Chapter 93 out of literature

After reading for a long time, Huiyin became very dizzy.At this time, she would find Sicheng's shirt, baby's and younger brother's torn socks to mend.All these things are very old, but they have no money to buy new ones.Except for the cloth shoes made by grandma in winter, the children wear straw sandals for the rest of the time.In order to dress his family as decently as possible, Huiyin exhausted his imagination.Although she knew very well that she was not good at doing these things, she felt that doing such things for a day was more strenuous than asking her to write a chapter on the development of architecture in Song, Liao, and Qing Dynasties.

It's overcast again, is it going to rain? The kids aren't out of school yet.Huiyin stared out of the window, and a folk song came from outside: "...summer is hot, winter is cold, the sun shines here, and dust rises there, you say it's annoying..." Sichuan's folk songs are high-pitched and desolate, It has the taste of Chuanjiang chant, which makes people want to cry. The children came back from school, and their footsteps sounded in the yard.Huiyin's heart seemed to shine into the sun, and it suddenly brightened.What makes Huiyin feel gratified is that despite such a difficult life, the children grow up healthy and lovely.Daughter Zaibing is 14 years old, her character has both the gentleness of Sicheng and the sensitivity of Huiyin.She has to go to school on a long dirt road every day, and she still doesn't have enough to eat at noon, but her academic performance is very good. When she sees her bright smiling face, Huiyin and Sicheng are the happiest.His son Congjie is 11 years old, tanned, wearing straw sandals on bare feet, and speaks authentic Sichuan dialect when he is with his local classmates.He is lively and smart, worried about his mother's health, and never asked adults to bother him.

During this period, Lin Huiyin really broke away from the literary world and devoted himself to the study of architecture.Before the Anti-Japanese War, Huiyin was inseparable from both literature and architecture. It can be said that literature and architecture each accounted for half of her energy and time.The outbreak of the Anti-Japanese War and the changes of the times lead to changes in personal destiny and personal choices.After that, Lin Huiyin still wrote poems, but these poems were completely an expression of inner pain, while in the past, there was more or less "sorrow for new poems".The life of intellectuals in the "Great Rear Area" during the war, worries about the fate of the country and the nation, and personal illnesses are reflected in her poems; It is no longer limited to personal and unpredictable moods and emotions, but replaced by a sharp inner conflict and social theme.

Huiyin gave up her literary creation, which she has always loved very much and showed outstanding talent. Of course, it was because she lost contact with the literary world for a long time, lost communication and resonance, and lost the interest and motivation to create; the more important reason was , or Huiyin's conscious choice. The period when Lin Huiyin was engaged in literary creation was the period when the "Beijing School" literati represented by the "Crescent School" were very active in the literary world. The writers of "New Moon" try their best to avoid making literature bear more social responsibility, political responsibility and rational burden. Spiritual faction.

Although Lin Huiyin never thought of herself as a poet of the Crescent School, she has similarities with many important members of this group in terms of her early experience and later creative style.After the outbreak of the Anti-Japanese War, she really went "outside the window". The life experience of homelessness, poverty and illness made her "say goodbye to the old habit of creation".Her artistic talent and creative passion found refuge in the study of ancient architectural art, and her multifaceted knowledge and talents were displayed in this field——literature and philosophy, science and engineering technology, East and West, ancient and modern.Therefore, even in such a closed and poor environment as Li Zhuang, she can still maintain the integrity and fullness of her spiritual world.