Chapter 19 references

(1) Zhou Zuoren: "Ideological Revolution", quoted from "Rationality and Humanity", Shanghai Far East Publishing House, 1994 edition, p. 7 (2) Zhou Zuoren: "Human Literature", "New Youth" Volume 5, No. 6, December 15, 1918 (3) Zhu Hong: "Introduction to the Theater of the Absurd", "Foreign Literature Trends", No. 1, 1978 (4) Zhu Hong: "A Review of the Theater of the Absurd", "World Literature", No. 1, 1978 (5) Wu Jiemin emphasized this point of view in his opening speech at the meeting. For details, please refer to "Academic Activity Report", "Foreign Literature Research Collection" (1), p. 377, China Social Sciences Press, 1979 edition

(6) Liu Mingjiu: "Several Issues in the Evaluation of Western Modern and Contemporary Bourgeois Literature", "Research on Foreign Literature", 1979, No. 1 and No. 2 (7) This issue of "Contemporary Foreign Literature" published Sartre's play "Confinement" and novels (8) Gao Xingjian: "A Preliminary Exploration of Modern Fiction Techniques", Huacheng Publishing House, September 1981 Edition Wang Meng: "To Gao Xingjian", "Fiction", No. 2, 1982 (9) Wang Meng: "To Gao Xingjian", "Fiction World", No. 2, 1982

(10) Feng Jicai: "China Needs "Modernism", "Shanghai Literature", No. 8, 1982 (11) Li Tuo: "Modern Fiction" Doesn't Equal "Modern School", "Shanghai Literature", Issue 8, 1982 Dai Houying, Guangdong People's Publishing House, November 1980 Edition (12) Dai Houying, Guangdong People's Publishing House, November 1980 edition (13) The most famous critical article on Dai Houying at that time was Geng Yong’s article "How Modernism "Confronts" Realism in the 9th Issue of "Social Sciences" in 1982 - there must be some kind of realism involved here Theoretical Phenomena”, Geng Yong criticized Dai Houying’s views in the article, saying that modernist literature “has had no practical achievements so far except for self-appreciation as usual”, and defended realist literature.

(14) Xu Zidong: "Modernism and Chinese New Era Literature", "Literary Review", No. 4, 1989 (15) There were many translated works on psychoanalysis published in the mid-1980s, among which the highly publicized "Freud Biography" was published by Writers Press in 1986; the American scholar Hoffman (Hoffman, FJ.) "Freudism and Literary Thought" translated by Wang Ning and others, Joint Publishing, 1987 edition. (16) The Swiss scholar Piaget (Piaget, Jean) translated by Ni Liansheng was published by the Commercial Press in 1984. This is the first Chinese translation of structuralism in mainland China

(17) Hu Shi's creation was published on August 23, 1916, and first published in "New Youth" in February 1917, with the title (18) "Today" ceased publication in September 1980, and a total of 9 issues were published. On November 2, 1980, the "Today's Literature Research Association" was established, and three issues of "Literary Materials" were published (19) This article was published in the third issue of "Poetry" in 1981 (20) "Contemporary Literary Trends of Thought", No. 1, 1983.Since the titles of the above three articles all used the word "rise", people later got used to calling them the "three rises".Every time a "rise" appears, it almost triggers a debate.Xu Jingya's article "The Rising Poetry Group" is like a manifesto of Chinese modernist literature, which caused a big controversy in the literary world and pushed the wave of obscure poetry to a new stage

(21) In "Six Years of Literature in the New Era 1976, October-1982, 9" compiled by the Contemporary Literature Research Office of the Institute of Literature of the Chinese Academy of Social Sciences, a special chapter was first set up for the wave of obscurity poetry. (22) It is generally believed that the tide of misty poetry ended earlier than this, it should be 1984, because in this year, the exploration movement of misty poetry as a poetic art had disintegrated. (23) Song Yaoliang: "The Orientalization Process of Stream of Consciousness Literature", "Literary Review", No. 1, 1986.

(24) William?James: "Thinking Stream, Consciousness Stream, or Subjective Life", quoted from "Western Literary and Art Thoughts, Stream of Consciousness" edited by Liu Mingjiu, China Social Sciences Press, 1989 edition, p. 346. (25) Song Yaoliang: "The Orientalization Process of Stream of Consciousness Literature", "Literary Review", No. 1, 1986. (26) "Works and Controversy", No. 3, 1983, p. 41. (27) "Works and Controversy", No. 10, 1984, p. 69. (28) Shi Hang: "The Sons and Daughters of Famous Dramas - Chronicle of No. 39 East Mianhua Hutong", "Duku 0601", Tongxin Publishing House, February 2006.

(29) Bei Ming: "A 160-minute Talk with Gao Xingjian", Hong Kong "Ming Pao Monthly", No. 12, 2000, pp. 19-30. (30) Gao Xingjian: Some Suggestions on the Performance of "Absolute Signal", China Drama Publishing House, 1988, p. 88. (31) Gao Xingjian: "The Pursuit of a Modern Drama" (Preface), China Drama Publishing House, 1988, p. 2. (32) Gao Xingjian: "The Pursuit of a Modern Drama", "Literary and Art Research", No. 6, 1987 (33) Wu Liang: "Ma Yuan's Narrative Trap", "Contemporary Writers Review", No. 3, 1987.

(34) Wang Youping: "Meta Fiction: Discourse Strategies Exposing Fiction", "Journal of Hainan Normal University", No. 4, 2001 (35) He Xin: "Absurdity and Redundancy in Contemporary Literature", "Dushu" No. 11, 1985 (36) Rado: "Searching for the Hometown of the Soul——A Comparison between "Tapu" and "Variations Without Theme", "Literature Free Talk", No. 3, 1988. (37) "On Can Xue: 1988", edited by Xiao Yuan, "The Fall of the Temple--The Mystery of Can Xue", Guizhou People's Publishing House, 1993, p. 114.

(38) Can Xue: Shanghai Literature and Art Publishing House, 1999.This book is a collection of Can Xue's interpretations of Kafka's works in the middle and late 1990s. (39) Sha Shui: "Can Xue and Kafka", quoted from, pp. 449-450. (40) Can Xue: "Art that Belongs to Art History—The Novels of Kafka and Borges", "Interpretation of Borges", People's Literature Publishing House, 2000, p. 224. (41) Roland Barthes: "Semiotic Aesthetics", translated by Dong Xuewen and Wang Kui, Liaoning People's Publishing House, 1987 edition, p. 4 (42) Liu Xiaobo: "A New Aesthetic Trend of Thought——From the Three Works of Xu Xing, Chen Cun, and Liu Suola", "Literary Review", No. 3, 1986.

(43) Ji Hongzhen: "Chinese Novels in Recent Years and Western Modernist Literature", "Literary News", January 2 and 9, 1988. (44) Li Jiefei, Zhang Ling: "Difficulties Covered by Light—A Little Doubt at the Decade of Literature in the New Era", China Youth Daily, September 21, 1986.This is the first article that discusses "pseudo-modernism" in the materials I have seen so far. (45) Li Jiefei, Zhang Ling: "On the Difficulties of Exploring and Experimental Fiction", "Contemporary Literary and Art Thought", No. 5, 1987. (46) Huang Ziping: "On the "Pseudo-Modern School" and Its Criticism", "Beijing Literature", No. 2, 1988. (47) Li Jiefei: "The Meaning and Reality of "Pseudo-Modernism" - Revisiting "Pseudo-Modernism", "Hundred Schools", No. 5, 1988. (48) Wang Ning: "Acceptance and Transformation: Postmodernity in Chinese Contemporary Pioneering Novels", "Chinese Social Sciences", No. 1, 1992. (49) Chen Xiaoming et al.: "Postmodern: Cultural Expansion and Dislocation", "Shanghai Literature", No. 3, 1994. (50) "Literary and Art Research" published a series of articles re-evaluating pioneer novels in the 10th issue of 2005, including He Guimei's "Knowledge Genealogy and Ideology of Pioneer Novels". (51) Cheng Guangwei: "Modernist Literature" in the 1980s", "Literary and Art Research", Issue 7, 2006 (52) Cheng Guangwei: "Modernist Literature" in the 1980s", "Literary and Art Research", Issue 7, 2006