Chapter 87 Mutiny on the Jade Girl

In 1993, the tertiary film "When the Peach Is Ripe" starring Li Lizhen was released, and the box office exceeded 10 million.At that time, she was twenty-seven years old and had entered the showbiz for ten years. Ten years ago, she was discovered by scouts. Ten years later, she has become a stable youth with "Happy Paradise", "Season of Love", "Infatuated Me", "I Can't Stop Love", and "I'm Underage" jade girl.But Yunu is almost thirty years old, and Yuu needs to break through.Gao Zhisen deployed strategies and tactics for her. First, he made a small show in "Summer Lover" as a test of the water, and then shot a nude photo album in Venice. After the photo album was reprinted three times, he acted in the tertiary film "Honey When the Peach Is Ripe" and "The Spirit of Love", the box office of the two films reached more than 10 million.

It's not because Hong Kong people have never seen spring on the screen, on the contrary, "Feng Yue Films" have been popular in Hong Kong for 30 years in the winding alleys.The inspection scale is like the red line in the treasure room, appearing and disappearing from time to time. At the end of 1988, Hong Kong implemented a film classification system, and films classified as the third level prohibited audiences under the age of 18 from entering the theater.Since then, Spring and Blood have become more justifiable, almost leading to a screen boom.The reason why Li Lizhen's popularity surpasses many porn stars is because she used to be a beautiful girl.For example, Mr. Liang Wendao wrote the article "Who is more hypocritical, the jade girl or her consumer?" " said that the jade girl is under the gaze of the patriarchal society, "a weird and unreasonable image of a virgin", with tortuous sexual attraction, and is the projection object of a stronger desire.

It's like, Japanese geisha must smear a thick layer of makeup on their face, and they must also reveal a section of their true neck just right.That part of the neck reminds her real body, embodies a certain possibility, and further stimulates the man's desire to find out.There is no difference between jade and desire, jade is just a thin layer of porcelain body outside desire. And Shu Qi, who debuted later than Li Lizhen and also became famous with the help of tertiary films, vowed "I must put back the clothes I took off one by one", and finally did what I said.After winning the Hong Kong Film Awards for Best Supporting Actress twice, she also won the Golden Horse Award for Best Actress.The same person can shuttle freely between the jade girl and the jade girl so freely, the audience is a little confused, the double-faced Eve appears one after another, and the myth of the jade girl is finally gradually broken.

"Yanzhaomen" hinted at the final fall of the jade girl, but the "jade girl" will not die.The highest value of the existence of the jade girl lies in the final dumping, because shaping and enshrining are not the completion of the myth, but destruction is.It's like building a fort on the beach, the more exquisite it is, the happier it will be when it is pushed; it is also like worshiping a jade girl, the longer it is offered, the happier it will be when the jade girl is thrown away.Just like those people who thought that Cecilia Cheung and Gillian Chung were young women, they were looking for photos while regretting.The greater the contrast, the happier.