Chapter 23 Look, look, the face from before...

——The millet lili, the seedling of the other millet The other millet is Lili, the seedling of the other millet.Walking is extravagant, the center is shaking.Those who know me say I am worried, those who don't know me say what I want.Long heaven!Who is this? The other millet is lili, the ear of the other millet.Walking is extravagant, the center is drunk.Those who know me say I am worried, those who don't know me say what I want.Long heaven!Who is this? He is separated from the millet, the reality of the other millet.Walking is extravagant, and the center is like choking.Those who know me say I am worried, those who don't know me say what I want.Long heaven!Who is this?

—— "Wang Feng Mi Li" Uncle Li Li looked at Wang Bo very sadly and said: "Those who know me say I am worried, and those who don't know me say what I want." People smiled knowingly.At this time, Uncle Li is not like a character in the world, but more like a scribe who has suffered a lot. Basically, Uncle Li can be regarded as a cultural person, whether it is "the people's hearts are scattered, and the team is difficult to lead", or "I used my heart to illuminate the moon, but the bright moon shines on the ditch." Uncle Li's main job is a thief, From time to time, however, some shadows of Chinese literati can always be seen on his body.This paradox is like everyone knows that Feng Xiaogang is the director of commercial films, but no one can stop him from showing a bit of cultural tail from time to time. It is undeniable that he still scratches the little itchy spot in his heart with his fox tail. It's his talent.

"Those who know me say I am worried, and those who don't know me say what I want." This famous sentence comes from the Book of Songs "Wang Feng Mi Li".Around the early years of the Eastern Zhou Dynasty, not long after King Ping moved eastward, a senior official in the court went to Haojing (Xi'an, Shaanxi), the capital of the Western Zhou Dynasty, which was the so-called Zongzhou.He looked forward to the prosperity of the past, and everywhere he saw was desolation.The majestic city gates and palaces of the past, and the prosperous king's capital in the past have all disappeared.On the ruins, there is only a piece of luxuriant millet seedlings growing wantonly, and occasionally there may be one or two wild pheasants crying from the sky.On a certain summer day, when the light that is no longer scorching evenly spreads on the dim earth-the scars of the end of the world instantly crushed a solemn doctor, he couldn't help feeling sad, and his shirt was full of tears.

"Historical Records Song Weizi's Family" records: "Jizi went to the Zhou Dynasty, passed the ruins of the old Yin, felt that the palace was destroyed, gave birth to millet, and Jizi hurt it... He wrote "The Poem of Mai Xiu" to sing about it, and the people of Yin all shed tears when they heard it. "Although "Mai Xiuge" was first recorded in "Historical Records", Wei Zi's injury to Yin was in the early Western Zhou Dynasty. The content of "Mai Xiuge" cannot be unknown to the author of "Shu Li".The demise of the Western Zhou Dynasty was due to the debauchery and brutality of Mr. Ji Gongnie, King You of Zhou, which caused the dog army to attack Haojing, and the state of the Zhou Dynasty fell. How similar is this scene to King Zhou of Shang who lost his country and was wiped out by King Wu?This poem deliberately uses "Bi Shu Li Li" to highlight the decadent scene, which not only shows the change of dynasties and the speed of changes in the world, but also has the meaning of "the lessons from Yin are not far away".

In the thousands of years since then, the Forbidden City has become synonymous with the thought of subjugation, and it has never ceased to appear in poetry and prose, from Cao Zhi's "Love Poetry" to Xiang Xiu's "Reminiscence of the Old", from Liu Yuxi's "Wu From Yixiang to Jiang Kui's "Yangzhou Slow", all of them reflect this kind of prosperity.However, the Yin people had no time to mourn for themselves and later generations mourned, and later generations mourned without learning from it, which also made future generations mourn future generations again.

The growth process of millet is quite symbolic. When "Ji Miao" has become "Ji Sui" and "Ji Shi", the poet's mood changes from "shaking in the center" to "drunk" and "as if" The deepening of "choke".Although the exclamations and call signs in the second half of each chapter are exactly the same in form, the repeated singing deepens the sadness and depression. The reason why I liked "Shu Li" at first was not because of worry.That's too far away, and it's hard for us people who are living in a peaceful world to understand what real sorrow is.It was my good sister Kuang Lili who made me get close to this poem involuntarily.Lili's name is very old-fashioned. When most people see her name, their eyes light up and they blurt out: "Oh! 'Lili Yuanshangcao' is Lili!" There is no ambiguity at all.Sometimes it can't help but make this girl very depressed-her father and Bai Juyi jointly deprived her of the right to express herself and create.

I can't help it, I also reacted like this when I first met her, after all, Bai Juyi is well known to all women and children, and her calling skills are too strong.But later I read it, and when I read "the other millet is Lili, the seedling of the other millet", I told Lili that your name still means lush, but this time it is not grass, but millet. Later, because of Lili, I met Brother Kuanglan again.My brother is a very legendary person. In him, I can read the taste of "Shu Li", especially the sentence "Those who know me say that I am worried, and those who don't know me say what I want", which is especially reflected in him. .His ideal must have been supported by some people at that time, and some people thought it was meaningless, but everything was in line with the sentence: "Those who know me say that I am worried, and those who don't know me say what I want."The worries of the doctor of the Eastern Zhou Dynasty bore the ups and downs of the entire dynasty. He felt that he saw it and wanted to save it, but when that period of time decided to go away, history sank down like a train roaring head-on.How can he hold that determination with his own hands?So sorrow can only be sorrow.

The elder brother is different. His worries are more realistic, and he puts himself in a position where he must act.The unnamed lake ahead is a place that must be reached.Even running one big circle after another around that lake.Like a teenager running on the playground in the lonely morning, he was silent.Just being a person is a real and satisfying thing.Walking firmly according to one's own will is more satisfying than standing on the ruins. Those who know me say that I am worried, and those who don't know me say what I want-it is so sincere and straightforward to ask the sky and ask myself.A sober person, facing some people who can't synchronize with his own thoughts, even if he is not understood, worried and indignant, but has a calm heart and has the answer, so he doesn't need to force others to agree.

In later generations, Li Bai said, "Whoever abandons me will not stay with the day of yesterday, and whoever disturbs my mind will worry more about today", which is actually the same thought.Generally, smart people, with so many choices, will inevitably get confused.Others take the country road to get home safely, but you have to enter the forest. Naturally, it takes more effort than others to distinguish the path from it. Sobriety is the breaking out of one's cocoon.It doesn't need to be echoed. At the end of "Mi Li", in my mind, it is more like this picture: Li Li is a lush millet seedling, facing the light and growing wantonly in the wind. If her life returns to its original state, it should be so rich And elder brother, the doctor who stood alone facing the millet seedlings a thousand years ago, he should no longer be full of vicissitudes and desolation.

——The eyes are clear and the heart is satisfied.With a firm and thorough heart, this is a person after two thousand years.