Chapter 3 Heaven and earth

Chinese literature since ancient times is: 1. Gratitude to nature.Two, loyalty to the king.Three, fun.Four, anti-happy. ※Gratitude to nature The earliest gratitude to nature is Shun's Qing Yunge, Shang Shu Yao Dian and Hong Fan are the articles of the sun, moon, stars and ages, famous mountains and mountains and the emperor's tour. The Book of Songs talks about the phoenix trees and phoenixes in Chaoyang, about "Zhuo Bi Yun Han", about "July Fire", and about "spring is late".Although Chu Ci is famous for its famous vegetation, it is not as good as the sunny world of the Book of Songs, and the scenery of long acres and families where rice is grown, wheat is steamed and tasted.The images, classical Chinese and Xici in the Book of Changes, as well as Laozi and Zhuangzi, are all the best articles in the world, and they are all written directly from nature.Mencius's articles are good, because the writer's perception of nature.The Zhou Li king system, only Wang Jianguo, and spring officials, summer officials, autumn officials, and winter officials are the origin of the respect of the court and the nobility of officials in Chinese literature.

Song Yu's Fu is closer to nature than Qu Yuan's Li Sao. Gao Tang's Fu wrote that the goddess asked King Xiang of Chu, "The concubine is walking clouds at night, and rain at night, day and night, under Wushan Mountain", and later Cao Zhi It is written that the appearance of Luoshen is like the hair of the morning sun, and its posture is "if you will continue to linger, if you want to stop, you will fly again, the divine light will separate and reunite, and the yin and yang will appear", all of which are the same beauty of man and nature.It writes about the daughter of the eastern neighbor, "Adding one point will make it too long, subtracting one point will make it too short, Shi Zhi will make it too white, and Shi Zhu will make it too red", which is more absolute than mathematics.Sima Xiangru and Sima Qian both had such naturalness, while Ban Gu was inferior in nature.Later generations are Li Bai and Su Shi's poems have the grandeur of nature, and are kind to the present.The immortality of Chinese literature is related to this.

Ban Gu's Hanshu is not as good as Shiji, because the management of personnel and affairs in the Hanshu suppresses nature.Li Bai said that the poetry of the Six Dynasties is not good, but also because the poetry of the Six Dynasties is better than nature.Confucianism in the Song Dynasty corrupted the tradition of Chinese literature, because Confucianism in the Song Dynasty only knew about the principles of heaven and Qi, but did not know the will of heaven, nor the images of nature and classical Chinese, so that human affairs overwhelmed nature. Western literature is vulgar because it has human affairs but no providence.

Western ancient literature did not write about natural scenery, but modern literature has written about natural scenery, such as Tolstoy’s horse-drawn carriage in the snowy field in Russia, and the moonlight in Wilde’s fairy tales in England. To get the image of nature, the emotion is also human. I don't know that nature is ruthless but intentional, the so-called providence.Modern Western painters want to get rid of the physical form, but they still can't paint the image of nature.I want to abandon emotions, but I still can't paint the meaning of nature. In the West, there were prophets and witches in ancient times who predicted the will of the gods, but the will of the gods is not the same as the will of heaven.Gang Jie said that natural science cannot know nature, but only the superficial phenomena at the end of nature.Religion can know the root and non-existence of nature, but it does not know its transformation and deduction.The prophets and witches in the West know the will of the gods but not necessarily the will of God. The practice of Western nationalism has seriously damaged the natural environment. The news of this has been revealed in their literature.There is no nature in Western literature.Such entanglement makes me more aware of the preciousness of Chinese articles on ritual and music.Music is connected with nature.There is no music of ritual and music in the West, and Western music is all about human emotions.Beethoven read Schubert's score and said that it has the light of God, but it is only close to the freshness of nature of Plato in ancient Greece.

And this can also be used to comment on the luck of Chinese literature in the past dynasties.Those who belong to three parts of human affairs and seven parts of God's will are at the time when the new dynasty is inaugurated, which can be seen most clearly in the music and articles at that time.For example, the articles in the Western Han Dynasty, early Tang Dynasty and early Song Dynasty all have the atmosphere of the sun, moon, mountains and rivers.In the early Ming and early Qing Dynasties, the poems of Gao Qingqiu were still there, and in the early Qing Dynasty, there were poems of Wang Yuyang, which are relatively Qingming and high standard.The same is true for a family. Anyone who has three parts of personnel and seven parts of God's will must be a prosperous family.

Secondly, anyone who belongs to five points of personnel and five points of God's will has reached its heyday.Such as the heyday of the Eastern Han Dynasty, such as the Kaiyuan period of the Tang Dynasty. The heyday of the Eastern Han Dynasty was more prosperous than that of the Western Han Dynasty, but the Eastern Han Dynasty was not as refreshing as the Western Han Dynasty even when Emperor Guangwu returned to the country.Many good ones in the Han Yuefu are from the heyday of the Eastern Han Dynasty, but they are still not as good as those in the Western Han Dynasty.Du Fu is also inferior to Li Bai.The two are only ten years apart, but Li Bai's poems are the apex of the transition period from the early Tang Dynasty to the prosperous Tang Dynasty, and Du Fu is the apex of the transition period from the prosperous Tang Dynasty to the late Tang Dynasty.Li Bai's poems "Floating life is like a big dream" and "climbing a high platform, looking at the distant sea, the bones of Liuao have been frosted, and the three mountains are safe now", are beyond Du Fu's.Du Fu's poem "Yu Gong connects chaos" was beyond the reach of Liu Zongyuan and Liu Yuxi.The poems and essays of the early Song Dynasty are Ouyang Xiu and Mei Shengyu, Su Shi is the apex of the transition from the early Song Dynasty to the prosperous Song Dynasty, and Qin Guan Liuyong is at the peak of the Song Dynasty.When it flourishes, it declines.Yuan Mei's poems in the Qing Dynasty are not good.

The second is the matter of seven percent, and the third part of God's will, which has fallen into a period of decline, the most notable being the Five Dynasties.In the past, there was chaos in the five dynasties, and there were new opportunities amidst the chaos. It is not like the poems and proses of the Tang and Five Dynasties, which are the most familiar and dirty tunes.There are also Liao and Jin poems after the death of the Song Dynasty, which talk about the pain of the last season of the motherland, without any openness.Jinshi has only one element Haowen, and also lacks a word Xing.

Yuan You's beauty is that his voice is bright and strong.It was a catastrophe for Mongols to rule China, and the brightness of Yuanqu made people strong, and it was also somewhat close to Xing.The content is "Han Palace Autumn" and "Eternal Life Hall".In the autumn of the Han Palace, there is the sound of geese outside the Great Wall, and the Hall of Eternal Life is the best libretto of Li Guinian, an old musician in his wandering life.Nanqu is the ending of Peach Blossom Fan, and Peony Pavilion is the beginning of Garden Dreaming.Only Baoyu and Daiyu in the Dream of the Red Chamber in the Qing Dynasty were born in nature.But when it comes to songs and novels, the articles have left the scholars.The scholars at that time were Song Confucians plus imperial examinations, and they didn't even have a chance.

Buddhism talks about emptiness, originally from the realization of nature, but as a result, it even denies the reality of nature.Christianity's belief in God is also based on the understanding of nature, and the result even negates the new knowledge of the real nature.Song Confucianism's emphasis on rationality and qi (natural principles and qi numbers) was originally a new discovery of the Book of Changes. It was preceded by Chen Bo and Shao Kangjie as Taoists, who developed a new way of explaining nature with it, but its transmission was in Zhu Zi.However, scholars in the later Song Dynasty shrunk to only talk about the principles of heaven and human desires. The Book of Changes read Zhu Zhu's annotations, while Zong Chengzhuan and Cheng Yi's Yizhuan used human principles to confuse nature. Later, Confucian scholars arranged imperial examinations. The degree of alienation from the real world of nature has reached the point of being pedantic and ignorant of real world affairs.Since then, scholars have no more articles.

Song Ci is still the literature of scholars, and the authors have the self-consciousness of scholars. The most representative is Yan Shu, whose son Xiaoshan said that the words of the first adults are not the language of children.It's not that it doesn't involve women, but that it looks at the beauty of women with the self-consciousness of a scholar.As far as the author of Yuan operas, Ze Ning is a fellow comedian. Novels such as Romance of the Three Kingdoms, Outlaws of the Marsh, and Journey to the West were written by storytellers in tea shops.When Cao Xueqin wrote A Dream of Red Mansions, he also placed himself outside of the scholarly articles.This fact poses a major problem in the history of Chinese literature.

It turns out that in the tradition of the integration of worship and government in China, the articles belong to the heavenly officials and the Taishi, and the articles are the affairs of the scholars. The author has the consciousness of ritual and music articles. rumor.Scholars’ strong awareness of their articles has been carried out in Zhaoming Anthology, to Ouyang Xiu and Su Shi, and the Chinese folk songs educated by them, including tea shop storytelling and operas, are also the folk songs and plays of any other nation in the world. less than. Chinese old novels are also unparalleled in the world.However, Confucian scholars since the Ming and Qing Dynasties, because of pedantry, have no novelty and joy in the knowledge of the real natural world, and scholars have no more articles. Scholars write novels, which can be compared to adultery. Occasionally, it can be very good, but it is a failure. Without the conscious enlightenment of ritual and music articles, it will be difficult after a long time. After the Dream of the Red Chamber, there will no longer be good novels.At the end of the Qing Dynasty and the beginning of the Republic of China, Kunqu Opera and Pingju were still good, because opera is an art and can be taught, just like novels that cannot be taught.But it has been too long without the self-conscious enlightenment of the above ritual and music articles, and eventually even the opera will be corrupted. This is the corruption of the fun time of the drama and the transformation of the Pingju. Confucianism in the Song Dynasty and the stereotyped imperial examinations were closed to the real nature, and the articles were also lost, which in turn aroused the New Culture Movement of the May Fourth Movement.But it is a big mistake to think that science can be used to correspond to the natural world, and democracy can be used to replace scholars. New discoveries in physics and astronomy can make people happy because of them, but the scientific and mathematical methods of physics and astronomy cannot be used to create new ideas. The new ideas of civilization are enlightened by a word Xing, and they are self-generated, and cannot be built by methods.The Book of Songs "Peach's Yaoyao" is just because it is popular, and if you take Tao Zhiyao to the topic, you will be separated from your son and return.During the May Fourth period, Western literature was originally just taking advantage of it, but when it really came to Western literature, it deviated from the main theme of China's modernization.Prosperity is not a comparison, and it is not a proscenium. Civilian soldiers are prospering, but comparing it to a proscenium is a class struggle. The depth of the CCP’s disasters for the country can be traced back to the source, or because the cultural circles of the May Fourth Movement wanted to emulate Western literature.There is no Xing in Western literature, so everyone is ignorant of the word Xing mentioned in the Book of Songs.Once the article is lost, it is like the Qin Dynasty losing its deer, such as revolution, politics, etc., follow the article.All are lost. Come on, sir. The Revolution of 1911 was the awakening of the shi, but the May 4th Movement said it would abolish the shi, just like the West.There are no taxis in the West.Such May Fourth literati, of course, did not have the consciousness of ritual and music writing.The new poems of the May Fourth Movement belonged only to folk folk songs, and there were no scholars' ritual and music articles to educate them, so they soon became worse, or they withered.Zhou Zuoren's articles at that time, and later Zhang Ailing's articles, were just like folk rumors. We want to meet nature face to face, not to be covered by science, not to be covered by democracy.And sometimes ritual and music articles will also be confusing, such as Li Houzhu, Song Huizong, such as the artistic realm of Toba Temple in Japan.Therefore, the poems of Li He, Li Yishan and Wen Tingyun are not as expensive as those of Li Bai and Su Shi.The article is the written word of God, and the language of all things.A good essay is the beginning of written words.Therefore, the article is a matter for priests and scholars, and it is because of this awareness. ※Loyalty Let's talk about the literature of loyalty to the emperor. Today's cultural people declare science and democracy as totems, and they cannot be said to be loyal to the emperor. In fact, democracy is the lowest quality, and it is not common in science.Democracy is still gaining momentum today only because it is combined with the material and statistical methods of nationalism.Watching the 25th anniversary of the Queen's coronation on TV today, I thought how lonely Britain would be without the King.The emperor is in charge of the government, and there is a parliamentary system under it. It is a constitutional monarchy. It can be seen that it is not impossible to mention the word "monarch".What's more, China has always had a court system that is a hundred times better than the parliamentary system. The emperor governs himself, but the rule of inaction. The king of China is different from that of the West. In the West, it is power, but in China it is position. When the king is the king, the position of all the people is also determined.This "bit" is like the position in calligraphy and painting, and it is more absolute than mathematics.Once you have a position, your body and mind will be at peace, and everything in the world will be faithful.Power is real and social, but this person is unparalleled. If there is such a person, the world will be peaceful.The reign of Renjun is the testimony of everything, and it is also the testimony of my interesting life in this life.These thoughts and feelings are deeply rooted in Chinese literature.You can't imagine that in ancient times, no matter Li Bai, Du Fu or anyone else, they took away his loyalty to the emperor.Even ordinary people say that the Royal Rain is indifferent to the law. So I can also understand the feelings of Christians towards Christ. Chinese poets in ancient times compared themselves to their wives thinking of their husbands, and women thinking of their lovers. Christians compare themselves to the bride of Christ.The Son of Heaven in China is between nature and the human world, just as Christ is between God and man.The difference is that in Christianity, there is only sacrifice, while in China, there is a unity of sacrifice and government. Christ is called the king of kings, but the Chinese emperor has the actual king of the world.In history, even when politics fell apart, Feng Zhengshuo was still ideologically and emotionally. In the Spring and Autumn Period, the Five Hegemons’ careers were established in Fengzhou Emperor. Foreign countries were only Japan’s Kamakura Shogunate and Edo Shogunate. .This is also what Christianity says, in the name of the Lord.Christ does not rely on worldly authority, and the Son of Heaven in China does not rely on social power. The position of the Son of Heaven is bestowed by heaven.The difference with Christ is that Christ does not govern personally, but the Son of Heaven personally governs. On the other side, Christ atones for sins, while here is the king of the world.Wang Tianxia and everywhere are churches have similar meanings, but I still like the scenery of Wang Tianxia. The scenery of Wang Tianxia is the foundation of ancient Chinese poetry. Let's look at how piecemeal, poor and boring the works of other people in the literary world are.The article still needs to write about the scenery of the king, and it is not easy to write about the Christian kingdom of heaven and the church.The Chinese people's wonderful understanding of non-existence and existence, emptiness and form, is most manifested in the sentence "Wang Tianxia".The world has real space and time, but it is infinite.The world is a posture.Therefore, the king of the world must also be a real monarch, but also a dharma body.Christ is Tao incarnate, Tathagata is the World Honored One, the Supreme Being in the world, and the Son of Heaven in Chinese civilization is like this.Jesus is called Christ, Sakyamuni is called Tathagata, and the king of China is called Tianzi.The world can only be unified by the king, and the king can only be unified if he is the real son.Today, Toynbee, those who are doing the world federation movement, and those who talk about world revolution are all demanding the unification of the world. I don't know if the "world that exists" cannot be realized at the same time as "the law of nothing", it is absolutely impossible to unify of.Ritual and music, ritual is practical and joy is empty, so music is unified, and ritual is used to make rules, so Mencius always said that the ancient kings ruled the world with ritual and music.The one who can be the master of the world cannot be the president of the democratic federation, nor can he be the president of the world Soviet, but he can only be the right one.The real world is also the dharma posture, so the real emperor must be the dharma body at the same time. The emperor is also a real person, so he will make mistakes, but the court has a courtesy to stop it. In the old Chinese official system, official affairs were drafted by the subordinates, and the superiors decided on them. Cases that reached the emperor were also drafted by the subordinates. Suddenly came up with my own idea.The emperor's idea also needs to be discussed with his ministers. If the emperor insists on going his own way, there will be officials to advise him.The censor does not have power over the king, but love. If one does not know that the Chinese people love the king, just like Christians love Christ and Buddha disciples are grateful to the World Honored One, then they will not know how sincere the censor is to the emperor. Arguing with parliament is another matter entirely.What the censor is based on is not the law, but the reason, but in Chinese civilization, there is a word of reason that thousands of people can't lift. Why is remonstrance so powerful. There are no high judges in China, but there are historians. Historians are the remnants of the ancient priests. They are responsible to heaven, remembering the right and wrong of what the emperor and the court say and do.This kind of intellectual politics is not comparable to the parliamentary politics in the West, which is fighting for power and suppressing each other. However, the Qin Dynasty used it without rationale, and was overthrown. There were very few tyrants in the past two thousand years.Because of the principles of nature and human nature, the imperial court had Taishi and admonishing officials, and there were Tang and Wu revolutions and civil uprisings in history, so the ancient learning of emperors is the consciousness of destiny.When the past dynasties fell, it was not because the system was broken, nor was there a faint tyrant, but because the personnel and things of a generation had lost their vitality, the most obvious was the decline of music and articles.Because of the loss of vitality, there will be things that the court does not understand, and those things that are not understood are the result, not the first. The throne is indestructible, and Mr. Sun is the king of kings. Mr. Sun hand-made the party rules for the party members to the prime minister, and the outline of the founding of the country, which is the new status of monarch and ministers and the court system in Chinese civilization, but we have to repeat it in words To make it clear.Otherwise, the idea of ​​founding a nation is still inarticulate, and literature cannot be established.We will still have a monarch in the future, whether it is abdication system or hereditary system. Loyalty to the emperor is higher than worship of heroes.It is also different from the king of bees and ants.Westerners sing "God Bless the Emperor" and "Happy Dictators" are neither.It is the performances of the Chinese people in recent years, such as the crowd shouting long live in Tiananmen Square, and other similar incidents, no matter whether they are false or true, they cannot be counted. Christ is the Dharma Body of Dao, Buddha is the Tathagata Body, and the Son of Heaven is the Dharma Body and Dharma Body. This is the most important saying, and it is only widely understood and applied by the Chinese people.We say that Zixi has blood heirs and legal heirs.There is also a legal wife, a real wife who is also a legal wife.In Chinese civilization, all women have a dharma posture and a dharma body, so they are all beautiful and noble, which makes people love and cherish them.The same is true for men. When I was a guest at a relative's house when I was young, I was called a petty official, so I was considered noble.It is the dharma posture and dharma body that can have a place, just like a point in geometry has a place without a product.There is a place that really exists.Heaven and earth are called heaven and earth, all things are called phenomena, they are all places, men and women are also places, Ruochen, father, son, brother, husband, wife and friends are all places.And if the king loses his position, it will affect the existence of ordinary people and lose his position, losing his posture and body. Like the current Japanese society, first the articles lose their nobility, then the officials lose their nobility, and then they lose their nobility. Women lose their nobility, and men become sandworms.Everything is out of place, I can only see that it is crowded, rolling around on the barren field. The Zhouli royal system really penetrated into the comprehensiveness of the Chinese people's temperament.When we come into contact with Americans and Europeans, we immediately feel that foreigners are not as broad-minded as Chinese people. This is because we have been trained for thousands of years as "a people of kings, as vast as they are."Chinese men are grand and tactful, and treat others deeply, which is not found in Westerners, all of which come from their affection for the king.Like the men of my generation, who regard the beloved woman as an absolute, listening to her words is like a classic that has never been heard before, and they believe in it immediately. Here, the understanding is suddenly opened, and the love is full of apocalypse.This kind of absoluteness in the face of real things, and the intellectualization of emotion (only when emotion reaches infinity can it be the intellectualization of emotion), Christians are only concerned with God and Christ, while Chinese people are only concerned with the king. come righteously.The faith of Christians, and the righteousness of Chinese monarchs and ministers, are the intellectualization of infinite affection, while the Chinese push it to lovers.People who write romance novels today, shouldn’t they know this? In addition, the Chinese are kind and friendly, and they are willing to say everything to their friends, which is also not found in Westerners.Christians are all members of the Christian family, so they are brothers and sisters. I have a good impression of the Christian church calling them brothers and sisters.But the Chinese have been under the same king for thousands of years, so everyone on the street is intimate. Isn't this an extremely important part of Chinese literature that requires self-awareness? The Chinese are willing to say everything to their friends, which is very common to Western individualists.This of the Chinese is also caused by the unity of righteousness between the monarch and the ministers, which is communicated with friends, and the admonishment of the emperor, which is communicated with friends.To my friends who have something to look forward to, I often say everything until I am hated, but I never regret it, because I want to learn from Mr. Sun and find someone who can be a revolutionary comrade.When people write poems and novels today, can't they also write about the Chinese side of "the relationship between people"?When people write Chinese literature today, they use Western individualism as the basic sentiment to describe characters, thinking it is fresh, but in fact they are taking a poor road with no literary future. In Chinese history, the respect and love of the emperor by the subjects is different from that of the ancient Egyptians to the Pharaoh, and from that of the Romans to the Roman emperor.The Egyptians never dared to imagine being equal to the Pharaoh. The Chinese absolutely respect the king like that. On the one hand, they have the self-consciousness of heaven, earth and man, and they also have a kind of equality with the emperor, so there are articles like Zhuangzi.Wuguang Xu You, Yao wanted to let the world be with him, but he didn't bother to accept it.In ancient and modern poetry, there are many high-level people who are not princes, like Meng Haoran, who originally wanted to become an official but failed, but he retired to Lumen, and he is an out-and-out high-level person.A Greek philosopher dared to tell Emperor Alexander to go away and not block his sunlight. It was because Greece had practiced democratic politics for a long time, and it was not as noble as a king.Another example is that in China, admonishing officials and admonishing the emperor is justified, but Chinese civilization has the principles of heaven and human affairs that treat all people equally.The pharaohs of Egypt were gods.It should be said to be the Son of God, but the Son of God is not also a god, as in China, it is good to say that it is the Son of Heaven.But the pharaoh is also better than the Roman emperor, the latter is only about power and desire, and there is no word "nothing" at all.According to Gippen's Roman history, emperors were killed and usurped frequently.Once every two or three years, there are also usurpers in Chinese history, but they are very rare, because the throne is also a "nothing" existence. However, the Son of Heaven is not perfect like Christ.Because he is not perfect, it is even more cherished. The court is the joint practice of the emperor and his subjects.Speaking of the emperor's grace and Wang Feng, the emperor is like a peony blooming in the world of spring breeze.Christianity is not grateful for worldly things, but Chinese literature is grateful for the world.The emperor's kindness is a kindness to be forgotten in the world. Yao ruled the world for fifty years, and he did not know whether the world was ruled or not. He asked his officials, and the officials did not know. Yao was traveling and saw an old man hitting the soil on the road. And the song: "Write at sunrise, rest at sunset, what does the power of the emperor mean to me." Therefore, it is most appropriate for Zhu Xining to title his daughter Zhu Tianxin's article "Song of Hiking the Rang". Since the Revolution of 1911, the emperor has long been a thing of the past, but although the child is born without seeing his father, his temperament and habit will be similar to his father's. The emperor's grace and worldly customs in China for thousands of years are still appearing in articles such as "Ji Rang Song" inside.And knowing the gratitude of the world is actually full of hardships and bitterness. There is a special word for resentment in Chinese literature. This resentment is the endless longing for relatives, and the self-harming heart that does not know.Mencius said: "Poetry can be resentful, and Xiaobian's resentment is also relatives." This kind of resentment exists between family and friends. It can be seen everywhere in the poems of the Han and Tang Dynasties. Today's educated people only say that it is the slavery under the feudal system. Oppression, they don't know that life is tactful and dedicated.The most touching resentment between relatives is Li Sao and The Legend of the White Snake. Qu Yuan was loyal to King Huai of Chu, and the White Snake Empress was loyal to Xu Xian without knowing it.And the grievances and resentments in the family, between male and female lovers, and between friends in ancient and modern times can all be related to loyalty to the monarch. The monarch is the first outline of the three cardinal principles, which is why Lisao has such a large weight in literature. Qu Yuan was loyal but did not know, and was slandered by the villain. He was discouraged several times, but he still could not be unfeeling to the king. He humbly introspected and introspected, thinking that maybe he was wrong.He compared himself with many ancient people, and wanted to fly to Dongting Lake and the field of Cangwu on a phoenix, and met Yu Shun and E Huangnu Ying Erfei to ask questions.He also asked his sister, and he also asked the fisherman. He reflected on his knowledge and actions since he was a child, and he was innocent.He wants to admit that villains who are his enemies are also good, but he can't.When he came, he threw himself into the Miluo River, but he was still fond of Chu, not willing to be pregnant with the king.Later, when Su Shi was 18 years old, he left Sichuan for Beijing. There is a poem in the land of Yingchu: Drumming at the water's edge Qu Yuan is dead, today the thousand-year-old boat is full of mourning As I write this now, tears are streaming down my face. The good thing about Lisao is that he can wander around and spread out, he is so upright and supple, and he always thinks about the things that people feel sorry for him with good intentions.In Zhu Tianxin's "Song of the Rang", the "relationship between people" is very good, especially Xiao Xia feels a little bit resentful towards Qiao, which is the kind of resentment in the Book of Songs.From this I know that even though the recitation "My Dada's horseshoe" is not evil, it is still not good. "My Dada's Horseshoe" is written too straightforwardly and monotonously, with no emotional wandering and lack of introspection.In Lisao, the emotion is as strong as a thundercloud, and intellectual lightning flashes everywhere, but there is no intellectual light in "My Dada's Horseshoe". The Chinese nation is so strong yet so soft because it understands the principle of yin and yang in the world through the Book of Changes. Therefore, such a big country can be assimilated and friendly with other nations. People have a kind of patience with good intentions.I often have friends who have been close to me for many years who are hostile to me, and I don't know it.It's not that I don't feel it. Although I was surprised by his hostile expression, I interpreted it in a good way.I am like an ostrich, swallowing sand, stone and iron to digest it.This is a good intention to explain people's hostility towards me. If you say that being bullied is bullying, but it is also the affinity that only Chinese people have.I will endure insults and molestation until the other party cuts me off.My patience is not like Han Xin's not to fight bravely with villains, but like Mencius' king of Qi who didn't want him, and he still left the country late, because Qi is the state of his parents. I don't like the humiliation gods in India. It's a kind of ascetic abuse of oneself. I don't understand the resentment of relatives and interpret hostility as kindness.There are resolute figures in history who have incomparable endurance against hostile evil forces, which can be regarded as generals.As for the king, he turned all the hostility into good intentions. For thousands of years in China, the subjects have been strong and submissive to the emperor, and the emperor fears the sky but loves the people. The Book of Songs: "Under the sky, is it the king's land, and the shore of the land, is it the king's ministers." Is there a country without a king in the world, and it will be safe and comfortable here?The concept of thousands of years has formed the Chinese people's not easy to be unfeeling.Lao Tzu's weakness prevails over strength, and Chuang Tzu's ease with ease. Today, when people talk about revolutionary literature, I think that in addition to knowing the principles of nature, they also need to know the human feelings and intellectuality of the Chinese people.Another thing is to know the fun and joy in Chinese literature. ※Fun and hilarious Today's cultured people talk about science and ignore nature.Talking about democracy cuts off intellectuality.This started from the May Fourth Movement, and why after the war.First, the beauty of Chinese language was destroyed, followed by a great moral degeneration, so the beauty of the lines of the Chinese body and appearance was also lost.The principles of rigidity, softness, and squareness and radius in Chinese civilization have been expressed in the human body for thousands of years, but now they all resemble the hard and straight lines of Westerners.The entire process of destroying a nation in history would take 150 or even 300 years to complete. Now, TV, radio, newspapers, magazines, and American-style schools can be used in just 30 years. It is all achieved.Writers of poetry and novels today, have they noticed that the body lines and facial expressions of characters have become imitations of Westerners? It turns out that women's physique lines are softer than Chinese women's, that is Japanese women, but I think Chinese women's physique lines are softer, stronger, straight and free, which is better than Japanese women's.What Lao Zhuang said is weak, but it is originally a strong posture, so it has a kind of grandeur. Mr. Okaki and Yukawa Hideki love Chuang Tzu and Journey to the West the most. The Sun Xingzhe in Journey to the West makes a big disturbance in the Heavenly Palace. There is no other novel in the world that writes a reverse character so well.If only the water of the White Snake Empress flooded Jinshan and dared to lead the shrimp soldiers and crab generals in the Yangtze River to fight against the heavenly soldiers and generals in Fahai, that would be an amazing scene.Even Sun Xingzhe dared to curse a bad word behind his back to Guanshiyin Bodhisattva.Sun Xingzhe protected Tang Monk to learn scriptures, and he suffered many ordeals on the road. He only said that this time he met a demon again. He had three bells, one for sand, one for smoke, and one for fire. Sun Xingzhe was tortured so much that he burst into tears , finally subdued it, and was about to kill it with a stick, but Avalokitesvara Bodhisattva came in mid-air and took it away, saying: "Wukong, don't kill it. I asked Manjushri to borrow his mount. Jing, come to test your masters and disciples whether they are firm or not." After the Bodhisattva left, Wukong recited to himself: "The Bodhisattva of the South China Sea will also be caught like this, no wonder she has no husband in her life." The father is the guide for the son, the husband is the guide for the wife, and which? and Fan Lihua are both reversed.The Tang-Wu revolution was a reversal of the principle that the ruler should be the minister.The Chinese dare to rebel against God, because the very beginning of nature is rebellion. Satan is God's rebellion against himself, and humans and gods can play games. Therefore, only China has revolution, which is the destiny of revolution.The old and new testaments interpreted by the Western churches do not have a reverse word or a funny word, so it is difficult to deal with the problem of Satan. Only Chinese dramas in the world can write monsters so cute.And Princess Fanbang is cute.Water flooding Jinshan is boring on the side of Buddhism and righteousness.I saw Zhu Tianyi appearing on the stage in the Ping drama "Sweeping the Demons". First, Zhu Tianyi played the real Pan Jinlian and went to flee famine with Wuda, and was spotted by two demon brothers and sisters on the roadside hills, and they conjured up many alike It's hard to tell the truth from the fake Pan Jinlian, who is short in Wuhan University and dressed like a Joe. They both sang the same words: "Husbands and wives are both going to escape famine..." Noisy to the county magistrate to distinguish the truth from the fake, Even the county magistrate in black yarn and red robe was as short as Wuhan University, so he jumped off his seat and joined their team to jeer, which was really fun.Later, Zhang Tianshi and Bao Gong separated the true and false Pan Jinlian, but it was just a borrowed ending, and the main body of the plot was still a demon. But the best is Journey to the West. The monsters in Journey to the West are cute, and Sun Xingzhe is also cute, unlike the boring ones of Fa Hai and Zhang Tianshi, because Sun Xingzhe was also born as a monster.Righteousness and evil are fighting each other, yet they seem like a family.History is chaotic and chaotic, which is the antithesis of Chinese civilization itself, and it should not be regarded as Satan against God. This is similar to the principle of Journey to the West, so the new world of the Sui and Tang Dynasties has been tidied up.And if it is dealt with in the same way that God dealt with Satan, it will not be solved in the end. Since the creation of the Old Testament, the West has not been able to solve the problem of God's deal with Satan. Wang Meng and Cui Hao, it is Han and Hu who got together and played together, so the result can be that Han assimilated Hu.Sun Xingzhe talks to the devil, if you turn against him, I will be better than you, and I will turn against Tiangong.If you talk about playing, I know how to play better than you. Your gourd is very attractive, and I will take out a gourd to show you.This has to be compared with historical events to know the flavor.Sun Xingzhe respected the Bull Demon King and Princess Iron Fan as brother and sister-in-law.Yes, there is a devil, Sun Xingzhe claims to be a grandfather, trying to take advantage of him.In history, the King of Han and King Xiang used to be brothers, and when King Xiang died in battle as an enemy, the King of Han still buried him in mourning. Mr. Sun also had such a feeling of unity with the warlords in the early Republic of China.And when we later treated the CCP, was it like God in the Bible did not have a negative word or a word for Satan when dealing with Satan?The biggest opposition is revolution, but today's cultural people seldom even hear the word revolution of the Three People's Principles, which is very bad.The greatest fun is revolution, and revolution is the ups and downs of the Chinese nation. "Reverse" is creation. "Rebellion is the movement of Tao." People's initial rebellion has no object. If you want to talk about God, it is God itself. If you want to talk about Satan, it is Satan itself. Therefore, this rebellion is not necessarily related to struggle. Different starting from opposites. Lao Tzu talks about anti-contradictory, but at the same time talks about non-controversy. For example, Li Bai and Su Shi are all anti-vulgar people, but at the same time they play with immortals and ordinary people.Cao Cao treated Liu Bei and Sun Quan with respect and love for each other. "Reverse" battles are also different from Western battles. Therefore, China has its own set of military tactics. The king's division has conquests but no wars. Only the "reaction for the opposite" can have this style, and the struggle in the West is all about strength.When there are daily conflicts in China's alleys, there is a high probability of victory without fighting.It is with this Wang Feng as the background that there are soldiers like those of the Shang Dynasty and Han and Tang Dynasties. In "Ji Rang Song", Xiao Xia has good thoughts about the homework and teachers that he doesn't get along with, which is very valuable.The current homework system and teaching methods need to be changed. For example, Japan has recently announced that the homework in primary and secondary schools will be reduced by 20%. This is an intellectual matter, not a matter of hatred.If I propose reforms to education and cultural policies, it is also out of intellectuality and not mixed with hatred.Chinese literature is fresh, clear, and peaceful. Freshness is about rebellion, clarity is about intellect, and peace is about non-fighting.Toynbee said that civilization is challenging, but I said that civilization is like a short-lived epiphyllum, and it is self-sufficient. In the world, the Chinese people know how to play the most. The festive lantern market is a place for adults to set up house wine, and the scenery of picking water chestnuts, lotuses, mulberries, pounding clothes and washing yarn is to treat labor as fun.The saints of Christianity are sad, the arhats of Buddhism meditate facing the wall, and the immortals of China are just having fun.China invented the Weiqi, mahjong, fireworks, kites, spinning tops, and diabolos, all of which are more fun than foreign toys, and Pingju operas are also more entertaining than Western operas.Ancient Chinese poems and proses have mostly traveled to the mountains and rivers, and there is nothing like this in Western literature. Thinking about it this way, we can see that the "King Rang Song" has a great significance in Chinese literature.And I wrote a preface to Zhu Tianxin's article earlier, and put forward the word "play". Now that I think about it, I really feel happy for myself. In Su Shi's poem, "The east wind knows that I want to travel in the mountains, and the sound of rain accumulating between the broken eaves." It is common for the sky to be sunny, but he will be happy and complacent.Xianzhi's little nephew is two years old, and there are almost no toys at home. After a nap in the afternoon, he gets up and goes outside. There is nothing to play in the few feet between the wicker chair and the board wall. He can think for himself. When he came out to play, he ran and screamed, and pretended to stumble, laughing happily.I think this child must have a way when he grows up. To play is to create, and it was the same when we were children.Now there are toys for children to play with, and the creativity of children to think of ways to play will shrink when there is no place to play.Adults playing baseball and patting Jin Ke also have toys for you to play with, and group travel is the same. They all wipe out the knowledge that fun is creativity. Labor is nothing to play, and you can also enjoy the scenery of picking water chestnuts, picking lotus, washing yarn, and pounding clothes.Dangerous places, such as Sun Xingzhe fighting with monsters, can play tricks.台北市我看看沒有什麼好玩，「擊壤歌」裏卻成了玩耍不完的地方。又如見了總統，與到了神前，哪裏還敢存個開玩笑之心，而西遊記最後寫唐僧師徒到了雷音寺，阿儺向取經人索賄賂，寫書的人簡直是不敬，然而聽了釋迦如來的一番話開脫，又都成了是莊嚴的。 旅行是你若不會玩，便走遍外國，也不及「擊壤歌」裏的小蝦與小靜她們走了台北市的一段紅磚路。李白與蘇軾的會玩就像小蝦她們。這裏再引蘇軾的詩一首「登常山絕頂廣麗亭」： 西望穆陵關，東望琅邪台，南望九仙山，北望空飛埃， 相將呼虞舜，遂欲歸蓬萊。嗟我二三子，狂飲亦荒哉！ 紅裙欲仙去，長笛有餘哀，清歌入雲霄，妙舞纖腰迥。 自從有此出，白日封蒼苔，何嘗有此樂，將去復徘徊。 人生如朝露，白髮日夜催，棄置當何言，萬劫終飛灰。 此詩可伴「擊壤歌」的熱鬧，蘇軾又像賈寶玉，要與姊妹們長在一起，等他化為飛灰。