Chapter 17 Behind-the-scenes production special - the birth of the story

In the beginning, all stories mean nothing. Lao Na does not believe in inspiration. A writer who writes by inspiration cannot be called creation. Writers have to learn to rely on themselves, not flashes of inspiration. At first, Lao Na just wanted to write a visual story about the relationship between a voyeur and a murderer. A voyeur (a person like Lao Zhang) picked up a high-powered telescope one day and found a man in a certain house in the opposite building. Another person is being tortured and killed, and every Thursday, the murderer will bring strangers home for execution, so the voyeurs are addicted to watching, and every time they look forward to the execution on Thursday, finally the murderer disappeared, and the room remained empty, But the sick person infected with voyeurism and murder finally couldn't bear to personally preside over the massacre that must be staged every Thursday.

End of story. The story isn't bad, but it's not what Nathan should have written. So Lao Na continued to think, and also started to discuss with the movie consultant Mao Maogou, so he changed the story to say that the landlord likes to peep at the female tenant with a pinhole, and one day a new tenant moved in, a woman, very polite, and that woman turned out to be a The murderer, the landlord is also obsessed with the process of her executing strangers and other tenants, and even obsessed with the abandonment and killing of the murderer who keeps disturbing the murderer (parts are similar to this movie). The wonderful confrontation between the two lasted until the landlord watched On the news one night... (good ending, keep it)

It's a good story, but Naruto two or three years ago could have done it. (Note: The pinhole replaces the telescope, and the woman replaces the man. I think there is room to improve the horror element) So, in the boring classroom, Lao Na opened the legendary dreamy product, Giddens blank notebook, and began to organize five floors, elevators, six tenants with their own duties, the relationship between the migration of space and the progress of time, and outline the relationship between Complicated, contradictory, too coincidental and entangled plot lines make the landlord's role strengthen himself through more perverted and distorted psychological processes time and time again, and lead the tenants into a struggle against darkness, and gradually get along with the quiet murderer Keep pace with, even surpass.It can be called a horror movie with a small budget and a large production.

This is what Lao Na wants. "Action!"