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Chapter 14 Examples of works in the second section "The Book of Songs"

In a nutshell, it is like a mirror, reflecting the whole picture of Chinese society at that time.From princes and nobles to common people and slaves, from military affairs to children's personal relationships, the 305 poems describe all aspects of ancient social life.Of course, this reflection is the reproduction of art rather than the record of history. "National style" is the most exciting part.Because folk songs are the truest reflection of the thoughts and feelings of the working people, the so-called "the hungry sing about their food, and the laborers sing about their work".For example, "Wei Feng · Cutting Sandalwood" is a labor song sung by lumberjacks while working:

(Leading the singing) The sandalwood is cut down, and the river of [zhi] is dry, and the river is clear and rippling [yiyi]. (Chorus) No crops, no crops [se se], three hundred grains [chan cicadas] come on!Don't hunt, don't hunt, Hu Zhanerting has a county [xuanxuan] 貆 [huanhuan] Xi!He gentleman, don't eat vegetarian food! (Leading singing) The river is clear and straight. (Chorus) If there is no harvest, there will be 30 billion crops!If you don't hunt, you don't hunt, Hu Zhanerting has a special feature!He is a gentleman, not a vegetarian! (Leader) Cutting the wheel in the rough and rough, the river is pure [chunchun], the river is clear and rotten. (Chorus) If there is no harvest, there will be three hundred harvests!No hunting, no hunting, Hu Zhanerting has county quail [chunchun]!That gentleman, don't eat [sun and grandson]!

This chant that was sung repeatedly made us feel a warm working atmosphere.But through this warm atmosphere, we can also feel the injustice of the loggers to the nobles who got nothing for nothing.Because life itself makes them have to think about such a profound social problem: "If there is no harvest, there will be three hundred crops." Therefore, folk songs can often reflect the awakened consciousness of the working people living at the bottom of society.In this poem, irony (that is, irony) is used at the end of each chapter to answer, with a slightly humorous effect, which further strengthens the appeal.Read "Qin Feng·Yellow Bird" next.

This is a poem in mourning for the "Three Goods" by the people of the Qin State, which vividly reproduces the cruel scene of human sacrifice at that time.According to "Zuo Zhuan" records in the sixth year of Wengong: "Qin Borenhao (Qin Mugong's name) died, and the three sons of Ziche's dying, Zhongxing, and Zhenhu were martyred. They are all Qin Zhiliang (excellent talents). People of the country Mourn it, and compose "Yellow Bird" for it." Every chapter of this poem starts with "Crossing (chirping) yellow bird, ending at the thorn [Sang, Chu]", as if the yellow bird is also thinking about "Three "Liang" was buried and anxious.Such a technique of "getting excited" immediately brings people into an atmosphere of panic and anxiety.Then write: "Who is from Mugong? Ziche is dying (Zhonghang, Zhenhu)!" It seems to be running around to tell each other, spreading the sudden news throughout the country.Then it uses a close-up shot of a person buried alive "appearing in his cave and feeling apprehensive", which makes people feel horrified and desperate, and the reading is like being there.Then he wailed: "Heaven in the sky, kill my beloved!" Finally, he shouted loudly: "If it can be redeemed, a hundred people will die! (One hundred of us will exchange one for him)" Pushing the grief and indignation to the climax.The whole poem is tense, sad, and layered.It ruthlessly criticizes the extremely cruel system of human martyrdom with bloody scenes.

Love is always an endless theme in poetry.Most of the love songs in the novel focus on portraying the psychological state of young people's lovesickness.Let's watch "Chen Feng·East Gate's Pool":
This is about a young man secretly in love with a beautiful girl.In the form of repeated chants, he expresses his ambivalence that he wants to get close to her but finally has no courage to "meet her".Look at "Zheng Feng Jiang Zhongzi" again: This poem is about a young girl persuading her lover (Zhong Zi) not to come to her house by climbing the wall ("no more than my [wall, garden]"). "Zhong (son) can be pregnant, and the words of parents [brothers, people] can also be feared" shows the girl's ambivalence of worry.

There are various psychological descriptions of love: "A quiet woman is like a sister, waiting for me in the corner of the city. Love does not see, scratching her head and hesitating..." ("Bei Feng·Jing Nu") "scratching her head and hesitating" The eager mood of the boy is vividly drawn, which is vivid and cute. "Qingqing Zijin, carefree my heart. Even if I don't go, Zining will not listen!" ("Zheng Feng·Zijin") writes about a girl's grievances towards a young student she loves. "Zihui thinks about me, and the clothes are in the Qin. If you don't think about yourself, there is no one else!" ("Zheng Feng·Changshang") writes about a woman's teasing of her lover.These psychological descriptions are not full of words, and a very ordinary sentence contains infinite emotions and makes sense.This highly condensed line drawing technique has a very profound influence on the poetry of later generations in China.

The rich content is of course not just what the few poems mentioned above can summarize.In "Ya" and "Song", there are many epic chapters reflecting the historical legends, political, military activities and social system of our Chinese nation. At the same time, some historical materials about earthquakes and droughts in ancient times are also recorded.Interested readers can explore further.
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