Chapter 50 They sure won't let us go

There is a sentence that sounds very familiar, and if it is released alone, it can already serve as the outline of the plot: "They will definitely not let us go."From "A Chinese Ghost Story", "A Lover Looks at the Knife", "I Love 777" to "Nikita", "Kill Bill", and "A History of Violence", they are all related to "they will definitely not let us go". Between the group's desire for control and the individual's free will, a contradiction is born, and the story emerges suddenly. However, in "32 Degrees Celsius", although the female killer Wu Qianlian said in panic, "They will definitely not let us go", but who the "they" are is debatable.Judging from the process of several assassinations, there should be a sophisticated killer organization behind the female killer, but the existence of that organization is very vague. There is only a beautiful woman agent, Mei Jie, who acts as a spokesperson in front of the stage alone, and her control is very strong. Weak, the beautiful woman even used emotional and physical means to confirm and strengthen the personal attachment between the killer and her, and the trouble caused by the assassination of the Korean boss was just accidental, so where did the female killer's panic come from?Who is this "they" she speaks of?

Her background is not ordinary.She and Sister Mei are both from Khmer, and her family members have all died in the war (this is what Sister Mei told her), and Sister Mei is the same, "I am the only one left in the family." The cotton people and their family members all died cleanly.Their hearts were hardened by death, just like people from a certain province dragging one by one to Beijing to work as nannies. He is a man, but in the photo, he has no face, only a military uniform outlines his shape. As a killer from Khmer, she "must not have a photo, name, identity, past, or stay in one place for more than three months", in the way of a terrorist refugee without history Running around, her world is five degrees below normal human body temperature, it is icy (the first assassination in the scene took place in an ice factory), the dark and hot are just bullets, falling on the ice, The ice cube burns a hole.She hungrily searched for her past, her family, and a little bit of warmth, used games to fill the gaps in her childhood, and became addicted to bright lights and throat-burning faces. Later, as a deal, Sister Mei gave her a so-called family photo, but that photo turned out to be fake.

This is her situation: there is no history, even if there is, it is fake, forged, and used to prevaricate, but she is not without a past, and the past is carried with her everywhere-she can obviously grow long hair, but she still wears full hair. Short ear hair (a unified image characteristic of Khmer women in a certain period), only buttoned a shoulder-length wig when going out, and followed the international trend to wear a Gloria-style short haircut. Windbreaker, but the long hair is fake after all, and the windbreaker was also borrowed. This red dress does not mean that she is extra human, and she did not hesitate to kill a child. There is also such a conversation with Liu Qingyun-"You have No other women?"

"..." "But it doesn't matter if there are, I can kill them." The spirit of treating human life like nothing has not changed slightly because of the instinct to keep warm. Her love is not love. Liu Qingyun, a person with a strong human temperament, fell in love with her purely because Ignorance deserves bad luck.This image of humans and beasts in the last days will be developed to its peak in another Galaxy work "Scary Chicken" a year later. "32 Degrees Celsius" has a tribute object - "A Chinese Ghost Story". Liu Qingyun called Wu Qianlian "A Chinese Ghost Story". When Wu Qianlian was aiming at the roof, her hair brushed her face, which was very similar to the scene where Nie Xiaoqian floated by outside the window of Lanruo Temple. It's just that ghosts have human nature, but the people in "32 Degrees Celsius" may not.The "they" who refused to let her go were everything behind her and in her body.