Chapter 32 Song Huizong——Zhao Ji
Zhao Ji (1082-1135), the eleventh son of Shenzong.After ascending the throne, he favored Cai Jing and other treacherous people, and the government became increasingly corrupt.Zhao Ji indulged in pleasure, excessively increased taxes, and carried out large-scale construction projects. The country's financial deficit was serious and class conflicts were unprecedentedly fierce. In 1126, Jin soldiers drove southward, approaching Bianjing.While Zhao Ji sent envoys to seek peace, he passed the throne to Prince Zhao Huan (Emperor Qin).At the end of the year, Jin Bing broke through Bianjing.In the second year of Jingkang (1127), Jin soldiers escorted Hui and Qinzong to the north, and the Northern Song Dynasty died.Zhao Ji was humiliated in the Kingdom of Jin and died in Wuguocheng (now Yilan, Heilongjiang).He was later buried in Yongyou Mausoleum (now southeast of Shaoxing, Zhejiang), and the temple name is Huizong.
Zhao Ji is a calligrapher and painter.His official book is called "Skinny Gold Book", and it is also written in wild cursive, and there are handwritings such as "Thousand Character Wen Juan".He is good at flower and bird painting and is famous for his exquisite workmanship.During his imprisonment in the Kingdom of Jin, he was tortured mentally and wrote many poems of regret, lamentation and desolation.There is a volume of "Huizong Ci" handed down from generation to generation.
Cut the ice cream, lightly stack it several times, and inject evenly with light rouge.
According to "Records of the Court and the Field" written by the Song Dynasty, this poem is actually Huizong's last work.However, the words "going north" in the title are nothing more than euphemisms for imprisoning foreign countries.In 1127 AD, the Jingkang Incident occurred. Huizong Qinzong, his father and son, together with the clan concubines, were taken captive by the Jin people to the north, where they died in the desert.Zhao Ji suddenly became a prisoner from the Supreme Emperor, and this ruthless change of fate undoubtedly dealt a huge blow to him.This frustrated talented man has experienced the humiliation of the world and the torment of his homeland. He washes his face with tears day and night, mourns and anguish, and writes poems, writing many sad and desolate poems.It can be said that fate destroyed Zhao Ji as an emperor, and at the same time created Zhao Ji as a poet.This "Yanshan Pavilion" (also known as "Yanshan Pavilion") is the most tragic and eloquent piece in his late works.
The words are inspired by apricot flowers, and they are self-evident with apricot flowers. "Cut the ice cream, lightly stack it several times, and pour it evenly with light rouge." The apricot blossom, like pure white silk, is skillfully cut and lightly folded, and evenly covered with a light layer of rouge.The poet is worthy of being a master in painting. He uses elegant and delicate brushstrokes to paint the sky of apricot blossoms, and expresses the pure beauty of flowers with brisk strokes.Next, "New style of beautiful makeup, full of beauty and fragrance, ashamed to kill the maid of Ruizhu." Comparing Xinghua to a beautiful woman with fashionable makeup, exquisite beauty, and warm fragrance, this is the rewriting of the past. As for saying that she is better than the fairies in the Ruizhu Palace in the sky, it is to describe her beauty and elegance to the extreme. The word "shame to kill" means that the fairies in the sky will feel ashamed when they see it.
So far, the pen has written all the beauty and noble demeanor of Xinghua, and then the sentiment of the words changes suddenly, from prosperity to decline, forming a huge gap.The apricot blossom is inherently weak and easy to wither, how can it withstand the ruthless destruction of the wind and rain?These two sentences are a pity for flowers, but also a sorrow for one's own life experience. The word "ruthless" is the most touching.The gorgeous and romantic scene at the beginning of the chapter makes the current decay even more deeply desolate, which is the wonderful use of the method of contrast.If the two sentences of "easy to get" are about flowers and people, then the following sentences of "sorrow" are like flowers and people, and people can't tell the difference between flowers. "Ask the courtyard to be desolate, how many spring evenings?" A sensitive heart fell into endless pain.It is in the same realm as the empress of the Southern Tang Dynasty "asking the king how much sorrow he can have, just like a river of spring water flowing eastward".
After the film, it turns to itself, expressing hatred directly, deepening layer by layer. "There is a lot of hatred because of sending away, how can this pair of swallows know how to speak?" Swallows are both, traveling from south to north, can you send your interrogation to the motherland?But no, how could Yan'er understand my thoughts and words? ——A lonely and depressing expression with nothing to say is overflowing in the vocabulary.Write down, "The sky is far away, the earth is far away, thousands of rivers and mountains, I know where his Forbidden City is." All kinds of humiliation, all kinds of hardships after being captured, and the deep sorrow of being unable to return home are all expressed in these three sentences, The last sentence is really like Li Houzhu's voice of "other times are easy to see but sometimes difficult".
It is difficult to return to the Forbidden City after mountains and rivers, and the yearning of the soul cannot be stopped, and a little comfort can be found in the rare dream, although the melancholy and depression must be doubled after waking up from the dream.Yet even this moment of comfort has been elusive these days.The tone of the writing turned deeper and deeper, and the ending was a wailing of liver and gallbladder splitting.He Chang said: "The Lord of the Southern Tang Dynasty's "Lang Taosha" said: 'I don't know that I am a guest in my dream, and I am greedy for joy all day long'. Emperor Xuanhe's "Yanshan Pavilion" said: "There is no evidence, and dreams sometimes do not Do it.' The feeling is even worse. Woohoo, this is like "Shu Li" after "Mai Xiu"!" ("Wrinkled Water Xuan Ci Qiang") This word is choked with sorrow, and the feeling is stubborn and beautiful, which is the most pitiful .Pure victory with truth is its excellence.
Yujing once recalled the prosperity of the past, the home of thousands of miles of emperors. The purport of this word is similar to that of Li Yu's "Pozhenzi" written by the empress of the Southern Tang Dynasty.Readers may wish to take a look at it. The film is nostalgic. "Yujing once recalled the prosperity of the past", the opening chapter is the author's remembrance of the grand occasion of singing and dancing in Bianjing in the past. "Recall" and say "Zeng", which shows that this is a pen for remembering dreams after waking up.According to Meng Yuanlao's "Tokyo Menghualu", the capital at that time "golden and emerald, Luoqi fragrance. The new voice laughed in the Liumohua Street, and tuned the strings in the tea house and wine shop. The eight wastes competed, and the world was connected."" The road is full of flowers, so there is no limit to spring outings. The flute and drums are in the air, and there are several night banquets." This is the footnote of the word "prosperity".The poets at that time were the "family of emperors of thousands of miles" with a vast territory and a very high position in the world.The first sentence talks about the social scene, and the second sentence talks about a specific identity.Next, the three sentences "Qionglin Yudian, Chaoxuan stringed pipes, and evening shengpa" describe the luxurious and luxurious life of the royal family.In the sentence, "Xuan" and "Lie" describe its prosperity, and "Chao" and "Twilight" talk endlessly, which are complementary syntax to the text.There is a lot of music and music everywhere, and the impression is as real as you can see.Other kinds of enjoyment are self-evident. Once upon a time, the Northern Song Dynasty fell, and Huizong, his father and son, as well as the imperial concubines were captured by the Jin soldiers.Emperors in the past, prisoners of Chu today, how much emotion should the poets have in the face of such drastic changes? After the filming, the situation after the accident was changed to "the people of the flower city are gone and now desolate".In Meng Yuanlao's writings, Bianjing used to be "thousands of flowers contending for the whitewashed walls, fine willows slanting in cages and Qimo. The incense wheels are warm and fragrant, and the grass is like a carpet; the horses are arrogant, and the apricot blossoms are like embroidery. The birds sing, the trees, and the swallows dance The sky is clear." It is indeed a city of flowers.Now it is a ruined empty city, a "desolation". "People go" refers to one's own journey to the north, and also refers to the displacement of subjects.Being in the desert here, I can only dream of spring dreams in order to relieve my worries.Here is the point of "dream".Originally, he tried to comfort himself with the nostalgia for Jiu Jing in his dream, but what he got was double melancholy and double pain. "Where is the home mountain? Listen to the Qiang flute and blow through the plum blossoms." The Qiang flute interrupted the dream, looking at a desert, he couldn't help sighing "Where is the home mountain", and the words were extremely painful.A song "Plum Blossoms Falling" touched the heartstrings of the poet, giving birth to a heart-wrenching lament.The whole article adopts the method of contrasting the present and the past, highlighting the nostalgia for the old life and the infinite sadness of today.Each film is summed up first and then narrated in detail, expressing what it dreams, sees and feels just right.The last three sentences are deeply sad and touching epigrams.