Chapter 96 Lustful and lascivious, full of sorrow and hurt

Lustful and lascivious, full of sorrow and hurt Feng Tang When I was young, I read ancient books, and when I grew up, I read foreign languages. When I encountered a word I didn’t know, I never looked it up in the dictionary.If there are few words you don't know, look at the context to get a rough idea.If there are many words you don’t know, you can simply skip a large section. Anyway, it is not a college entrance examination question, a must-read for newlyweds, and it is not my family tree. I also read it in this way, even guessing and reading "Guofeng", skipping "Daya" and "Xiaoya" for a long time. "National Wind" is really well written, "There is a woman who is pregnant with spring, and the auspicious man lures her".It's as good as Feng Menglong's "Hanging Branches", "How can I sit while walking, drink tea, eat, sleep, dream, wake up, get drunk, and think about you so panicked."As good as the toilet wall next to the middle school playground, "School girl's breasts are full, I want to help".

Later, when I read the book reviews about "Guofeng", I said that "Guofeng" is "lustful but not lewd, full of complaints but not hurt", and I was full of doubts.If "Qingqing Zijin, leisurely my heart" is not "lusty and lewd", "walking is sloppy, the center is shaking. Those who know me say that my heart is worried, and those who don't know me say what I want. You are in the sky, who is this?" It's not "resentful and hurt", I really don't know what is "lustful and lewd, full of sorrow and hurt".Perhaps the book reviewer is an idiot who doesn't know that long-term "lustful but not lewd" will lead to prostate cancer, and that long-term "resentment but not hurt" will lead to schizophrenia.Maybe the book reviewers just have a good heart, cherish the words, and worry about being banned, and add a bright tail to these vivid words, so as not to be too blatant.

One thing is certain, after "National Style", such "lustful and lewd, grievous and hurtful" texts will no longer be seen on the main channel.It's just "lusty", "Meat Futon" is just "kinky".Du Mu and Li Shangyin are just "resentful", and Qu Yuan is just "injured".The current Su Tong, Yu Hua, and Jia Pingwa are nothing. Scanning their words, it feels as if they are listening to Gao Lishi and Yang Yuhuan discussing which posture to use.Zeng Guofan's talent and energy are spent on governing the world, and his articles are really mediocre.But he has traveled through great mountains and rivers, he has dealt with major military affairs, and he has first-rate knowledge.He said that there are four images in writing, "the so-called four images, the degree of knowledge is the attribute of Taiyin, the momentum is the attribute of the sun, the attribute of emotion is less yin, and the attribute of interest is less yang".In fact, the characters of the sun and the moon are characters for governing the world, and have nothing to do with handing down from generation to generation, or literature in a narrow sense.If we only look at the text handed down from generation to generation, "lust" is Shaoyin, "sexuality" is Shaoyang, "resentment" is Shaoyin, and "injury" is Shaoyang.The trend is that since ancient times, the yin energy has become more and more serious, and the yang energy has become less and less.

After "National Style", such words that directly pointed to people's hearts continued to grow in restaurants, karaokes, bedside alleys, toilet walls, and the Internet with patience and resignation. Japanese writing is a special case. Ryunosuke Akutagawa, Yasunari Kawabata, and Yukio Mishima are like Japanese garden landscapes, which better inherit the energy and energy of the pre-Qin, Han and Tang Dynasties than those in China. I like Kawabata Yasunari's calmness, restraint, accuracy and simplicity. "Lust and lewdness, grievance and injury" are concentrated in his poems.The son of a tea master slept with the woman his father loved on his deathbed and his half-sister.Later that woman lovesick too much and died.The younger sister missed her too much, so she left.The lingering Zhiye pottery teacup was broken.After reading an article in the early 100s all morning, the sky suddenly became cloudy, the clouds flew and the rain fell, and the words danced on the paper.That vulgar Song Ci came to my mind: "Ask what is love in the world, and teach people to promise each other through death?"

("A Thousand Cranes/Sleeping Beauty", written by Kawabata Yasunari, China Social Sciences Press, April 1996, priced at 10.40 yuan)