Chapter 25 Tao Yuanming Shi

Under the east chrysanthemum picking chrysanthemum, I can see Nanshan leisurely.The weather in the mountains is beautiful at day and night, and the birds return each other. There is true meaning in this, and I have forgotten the words if I want to distinguish it. Summer poets write about autumn feelings.For him, the four seasons have no distance, and the cycle is in his eyes.The so-called harmony between man and nature is just what ordinary people talk about.When Yuanming reached this state, it was like white clouds coming out of Xiuzhou and birds entering the forest.Jielu: structure house.Human realm: worldly.Yuanming's whole body became quiet, no matter where he was, he could feel at ease.He never shied away from the hardships of the world, so he is lovely.Due to his long years of farming, his skin has darkened and his muscles are loose. He looks like an old farmer, but he is an out-and-out spiritual nobleman.There are very few human beings in ancient and modern times who can reach his level.How many people have read the vicissitudes of the world and read this poem with so much emotion that they shed tears, but they also get great spiritual comfort from it.The energy of this poem is like uranium, which has a permanent impact on the human spirit.

Yuanming's tranquility includes "group movement".There are fifty characters in the whole poem, including nature and human affairs.If it is sold to a publisher, it will cost one billion dollars per word.Yuan Ming is like the Hercules Samson in Greek mythology, who obtained infinite divine power from the earth. "Mountain air is beautiful at day and night, and the birds return together." The ordinary scene contains true meaning, but I forget the language when I want to distinguish it.Grandma Yuan looked at the world with peace and joy.The legendary Tathagata Buddha might smile and say: The highest aesthetic realm is almost the same as my Paradise of Bliss.

Lu Xun never forgot that "Xing Tianwu is a relative, and his fierce will is always there." He commented: "It is because Tao Qian is not quiet all over, so he is great." Mr. Lu Xun is a fighter, and fighters often see King Kong glaring.Mr.'s understanding may be missing.I secretly thought that Jingmu and King Kong were not in opposition.In other words, there is tranquility only when there is King Kong.When Jingmo completes itself, King Kong is already in it.The poet's decades of practice in the world are like his natural feeling of oneness.The so-called true meaning that he does not want to analyze includes the law of contradiction in nature and society.

What is the law of contradiction?In short, both sides of the contradiction, you have me, and I have you. It is very important to read Tao poetry.Rather, serenity comes from the opposite of serenity, from the turmoil and hustle and bustle of life.Quiet, serene, most people have experience.The probability of tranquility happening is very low, and it is even more difficult to reveal it with plain words, approach and arrive without showing any traces. Great poetry, always a rare event of human life. Yuanming wrote "Leisure Emotion Fu", which praises women.It's not a compliment in the general sense, but warm, fierce, and unrestrained. Not to mention the ancients, even some people today can't stand it.Critics will frown when they express their feelings about female beauty.Literature aims at both sexes, studies eating and drinking men and women, and throws society where it should be. Critics say to critics: the style is not high...so they try to exaggerate such novels as much as possible, and portray Cao Xueqin as pointing history. regular people.There is clearly something wrong with these people.Yuanming's praise of women is exactly the same as Cao Xueqin's "A Thousand Reds Cry and Thousands of Beauty Are Sad".Yuanming is melancholy, Xueqin is sad.

There are nearly 2,000 characters in "Leisure Emotions", and we have excerpted a few sentences: May the collar be in the clothes, and inherit the fragrance of the flower head; mourn the separation of the lapels, and resent the youngness of the autumn night.May it be a belt in the clothes, and tie the slender body; sigh the strange smell of warm and cool, or get rid of the old and wear the new.May the hair become the luster, brush the temples on the decadent shoulders; the sorrowful beauty's repeated bathing, from the white water to wither.May it be in the eyebrows and in Dai, and let it be leisurely when you look at it; sad that the freshness of the makeup may be destroyed by the makeup.May the shoes be made of silk, and the silk is enough to deal with; the sorrowful behavior is restrained, and the air is left in front of the bed.May it be a shadow in the daytime, and always follow the shape from east to west...May it be a candle in the night, illuminating the jade in the two couplets.willing…

Translated into a vernacular poem, it roughly goes like this: I would like to be the collar of her beautiful dress, and bear the fragrance left by that lovely head; sadly, she will take off her clothes at night, and the long autumn night makes me feel sad.I would like to use her pomegranate skirt as a belt to bind her light and slender waist; it is a pity that the temperature changes, and she may change clothes at any time.I would like to make hair cream in her cloud hair, so that her soft black hair will be fragrant; but the beauty often washes her hair, and the hair cream will never come back.I would like to be black on her slender eyebrows, and look around with her beautiful eyes; but she pays attention to freshness in powder application, and wipes her face with delicate hands, which destroys me in one go.I would like to be silk shoes on her feet, to follow her snow-white feet; but she stops and starts, then suddenly goes to bed and throws me on the ground.I would like to be her shadow in the sun, wandering around with her romantic attitude... I would like to be a red candle in the middle of the night, between the two pillars of the main room, illuminating her shy and smiling face.I would like to...

As I write this, I am also moved by it.The pretty women in Yuanming's works are sexy and pungent, very different from the beauties on the stage.The so-called true temperament, really goes to women, delicate, and everyday, lustful feelings come to the end of the pen, overflowing with beauty, even "only rituals" are unnecessary, making people yearn for the scene on the bed.From Qu Yuan to Cao Zhi, none of the previous Ci Fu was so routine, and it was simply a fantasy in broad daylight. No wonder moral experts exclaimed: take it out of the poetry collection!Xiao Tong, who appreciates Yuanming, also said that it is "white jade with slight flaws".Lu Xun, on the other hand, suggested that Japanese translators respect it.

I remember, Shakespeare wrote Romeo and Juliet, there are similar sentences.Romeo sneaks into Zhu's house and peeks at the beautiful woman.And the beautiful woman leaned on the window sill looking at the moon, holding her beautiful chin with a slender hand wearing a white glove. Luo Fa said with emotion: How much I wish to be the white glove on her hand... If Shakespeare had read Yuanming, he would have changed and rewritten it. Yuanming's whole body was quiet and serene, and he also included the love between men and women. The poet among the poets, truth and beauty, to the extreme.

Yuanming's chanting of Jingke is the Vajra Gaze style highly praised by Mr. Lu Xun: "When a gentleman dies his confidant, he lifts his sword out of Yanjing... The male hair points to the dangerous crown, and the fierce air rushes into the long tassel...It's a pity that the swordsmanship is poor, and miraculous achievements cannot be achieved. Although he has already No, there is more than love in a thousand years." Yuan Ming wrote about Jing Ke, which is corroborated by historical records, showing that Jing Ke had courage but lacked swordsmanship, so he was not a master of swordsmanship at all.The current martial arts films focus on murderous spirit, and chivalrous spirit is to deceive people.The directors' understanding of Xia is far from that of Sima Qian and Tao Yuanming.This article is just a word, I don't want to say more.What I worry about is the nihilism of traditional culture: a single understanding will lead to monotonous social life.Compared with life at the box office, it will always be a piece of cake.The editor and director are powerful, and they should act cautiously.