The idea of ​​this story is peculiar, and I can't remember how the "inspiration" came from in the first place—it was probably a random thought, and I had an idea, which gradually formed during the writing process. Living figurines—not only were they alive at the time, but they are still alive after more than two thousand years. It is quite natural to use the elixir that Qin Shihuang has been looking for to develop a story.Just like another story with the Qin Emperor's tomb as the background, using the Great Wall to develop the story, some vague, vague, and unrecorded events in history are good subjects for fantasy novels.If the information is too detailed, there is no room for imagination.

Imagination can actually go on: Qin Shihuang suddenly came back to life in his underground palace, what would happen?Or did he really come back to life, that's why in this generation, there is the same tyranny as it was more than two thousand years ago? The ghost of tyranny lingers, whether the tyrant is resurrected or not is a trivial matter. Alas!