Chapter 127 Section 1

As soon as Lama Aruo and Wujian Lingba walked out of the West Sunlight Hall of the White House, Lama Aruo's cell phone rang, and the invisible Buddha changed the voice of the text message to John Lennon's "Double Dream".The two young tourists looked back at Lama Aruo, as if surprised that such an old lama also liked John Lennon.Lama Aruo still hated this kind of random modification that he couldn't help himself. After the two young tourists left, he took out his mobile phone and typed a text message.He stared at the text message for a while without saying a word, and after a while, he held the phone in front of Wu Jian Lingba with the palm of his hand.

Wu Jianlingba looked at it, a little excited, but also a little doubtful.The text message is like this: Unmoved Buddha clearly stated: in the Buddhist temple that Bandaram does not allow to be demolished. Wu Jianlingba said: "Buddha asked us to give up Prince Chambord and Mesa? We followed all the way and gave up so easily?" Lama Aruo said: "It is right to give up. There has never been a Terton who achieved success only by relying on others." The terma is the emergence of all difficulties. "'Buddhist temple not allowed to be demolished in Bandaram'? Do you know where?"

Wu Jian Lingpa habitually kept silent, but obviously he knew.The two walked to the Xipingcuo Hall of the Red Palace Secretary tacitly, and boarded the gallery on the second floor. This is almost a mural exposition. The 698 murals brought the Tibetan mural art to a peak here.It is a pity that they have no time to appreciate art, and the charm of belief, which is more important than art, is leading them to focus on the search for what is about to be lost and soon to be gained. They climbed from the gallery to the third floor and came to the door ladder of Qujiezhupu Hall. The Qujie Zhupu Hall is also called the Fawang Cave. Together with the Holy Guanyin Hall Pabalakang on the upper floor, it is the relic of the Songtsan Gampo era. It is the earliest building of the Potala Palace and has a history of more than 1,300 years. history.During the Cangyang Gyatso era, the regent Sangjie planned to demolish the old Fawang Cave and the Holy Avalokitesvara Hall when formulating the construction plan of the Red Palace.The eminent monks of the three major temples advised him not to do this, saying that demolition of historical sites is the demolition of public opinion, which is unlucky.Sang Jie divination in front of the spirit of the fifth Dalai Lama and in front of the statue of the auspicious goddess Bandaram respectively. The spirit of the fifth Dalai Lama showed signs of not allowing the demolition of the Holy Avalokitesvara Hall, and Bandaram showed signs of not allowing the demolition of the Fawang Cave. sign.

Lama Aruo and Wujian Lingpa stood in front of the Fawang Cave, looking up, down, left, and right.The Fawang Cave is located on the top of the Red Mountain. The condescending cave pattern, in a simple and simple style, has been polished and straightened through time, showing that the ancient Tibetan worship is full of love for the mountains and the sky. single-mindedness and simplicity. Still one after the other, the two stepped into the threshold lightly, as if there was a sleeping child inside, and they dared not wake up. Legend has it that Songtsan Gampo used to retreat here, but there was not a single Buddha statue during the retreat. Only the stove used back then and the stone pot and mortar on the stove witnessed the truth of the legend.But what is more real seems to be the walls, they are dyed black and shiny by the ancient fireworks, and the traces of digging holes with the hammer and ax are faintly in the darkness, just like digging by the hands of time.The lights are dimmed as much as you want, just in the gap between the seen and the invisible, creating the mystery of Tibet and the unfathomable of Buddhism.

Lama Aruo and Wujian Lingpa walked around the wall from left to right and looked at each other, which meant that they didn't find a door anywhere.In their conception, the "Gate of the Seven Tara" is firstly the method door of cultivation, secondly, the secret door of teaching scriptures, and thirdly, the door for entry and exit of termas and excavations.The door of entry and exit should of course be visible and tangible.They turned back and looked at the statues one after the other. The statues here are all created by Songtsan Gampo after he ascended to heaven, including the statues of Songtsan Gampo, Princess Wencheng, Princess Chizun, Princess Mangsong Chijiang, Minister Thonmi Sangbuza, and Gar Dongzan The statues of Prince Gongri Gongzan and Prince Gongri Gongzan all belong to the sculpture art of the late Tubo period.There are also gold-plated bronze statues of Maitreya Buddha, stone statues of Avalokitesvara Bodhisattva and clay sculptures of Sakyamuni, Master Rinpoche, White Tara, Dharma Protector, Master Tsongkhapa, Venerable Milarepa, etc., all of whom are the fifth Dalai Lama. The works of Lama Lama and Regent Sangjie after rebuilding the Potala Palace.

Lama Aruo and Wujian Lingpa turned around and looked around. After turning around three times, they didn't see anything.They stopped, Aruo Lama stood in front of the statue of Venerable Milarepa, sighed wearily, drooped his head, saw a beam of light traced on the ground like a paintbrush, and unconsciously glanced at the light source At the place where I was, I found a butter lamp dancing without wind, shining on the copper and gold-plated Maitreya Buddha statue, and Maitreya Buddha waved the light with his sleeve and cast it on the ground.The dancing light is impermanent and uncertain. Not only does it not know where it should shine, but it will disappear instantly.Thinking of this, he froze for a moment, squinted his eyes and looked forward, he couldn't help shaking his head, and a scene on the screen was blurred, blurred, and gradually clear.

That was part of his meditation achievement. During his meditation, he not only got the enlightenment of "The Gate of Seven Tara - Lama Temple in Beijing", but also really saw this scene, saw the "Gate of Seven Tara" call.Then he issued an appeal on the Internet to open the "Gate of Seven Tara": "Which one of the deceased venerables or the respected guru gave us the teachings that we are self-confident? Guru Rinpoche bestowed on us a shared brilliance, but we kept secrets from each other and separated our minds. This is so far that even hundreds of millions of prostrations have not been able to open." Seven Where is the key to open the 'Gate of Seven Tara'? Who is the Fukuda that the souls support each other? Who is the heir of the Dharma that is passed on by word of mouth?

It is a pity that this scene has never been restored. He doesn't know where it is, and even thinks that it may be the place where he practiced in his previous life, and it suddenly appeared in the meditation beyond time and space. But now, this scene has not only been restored, but miraculously came to the front, it is it, it is the Fawang Cave he faced from this angle: the rough and old early murals, the vivid Tubo figures, two ancient The wooden pillars support the not so high roof of the temple. The animal faces on the wooden pillars are carved like lions and dogs. Dots form a line of ancient Tibetan characters:

Seven Tara Gate Lama Aruo turned around and grabbed Wujian Lingpa behind him, and said hurriedly: "I saw it, I saw the 'Gate of Seven Tara'." Then he covered his mouth, looked around, and found that no one was paying attention to him, so he Walking over cautiously, standing in front of the row of sparkling Mani orbs, I was so excited that I didn't know what to do. Wujian Lingpa followed behind, and he could see clearly that the flickering light was the "Seven Tara Gate", that is to say, the terma of the "Seven Tara Gate" was probably behind the Mani Orb.He was a little nervous, took a step back, closed his eyes, and prayed silently.

Lama Aruo touched the Mani Orb lightly, and the light disappeared in a flash, as if it was water that would fall off immediately. The Orb showed old cigarette-stained particles, which made the entire Dharma King Cave much darker.He quickly withdrew his hand, trying to restore the flickering light, but found that the dimness was more dazzling than the flickering, and the orb formed two characters with smoky black, which was a little bit smoky.He wanted to take a few more glances, but he heard Wu Jian Lingba behind him turn around and leave. Lama Aruo chased after him, grabbed Wujian Lingpa and asked, "What did you see?"

Wu Jianlingba asked back: "What did you see?" The two said at the same time, "My hometown."