学生的电话，他们都说：高爷爷，找您真不容易，我们好高兴哟！最后一个孩子提出请高爷爷讲几句话。高玉宝对话筒说：你们要遨游知识的大海洋，练好本领去太空，为振兴中华发奋学习，做跨世纪的主人！第二天，他们便把高爷爷的话传到全班。该校德育主任知道了这个消息，马上也给高玉宝去电话，代表区教委邀请他乘飞机后天来学校，给金秋读书大会作报告。可是高玉宝已经约好要去营口市作报告，经过商量，高玉宝只好用电话对武汉市黄陂路小学师生讲了半个小时。开会时学校将讲话录音在大会上播放，使师生受到一次生动的教育。 1996年3月，高玉宝应邀到武汉市，就抽时间亲自到黄陂路小学作了一场报告。那一天，学校好像过盛大节日一样热闹，校门两边站满了学生，每人手拿鲜花迎接高爷爷。报告结束后，学生们呼啦一下围上，都要争着看一眼高爷爷，最后还与打电话的4个小学生合影留念。 年近古稀的高玉宝经常向群众作报告，每次报告一结束，就被听众团团围住，要求签名或题词。他虽然很累，但每次总是笑嘻嘻地尽力满足大家的要求。高老说：这是孩子们对我的尊敬，我理解他们的心情，签名题词是一种联络感情的好方式，也是启迪他们的一种好方法。（这些年来他共签名题词1.3万人次。） 1995年12月高老到台州市作报告，因为过度疲劳而病倒住院。当孩子们得知高爷爷住院的消息后，都纷纷带着鲜花去探望，要求签名题词。有一个十来岁的小姑娘，拿着2角钱向卖花的奶奶买一枝鲜花，老奶奶问：买一枝花干什么？她说：给我们作报告的高爷爷病了，我要去看他，身上只有2角钱，就卖给我一枝吧。最后老奶奶很感动地送给她一枝鲜花。高玉宝面对如此纯真的孩子实在无法拒绝，只好让别人扶住打吊针的左臂，把红领巾和笔记本放在桌子上为孩子们签名。前来要求签名的学生络绎不绝，每天从早到晚，一直签到出院，附近小铺的笔记本都卖完了。医院的工作人员也不甘落后，有一位护士买了4个带密码锁的高级本子，请高玉宝题词，给自己、爱人、孩子和娘家侄子各一本。 1996年5月高玉宝再次被请到台州作报告，有4个青年，从百多公里的天台县开车找到高玉宝的住处，每人带着4本极为精致的笔记本专程请高玉宝签名题词，一本是单位的，一本是自己的，一本是爱人的，一本是孩子的。高玉宝问：孩子多大了？他们回答说：最小的只有37天。高玉宝说：孩子这么小着什么急？他们说：等他长大了，上哪找您呀！ 有时候，有的学生没有准备好笔记本，就请高玉宝在帽子上、衬衣上或背心上签名。 高玉宝在关心下一代工作上，默默地耕耘，跑遍了大半个望：曼初青少年都叫他高玉宝大哥，后来叫高叔叔，现在都称他为亨尊爷。52年来他报告3600余场，从不收受馈赠的礼物，还把献箩他的鲜花转赠给优秀教师，把红领巾签上名赠给优秀少先队员。但亭三门县他却十分高兴地收下了他视为珍品的礼物。这就是三门县实验小学赠送的一本看似平常却又不平常的日记本，这个日记本记载着县实验小学从校长、书记、老师到各中队的学生代表卵，听了高老报告后的表态性誓言，有的一二年级小同学的誓言还晷用拼音写成的，这些誓言代表着全校师生的心声。县关工委和县罄季关工委也怀着对高老的崇敬心情和美好祝愿，赠给高玉宝两件礼物：一支钢笔，祝愿高老用这支笔写出更好的文章和作品来教育下一代；另一件是玉雕千里马，祝愿高老的精神像千里马一样世世代代在祖国的大地上奔驰。 报告团中单打第二名是修湘同志，他是著名的渡江英雄连原二排长，就是电影《渡江侦察记》中吴老贵的原型之一。修老1945年参军，他所在的华东野战军九兵团二十七军侦察营二连，是一个英雄的连队，在淮海战役中曾荣立集体一等功。1949年4月大军渡江前夕，该连奉命执行先遣渡江侦察任务。9月，第九兵团政治部、司令部根据二连先遣渡江侦察和策应我军渡江中的突出表现，授予二连先遣渡江英雄连的光荣称号，并颁冬奖旗一面（现存于中国人民革命军事博物馆？，修湘同志在这次婆兰堡察中荣立二等功。影片《渡江侦察记》反映的就是先遣渡江侦察敌情的真实故事。修湘同志对二连被命名授旗后剧作家沈默君？上级文化部门的同志深入了解和整理二连事迹的情况至今记忆犹誓，当时修湘同志刚由排长提升为副指导员，他主持安排了采访工仟，司时又是被采访对象。由于某些情节难以言传，就到实地考考：箩湘同志领着前来采访的同志，重新走了先遣渡江侦察连所走苎箩肇线：登狮子山，去老庙，奔张家寺，上茅岭和黄连山。他边走边讲，采访者边走边看，边听边记。如侦察员们在遇到敌情后，在山上的什么地方与敌人，哪个同志隐蔽在哪块大石头后面，哪个同志在什么位置迷惑敌人，敌人在山下的什么位置等细节，经过修湘的讲解采访的同志听了特别满意。后来沈默君同志把这段故事写进了《渡江侦察记》。为了保证历史事件的真实性，1954年在拍摄《渡江侦察记》时，八一电影制片厂还特邀二十七军侦察科长慕思荣、二连连长高锦塘担任军事顾问。 至今，修老家还珍藏着一本珍贵的《先遣渡江英雄连战史》，该书共3万余言，是1984年，在该连先遣渡江