Chapter 82 (8) On Shen Yun, Spirituality, and Style

Volume 5 of Hu Yuanrui's "Shisou? The sound poetry of the Zhao Dynasty, catching up with the Tang and Han Dynasties, really depends on Yan ②. Although Liu Chenweng is more moderate ③, with profound insights, he is often unparalleled. , You Wuchen commented on "Xuan". Chen Weng commented on Du, and Guo Xiang commented on Zhuang, that is, it is not in line with the author's intentions, but the metaphysics is beyond Li Huang male and female. It is disappointing." Muzhai regards Chen Weng as the distant ancestor of Jingling, Yuanrui regards Chen Weng as the other son of Canglang, and "Zongmu" Gu said that Yuyang is a good Chen Weng, which is inexplicable⑤.In Fu Yuyang's dream, he is connected with the God of Canglang, and in his room there is also Jingling ghost's view⑥, which is in the same line, as well as Chen Weng and Fu Xizu monster.Chen Weng's "Xuxi Collection" Volume 6 "Comment on Li Changji's Poems" said: "Fan Chuan repeatedly praised 7, and his descriptions are extremely extreme, but he regrets that his reasoning is not as good as Sao. I don't know what he is good at, and he is out of reason"; commenting on Liu Zihou's "Morning The poem "Reading the Classics at the Super Teacher's College" says: "There are unspeakable wonderful things." Such an argument, isn't it Zhong Tan's "Poetry Returns" that says it's wonderful to be unspeakable.A comment on "Wang Youcheng Wangchuan Collection? Xinyiwu" says: "Its meaning is also without a word, and it can gradually be said to be Zen"; it also said every day: "Don't use a word", "It doesn't mean that there is no meaning, it seems that there is no need for words".

With such an argument, isn't it true that there is no trace of the Canglang, and that there is nothing left to be romantic.Yuyang's "On Poetry Quatrains" said: "Understanding silent strings means wonderful, Liuzhou is like Suzhou" ⑧, it should be a tacit understanding.People in the Qing Dynasty talked about art, and Yuyang was like the Jingling School of the Ming Dynasty; Guiyu ancestors in the prosperous Tang Dynasty⑨, dominated the style, like the Seven Sons of the Ming Dynasty;I wrote an article "Chinese Poetry and Chinese Painting"⑩, saying that the standards of poetry and painting in our country are opposite; The eleventh volume of the three episodes of "Chidoxin Xinchao" Cheng Qingxi's "Yujiazhaishu" says:

"Jingling's poems are far away and far away, so that there is nothing, and Ye Rongmu's paintings are like them⒀." Volume 12 of Hui Nantian's "Ouxiangguan Collection" is even called Pu Bojing's paintings⒁, which is said to be "obtained from poetry, from the barren cold Cheng Mengyang and Li Changheng are not as good as enlightened in one realm"⒂.According to Wang Jiefu's sentence "If you want to send desolation and cold, there is no good painting".Bo Jing's poems are far from Li Yuan's, but with his poetic mood and poetic heart, his quality is higher than that of his two sons.This is also sufficient evidence for my theory. (Pages 105-106) ① Hu Yuanrui: Ming Hu Yinglin characters.There are six internal volumes of Shisou, six external volumes, two sequel volumes, and six miscellaneous volumes.

②Xuanfeng: It refers to Yan Yu's "Canglang Shihua" using Zen as a metaphor.Zhao Dynasty: Ming Dynasty, the poems of the seven sons before and after the Ming Dynasty were influenced by Yan Yu. ③Liu Chenweng: A man from the Song Dynasty, there are ten volumes of "Xuxi Collection". He propagates ideas, but it is different from Zen. ④ Annotated Du by Qianjia: Twenty volumes of Anthology of Poems Annotated by Yuan Gao and Chu Fang, and two volumes of Anthology. "Siku Quanshu" is included in the collection department, and the names of those who have not signed the compilation.There is a comment in this book by Liu Chenweng, and "Siku" says: "Chenweng's comments are superficial, and his brand new words and sentences are the forerunner of Jingling. Wang Shizhen is compared to Guo Xiang's Zhuzhuang, and he is almost not as honest. Discussion." (Volume 149) Wuchen Annotated "Selections": Liang Xiaotong selected and edited "Wenxuan", and Tang Lv Yanzuo organized Lu Yanji, Liu Liang, Zhang Shen, Lu Xiang, and Li Zhouhan to make annotations, which are called Wuchen Annotations.Guo Xiang Zhuang: Jin Guo Xiang (word Zixuan) tasted as a note, which is different from the original intention of the author.Outside of pulling out the yellow male and female: "Huainanzi? Daoying": "(Qin Mugong) sent people (Jiufangcheng) to ask for horses, and turned back in March, and the report said: 'The horse has been obtained, and it lies in the sand dunes.'Mu Gong Said: "What kind of horse is it?" Confronted: "The male is yellow.' Make people go for it, and the female is the lily." It refers to putting aside the superficial phenomenon and understanding the essence.

⑤ Muzhai: Qing Qian Qianyi No.He believes that Liu Chenweng's comments on Du's poems are broken and narrow, which is the beginning of the later Jingling School's style of commenting on Tang poems.Hu Yinglin believed that Liu Chenweng's comment on Du's poems was a different school in Canglang.Ji Yun's "Siku Quanshu Zongmu": "Chen Weng's poems are based on Youjun as the sect, and later Jingling's bad style was teased. When he commented on Du's poems, he always discarded the big ones and sought the details. Wang Shizhen Gu Ji called it. Likes and dislikes The deviation is almost incomprehensible." (Volume 150 "Notes and Comments on Li Changji's Songs and Poems Four Volumes")

⑥Wang Shizhen (Yuyang) said that the charm was influenced by "Canglang Poetry Talk" and also by the Jingling School, which is called "Yuanzhong Bojing". ⑦Fan Chuan: Tang Dynasty poet Du Mu, styled Muzhi, has "Fan Chuan Ji". ⑧ Liuzhou: Liu Zongyuan, with a thick character, tasted as the governor of Liuzhou.Suzhou: Wei Yingwu, tasted as the governor of Suzhou.All Tang Dynasty writers. 9 Gui Yu: Qing Dynasty writer Shen Deqian. ⑩This article is included in "The 20th Anniversary Commemorative Collection of Kaiming Bookstore", "Four Old Articles", and "Seven Level Collection", and the revised manuscript was published in "Journal of Graduate School of Chinese Academy of Social Sciences" 1985.1.

⑾Wu Daozi: Wu Daoxuan, a painter of the Tang Dynasty. ⑿ "New Notes on Chidots": Selected by Zhou Lianggong of the Qing Dynasty, twelve volumes.Sixteen volumes are selected for the second selection, and fifteen volumes are selected for the third selection.Cheng Qingxi: Cheng Tingzuo of the Qing Dynasty, styled Qisheng, called himself Qingxi Jushi. ⒀Ye Rong: A painter in the Qing Dynasty, with the style of Dansheng and the name of Old Man.Longer than mountain stone wood painting.Wood painters paint with dyed objects mixed on good wood. ⒁Yun Nantian: Qing Dynasty poet and painter Yun Gehao, also known as Baiyunwaishi.He wrote twelve volumes of "Ouxiangguan Ji".

⒂ Cheng Mengyang: Cheng Jiasui, a poet of the Qing Dynasty.Li Changheng: Li Liufang, a poet and painter in the Qing Dynasty. Chinese poetic theorists have emerged in large numbers in the past dynasties, and there is no shortage of researchers on the relationship between them and the characteristics of their respective theories.This one makes three points: 1. Liu Chenweng's poem commentary in the Southern Song Dynasty played a link between the past and the future.Hu Yinglin of the Ming Dynasty was very sure that Yan Yu and Liu Chenweng were "the only ones who talk about poetry in ancient and modern times", and implied that Chenweng commented on Du's "mysterious principles beyond Lihuang male and female".Qian Qianyi's "Notes on Du Poems? A Brief Example" said: "Chen Weng commented on Du embellishing its sharpness, novelty and coolness. Those who commented on Du recently picked out the strange things deeply, and used ghost caves as their livelihood. Mr. Qian pointed out that the so-called "ghost cave work" refers to Zhong Xing and Tan Yuanchun's "Shigui", so he thinks that Liu Chenweng is "a distant ancestor of Jingling".Here are Liu Chenweng's comments on Li He's poems in volume six of "Xuxi Collection", and Liu Zongyuan's comments on Liu Zongyuan's "Morning to Chao Teacher's Academy Reading", the meaning is hazy and vague, and the words are mysterious. The comments on Zhu Shuzhen's "Qinghe" were greatly influenced by it, such as the comment on Zhu Shuzhen's "Qinghe": "There is also the beauty of verse in writing quatrains"; the comment on "Qingzhou" said: "The words are subtle, and the writing comes from the subtle. The so-called forceful and It’s like a god.” (Volume 19 of "The Return of Ladies' Poems", commented by Zhong Xing) This is the one with a relatively clear meaning, and there are quite a lot of comments such as "wonderful" and "wonderful".Liu Chenweng commented on Wang Wei's "Xinyiwu" about "unintentional meaning" and "without a single word, it can gradually be said to be Zen". The tone of his discussion has quite the influence of Yan Yu Wuji.Therefore, Ming Hu Yinglin believed that Liu Chenweng was the other son of Canglang.

2. The "General Catalog of Siku Quanshu" stated that "Shizhen's talks about poetry, probably originated from Yan Yu, and took the charm as the sect", and it is also called Liu Chenweng's poems "Wang Shizhen's extremely called it, it is almost incomprehensible" (Volume 150), I don't know why.Wang Shizhen's poems contain many Tang accents, highlighting the charm, "emphasizing the revival of the divine way", and the anthology "Tang Xian Samadhi Collection" and "Shenyun Collection" follow the principle of "there are words in the words, which are called dead sentences, and there are no words in the words, which are called dead sentences". It is a living sentence" ("Juyilu" quotes "Linjianlu" contains Dongshan language) full of Zen principles, and most poems are commented on Zen poems, which is actually in the same line as Yan Yu. Liu Chenweng was influenced by Yan, so Wang Shizhen It is natural to praise Liu Chenweng.Mr. Qian believed that the Qing people talked about art, and there were many people to rely on. Wang Shizhen was like the Jingling School of the Ming Dynasty;This is the inheritance relationship between the so-called charm theory, style theory, and spirit theory advocated by the most representative Wang, Shen, and Yuan families in the Qing Dynasty and the Ming Dynasty art talkers.

3. Poetry and painting are both works of art, and they have something in common. Mr. Qian said in the article "Chinese Poetry and Chinese Painting": Tang people said that "calligraphy and painting have different names but have the same body" (Zhang Yanyuan's "Famous Paintings of Past Dynasties"), Song people said Emphasize that poetry and painting have the same appearance, such as Zhang Shunmin said that "poetry is an invisible painting, and painting is a tangible poem" ("Huamanji"), that is, painting is a silent poem and poetry is a tangible painting.This concept has long existed in the West. For example, the ancient Greek poet Edmunds said: "Painting is silent poetry, and poetry is painting that speaks."

("Greek Lyric Poetry") are both arts, and each has its own particularity, while traditional Chinese art talkers often have the opposite evaluation criteria.For example, Wang Wei is both a painter and a poet. His poetry and painting styles are completely consistent. Du Fu, who has "collected great achievements", should also be the chief.Why?Mr. Qian pointed out: "Traditional Chinese literary criticism has different standards for poetry and painting: Wang Shizhen's so-called 'virtual' and related styles are appreciated when criticizing paintings, but 'real' and related styles are appreciated when criticizing poems." Mr. Qian cited a good example, that is, Su Shi's poem "Wang Wei and Wu Daozi's Paintings", which says: "In my view of paintings, there is nothing like Er Zizun", "Although Wu Sheng is wonderful, he still regards it as a painter." , "Majiede is outside the elephant, just like the immortal he thanking the cage fan".That is to say, in terms of painting quality, Wang Wei is higher than Wu Daozi, and in terms of painting style and poetic style, Wu Daozi and Du Fu are both called by those who talk about art. Compared with Wang Wei's "painter" Wu Daozi's painting style.In this article, Mr. Qian cited another example, that is, Zhong Xing's poems are not as good as Cheng Jiasui's and Li Liufang's poems, but Zhong Xing's poetic heart and poetic state make paintings, which rank higher than Cheng and Li's. This kind of artistic phenomenon It is worth studying.