Chapter 7 Break through Huanxi Sand

Drunk in front of the light in a flash, hate is like spring, dream and fear are clear.Danyue Danyun outside the window rain, a sound. People become less affectionate when they are passionate, but now they are really not affectionate.I heard partridges crowing again, short and long pavilions. 【not sentimental】 Ci Pai "Breaking Huanxi Sands" is actually "Shanhuazi". Literati must follow the standards of the times and their own needs when naming Ci Pai.Give it a satisfactory name, as if it has kissed yourself and become a lover, it feels good, and it is easier to find inspiration.In fact, the rhythm of the two is the same.Let's talk about why "Shanhuazi" is called "breaking through Huanxi sand". "Huanxisha" is the most in "Drinking Water Ci". "Ci Pu" takes "Li Jing's Ci of the Five Dynasties, and notes the title of Tang Jiaofang's song." (Li Jing is the father of Empress Li. The father and son have quite the same hobbies, both have good rhythm and are good at writing lyrics)

"Breaking Huanxi Sand" is actually broken from "Huanxi Sand".The so-called "spreading" is to break the ending of the front and rear lines of "Huanxisha", the seven-character sentence into a cross, and become a seven-character sentence and a three-character sentence. At the end of the sentence, the tones also change accordingly.Li Jing's poem is directly marked as "breaking the Huanxi sand" in "Ci Lv".Since then, the poets have continued to use it when they think it is good. This poem can be compared with "Wind catkins drifting and remnants have turned into duckweed", both of which are lamentations of self-pity and self-injury.Whether it is "regret" or "no", it is still unavoidable to be disturbed by passion... The difference is that this poem expresses separation, and technically borrows the scenery from the outside as the background of the heart. "Wind catkins have turned into leaves" is like a static painting with the author's heartfelt words beside it.And "drunk before a flash of light" is like a group of scenes with alternating movement and stillness.Although the expression of emotions has been weakened, the scenes blend and complement each other, and the expression techniques are relatively richer.The whole word starts with "drunk in front of a flash of light", and ends with "I heard partridges crying again, short and long pavilion".It's like a person startled from a dream, still full of confusion.The whole word seems to be awake or drunk, and the artistic conception is precarious.

For a person with such delicate nerves, his sorrow of parting is destined to be heavier than others, and even has the taste of universal sorrow.When he was hurt by the parting, the clouds and the moon were faint on the rainy night, and they also looked foggy and wet and about to cry.If it’s really sad, it’s hard to let go, it’s sad to dream, it’s sad to have no dreams, Zhang Mi’s poem "Sending People" in the Tang Dynasty has: "Leaning on the pillar and thinking about it makes me feel melancholy, and a spring dream is not clear." Rong Ruo translates the word "wei" here. Turn the melancholy feeling of the original poem into contradiction and sadness.

Because of the sorrow of parting, I get drunk so fast, as if I was intoxicated in front of the lamp for a moment, and I don’t want to wake up from the dream to face the hurtful parting, I’m afraid that the dream and reality will be distinct when I’m drunk, but here it’s like a dream but not a dream, sorrow and hatred When I was pregnant, the rain outside the window kept pattering.The bitter night is long, and the rainy night makes the loneliness particularly clear. It is cold and vivid to write the sorrow of parting with the rain in the middle of the night.This "inter-color method" comes from Wen Tingyun, the originator of the Huajian School, "Genglouzi"--

Jade burner incense, red candle tears, partly illuminates the autumn thoughts of the painting hall.The eyebrows are green and thin, the temples are cloudy, and the night is long and the pillow is cold. The sycamore tree, the rain in the middle of the night, does not express love and suffering.Leaf by leaf, with a sound, the empty steps dripped into the light. The sound of rain hitting the sycamore leaves seems to be beating the heart.This not only highlights the "bitterness" of "separation from love", but also reflects the long sleepless nights and long "thoughts" of being away from people. It is just in line with Wang Guowei's saying that "all scenes and words are love words", and "things" all express the feelings of "I"!

The third watch rain reflects the sadness of separation, because it is too exquisite and appropriate, just like the wonderful sentence "the flowers are similar every year, but the people are different every year" in Liu Xiyi's "Sorrowful Pulsatilla" caused great shock in the literary world of later generations. Wen Tingyun invented and created After the wonderful metaphor, the ancients used it more, and it became a vulgar in the word.The mood and state of mind described in Rongruo's words are very similar to those in Feiqing's words.This kind of high-level learning method of "stealing intentions" and not "stealing realms" is much more clever than Song Zhiwen's method of killing his nephew and seizing sentences (see "Biography of Tang Talents", the authenticity is to be determined.).

These two poems of "Shanhuazi" both have the words "when people become passionate and passionate", perhaps Rong Ruo himself is particularly moved by this sentence!Emotions are common, but also gradual. "Really" seems to be a very ordinary and light word, but it is bright and worth pondering again and again. Without these two words, the taste would not be as bitter as Ruoxin.In the past, the love turned from deep to thin, but now it is from deep to nothing.Also add the word "true" to emphasize, the more you read it, the more ironic it means "you laugh at yourself when you are sad, but you are very happy but you cry".When do people speak irony, when they can't help themselves, or when they are insincere but don't want to be seen through?Irony, once read through, is more poignant than straight language. "Now I'm really not passionate" seems to be more decisive than "Now I'm really regretful and passionate", but in fact it is more desolate.Unsentimental people are like trees cut off from the sun, even if they grow, they are still in the dark and cold swamp.

The ancients believed that the cry of the partridge seemed to say "I can't do it, brother too".Farewell to Changting, even birds know sorrow, I hope you don't travel far.Applying the emotion of constant temperature is "the wood is like this, how can people be embarrassed." If it is not necessary, don't leave.Because time will dilute feelings, but life is contradictory. Sometimes only parting can deeply experience the warmth and happiness of being cared about by others. I hate parting.But if parting can make you miss me, I am willing to leave you. Break through Huanxi Sand

Under the forest, there is moss and moss in Tao Yun's house, and there are pity, jade, bones and dust.There is nowhere to say before worrying about the wind, and the number belongs to the crow. Half a lifetime of duckweed drifts with the water, and a night of cold rain buries famous flowers.The soul is Liu Mian blowing to pieces, circling the horizon. 【Famous funeral flower】 When I first read "Red Mansion", I was shocked by the beauty of Daiyu's burial flowers. I don't know how Cao Gong came up with it.This classic scene has never been so perfectly presented and depicted in previous literary masterpieces.Later, when I read "Drinking Water Poetry" and saw that there are many words "burying flowers" in Nalan's poetry: "weather for burying flowers", "burying famous flowers in a night of cold rain", etc., I realized that any art has traces to follow , including "Daiyu Burying Flowers".

It is reasonable to say that Xueqin was inspired by Rong Ruo.Xueqin’s grandfather, Cao Yin, and Rong Ruo were both close ministers of Kangxi. They had a close relationship and knew something about Rong Ruo’s life. It is not difficult to understand these past events with Xueqin's intelligence.When writing "Red Mansion", it is reasonable to use these sad and beautiful past events appropriately, and to extend it into a classic. Said: "Xie Daoyun's expression is loose and bright, and Lin Xiafeng." A woman like Xie Daoyun has a temperament of Tsinghua.Her demeanor not only aroused the hearts of people at that time, but is still talked about thousands of years later.In "Drinking Water Ci", Rong Ruo often used words such as "Xie Niang", "Daoyun", "Liuxu" and "Lin Xiafeng" when referring to lovers.Su Xuelin's argument that Rong Ruo's lover's surname is Xie is not groundless.But if it is inferred that Daiyu's surname is Xie based on this, I'm afraid it will make a lot of fans jump.It is only through Rong Ruo's description and quotations that we can believe that his lover must be a woman with outstanding temperament and outstanding talent like Xie Daoyun. If the image is better, we can imagine that she is a type close to Lin Daiyu.

Regarding women, there are two classic and insurmountable metaphors in the history of Chinese literature. One is the metaphor from "The Book of Songs-Taoyao", which compares women to flowers; . "Half a lifetime of duckweed goes with the water, and a night of cold rain buries famous flowers." Rong Ruo perfectly and succinctly combined the two sayings about women's most beautiful and seductive, bringing out a kind of sad and beautiful artistic conception like falling flowers and flowing water. Yang Feidian, vivid and colorful, shows a kind of gorgeous sadness in the sadness.This poem "Shanhuazi" can be regarded as one of the representative works of Rong Ruoci, which interweaves allusions and love language freely.Emotional thoughts are lingering, cold and unsurpassed, with deep meaning in the simple, bringing out infinite melancholy and bleakness. Almost, this is a eulogy that is not written as a eulogy.Who is mourning, it should not be Lu Shi.Because Lu Shi is the daughter of a high-ranking and famous eunuch, marrying Nalan, she is a man of talent and appearance, and a good family match.Even if she dies early, it is just a matter of poor fortune and shallow fate. It cannot be said that "duckweed goes with the water for half a lifetime, and famous flowers are buried in cold rain all night."I agree with the saying in Qing Wuming's "Notes on Renting Lu": "Nalan Rong is like a married woman, she is stunningly beautiful, and has a marriage contract. When this woman enters the palace, she will suddenly become a stranger." The sad work in "Drinking Water Ci" , a large part is made for this Shu. The lover dies and is buried in the yellow sand.Because she was the emperor's concubine, Rong Ruo could only suppress the pain in her heart.Standing in the wind, full of melancholy and nothing to say, the emperor's woman should not be touched, and even the thoughts must be extra careful. "There is nowhere to say the sorrow before the wind, and the number will return to the crow." It is translated from Xin Qiji's "Jade Butterfly": "There are many clouds in the evening, where are the beauties, and the number will be returned to the crow", but Rong Ruoyong's affection is too deep, and he always puts this This artistic conception was snatched from Lao Xin.We will walk into that dusk casually, and see him standing in the wind and bleak, there are hoaring crows flying by in the sky, hoarse and hoarse, and we will feel shocked when we think about it, and forget the emotional inquiry that Lao Xin agreed to. In addition to "The Song of Burying Flowers", Daiyu also has a shorter poem "Tang Duoling", which is also full of sighs about the miserable, stubborn and beautiful life experience, and it is a poem about catkins - which can be mutually verified with Rong Ruo's poem. The powder falls into Baihuazhou, and the fragrance remains in the Yanzilou, and the balls are formed into balls in pairs.Wandering is also like life is thin, empty and lingering, talk about romance, grass and trees also know sorrow, youth turns gray!Sigh who will give up and who will receive in this life?Marriage and Dongfengchun don't matter, let me go, endure the drowning and stay. Comparing and appreciating it from different angles of men and women can better understand its meaning.Daiyu compares herself to catkins, which vividly illustrates her miserable life, which can only be drifted with the wind and cannot be independent.And Rong Ruo's "soul is like willow cotton blown to pieces, circling the horizon" is both fragrant and miserable. Comparing the fragrant soul to catkins is enough to make people sigh and drift away. "Rounding the End of the World" further points out the loneliness of the Iraqis, who cannot return home if they have a home, and cannot stay together if they have love. I feel that the women in ancient times are very pitiful. They obeyed the three virtues and followed the four virtues.I used to think that Daiyu was too sad, and I saw life so pessimistic, but now I realize that she is the real scholar, without Baochai's capriciousness.Even if today's women can do everything, what about men who don't look weak?That kind is not weak, always weak.Just like Su Qing said, I saw that everything in the house was bought with my own money, but what is there to be happy about? What we lose to is not the same kind, not the pedantic and rigorous norms, but the unpredictability of life. Seeing Tibetans kneeling in front of the Buddha and kissing the ground under their feet, they will not feel humble, but awe-inspiring.Between heaven and earth, the path left for people to walk is life.The attitude we hold should be prostrate and humble.