Chapter 29 Yang Kai

One night many years ago, on the way home, I saw a UFO—a huge white light group, staying quietly in the night sky to a high and far distance, and reflected a white vortex among the nebulae. Ten minutes later, The white light cluster suddenly disappeared, as if someone turned off the power. The next day, I frantically searched for other witnesses. However, no one around me saw the white light. I also know that conservative newspapers will never report it even if they get it. Or the suspicion of making up nonsense to attract attention.At this time, my former classmate came home from vacation and told me that that night, all their classmates in the school saw a huge white aircraft, which quietly parked above the playground, illuminating the playground brightly for half an hour as long as.My heart skipped a beat, my face paled after he finished speaking, and I told him "I saw it too" in a concurring manner—but I felt guilty as if I was lying, but another big stone fell. It turned out that I was not alone, it turned out that I was not alone Mao Jinxing was mentally disturbed. It turned out that what I saw and felt, some people could see and feel deeply.

The day I finished watching "Durian Fluttering", I also looked pale for a long time. I felt that I understood all of Chen Guo's expressions and felt all his feelings. It turned out that I was not alone. In the first half of the movie, he repeatedly showed us Ayan’s flesh and blood business. She walked around with a blank face, talking nonsense when she saw people, and talking nonsense when she saw the devil. Cracked dead skin from too many showers, keeping a little notebook of her daily customer count, and then, abruptly, it was over. The second half is almost another movie, even longer than the first half.She returned to her hometown in the Northeast where there was a world of ice and snow, reunited with her classmates, attended a friend's wedding banquet, met her former lover, and sang with her friends in the wilderness.The small town in her hometown seems to be quiet, but it is no longer the same as before. "Why did the old country become a sea of ​​blood?" Everywhere is falling, and her fall, which contrasts with the fall of her hometown, is even more tragic.

The two plots seem to be intended to contrast. The hot southern country in the front is in contrast to the vast and clear north in the back. The crowded and restless front is in contrast to the slowness and tranquility in the back. , In contrast, the inhuman life in the front, and the human factors in the back gradually attached to her body, in contrast. But it is far from being as simple as a comparison. The second half of the paragraph is a kind of wanton "rippling".Xixi said this about the "stroke of swing" in Chinese art: "The stroke of swing is clearly freehand. It seems to be alienated, but it is another kind of closeness. , and the infinite scenery is hidden deep inside." This kind of alienation and closeness, separation and adhesion requires the right time, place, people and just the right passion to facilitate it. "Durian Fluttering" has nothing missing. If it is a song, the latter half The paragraph is the chants after the narrative is completed—"Ah——"; if it is a poem, the northern country behind it is the aftertaste of the distant and distant, and it is the completion of poetry.And then, just when our inner rhythm tells us it's time to stop, the movie ends.

I've seen such a wave of genius once before."Tropical Diseases" by Thai director Apichapong Vilasechaku also has such two paragraphs. The first half describes the relationship between two Thai boys in detail. One is Dong, a rural boy, and the other is Ken, a soldier stationed in the village. , both of them have an old-fashioned face under the poisonous tropical sun, but their hearts are children's hearts, you look for me, I look for you, you look at me, I look at you, what you say is also what a child says, you are good to me, I am right Hello and the like, it sounds like there is no desire. In the movie, I went back and forth like this for 50 minutes, and then it ended suddenly, and then the second half has nothing to do with the previous one, and there are no lines. It is just a soldier (or the first half) Ken) groped his way in the forest at night, walked for a while, rested for a while, and another boy with stripes painted on his body, as strong as a savage (also the first half of the East) was mysteriously appearing and disappearing in the forest, Occasionally, I peeped at the soldiers in the dark for a while, and deep in the dense forest, there was a tiger calling.

Contrasts, allusions, and allegories are all available in these two paragraphs.Or maybe, in the second half of this paragraph, there is no profound meaning, just an extended sound of the previous story. This kind of "Yang Kai" is definitely not something that can be achieved by technology, but a gift that is suddenly obtained after the spirit has been concentrated in creation for a long time.Knowing this gift is also a gift.The benefits of movies are here: accepting the most secret gifts under the eyes of everyone.