Chapter 77 postscript

This is the book that took me the longest.I wrote it once and changed it three times.When writing and revising, I have always doubted whether my mind and pen are capable of manipulating such a story. This story has not existed in my mind for many years - if it is a story that has existed for many years, I can write it more completely - it should be said that I have the underlying theory first, and then the story itself.I have always liked stories of growth, stories of geniuses, stories of transformation, stories of recovering life itself through various experiences, stories that seem to be calm but are actually turbulent.Therefore, this novel is a collection of these elements.

Two young boys and one young girl have obvious shortcomings, and these shortcomings are dark.They hide their shortcomings so painfully that they have to go out and find experts to prove that they are geniuses.What seems like an opportunity is actually an excuse.Throughout the novel, "experts" and "geniuses" are constantly mentioned, but in fact they do not play any practical role. Even if the action of "finding experts" is really successful, they are proved to be geniuses. I believe that they can really It is the boys and girls themselves that make the mission turn.

Their transformation appears to be passive.This is also the image deliberately created for them: the teenager trembles in the crowd.After the murder, the police came.Their bewilderment and timidity can tell that they are not "braves fighting against fate", but in the end, just as Zhan Naichao said to Jiang Rizhao: "You have died once, and I also think that I have died once." Back." They still transformed successfully.I personally think that among the three, Xia Jinluo became the bravest in the end. She completely abandoned the darkest and most timid part of a girl's heart.Yu Wan is a girl with a special status. She is a bar dancer.It's an industry I'm completely unfamiliar with.I shyly summed up her working process in four words "rolling and crawling".But there is a real side to her character.I never mentioned her sinister or sophisticated side, which is why Jiang Rizhao fell in love with her at first sight.People with complicated personalities are always easy to fall in love with people with simple personalities.But Yu Wan is very afraid of being loved by others, she runs away like a child (even in the end), this is because she hasn't played enough and is not ready to grow up.When the growth of Jiang Rizhao and the other three was coming to an end, her growth had not yet begun.

Love, is a problem—I mean in my writing process.The three teenagers in the novel are all adults hidden in the bodies of boys and girls.They speak, think, and do things ironically in the adult mode, and they also act like adults when they fall in love, or in other words, they are imitating adults, imitating their appearance.Either vague and ambiguous, or rampage.It's a matter of course for the character, and it's a matter of course for me. And what happens after they finally return to their original lives?Life remained largely the same.They have achieved nothing and are full of vicissitudes. It seems that nothing has changed, but the change still occurs in explicit or implicit ways.You can think of them as successes, or you can think of them as failures.But it is obvious that they have changed from being controlled by life to being able to control life, so they are people who "ride" the rainbow.

The novel has been revised three times, once during the summer vacation, once during the winter vacation, and again this year when the spring is warm and the flowers are blooming.Every time I change it, I add some cinematic things, which is purely my own selfishness.I like things that are cinematic and pictorial. Before writing this novel, I said that I would make it into a movie, and in a sense, I have succeeded.It has been reflected in my mind, and more than once.