Chapter 50 (6) On Bai Juyi's Poems

Xiangshan's talents reflect the past and present, but the words are full of meaning, and the tunes are vulgar, which is far from reaching the depth of the poets. When writing about the leisure and comfort of Huai Xue Yuanming, he refers to Gao Xuan. According to Xiangshan's "Ti Xunyang Tower", Yuanming said: "Wen Si Gao Xuan".A trifle is straight, and the shape is dwarfed.Compared with the authenticity of Shaoling, its realism is one of seriousness and one of extravagance, and the situation is inferior.Therefore, Yu Chang said: When Xiangshan writes poems, he wants to make the old women understand, and every time an old woman writes a poem, he wants to make Xiangshan understand; to make the old women understand, the meaning must be simple, but when the old women want to explain, the words must be annoying.It's easy, but annoying.According to the Supplement to the Diary of Futang, it was said on August 22, the second year of Guangxu: "When you read Letian's poems, the old woman can understand them, but I don't understand them";Westerners like it because it is simple and easy to understand, and it is easy to translate for ordinary people, which is enough for their own ears. (195 pages) ① "Futang Diary": eight volumes, written by Qing Tan.

This one is about Bai Juyi's poems.Bai Juyi's late name is Xiangshan Layman, so it is called Xiangshan.Bai Juyi's "Nine Books of the Yuan Dynasty": "The poems of today's servants are loved by people, but the poems of miscellaneous rhythms are already in the ear. The time is more important than the servant. Those who think lightly, but the words are roundabout, and the quality is roundabout, so you don’t like it.” Mr. Qian said that “Xiangshan’s talents and emotions reflect the past and the present”, referring to his miscellaneous rhythm poems and "Pipa Xing" and other poems.He also pointed out the shortcomings of his poems, such as his Yuefu poems. He said in "New Yuefu Preface": "It is tied to the meaning, not to the text. The first sentence marks its purpose, the death chapter shows its ambition, and the third poem There are hundreds of meanings. The quality of the speech is straightforward, and it is easy for those who want to see it; the words are straightforward and sharp, and it is a deep commandment for those who want to hear it...." Poetry is literature, and it is not correct enough to only express ideas without seeking words.Poems require death and chapters to show their aspirations, but there is still room for "poetry to reach a far-reaching and profound realm".Some of his poems are unavoidably "full of words and vulgar tunes".Su Shi's "Liuzi Yu Wen" is called "Yuan Qing Bai Su".Mr. Qian compared Tao Yuanming's poems with Tao Yuanming's poems, one is profound and the other is straightforward.For example, in Bai Juyi's "Sixteen Poems of Xiaotao's Poems", let's take a look at the fourth one:

Drinking a glass of wine in the morning, the mind is united.I don't think about anything, I am noble and lie idle.Reading a book in the evening, knowing it like a good word. I am glad to meet you, and I still sit alone late at night.It's fun to play the piano again, and An Xian has spare time.Fu Duo is crazy in his poems, and he can't stop writing.Only here are three or four things, and they can be used day and night.Therefore, in the cloudy and rainy days, I will not leave the house after ten days.When I first realized that I was alone, the time passed when I felt at ease. This poem describes that he retired to Weishang and lived a leisurely life of drinking, reading, playing the piano, and composing poems, which is the so-called "Zuozhi".

Look again at the fourth poem of Tao Yuanming's "Twenty Poems on Drinking Wine": "Talking about Art" Reader (7) comments on Li He's poems and learning from Li He's poems Chang Ji Chuan You Ru Ping ①, bleak management, all rhetorical and coloring, all seeking the fate of the article, Both fall into the second meaning.Therefore, Li Bin's "Huailutang Shihua" said that it "has mountain festivals and algae, but no beams". ②Although Li Erqiao's Zhu is good ③, when commenting on "Changgu Collection", it is also said that it "does not pay much attention to the rules and regulations".In Volume 4 of Qiao Hechai's "Notes on the Luojia Pavilion", he reprimanded Chang Gu for "making a piece of writing, and the title of the article is suitable for discussion, that is, there is no sentence to be adopted, so it should be under Wen Qi 5. Wen You can control the text with meaning Algae, Changgu cannot".It is the same as what Li and Li's family saw.I often say that Changji Wenxin is like the eyesight of a short-sighted person, who can see the fine details closely, but can't see the truth from a long distance; so it suddenly rises and ends, turns and breaks suddenly, returns to life, refreshes the body and soul, and makes the heart sour The piercing characters are scattered like pearls.It is not the same as "Li Sao", which is full of wildness and fantasy ⑥, but which is full of affection and shrouded in air.

In ancient times, there are many people who have learned from Changgu.The first and second songs of "Cherishing Flowers" by Zhang Taibi⑦, the third song of "Yue Chun Yin", "Ancient Ideas", "Climbing the Yueyang Tower in Autumn with a Clear Look", "Journey to the Gap", and "Song of Beauty Combing Hair" have been influenced by Tang Zi. Jue body.According to Zhang Bi's preface, the poem goes, "Tasting and reading the collections of Li Changji, removing the red emeralds in spring, opening the stinging house with a thunderbolt. Those who look at the Fus from the bottom of the sky" goes on.However, these few articles are auspicious for seniors.Meng Dongye read Zhang Bi's collection of poems ⑧, which is called "Mr. is resurrected today", so Bi's generation is not after Changji.Those who are auspicious students should be the earliest.At the same time, Zhuang Nanjie's "Yuefu" five, and later Wei Chulao's "Ancestral Dragon Walking", "Mosquito Song on the River", also known as Yishu.

According to Hu Yuanrui's "Shisou", the third volume is Wei Chulao's "Ancestral Dragon Walk" ⑨, Xiongmai Qijing, published by Changji.Big mistake.Changji died in Yuanhezhong; the old Changqing began to become a Jinshi, and he is still alive until Kaicheng.Du Muzhi has a poem about sending him back to court from Luoyang⑩.All the patterns are not yet formed, and the meaning is easy to understand; the words are new but not astringent, and the urgency is not dangerous.But Li Yishan is thoughtful and thoughtful, and Yu Du Han is always addicted to reading. .According to Wen Feiqing's Yuefu, he went in and out of Taibai and Changgu, which was strange and beautiful.However, Yishan is abstruse, more like Changgu.

Song Zi Xiao Guanzhi's "Song of Xiao Han in the Palace" ⑿, was originally constructed by the ancestors.In the Jin Dynasty there was Wang Feibo, in the Yuan Dynasty there was Yang Tieya and his disciples⒀, in the Ming Dynasty there was Xu Qingteng, all of them were separated by Tu Zezao.The green vines are especially heterogeneous and impure⒁, and sometimes there are Dongpo parrots' sighs⒂.According to the fifth volume of Huang Zhijun's "Yu Tang Ji", there is "Preface to Selected Poems of the Three Schools of Han, Meng and Li"⒃, and he said that Xie Gaoyu, Yang Tieya, and Xu Qingteng's poems⒄ were copied and attached to the three schools, so it was up to the source to appoint.The Huang family can be called Dongye, Tuizhi, and Changgu together, which can be said to be eye-catching.However, Xie, Yang and Xu have nothing to do with Han and Meng, they can only serve Changgu'er.Huang's work in Changgu was very deep. The concentrated volume 21 "Miscellaneous Works" discusses that Changgu has a seven-character rhythm, which is especially creative; Between the ages, Chen Benli's "Xielu Gouyuan" took it as his theory⒅.Only Xie Gaoyu's "Xi Fa Ji" can create ideas without being overwhelmed by words, promulgate the arts and principles, and sing endlessly.Gao Yu's subjugated and lonely minister, his loyalty and love are full of words; Changji Gou really has a sense of the world's morals, how can he cover himself with words.Taking Changji as an example, compared with Song Liu Han, Gao Yu, and Tie Ya's "Hong Men Hui", Gao Yu's work is the shortest, and it is good to return to its meaning, so there is no need to compare lyrics.Gai Changji's clothes are thousands of feet high, he is far away from the dust and atmosphere, and transcends the world.The so-called extinction of thousands of miles, and no branches of a hundred feet, the ancients believed that Taibai and Taibai should be promoted together, and goodness has something to do with it.If there is an occasional satire, it is clear and clear, such as the twenty-three musts of "Ma Poems", which use the title to express their meaning and express their sustenance clearly.Another example is the first of the five poems in "Gan Satire", which is written about the county official's punishment and begging.Li Renqing's "Ancient and Modern Fu? Addendum" discusses the genius of poetry⒇, saying that "if you must go through this situation and be able to speak this language, then you are a talent; for example, in Changji's "Kong Hou Yin": "Nu Wa refines stones to mend the sky Chu' and so on, how could Changji make it himself?" Li's textual research experts interpreted this statement, and it is almost impossible for the common people to use the name of a knowledgeable person to discuss the world, and it is an act of barking allusion. (Pages 46-47) ①Changji: Li He of the Tang Dynasty, whose family is in Changgu, has four volumes of "Changgu Collection" and one volume of external collections.

② Li Binzhi: Li Dongyang's characters, there is a volume of "Huailutang Shihua".Mountain Festival: Dougong carved into the shape of a mountain.Zao 棁 (zhuo peck): A short column painted with aquatic plants. ③ Li Erqiao: a native of the Qing Dynasty, there are four volumes of "Li Changji Collection" and one volume of external collections. ④Qiao Hechai: Qing Qiao Songnian characters, there are eight volumes of "Notes of Luoluoting". ⑤ Wen Qi: Tang Wen Tingyun, formerly known as Qi, with the word Feiqing, has nine volumes of "Wen Feiqing Collection Notes".

⑥Lian M (huan Huan): Turn around in appearance. ⑦ Zhang Taibi: Tang Zhangbi character, Tang poet. ⑧ Meng Dongye: Meng Jiao, a Tang poet. ⑨Hu Yuanrui: Ming Hu Yinglin characters, there are eighteen volumes of "Shisou". 10 Du Muzhi: Tang Du Mu characters, there are twenty volumes of "Fan Chuan Anthology". ⑾Li Yishan: Tang Li Shangyin characters, there are three volumes of "Li Yishan Poetry Collection".Du Han: Du Fu, Han Yu. ⑿ Xiao Guanzhi: Xiao Guanzi, a Song poet. ⒀Yang Tieya: Yang Weizhen, courtesy name Lianfu, nicknamed Tieya, has 30 volumes of "Dongwei Ziji" and 10 volumes of "Tieya Ancient Yuefu".

⒁Xu Qingteng: Xu Wei, styled Wenchang, named Qingteng, has 30 volumes of "Xu Wenchang Collection". ⒂Dongpo Yinggejiao: Su Shi's "Qiuchi Notes? Li Shiba's Cursive Script": "Liu Shiwu (攽) discussed Li Shiba's (public choice) cursive script, which is called Yinggejiao." Comments on cursive script mixed with regular script and running script, like Parrot's scholarly language, but only a few sentences, still mixed with bird language. ⒃Huang Zhijun: No. 痦堂, from the Qing Dynasty, there are sixty-one volumes of "痦堂集".Han Mengli: Han Yu, Meng Jiao, Li He.

⒄ Xie Gaoyu: Yuan Xie Ao characters, there are ten volumes of "Xi Fa Ji". (10) Chen Benli: There are four volumes of "Xielu Gouyuan". ⒆ Shaoling's "Three Officials": Du Fu's "Shihao Officials", "Xin'an Officials" and "Tongguan Officials". (20) Li Renqing: Yuan Lizhi characters, there are eight volumes of "Jingzhai Ancient and Modern". This article discusses Li He's poems, and believes that Li He's painstaking creations only focus on rhetoric and color, and don't pay attention to fate and meaning. Like a house, you carve and paint on the short pillars of Dougong without paying attention to the pillars.Li Dongyang said that if there were no pillars and beams, there would be no place to put the short pillars and dougongs, and the house would not be able to be built, which is an exaggeration.It should be said that we don't pay attention to pillars.Li Erqiao was right in thinking that Li He's article didn't pay much attention to rules and regulations.Qiao Heqi thinks that Li He's article is not good.Mr. Qian pointed out: Li He's poetry's literary heart is like the eyesight of a myopic eye. Near-sightedness can see clearly, that is to say, rhetoric and coloring, which have thrilling and refreshing power.If you are far away, you will not see public salary, which means that the article of fate and intention cannot achieve emotional concentration.See the example below for how Li Heshi looks like myopia. Mr. Qian also talked about the authors who studied Li He's poems, such as the first poem of Zhang Bi's "Three Poems of Cherishing Flowers": "Thousands of branches are blooming in spring, and the red glow is piled up on the ground. A closed cellar can't drive away sorrow, and hospitality treats you Drink a golden cup." The second poem: "The old crow flaps its wings and is sick in the air, and the floating life is like a fleeting moment. Aunt's peach blossoms are not yet fragrant, and the bones of the Han Emperor are buried in the autumn mountains." These two poems are rhetorical and colorful, comparing falling flowers It is called "Tongxia Landing", and "Xianchou" is called "Yijiao".From cherishing flowers to peach blossoms, from peach blossoms to peaches, but the flowers have not yet formed peaches, and from the world to the sky, so it is said that "Auntie's flat peaches are not fragrant", that is, they have not yet formed flat peaches.If you eat the flat peaches of the Queen Mother in the sky, you can live forever.Emperor Wu of the Han Dynasty begged for immortals, but his mother's flat peaches did not form. The Emperor Han died without eating the flat peaches, and his bones were buried in autumn.This is fantasy.This kind of rhetorical coloring and fantasy is learned from Li He's poems.Like the third song of "You Chun Yin": "Thousands of green and light dragging water, golden hair weeping for fear of death in the spring river. Wanhui is full of good fortune, and seeing my spring work is selfless." "Thousands of dark green" should refer to willow silk, but "golden hair" does not know what it refers to, and here we can see the weirdness of the wording.Also "Ancient Ideas": "Luanyu doesn't crush the incense and dust, and the thirty-six palaces and moons are even more crippled. Holding a dandy fan is full of love, and the autumn wind blows down the waves of blood." The emperor's car does not come, saying that "do not crush the incense and dust ".The more residual and the moon falls are said to be "more residual and thirty-six palace moons". We refer to tears as "falling Hengbo blood", use "hengbo" to refer to eyes, and use "blood" to refer to tears.All show the peculiarity of the words. Another example is Zhuang Nanjie's "Xiangxian Song": "Chuyun clangs and autumn dew, Wuyun Gorge rains and twilight. Ancient chime knocks on a hundred-foot building, and a lonely ape cries at a thousand-foot tree at night. The sound of Yunxuan grinding fire is long, and the mountains are rolled up The Yangtze River is empty. Orioles sing in the rain of lonely flowers and branches, ghosts howl in the wind of pines and cypresses in the wilderness. The house is full of complaints and sorrows, and the bitter tune contains ancient absurd tunes. "Xiangqu" is "Xiangling Guzi", which is a song about Xiangling playing the zither. "Chuyun clank", "clank" refers to the string sound, the string sound can only be said to be ringing and restraining clouds, and it is strange to say "Chu Yun clang". "Ja", blow, "Jaqiulu" is also very peculiar. "Yunxuan" refers to the car of the gods flying in the clouds, "the sound of grinding the fire is long", how the car in the cloud crushes the fire is very strange. "Lianshan rolls up the sky of the Yangtze River", it can be said that the clouds cover the sky, but how can the mountains be rolled up?These peculiar words also learned from Li He.Another example is Wei Chulao's "Mosquitoes on the River": "Floating with wings and a red belly, the riverside rises like thunder and cries at night. May I ask you to be greedy and fill your stomach with rot. Yue girls live like flowers in Jiangqu, Chang'e condenses every night Double scorpion. I am afraid that you will mess up the brocade window, and the ten-axis light silk surrounds the night jade." When writing mosquitoes flying, it is "fluttering and holding wings", using the word "fluttering".It is also known as the "subhong belly" after the mosquito sucks blood. It is very strange to use the word "sub".Also known as the sound of mosquitoes flying as "crying like thunder", the word "crying" is even more strange. Inhaling human blood into the stomach of mosquitoes is called "smelly rot", human blood is called "stinky rot", Chang'e's sleeping is called "coagulation of double scorpions", and enclosing the jade body with mosquito nets is called "ten axis light". "绡处夜玉", all written in a strange way.These words are learned from Li Helai. Mr. Qian pointed out that these poems imitated by Li He "are not well-established, and the meaning is easy to understand; the words are new but not harsh, and they are urgent but not dangerous." That is to say, Li He did not master these poetics, but only used novel words, easy to understand meanings, not harsh words, and not dangerous tones.Look at the above poems again.For example, the first song of Zhang Bi's "Cherish Flowers", it is written that there are piles of flowers falling on the ground, worrying about cherishing flowers, and using wine to soothe your worries, which is the so-called "drinking a golden cup to you". The second song of "Xi Hua", "Old Crow", "Pan Kong Ji", "Floating life is like a fleeting moment", refers to the shortness of life and the passing of time.He said "Pan Yao incense is not yet ready", "Bones are buried in autumn and green", and he said that he wanted to be immortal, and finally died. Look at the third song of "You Chunyin" again, whether it is the "light dragging water" of "Thousands of Green", or the fear of death of "Golden Retriever", they all contain the meaning of thanking nature for transforming all kinds of species. Chemical industry is selfless to me, and all the scenery is for me to appreciate. Look at "Xiangxian Qu" again. It talks about the goddess of Xiangshui playing the drum and zither when Yunfei is flying, making a clank sound.The sound is as high as knocking an ancient chime on a hundred-foot building, and the sound is as sad as a lonely ape crying at night.It plays like a warbler when it hits the beautiful side, and the surroundings are listening quietly, so it looks lonely again.It's like a ghost screaming when it hits a scary place.Play it so that the audience is full of sorrow and resentment, playing the ancient parting song.After playing a song, like Qian Qi's "Xiangling Guse" concluding sentence: "At the end of the song, no one is seen, and there are many peaks and green peaks on the river", the ending of this poem is also the same.In this poem, "The sound of Yunxuan grinding the fire is long, and the mountains are rolling up the Yangtze River." Is it like Bai Juyi's "Pipa Xing" "The end of the song is carefully dialed, and the four strings are like cracking silk. The east boat and the west boat are silent. I can only see Jiang Xinqiuyuebai." At the end of the song, only Jiangxin Qiuyuebai can be seen.Look at "Mosquitoes on the River" again, writing about the blood-sucking and sound of mosquitoes, and writing about the use of mosquito nets by Yue women to protect their bodies.In short, these poems are "easy to understand", and Li He has not yet mastered them. There is Li Shangyin who learned from Li He and became a master.Try to quote the first poem of Li Shangyin's "Hanoi Poetry": "The drum is heavy and the water swallows, and the silk of Qin is not perfect. Chang'e's clothes are thin and cold, and the toad is bright at night in autumn and the moon. The blue city is cold and empty, and the curtain is light. Heavy gold hook bar. The fragrance of the spirit is no less than the two princes, and the lone star goes straight to the prime minister.Nine Zhicao on the edge of Baguilin, and meet the road with a short brush on the temples.At the beginning, I count a thousand springs secretly, and I wish to stay in the moon in the leap year.Gardenias add fragrance and Polygonum multiplication, stop working hard and wait for you. "This poem writes that "鼍鼓" is not knocked, and "Shen Shen" is silent. The copper pot is dripping, and there is the sound of Yu Qiu spitting water into the copper pot. Both refer to the night, so it is strange to write. Don't talk, don't play music It is said that "Qin Si (Qin Zheng) is not as good as Manxian (Huqin)", not that the moonlight is bright and clean, but "Toad night is bright and autumn river moon"; these are all rhetorical colorings learned from Li He. In terms of allusions, use Xianjia's "Bicheng" To refer to the Taoist temple built by the royal family for the princess who practiced Taoism; to use the two daughters of King Zhou Ling's Guanling and Guanxiang to refer to the royal princess of the Tang Dynasty who became a monk.Looking at the argot again, the use of "the lone star goes straight up to the wind pole", alluding to the Taoist priest who fell in love with the monk princess going upstairs; "eight Guilin borders nine Zhicao", alluding to the person who planted fairy grass in Guilin. "Darkly counting a thousand springs" refers to the fairy family meeting once every thousand years, alluding to the period of meeting. "Gardenia is mixed with fragrant Polygonum multiplication", alluding to hardships.This use of allusions and lingo is also learned from Li He.This poem states "You Yiqu Upstairs", which is written upstairs.Judging from the poem, there is no music upstairs in the middle of the night.Chang'e upstairs is extremely cold under the moonlight.This Chang'e is "Lingxiang is as good as the two princes", and the two princesses live upstairs.Next, let's talk about "the lone star goes straight up the Xiangfeng pole". The lone star is in the sky, how can it go up from the Xiangfeng pole on the ground?What is the relationship between this lone star and "Nine Zhicao on the edge of Guilin"?How come you pick up people with "short breasts and small temples"?What does it have to do with suffering?This poem does not know what it is talking about literally, so it is difficult to understand the meaning of the words. It can be said that you can learn Li He's poems well.But looking at Li Shangyin's poem through lingo, it is still understandable.Use "Bicheng" to refer to the residence of the immortal family, compared to the Taoist temple where the princess of the Tang Dynasty lived.It is pointed out that "the fragrance of the spirit is no less than the two princes", which means that there are two princesses who have become monks and practiced Taoism living upstairs. "Lone Star Straight Up" Than the princess's lover Taoist went upstairs to meet the princess. "Darkly counting a thousand springs" means that the time to meet is relatively rare, so we have to wait with painstaking efforts.Probably the Tang Dynasty can sneak in and meet when Kongguo came to the Taoist Temple to watch the Shengdachang on the Ghost Festival, so just wait.Then this poem can only be understood through lingo. This is an example of learning from Li He's poetry. Mr. Qian also pointed out that Li He's poems lack the sense of the morals of the world, and compared Li He's poems with Xie Ao's poems.For example, Li He's "Hongmen Banquet" was titled "Gongmo Dance Song", which was in order: "The author of "Gongmo Dance Song" chanted Xiang Boyi's wings and covered Peigong. The strong men in the meeting were burning among others, so there was no reply. And the North and South Yuefu There is a song to quote the rate. He Hou Zhujia, now rewrite the "Gongmo Dance Song" cloud." Lyrics: "Fanghua ancient base lined up with nine couplets, jacarandas dripping with blood filled with silver poppies. Huayan advocated no paulownia bamboo (referring to qin Xiao), and long knives stood upright to cut zithers (referring to the sound of killing zithers). Hengmei rough Jinsheng Red weft, sun-burning Jin Yan Wang is not drunk. Look at Baojue light three times under the waist (Fan Zeng held up the jade jue three times to show Xiang Yu, asking Xiang Yu to make up his mind to kill Liu Bang, Xiang Yu should not.), Xiang Zhuang dropped the 箾 (drawing the sword out of the box) Stand up in front of the barrier (Xiang Zhuang draws his sword and dances, intending to strike Liu Bang). Mo Wu, an official and a small minister, sits on the seat with a real red dragon son. Mangdang Yunrui embraces the sky and returns, and the king of Xianyang is as clear as water. The flag hits the double ring at five feet high. The King of Han needs the seal of the Qin Dynasty today, and his courtiers will not care about it." This poem writes about the banquet at the Hongmen, which only uses rhetoric and coloring, without worrying about the world's morals.I want to see a palace with square flowers and nine pillars in Hongmen. At the banquet, jaguars drink blood, play zithers while standing upright with long knives, and there are killing sounds.Then Xiang Yu refused to kill Liu Bang, Xiang Zhuang drew his sword and danced to hit Liu Bang.Then, without writing about Xiang Bo, he drew his sword and danced to protect Liu Bang. The author said: Xiang Zhuang should not dance to attack Liu Bang. Liu Bang is the real son of heaven. gas.The city gate of Xianyang is an iron pivot, and when he arrived, he smashed through the closed gate and grasped the emperor's seal. His subordinate Fan Kui was not afraid to cut his intestines to protect him.This poem is full of whimsy and fantasy, and it is only written on the basis that Liu Bang is the true son of heaven, without any worries about the morals of the world. Let’s look at Xie Ao, who is a survivor of the Southern Song Dynasty. He wrote: “The sky and the clouds belong to the earth and the sweat flows through the sky. ) quenched the light and the female did not speak (the ointment of the wild mallard can wipe the sword to make it shine, but Xiang Zhuang used a female sword, which did not work), the lonely minister of Chu State wept for the prisoner (Xiang Zhuang could not kill Liu Bang, Fan Zeng sighed and said: "I All of them are captives."). He was so angry when he was young (Fan Zeng later left Xiang Yu and died of gangrene). Yundang clouds belong to wind and rain (Liu Bang is on Mount Ludang, and there are clouds. This means that Liu Bang will go back and make waves).You see how Chu Wu is like Chu He, and Chu Wu has not yet heard Chu Song. "This poem writes about Hongmen Banquet, and mentions that "the people of Chu dance for Chu, and some of them dance for Han." " Xiang Zhuang drew his sword and danced to kill Liu Bang. This was a sword dance for Chu.Xiang Bo also drew his sword and danced, using his body to protect Liu Bang. This is the sword dance of the Chu people to protect Liu Bang of the Han.This sentence has meaning.Zhang Hongfan who exterminated the Southern Song Dynasty for the Yuan Dynasty was a member of the Southern Song Dynasty, not a Mongol, and it was also a Chu person, not a Han, who protected Liu Bang.Hong Chengchou, who later helped the Qing Dynasty to pacify Jiangnan, was a Ming and not a Manchu. "Look at Chu Wu like Chu He", this "Chu Wu" refers to Xiang Zhuang's dance in connection with the later Yu Ji's dance. Yu Ji's Chu dance is not over yet, and Xiang Yu has tended to decline after hearing the besieged from all sides. This is even more emotional.This shows that the poems that write about the worries of the world are different from Li He's poems, which means that Li He's poems do not express the worries of the people of the world.