Humans are subject to change, as the environment and age change, not only moods, thoughts, and emotions, but even appearance, shape, and body. Writers are human beings, writers will change, and of course the works written by writers will change even more. Every writer changes markedly during periods of his long and arduous writing process. During this process, his early works are usually full of fantasy and impetus. When his thinking gradually matures and his writing becomes more cautious and cautious, his early fantasy and impulsiveness may have gradually disappeared. This point can probably be regarded as one of the common sorrows of writers.

If there are gentlemen with a lot of heart who are willing to write "Writers of martial arts novels" as writers, then I can probably be counted as a writer. The first novel I "officially" paid for was a "Literary Novella" titled "From Northland to Southland", which was published in two issues in "Morning Light" edited by Mr. Wu Kaixuan, probably in the period of the Republic of China. Around forty-five years, Mr. Wu's temples were still not white at that time, and I was not yet a weak crown. Now Mr. Wu has gone away on a crane, and the younger boy is like me, and Fading has gradually seen Tongshan, but it is a pity that the childlike heart is no longer there.

Mr. Wu has dedicated his whole life to writing, and I don't have many chances to get him personally.But writing this, I suddenly feel a kind of indescribable melancholy and nostalgia in my heart. In addition to having the courage to write some new poems and prose short stories, I also wrote martial arts novels for 20 years. During this process that was neither too long nor too difficult, it can also be divided into three periods. In the early days I wrote ,,,,,,,,,, and so on. In the mid-term, I wrote, (Iron Blood Banner), (Anger Sword), "Shanhua Xijianlu" (Washing Flowers and Swords), and there are one or two earliest articles about Chu Liuxiang, "Legend of Iron Blood".

Then I wrote, and then wrote "Chu Liuxiang", wrote "Lu Xiaofeng", wrote, wrote "Seven Weapons", wrote. And the one that made me feel the most painful and frustrated in my life is. Because at that time I always wanted to "seek innovation", "seek change" and "seek breakthrough". I didn't know whether I wanted to break through others or myself, but I knew that I did break through one thing-my pocket.my own pocket. The only thing I "broke through" during that time was the pocket that I still had a little "money" to put in it.

Although the pocket is torn, the pocket is still there, and the person is also there. I have no complaints. Because I have now discovered that that period of time was indeed the time when I was most creative, imaginative, and courageous. At that time, I could write anything and dared to write anything.Especially when writing "Big Banner", "Lover", "Washing Flowers", and "Peerless". Although those novels do not have a very complete story, they also lack rigorous logic and thought. Although absurd, they are somewhat flavorful. At that time, writing martial arts novels was originally like this. It counts wherever it is written. In order to pretend to be amazing, and to create a kind of suspense that I think others can't think of, I often deliberately distort the characters of the characters in the story, so that the story itself is also out of touch. out of its range.

In the writing environment at that time, there was no opportunity for me to retouch, revise, and delete unnecessary branches. Because there is usually not even a penny left in a ragged pocket. In order to eat, drink, ride in a car, make girlfriends, watch movies, and live in a house, as long as I can write something, I have to exchange it non-stop; If you want to pay the manuscript fee in advance, don't even talk about it. Of course, this kind of writing attitude is not worth boasting or mentioning, but I must mention it because it is true. Writing to wait for money to eat is not a common sorrow among writers, but it is mine.

I believe that I am probably not the only one who has this kind of sadness. Suddenly, the hole in my pocket was sewn up, probably with some threads in my mind. Because at the same time, I also found that there are a few lines missing in my thinking. Some stories that I always thought were weird and mysterious, but now I don’t dare to write them. However, those stories that even I myself thought were absurd and outrageous, I still feel that there is always something interesting that can make people feel nervous, exciting, excited, and happy. Can I write those stories in a different way, with a few people's names and a book title?Is it possible to put old wine in new bottles?

cannot. Writing the same story repeatedly will not only make people feel more bored, but also feel unpleasant to yourself. That's why I came up with the idea of ​​rewriting those stories, deleting some cluttered, messy, unnecessary plots and words, keeping the fun in them, and rewriting them again with my now slightly more precise words and thoughts. This kind of work has already been done. In Hong Kong, a famous artist whom I have always admired and respected has edited and sorted out his own works before republishing them. My best friend and sworn brother Ni Kuang also edited and edited another famous masterpiece that was once a hit, and it is still being serialized in major overseas newspapers and magazines.

The environment and conditions in which they work, their prudence and decisiveness are all unmatched by me. The things I wrote that I cherished with my broom can't be compared with those famous works. When I did this, I neither had the slightest idea of ​​"wanting to hide it in famous mountains", nor did I have the slightest intention of "comparing Tang and Song swordsmen with Shuiyou". A gentleman who has passed the "Wu Shuo" asks for understanding and forgiveness. By doing this, I just want to provide readers with a little more entertainment and fun. It would be even better if I could give you a little inspiration while entertaining you.

Most of the novels I have written have changed from the small and thin books that can only be circulated in bookstores to the thick and thick books that can barely be published; there are only a few exceptions, because I know that the readers of small and thin books are always relatively small A little; not too many people can see. So I have always wanted to keep these books as my attempt at rewriting.Of course, there are some values ​​in these books that are worth preserving. This "Iron Banner" is one of them. Cologne Six eight, three, twenty nine, late at night