Chapter 14 [Chapter Three] Bloom

(Folk Children from 1977-1983) If there is no Golden Rhyme Award, maybe there will be no acoustic guitar. If there is no acoustic guitar, we may not be able to hear such a beautiful song as "The Last Movie". If the acoustic guitar has not been successful, Li Zongsheng may not continue to write songs. If Li Zongsheng hadn't written songs, we might not have heard "Ghost Bewitched", Zheng Yi's "End", A Pan's "Thank You for Love", Chen Shuhua's "When I Woke Up", Xin Xiaoqi's "Comprehension"... If Is so, life is too lonely.

--Excerpt from Rolling Stone Records "Reunion Acoustic Guitar" copywriting If there is no Golden Rhyme Award, life will indeed be much lonely. Acoustic guitar is only a small part of Taiwan's school songs, but this copywriting tells a kind of feeling: if there are no school songs, if there are no folk singers, there will be many imperfections in our lives that are not fatal but are more unbearable- -We may not hear "Olive Tree", we don't know Cai Qin, there is no "Papa's Straw Sandals", there is no "Descendants of the Dragon", Li Zongsheng may still be changing gas tanks, Li Taixiang is still struggling on the edge of classics, Liang Hongzhi and Li Shouquan are also I don't know how to write songs, so the woman named Julie sang Western songs and then married and went abroad. The name Su Rui and "The Same Moonlight" never appeared.

Without the influence of Taiwanese school songs, pop music in mainland China would lag behind by at least five years; without the influence of Taiwanese school songs, Chinese music in Singapore would not be able to start an independent chapter; if so, life would be really lonely. The beginning of campus songs began with the "Golden Rhyme Award Youth Ballad Singing Conference" established by Xinge Records in 1977. Many college students who are studying or have just graduated boarded the last train of Taiwan's modern folk song movement.They can write and sing, and a guitar can rewrite a person's life.The folk singers and musicians who have participated in the Golden Rhyme Award competition and record creation and production have become influential figures in the Chinese music scene after the folk song movement: Li Shouquan, Li Taixiang, Li Zongsheng, Hou Dejian, Ma Zhaojun, Chen Xiunan, Li Ziheng, Qi Yu, Zheng Yi, Wang Xinlian, Tai Zhaomei, Huang Yunling, Xu Jingchun, Zheng Huajuan, Tong Ange, Yin Zhengyang, Yu Taiyan... musicians Yao Housheng and Huang Klonn played a vital role in promoting the Golden Rhyme Award.Whether it is the singing group or the creative group, the newcomers and new works that emerge in each session of the Golden Rhythm Awards will release commemorative compilations under the name of "Golden Rhyme Awards", and the more popular singers will have the opportunity to release solo albums.Because of the success of the Golden Rhyme Award, Yao Housheng was not only promoted three times in the record company, but also applied for more generous funds for record production.It is rumored that he is a producer who is "very good at spending money". The production cost of Golden Rhyme Award records is very high. Sometimes a song needs to be recorded dozens of times to achieve the desired effect.The design and production of the record jackets are also very sophisticated. The record jackets for the first commemorative compilation album were actually handmade, but later they had to switch to a semi-automatic jacket machine because of the large sales volume.

Since 1978, Haishan Records, which started in the 1960s, has released the only folk song style that can compete with the Golden Rhyme Award. Qi Yu became the double champion of the Golden Rhyme Award and the folk song style that year.Haishan Records not only has popular music masters such as Zuo Hongyuan and Liu Jiachang, but also brought together many representative figures of the folk song period in the campus song period: Liang Hongzhi, Ye Jiaxiu, Su Lai, Cai Qin, Pan Anbang, Li Bihua, Li Lifen... Haishan Records followed suit Golden Rhyme Award, and timely launch of "Folk Song Style" creation and singing commemorative compilation and folk singer's solo album.

Together with Xinge and Haishan, they achieved the most prosperous era of campus songs. The "mother of folk songs" Tao Xiaoqing continued his efforts in the early days of the folk song movement, allowing folk singers to break through the restrictions of their record companies and integrate into the overall creation and performance of campus songs.At that time, both the writing and singing of the song were bought out by the record company at one time, so it is hard to imagine that Cai Qin only charged 2,000 Taiwan dollars from the beginning to the end for singing "Just Like Your Tenderness", while Hou Dejian only charged 2,000 Taiwan dollars for "Descendants of the Dragon". Get 6,000 yuan.Before Xinge Records went bankrupt, it resold all copyrights to Rolling Stone Records. It is conservatively estimated that the retrospective records that have been reissued over the years have earned Rolling Stone over 100 million in return.

Looking back at the reprint of the album, it shows that folk songs are still being passed on.Some of the people, stories, and songs that emerged in those years fade away with the passage of time, while others are still circulating in the world.Su Lai, who once served as the host of the "China Radio" program and is also a folk singer and musician, once said such a touching sentence: "It turns out that no matter what we did later, where we went, who we fell in love with, and who we married, We are still the children of that folk song." The wind told me / Spring walked away quietly / The seagulls flew far, far away / No one asked him where he came from / How many white clouds in the blue sky / No one asked him where he was going / The wind told me /Spring walks quietly/Maybe you want to say goodbye/Don’t forget me waiting for you in my hometown/If you are far away/Think of me, please call me/Little swallows fly away/You know I am affectionate/Tell me/Tell me quickly /Whether he was under the sunset/Whether he was under the moon/Miss me/The wind tells me/Spring walks quietly--"The Wind Tells Me" lyrics and music: Qiu Chen singing: Chen Mingshao

"In the 1970s, everything started from scratch. Local literature started from the books in our hands, Huang Chunming's "Gong", "Shayo Na, Goodbye", Chen Yingzhen's "The General Family", and Zhang Liangze's "Wu Zhuoliu Novel" "Collection" entered the dormitories of college students and became a topic of discussion. Through these literary works, the soil and grass fragrance of Taiwan's vast land are rippling in the campus. The land is ours, the love is ours, and the song is also ours. Therefore, singing Our own songs have become the favorites of the young people of my time." In a memory article titled "Singing Wandering", the middle-aged Chen Mingshao wrote such words.

In 1977, Chen Mingshao, who was studying in the Department of Marine Geology of Keelung Ocean College, signed up for the first Golden Rhyme Award Competition and won the championship of the singing group with Over and Over.Chen Mingshao's voice is clean, soft and refined. He became a popular folk singer with "Boundless Love" in the first series of "Golden Rhyme Award Commemorative Album".At that time, most of her evaluations were "fresh", and some people even said such serious words as "it seems to put all the pain on her shoulders", which shows how powerful her singing is.

Chen Mingshao likes playing basketball and swimming, so he exposed himself to the point of being called "Old Black Lord". Qi Yu once laughed and said, "If you are Old Black Lord, then I am a nigger".Even though the female singers in the campus song period had a soft voice, they all looked healthy and bright.Chen Mingshao, who was in college, joined the school's songwriting research club. The first president, Lin Jianzhu, is the lyricist of "Little Grass", which is still sung on campus in Taiwan. The songwriter of this song is Chen Huixiong, who later wrote "Returning to Sand City". , Both of these songs have become classics among campus songs.In such a frenzied creative environment, Chen Mingshao also wrote some songs, but they were not included in her album.

After winning the championship, Chen Mingshao signed a contract with Xinge Records, and released three solo albums before he faded out of the music scene. "The Wind Tells Me" was included in "The World Under the Umbrella" published in May 1978. Most of the works in this album were composed by Qiu Chen.This is a light work, listen to it for a long time.The major stages of Chen Mingshao's life seem to be related to records: when he released his first album "The World Under the Umbrella", he was facing graduation, when he released his second album "Let's Watch the Clouds Go", he got married, and when he released his third album "Floating Clouds". pregnant.Chen Mingshao's husband graduated from Jiaotong University, and the two met because of swimming.After she became pregnant and gave birth, Chen Mingshao's contract with Xinge Records expired. Faced with the hesitation between renewing the contract or settling in the United States with her husband, she chose the latter.Chen Mingshao has been engaged in semiconductor-related work in the United States for many years, and he only retired in 2003.

At the thirty-year series of folk songs, Chen Mingshao returned to the stage. She laughed and said, "Floating Cloud Wanderer is finally back."It is a pity to give up singing, but there are many choices in life that she must face, and she has never regretted it.In the United States for many years, what I often recall in my dreams is not the songs I sang, but the song "Beautiful Island" by folk song pioneer Li Shuangze.When she was a student, she often stood by the Danshui River at dusk and sang this song softly to the afterglow, but her feelings for the land of Taiwan changed from indifference to thick.Back in Taiwan, one day I suddenly heard folk singer Hu Defu singing "Beautiful Island" in a restaurant. The powerful voice sounded, and her eyes were wet. Those young years seemed to be just yesterday. She still believes that every song in those years will leave a beautiful and profound touch in everyone's heart. The pond is full of water/the rain has stopped/loach is everywhere in the mud beside the field/every day I wait for you/wait for you to catch loaches/big brother, how is it/let’s go catch loaches/maverick’s brother takes him to catch loaches Loach / How is Big Brother / Let's go catch the loach -- "Catch the Loach" lyrics and music: Hou Dejian Sing: When Bao Meisheng recorded "Catch the Loach", Bao Meisheng couldn't help crying.She cried not because she was moved by this song, but because the song was too similar to a nursery rhyme, which made her very embarrassed.Under the hard and soft measures of the producer, Bao Meisheng became the first singer of this song, but it was unexpectedly popular.When I was young, Bao Meisheng lived in the same village and went to the same kindergarten as Hou Dejian, the creator of "Catch the Loach", but they were not familiar with each other. Unexpectedly, when they grew up, they became friends again because of folk songs. In this song, "Xiao Niu's brother" was originally "Xiao Mao's brother". In the era when talking about "Mao" became distasteful, the only way to publish it was to change the lyrics. At the age of 19, Bao Meisheng, who was studying in the History Department of National Taiwan University, won the first Golden Rhyme Award for the creative group.Being able to play, sing and write, she sang "Growth (Enlightenment in Yijiu)" composed by herself when she participated in the competition, and was later known as "Little Jasmine" in the golden rhyme award commemorative compilation.Bao Meisheng's clear and clean voice has amazed many people. Although she wears big glasses and likes to hold a guitar on stage, although she is not beautiful, she has become a quite eye-catching folk singer because of her female college temperament and creative talent. .Soon, Xinge Records released her first solo album "Song of Bao Meisheng", which not only included many personal creations, but also collected the debut works of Hou Dejian and Qiu Chen.During the three years of record recording and school tour, Bao Meisheng, together with other folk singers, left behind the pure and beautiful touch of youth due to folk songs.Sometimes after the performance, Wang Menglin would ride a motorcycle to send Bao Meisheng home, humming his own songs all the way. Many years have passed, and those night streets are still in memory. Apart from folk songs, Bao Meisheng likes collecting stamps the most.Because he participated in the National Taiwan University Philatelic Club and served as the vice president, he fell in love with Chen Anbin, the senior who served as the president, and walked into the wedding hall shortly after graduation, and then went to California, USA for further study.Before quitting the music scene, Bao Meisheng released a total of four albums, belonging to a very prolific folk singer.When my husband was studying engineering in the United States, Bao Meisheng worked in a travel agency.Taking off the halo of a folk singer, Bao Meisheng only plays the guitar occasionally for self-entertainment, but he also enjoys himself.Until 1987, the U.S. stock market crashed, which directly affected the securities investment of the couple. However, the experience of this failure led Chen Anbin to start the research topic of "replacing human brains with computers for financial decision-making".The two returned to Taiwan. After several years of research and hard work, they obtained investment and finally established Baoji Information Company.At the beginning of the business, Chen Anbin, who was appointed as the general counsel, did everything by himself, and Bao Meisheng, who served as the general manager, also started with basic administrative affairs. At present, Baoji Information has a very good reputation in Taiwan's high-tech field, not only attracting famous foreign high-tech Technology companies have also made huge profits of billions of dollars by participating in shares. Chen Anbin, who likes to work hard in the office wearing sweaters, said that after so many years of hard work, the company is still mentioned by the outside world as Bao Meisheng who sang "Little Jasmine", which shows the influence of folk songs.The two have two sons and a daughter. The son heard "Catch the Loach" when he attended the summer camp, and told the children that his mother sang it, but no one believed it.My son was also puzzled, and couldn't help asking her after returning home: "Are you Bao Meisheng? Are you the Bao Meisheng who sang "Catch the Loach"?" During the 30th anniversary of folk songs, Bao Meisheng returned to When she came to the stage, what made her most happy was seeing Chen Mingshao who hadn't seen her for more than 20 years.Her son, who is already a graduate student, couldn't help but asked her again: "Is anyone listening to your ancient songs?" Recalling those years, Bao Meisheng said: "We used to sing without makeup or costumes, and everyone gathered together. Like the class reunion, for me, it is like a student activity, so I never feel that I have joined the music scene, and there is no so-called quitting." Don't ask me where I am from / My hometown is far away / Why I am wandering /wandering far away/wandering/for the birds flying in the sky/for the light stream in the mountains/for the wide grassland/wandering far away/wandering/and/and/for the olive tree in the dream/olive tree/don't ask Where do I come from/My hometown is far away/Why wandering/Why wandering far away/For the olive tree in my dream--"Olive Tree" Lyric: San Mao Song: Li Taixiang Sing: Qi Yu In 1978, Qi Yu, a senior student in the History Department of National Taiwan University, won the second Golden Rhyme Award champion, and in the same year, he won the first Haishan Records folk song champion.At that time, Li Taixiang was the judge of the Golden Rhyme Awards. After the competition, he approached Qiyu and said that he had some songs he had written, and hoped that she could listen to them. For the first time, Qiyu heard the song "Olive Tree" that changed her fate. In 1979, Qi Yu released his first album "Olive Tree", with Li Taixiang as the producer.Li Taixiang, who was born in classical music, works somewhere between classical and popular. People who are engaged in classical music say that he is popular, while people who are in pop music say that he is not popular at all.Compared with the folk song works at that time, Li Taixiang fully integrated the elements of folk songs on the basis of the original art songs, showing a completely different artistic atmosphere from previous works. Li Taixiang's influence on Qiyu is as long as a lifetime.They have collaborated on four albums in total. Qiyu's unique voice and unique comprehension have enabled this cooperation to create a completely different literary and musical style in the folk song era. "The Olive Tree" was universally popular, becoming the best-selling album for two decades.Among them, "Happy Face" and "Olive Tree" were selected as the theme songs of the movie "Happy Face", and are known as unparalleled classic representative works of the folk song era. Li Taixiang was born in Malan, Taitung in 1939. His father was a minority of highly educated Amis aborigines. In 1997, Li Taixiang won the "Special Contribution Award" at the 8th Taiwan Golden Melody Awards. It was not until then that he admitted that "Olive Tree" was his classic work. Sometimes I may get unexpected gains. I used to be too burdened, struggling between fashion and classics, reality and ideals, and now I have to create what I want with a more free heart." "Olive Tree" is very representative of my time My life and ideas, on the surface, seem to be green mountains, green waters and dreams, but it represents my view of beauty in my youth—beauty is beautiful things. In addition, there is also a feeling of melancholy. At that time, there was no The method is very heavy, but fortunately it is. "Olive Tree" represents a dream. In this regard, the way of writing at that time was quite appropriate. If it is now, many brushes may be used to describe it, but this will lose Simple and beautiful." Li Taixiang said these words in an interview, many years after the end of the folk song movement. Sanmao also recalled the creation experience of the song "Olive Tree" before his death: "My friend Mr. Li Taixiang asked me to write some lyrics, and he urged me to write. I wrote nine songs in one night, one of which was "Olive Because I love olive trees, olive trees are beautiful. My husband Jose’s hometown is in the south of Spain, and the most famous one is olives. However, I wrote the song "Olive Tree" at that time, and it cost 500 yuan It was sold out, and today I spent more money buying tapes to send to friends than I got. Today I am not going to talk about how much money I make, but to say that there are two lines in this song that I did not write , because this song was originally sold to Gelin, and later transferred to Xinge, so there are some problems with the copyright. I can't sing this song, it seems that there is a sentence that wanders for the birds flying in the sky and the prairie. Yes, I want to make a statement, because the current "Olive Tree" is different from what I wrote at the beginning, if the wandering is just to see the birds flying in the sky and the prairie, then there is no need to wander." So, sometimes we It is not necessary to know the truth, and the truth may not be as good as imagined at the beginning.Regarding the copyright issue, it was a very big disadvantage in the campus song period. Some of Li Taixiang's works were often bought out at a price of 2,000 yuan. In the past ten years, Li Taixiang has been in a semi-retired state due to Parkinson's disease, but he still creates, still records, still drives with trembling hands to chat with friends, and even still falls in love.A few years ago, when he was recording "China Symphony Century" in Beijing, Li Taixiang fell in love with the cellist of the symphony orchestra. He wrote "This is a Secret" for her, which is included in "I Met You Since That Time".Through speaking in the native language of the Amis, Li Taixiang expressed the love hidden in his heart. Regarding "You Are All My Memories" sung by Qiyu, Li Taixiang only revealed the truth behind it in an interview two years ago: he wrote the melody for this song a few years ago, but because he was not satisfied, he left it in the garbage can.As a result, Qi Yu and Hou Dejian came to visit respectively, and both thought it was a very good work.Hou Dejian completed the lyrics of this song during the discussion. Unexpectedly, because he left the mainland, his name could no longer be written on this song. Li Taixiang had to impersonate his name to complete the publication of this song, which also added to Qi Yu's singing career. Important sum. Most of Li Taixiang's female disciples were born in folk songs: Qi Yu, Tang Xiaoshi, Xu Jingchun... At present, Qi Yu, who has been singing in the music circle for more than 20 years, has studied Buddhist music painstakingly and published related albums. "Perhaps it is the blessing of our generation of singers. There are few compromises in life, more independent and more secure, and live a very comfortable life. Even if we don't sing in the future, we will not give up the 26 years of persistence. Music concept, dreams will never fade." Red flowers are full of kapok road/The long street seems to be burning/Heavy night wandering on kapok road/Gentle wind blows through the treetops/Kapok road/That It was the climax of last summer/How could I forget/Kapok Road/It was the unforgettable wave in my dream/How could I forget/Ah/Love is like Kapok Road/The season is over and thanks/Ah/Love is like that Kapok The Way/The Sound of Cicadas Can’t Be Stopped--"Kapok Road" lyrics and music: Hong Guangda Ma Zhaojun singing: Wang Menglin The runner-up of the second "Golden Rhythm Award" was Wang Menglin, who composed and sang "Scene in the Rain". After serving as the host for many years, he can still proudly claim that "Scene in the Rain" was the most widely sung song in 1979.Wang Menglin once served his sentence in prison for the crime of injury. Coincidentally, Ma Zhaojun, one of the authors of this song "Kapok Road", was also jailed for drug possession.During the interval of the folk song commemorative concert, Wang Menglin jokingly called Ma Zhaojun, who was imprisoned first, "senior", while Ma Zhaojun stood there awkwardly. Ma Zhaojun, who has been behind the scenes for a long time, has not published many solo albums. He has devoted himself to music creation since he was 17 years old. He has composed "Morning in the Wind", "End Movie", "July Liangshan", " Seasonal Rain" and other classic works, especially "There Will Be Such a Day" created by him for Yang Qinghuang, are still sung today.Ma Zhaojun joined the Rolling Stones as a producer at the age of 19, which is by far the lowest age record for a producer in the history of the Rolling Stones. In 2007, due to a heart attack, Ma Zhaojun passed away unexpectedly at the age of 48. When he was a child, his family was not well-off. Wang Menglin turned a lot of turmoil in his inner world into creation, so he wrote a lot of works.He has a strong relationship with his parents. He once wrote "I Love You Mother" and "To Father" for them, and included them in the album.It was not until recent years that his parents told him that he was not born, but bought, and that he was able to recognize his biological mother. Wang Menglin's "Scene in the Rain" and "Ami, Ami" were smash hits, and he managed restaurants, KTV, billiard rooms and even real estate, but all ended in failure.He is chivalrous, "If you don't like it, you can scold, if you don't like it, you have to beat someone, but I think I am quite popular in this circle, I never bully, I like to take care of others, I can't see others being bullied, so of course I will Offend some".It was a big turning point for him to go to prison for hurting someone after drinking. "Prison is just another environment for studying." Since then, he has gradually calmed down.Wang Menglin returned to the hosting industry at the age of half a century, but set off a scandal of wife beating and extramarital affairs, which made him admit that the most stupid thing he had ever done was to admit an extramarital affair to his wife, but he firmly denied the accusation of beating, and even revealed the truth of his beating Show the scars to the reporter. "When it's good, think of the bad time, and never think of the good time when it's bad" - this is Wang Menglin's motto.Many of his songs were banned back then, such as "Ami, Ami", and he even advised children to learn "Electric Toys".A few years ago, Wang Menglin formed the MIB trio with fellow folk singers Zhao Shuhai and Huang Dacheng, which means "Musicisback" and still continues the dream of the folk song era.Looking back on campus songs, they are all bright memories. For example, there was a concert where he partnered with the handsome Zhao Shuhai and came on stage behind Ye Jiaxiu.The two squatted in the background and waited nervously. Unexpectedly, Ye Jiaxiu told more jokes than he sang, and the two of them waited until their heads were covered with oil. Wang Menglin said with certainty: "Zhao Shuhai's baldness began at that time. "In the "Forever Weiyang Song" published by Folk Song in 20 years, Wang Menglin said to the interviewer: "A 40-year-old man will always have the burden of the family, and he can no longer talk about ideals, although he still plays every day. Now that the equipment is convenient, I will record it. When there are performances, Zhao Shuhai and Huang Dacheng will still come to my house to practice singing, but now the market demand is different. I am not a folk singer anymore. You have to learn. Some of the folk singers back then were doing well, and some were not doing well. Everyone was working hard for their lives.” Going back to come/The pastoral will be deserted/How many years of wandering/Ah/How pale Years / how many years of waiting / ah / how many years trembling / come back / the guitar will be empty / the guitar will be empty / who forgot you / let you be empty / hit the guitar, hit hard / make me loud Polish your face with your singing voice / pluck the six strings, pluck it as much as you want / let my calloused hands wear away your rust / come back / old friends will be gone / old friends will be gone / once gone, it will be hard to look back The scars on my cheeks/Hold your hands tightly/Hold your hands tightly/Let my sincere arms warm your hands/Cry loudly, cry heartily/Let my tears of missing and your tears Your tears/Go back Xi/Green tea will turn up/Green tea will turn up/Green tea will turn up/When a cup is full of dust, when will I recollect it/Burn a pot of hot water, make a pot of tea/Let your sweet tenderness moisten my throat/Swallow a puff of smoke and spray a puff of mist/ Let your fragrant silence wash away my sorrows my sorrows-- Lyricist: Hou Dejian Singing: Li Jianfu In 1980, Li Jianfu, who also won the second Golden Rhyme Award and was also known as the "campus idol" of the folk song era, released his first album "Descendants of the Dragon" in Xinge.Li Jianfu's popularity is said to be no less than when F4 was most popular.The most rare thing is that in addition to his good singing skills and touching voice, Li Jianfu has always been praised for his attitude towards people and good personal image. That year, Li Jianfu sang "Descendants of the Dragon" more than 500 times, so that he could not resist the enthusiasm of the audience at the folk song commemorative event, so he reluctantly sang this song again.In fact, besides "Descendants of the Dragon", Li Jianfu's classic works include "Love in the Wilderness", "Return", "The Heavenly Water Flows Long", "Thanksgiving" and the albums "Chai La Khan" and "Tianshui Music Collection" period. A Thousand Springs is very representative. Li Jianfu is the youngest child in the family, and his father is Li Mo, a well-known jurist in Taiwan.When he was in college, he wanted his son to inherit his father's career, but his father said that his second brother was already studying, and only one child in the family was studying law, so he chose international trade.His father once said that Li Jianfu was the worst singer in their family. Li Jianfu laughed and said, "It's like Lin Qingxia always said that she is the worst-looking one in the family." In 1978, Li Jianfu sang "Descendants of the Dragon" for the first time. When I was a sophomore at Tamkang University.At that time, a reporter once wrote: In terms of appearance and temperament, probably no one is more suitable for the image of "Descendants of the Dragon" than Li Jianfu.He was clean, tidy, decent, well-bred, and well-behaved.In private, he doesn't smoke, drink, dance, mess around, fight and cause trouble, doesn't go where he shouldn't go, doesn't do what he shouldn't do... The young and energetic Li Jianfu asked the reporter: "How do you know I can't do it?" Bad thing?" Li Jianfu won the favor of countless girls not only because of his good singing and good looks, but also because of his humor.For example, during a performance, he stood with his guitar in his arms, stroking his hair with his hands, and said slowly, "I really like singing with Shi Xiaorong on the same stage, because with him, I am fairer", and the audience burst into laughter . Li Jianfu received NT$30,000 for singing "Descendants of the Dragon". As a student, he is also a fortune. Thousands of dollars.” Also because of the drawbacks of copyright being bought out, Li Jianfu, Li Shouquan, Jin Tiezhang, Xu Naisheng, Su Lai, and Cai Qin established the "Tianshui Leji" studio, making their own records and then distributing them to record companies, which not only created a music room. It is the first of its kind, and has fought for the due rights and interests in the establishment of copyright. Like many folk singers, Li Jianfu did not choose music as his lifelong career in the end.After graduating from university, several record companies wanted to sign him. After thinking for a long time, he felt that he was a person who didn’t like to show off, and he didn’t like wasting time on various announcements as a singer, so he finally gave up as a professional singer. way.After discussing with his father, Li Jianfu went to the United States to study for a master's degree in the Institute of Business Administration of the University of Pittsburgh.Xuecheng returned to Taiwan. He used to start a business as a boss, and also worked as a host of "Voice of Taipei". Because of this job, he was able to meet Mr. Yang Zhiyuan, the founder of Yahoo, during an interview, which contributed to his early rise in the Internet. At that time, he was the general manager of Yahoo Taiwan, and later the director of corporate services for Yahoo Asia. Now, Li Jianfu is still struggling in the Internet industry.He often travels to the Mainland, and most of the people he meets do not know that he is the first singer of "Descendants of the Dragon", but he is always very indifferent. Even his classmates in the United States do not know that Li Jianfu was once a well-known folk singer. In 1995, Li Jianfu, who returned to Taiwan for the commemoration of folk songs, released "Pastoral Songs", one of the "Dream of Journey" series of albums. An album with experimental concepts.Li Jianfu made an exception and agreed to record the singing part of this album. In the 1990s, he still left us works such as "Morning", "Pastoral", etc. that best represent the spirit of the folk song era. There is a river in the far east / Its name is the Yangtze River / There is a river in the far east / Its name is the Yellow River / Although I have never seen the beauty of the Yangtze River / I often swim in the water of the Yangtze River in my dreams / Although I have never heard the strength of the Yellow River / It is surging in In the dream / there is a dragon in the ancient east / its name is China / there is a group of people in the ancient east / they are all descendants of the dragon / I grow up under the feet of the dragon / I will be the descendant of the dragon when I grow up / black eyes and black hair Yellow skin/Forever and forever the descendant of the dragon/A quiet night a hundred years ago/In the deep night before the great change/The sound of guns shattered the quiet night/Besieged on all sides is the sword of appeasement/How many years the sound of guns is still rumbling/How many years it is How Many Years/Dragon, Dragon, Keep Your Eyes Bright/Forever and Forever, Keep Your Eyes Bright/Great Dragon, You Keep Your Eyes Bright/Forever, Keep Your Eyes Bright--"Descendants of the Dragon" Lyricist: Hou Dejian Sing: Li Jianfu Thirty years of folk songs, Li Jianfu, who sang "Descendants of the Dragon" on stage, pulled Hou Dejian, who was sitting in the audience, to the stage to sing together.Hou Dejian was a little cautious, as if he was no longer used to being the focus of attention.The two became acquainted because of this song, and became friends because of this song. Back then, "Descendants of the Dragon" was suppressed by the record company. It was not until "Xiao Fu" appeared that Hou Dejian found the most suitable singer.What Hou Dejian is worried about is that Li Jianfu always writes "Hou Dejian" as "Hou Dejian", because "Descendants of the Dragon" is too popular, and the song sung by Li Jianfu ranked fifteenth consecutively in the "Creative Ballad Ranking" of "Minsheng Daily" Zhou's status as the champion also put him under pressure in his creation. He said bluntly that "it was all caused by Li Jianfu." Li Jianfu was also not convinced, saying, "It's God's eyes that Boss Hou was able to enter the university." In the auditorium that night, there were two people with the highest appearance rate, one was Li Taixiang, and the other was Hou Dejian.He was wearing an ordinary plaid shirt, and his grooming and smile were extremely simple.He is so ordinary, so ordinary that if the camera didn't insist on looking at him, the audience would definitely miss him.Ordinary people live a simple life without suffering.But the real side is that he suffers from panic attacks. The host Tao Xiaoqing specifically explained that the version of "Descendants of the Dragon" sung this time finally restored "Besieged on all sides is the sword of appeasement" to the original "Besieged on all sides is the sword of foreigners". She said: "Today, we want to give Hou Dejian justice. "Mr. Sun Weimang once described it in "Hou Dejian--The Descendants of the Monkey": "He has not received any orthodox music education, but he only needs to pick up the steel string guitar, half-close his eyes, and make a sound that contains desolation and wildness. When he sang folk songs, everyone present was overwhelmed, because the singing voice, which was more wonderful than folk song records, was in front of his eyes. Hou Dejian proved to me, who is also a military family member, that learning music is not the monopoly of bourgeois. His situation at that time was the real one. Pu Luo: My mother and father divorced, and they moved out of the military dependents’ village in Okayama with their four children. When he served in the military after graduating from university, he composed the song "Descendants of the Dragon". The lyrics were published in newspapers when Taiwan and the United States broke off diplomatic relations. The letter asking for the song was enough to bury him. I used the time when I came back from vacation to help him copy the song and write the score , send it to fast printing, and send enthusiastic readers. The nostalgia for traditional culture revealed in this song exists in any immigrant society. The theme of thinking about hometown in the second movement of the Symphony is an eternal melody that can be rooted in the memory of the listener." The first version of the first song "Catching Loach" composed by Hou Dejian was not approved. "Catch loach" was changed to "Xiao Niu's brother took him to catch loach", which is OK again. After "Descendants of the Dragon" was published, James Soong, who was then the "information bureau chief", rewrote the ending of the song himself: "A hundred years A dream of former humiliation, the dragon sleeps soundly in the middle of the night, the bell of self-improvement awakens the soul of the nation, the sword of shame is the sword of shame, the dragon, the dragon, you wake up from the dream, you will always be the dragon of the East, and you will grow up from generation to generation Da, forever and ever is the descendant of the dragon. "The authorities asked Hou Dejian to agree to change the lyrics to replace the original version, and even called a group of cultural people to put pressure on him. Hou Dejian didn't appreciate it. He got help from composer Dai Hongxuan, musician Yao Housheng, and poet Yu Guangzhong. The authorities had no choice but to compromise. Hou Dejian once I visited the poet Yu Guangzhong's home on Xiamen Street twice, and Yu Guangzhong quoted Du Fu's poem written by Li Bai as a gift-"Everyone in the world says to kill, but I only pity talents." "Hou Dejian's insistence was resented by many high-level KMT officials, so that his works were blocked many times in the process of submitting for review, which often made him growl in depression. In 1982, Hou Dejian abandoned his wife and son. Came to Beijing from Taiwan via Hong Kong. As a result of this trip, several songs he wrote at that time were forced to be changed to other people’s names, including the lyrics and music of "Wine Gangster If You Sell Nothing" and "You Are All My Memories" lyrics creation. Hou Dejian was incorporated into the Oriental Song and Dance Ensemble led by Wang Kun, and directly participated in the development of mainland pop music.He wrote "New Shoes, Old Shoes" and "Panda Mimi" for singer Cheng Lin, making Cheng Lin the earliest pop female singer in the Mainland.Hou Dejian also formed Huaguoshan Band with Wang Yanjun, Zang Yunfei and others, touring the country.It is said that Guo Feng met when the band performed in Chengdu. With the encouragement of Hou Dejian and Wang Yanjun, the 20-year-old Guo Feng "came to Beijing with a small army bag on his back, loaded with toothpaste and toothbrush".Hou Dejian's influence on popular music is more than that. Xie Chengqiang once recalled: "Hou Dejian has a great influence on us. He brought back a synthesizer and let us know that there is such an advanced equipment. He taught us how to split tracks. Of course, the most important thing is his concept of pop music." Hou Dejian is not a pure musician, he is more concerned about the cultural level, his works such as "Chaozhou People", "The Same", 《未来的主人翁》（罗大佑有一首更为广泛流传的同名曲）、《永远永远》、《高速公路》、《三十岁以后才明白》等等都成为他表明某种态度的一种工具。这些作品中，我们可以感受到侯德健深刻的文化感怀，以及对历史的反省。同时他也会写出诸如《捉泥鳅》与《好像》这样清新愉悦的作品，使人们感受到他率真的那一面。 那时候，侯德健还很年轻，他张扬，有个性，不妥协。现在的他，多少有些岁月沧桑的痕迹，笑容却更加真实了。辗转回到台湾，侯德健受到多方指责。奇怪的是，女性大多对他表现出非常之反感，或许认为他对家庭不负责任，对女人没有担当。移居新西兰的六年，他潜心研读，沉迷在中国传统文化当中。台湾的旅行团仍然不放过他，他的领队妹妹经常应团员要求带团来访，使他成为新西兰的观光景点之一。再次回到台湾，侯德健开设"传人工作室"，做起了推广的工作，一群欣赏他的人集资赞助，把他的所学在网络上推广。 前两年，传出侯德健筹拍电影《白蛇传》的消息，并已集资四千万美金。希望他还可以通过某种方式实践自己的某种理想，如果那的确代表着他的理想。 侯德健的音乐时代已经成为历史，他可能再也不会用音乐作为他表达的方式。听《潮州人》，他唱着，眼里泪里都想家，那是最让人感动的词句。 白先勇说过，中国人的忧患漂泊，是永远也不会停止的。那是永远的乡愁。 不再流浪了/我不愿做空间的歌者/宁愿是时间的诗人/然而我又是宇宙的游子/地球你不需留我/这土地我一方来/将八方离去--《偈》词：郑愁予曲：苏来唱：王海玲王海玲是民歌运动中最年轻的歌手，灌唱个人首张唱片《偈》时，她还是北一女的高二学生。1979年，利用高一暑假参赛的王海玲凭翻唱一曲芭芭拉?史翠珊的英文歌获得第三届金韵奖冠军，新格唱片对外宣布他们发现了台湾乐坛真正的金嗓子。 得奖后，记者问她："你得了冠军，觉得怎么样？""很高兴。""你父母觉得怎么样？""他们也很高兴。""你在学校的教官觉得怎么样？""他也很高兴。"第二天，教官把王海玲叫到办公室，"谁告诉你教官很高兴的？"其实无论学校还是唱片公司的工作人员或其他民歌手，都对王海玲非常保护。几乎所有人都喜欢她，因为她年轻，长得漂亮，却又安静、本分。她被誉为"黄金小孩"，不仅是指她的嗓音，也指她的为人。因为出名，高二时每个周末都要去院校演唱，有时候一天要去三所学校，她的学习成绩因此颇受影响。高三那年，校长拒绝让她唱歌、演出，她才能专心学习考上台大。新格唱片也在记者要求采访时说"最好不要去吵她，因为她要考大学"。 《偈》被视为民歌运动中最有代表性的几张唱片之一，其中的《忘了我是谁》几乎成为了校园演出中必唱的歌曲。说到《忘了我是谁》，歌词采用的是李敖创作的小诗，曾经盛传这首诗是他写给前妻胡茵梦的，但后来李敖本人在一篇访谈中极力否认。据陶晓清在节目中介绍："《偈》是民歌时代大家也很喜欢的一首歌，苏来看到郑愁予这首诗时，就非常喜欢，因而将它谱上了曲，它的歌词真有空灵的感觉，王海玲第一张专辑的制作人李寿全先生又将《偈》作为她的主打歌曲，所以很多人对王海玲的这首歌都有很深刻的印象。"王海玲在《偈》的文案中说："我从小对音乐有一份莫名的热爱，国中时代起，现代音乐(大多是西洋流行音乐)更成了我生活的重心，四处为好歌奔走，日夜为音乐疯狂是当时最好的写照。长大了些，这份热爱渐渐转变成一种殷切的期盼，盼望我们的流行音乐能有所突破，能更进一步达到相当的水准。是那么幸运地，高一暑假我获得第三届金韵奖歌唱比赛冠军，使我有机会能尽自己一份微薄的力量，与其他的音乐热爱者共同朝此理想努力。在无限喜悦和些许压力下，我终于向前迈了一大步--录制了这张唱片。""回头检查我出过的唱片，第一张《偈》是最经得起时间考验的，当时的心情到现在还可以用。这张唱片的制作人李寿全，扮演了一个非常重要的角色，他一方面针对我的气质、特色来做，另一方面充满了典型民歌运动的热忱，想要从当时肤浅的情歌套式里脱离出来。那时很难想像有人可以用偈这样的歌名来做唱片，而很多二十年前的老歌和现在的流行歌曲不会出现的歌名都出现在这张专辑。当时歌星连续一分钟不唱一句歌词是很难被接受的，然而《薪传》这首歌长达五分钟，光是尾奏就有一分钟，《当你生日》里接合两首歌的做法也属创举，我们几乎完全不在意市场。"进入台大后，王海玲继续民歌演唱。有一次到美国演出，认识了当时负责接待的学生会会长，这个人后来成为她的先生，她也因此搬到美国住了六年。王海玲偶尔也创作，包括凤飞飞的《一世的恋情》以及林慧萍的《寂寞已离我远去》。 民歌纪念演唱会上，王海玲上台时获得的掌声比她当红时差得多，她忍不住对台下的学生们说"当年的我就像现在的孙燕姿，黄大城他们就是F4"，果然获得另眼相看。老友相聚，自然会提起往事，以前王海玲与施孝荣住在前后楼，她每天下午都听到有人播放《归人沙城》，直到有一天听到中间停下来的咳嗽声，才知道是施孝荣自己在唱。 施孝荣抱着吉他唱《温柔的拒绝》，王海玲促狭地问："是被谁拒绝呀？是当年那位女歌手吗？"把施孝荣吓得急忙阻止："你别乱说，不然我回家就惨了。"不料王海玲又补上一句："不是她吗？"施孝荣当场都快疯掉。 关于王海玲的笑话也很多，娃娃提起有一次与她一起吃饭，她问大家："姜母鸭，为什么只能用母鸭，难道没有公鸭吗？"一时传为笑谈。 王海玲目前担任台湾某电台的音乐总监，主持一档名为"爵士之夜"的电台节目，她说："民歌是我生命的一部分，爵士则是我的嗜好"。 唱一段思想起/唱一段唐山谣/走不尽的坎坷路/恰如祖先的步履/抱一支老月琴/三两声不成调/老歌手琴音犹在/独不见恒春的传奇/落山风向海洋/感伤会消逝/接续你的休止符/再唱一段唐山谣/再唱一段思想起/再唱一段思想起--《月琴》词：赖西安曲：苏来唱：郑怡 第三届金韵奖获奖的女歌手比较多，除了王海玲，还包括郑怡，王新莲，马宜中，四小合唱团（黄韵玲、黄珊珊、张瑞熏、许景淳），杨芳仪、徐晓菁二重唱。 被誉为民歌天后的郑怡横跨民歌与流行两界，李宗盛第一张制作的唱片就是郑怡的《小雨来得正是时候》。郑怡在民歌时代演唱过的《月琴》，是献给民谣歌者陈达的作品，也是音乐人李国强制作的经典曲目，先后被张清芳、费翔、孟庭苇等歌手翻唱过。 词作者赖西安（即作家李潼）生前曾经说过，希望借由这首歌让大家重视陈达所代表的民间艺人所具有的勇猛与创意在工业化的进程中还能否流传下来。苏来向赖西安要到歌词后，很快就为它谱好了曲。这首歌本来是要给李建复唱，结果苏来先给到家里来玩的郑怡听，郑怡试唱时，苏来很意外她居然能够唱出歌中背负的使命感，这首歌也因此被郑怡"强行霸占"。也是郑怡提议先唱副歌，即把这首歌的最后一句"再唱一段思想起"调到前面来当第一句，于是，我们后来听到的《月琴》开场就是郑怡清亮的人声，伴奏随后才起。 郑怡是台湾歌坛不可多得的女唱将，作品颇丰，当过电台主持。前两年她告别广播界与歌坛随夫移居加拿大，每天亲自接送双胞胎儿子上下学，还经营起面包坊。朋友们打趣说，不知道郑怡烤面包的时候会唱哪首歌。 马宜中目前被人熟知却是因为她是非常成功的台湾MV女导演。当年参加金韵奖是受学姐邰肇玫的影响，虽然唱过多首脍炙人口的民歌，也与郑怡、王新莲出过合辑，但之后她还是选择出国读书。在奥斯汀大学读电影的时候，她不肯承认自己就是"那个马宜中"，还是学生会长调查了一个月，才不得不上台表演。 某年某月的某一天/就像一张破碎的脸/难以开口道再见/就让一切走远/这不是一件容易的事/我们却都没有哭泣/让它淡淡地来/让它好好地去/到如今年复一年/我不能停止怀念/怀念你/怀念从前/但愿那海风再起/只为那浪花的手/恰似你的温柔--《恰似你的温柔》词曲：梁弘志唱：蔡琴1979年，蔡琴自民谣风大赛中获得第四名，因一曲《恰似你的温柔》成为海山派最重要的女歌手。小学五年级的蔡琴就参加过校合唱团，后考入实践家专。为了奖品吉他，她报名参加民谣风比赛。决赛的时候看到高手如云，她心想要不就自己去买吉他算了，陪她比赛的朋友当场翻脸，所以我们才能在以后的岁月里无数次被蔡琴感动。 在民歌三十年纪念中，由大众评选的三十首上榜歌曲，蔡琴就占了六首：《出塞曲》、、《你的眼神》、《怎么能》、《被遗忘的时光》、《恰似你的温柔》。其中《被遗忘的时光》在民歌时期根本没什么人知道，电影《无间道》让这首歌在二十多年后意外走红。 在民歌运动初期，就读世新学校的"小帅梁"梁弘志就开始写歌，他创作的《恰似你的温柔》成为世新校歌，流传很广。同为世新校友的制作人黄大军回忆道：在世新读书先是结识了周治平，开始二人在民歌餐厅的驻唱经历，因为要赶的场太多，有时候甚至唱着唱着就睡着了，从椅子上掉下来再接着唱。那时候他也无师自通地开始词曲创作，陈黎钟演唱的《芦苇花》就是他第一首发表的作品，卖了三千元。然而认识学弟梁弘志之后，才知道什么是唱片制作人，受后者的启蒙确定日后要走的方向，这是黄大军最感谢梁弘志的地方。黄大军认为将《恰似你的温柔》诠释得最好的是罗吉镇，至今无人能及，包括原唱者蔡琴。罗吉镇当时是世新吉他社社长，以《恰似你的温柔》风靡各校园，许多学生为之疯狂。 民谣风比赛时，很多人都唱梁弘志的作品，有一天他终于听到了想要的声音。第二天他就打电话给唱片公司，说希望《恰似你的温柔》能给那位同学唱。那位同学，就是戴着大眼镜、完全不在意个人形象的蔡琴。蔡琴后来说"没有梁弘志就没有蔡琴"，苏芮也表达过同样的感触。当初电影《搭错车》已经决定由女主角演唱其中的所有曲目，并且已经开始练唱。有一天梁弘志在电台里听到一个唱西洋歌的女歌手Julie，第二天他就说服导演和制片用这位女歌手，而这位Julie就是凭《搭错车》一夜成名的苏芮. 在首张专辑《出塞曲》专辑推出前，蔡琴的作品《恰似你的温柔》、《我曾经来过》、《就这样哀叹一段美丽的爱情》就已广受好评。《出塞曲》是李南华的作品，以席慕蓉的诗入词，表达的是身在台湾的蒙古人对于草原的思念之情。席慕蓉第一次听到这首歌时泪流满面，这首作品也最终使得蔡琴获得了金曲奖最佳女演唱人奖。 以后的日子里，梁弘志先后创作出蔡琴《读你》，邓丽君《但愿人长久》，潘越云《错误的别离》，苏芮《请跟我来》、《变》，黄莺莺，郑怡《想飞》，于台烟，姜育恒《驿动的心》，谭咏麟《半梦半醒之间》、《像我这样的朋友》……首首均是脍炙人口的佳作，使他成为台湾流行乐坛的中流砥柱式的人物，并获得"民歌推手"的美誉。陈升曾经说过他最欣赏的歌词就是梁弘志为苏芮写的《变》，用季节变换谈恋爱起伏，仅仅一句就几乎道尽爱情的本质。罗大佑也曾说：梁弘志运用了最简单的元素与音符，却作出传世的经典作品。 被梁弘志称为"丑小鸭"的于台烟是第五届金韵奖的优胜歌手。于台烟毕业于中兴大学历史系，虽在决赛中失利，同届的第一、二名却未能如她一样走上音乐之路。她的第一张唱片《化妆舞会》由梁弘志制作，因此获得最有潜力新人的提名。唱片公司介绍她时说"这个新人声音不错，就是长得很抱歉"，梁弘志也在第一次见面时留下了"这个女生还真不好看"的印象。 然而后来摘掉了眼镜的于台烟让很多人大跌眼镜，不仅长得漂亮，声音也很让人难忘。恩师梁弘志永远是于台烟不能忘却的人，在复出后的精选唱片中，大家还能听到当年梁弘志与于台烟合唱的《我想你不是真心爱我》："其实我所盼望只是瞬间的挽留，让你细细看我，也能让我看看你是否真爱我。"2004年10月30日凌晨，梁弘志因胰腺癌离世，年仅47岁。 在梁弘志去世之后，蔡琴曾经写下如下的文字--"回想当时他躺在病床上的日子，我最庆幸的是能够与他有更多交心的机会，包括他的遗嘱，也是我说服他写的。因为我曾经也患过乳腺肿瘤，也曾跟他有过相似的心境，所以我特别能够理解他。当时听到他走的消息，我并没有哭，哭是没有用的，人总有离去的那一天。那天有许多记者来采访我，我知道他们握着相机，扛着摄影机就是为了等到我流泪的那一刻，所以我告诉他们：今天我是绝对不会哭的，我们最后都会离开这个世界，与其在一边流泪，不如想想如何将他的音乐流传到更远的地方，一代代传下去。但是，最后当我独处的时候，我还是忍不住哭了。或许每个人都会认为我会因为他的离去而极度悲伤，但其实我不是，我的心情是平静的。我知道他生前对自己、对朋友、对周围人都是无憾的，我也知道自己一定会将他的歌一直唱下去，所以我并不难过。在这里我只想承诺，我一定会努力将他的歌一直唱下去，传遍世界，流传世代。"（独白：爸爸有双草鞋，搁在鞋柜上，他常默默地盯着它望，仿佛注视着茫茫海上的一艘船，不觉，一颗泪滴到鞋上，引出这段故事好长，好长……）草鞋是船/爸爸是帆/奶奶的叮咛载满舱/满怀少年十七的梦想/充满希望的启航/启航/船儿行到黄河岸/厚厚的黄土堆上船/夜来停泊青纱帐/天明遥遥山海关/草鞋是船/爸爸是帆/奶奶的叮咛载满舱/一股离乡的惆怅噎满腔/蓦然回首又要启航/启航/一路跋涉到江南/洞庭湖景无暇看/峨眉山下好荒凉/不堪回首泪暗弹/草鞋是船/爸爸是帆/故国的叮咛不敢忘/强忍无奈小别的悲怆/信誓旦旦又将启航/启航/船儿行到澎湖湾/多了妈妈来操桨/深情款款撑起疲惫的帆/又冲破了许多风浪/草鞋是船/爸爸是帆/远远的故乡在召唤/满载半世纪漂泊的沧桑/倦航的船儿快来靠港/靠港/倦航的船儿快来靠港/靠港--《爸爸的草鞋》词曲：叶佳修唱：潘安邦叶佳修在舞台上喜欢讲笑话，只是到演唱《流浪者的独白》时才会变得很正经，因为那是他失恋时写的歌。他自从为了追求大学同学而写下第一首作品《流浪者的独白》，就走上了校园歌曲的创作道路。 叶佳修是花莲人，从小在乡村长大。他写的歌曲就像画画一样，把乡村的画面用旋律描写出来。和许多民歌手一样，他也有在西餐厅演唱的经历，民歌运动在初期就深深地影响了他，使他能够有机会更多地接触音乐。那段时间，他创作了《爸爸的草鞋》、《我们拥有一个名字叫中国》，多年后还和香港歌手张明敏一起，在广州演唱了很多场。 在民谣风比赛获奖之后，海山唱片推出了由他自己词、曲、唱的首张个人专辑《叶佳修》，其中《赤足走在田埂上》、《思念总在分手后》、《乡间的小路》等均在华人圈中广为传唱。1979年，叶佳修是第一个由中央人民广播电台播出歌曲的台湾歌手，可见他的影响力有多么大。 叶佳修曾经长期担任唱片公司音乐总监与制作人，在金韵奖停办之后，他担任了11届大学城大专音乐比赛的评委。后来，叶佳修在温哥华还和内地导演一起汇集一些来自中国内地的孩子，创作舞台剧，全部作品由叶佳修创作，由这帮孩子们演唱的歌曲汇集成《叶佳修在北纬50度》这张专辑。 在这个世界/有一点希望/有一点失望/我时常这么想/在这个世界/有一点欢乐/有一点悲伤/谁也无法逃开/我们的世界/并不像你说的真有那么坏你又何必感慨/用你的关怀和所有的爱/为这个世界/添一些美丽色彩--《这个世界》词曲唱：蔡蓝钦 1987年，台湾大学机械系三年级学生蔡蓝钦推出了他第一张也是最后一张创作专辑《这个世界》。专辑中蔡蓝钦包揽了绝大部分词曲创作，制作人是楼文中，最早由飞碟发行。在这些作品中，蔡蓝钦表达了他对教育制度的不满与反讽，对人生的思考与彷徨，以及青春无悔的爱恋。就在专辑刚刚完成配唱后不久，蔡蓝钦就因休克导致心脏麻痹而告别了这个世界。一个没露面就去世的创作，只靠广告、新闻稿、播歌和没有歌手的音乐录影带，《这个世界》破十五万张的销售成绩，名列年度十大，如这张专辑的营销策划、台湾音乐人陈乐融所说："绝对不是清新质朴这样简单的字眼可以一笔带过的。"个人认为，《这个世界》才是民歌运动的真正挽歌，在校园歌曲已淡出的四年之后。这不仅因为蔡蓝钦的离世，而是因为，那是一个来自学生的真正意义上的创作，是一个意气风发的台湾少年，而且，绝不再现。 在廖莹如所写的纪念文章中，她说："蔡蓝钦是幸运的，留下的传奇故事多半因为没有真正的答案，充满无限可能的揣想附会，甚至于因为人们对往生者敬畏，不会有任何负面的断言。他昂扬的骨气，从歌曲里娓娓地告诉我们，我是这么想的，幸运的地方就在于追究这个人的传奇，请从他的歌曲中找到你要的答案，一百年后还会有无限可能的答案。"ForeverYoung是蔡蓝钦最喜欢的歌曲，他始终停留在22岁情人节那一天，而且，永远年轻。