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Chapter 11 part ten

sandware 松本清张 3394Words 2018-03-22
Yoshimura was giving out his police ID to a fat middle-aged female administrator. The middle-aged female administrator looked a little nervous and nodded. Female administrator: Is that the one who went out just now? Yoshimura: (nods his head) It's a man in his thirties. (Puts away his ID card) Wearing white trousers, a sky blue shirt, and a pair of sunglasses. Female administrator: (remembering) Ah. Yoshimura: Which one of the apartments did he visit? Female administrator: (showing a surprised look) Yoshimura:? Female administrator: This is a strange person, who came to find the dead woman.

Yoshimura: (Can't help shouting) Oh? Female administrator: There is a woman named Ishii who lives in Room No. 7 and hasn't been back since the 30th of last month.I didn't come back after more than two weeks, so I reported to the police, so the police took out the photo and asked me if I knew him. Yoshimura hurriedly took out the photo from his pocket. Yoshimura: Auntie, maybe, maybe it's this person? Female administrator: (After looking at the picture, she opens her eyes) Ah, this is Ishii. * * * Yoshimura and the female administrator stood at the tight corner of the corridor.

Yoshimura: You were here cleaning the hallway? Female administrator: Yes, I looked up and saw a man was ringing the doorbell in front of Room No. 7, turning the doorknob. Yoshimura: Then what? Female administrator: Ishii has some things stored with me, and I think he came just in time. * * * He He who rang the doorbell in front of Room No. 7. The female administrator poked her head out from the corner of the corridor. Hehe twisted the doorknob with his hands. Female administrator: (walking over confidently) Are you... He He: Huh? Female administrator: Are you looking for Ishii? He He: (surprised at zero time, then calmly again) Is she not at home?

Female administrator: Ishii is dead. He He: What? Female administrator: I don't know where her relatives are, I'm anxious.Excuse me, may I ask if you and Ishii are... * * * Yoshimura handed her a photo he had taken out. The photo of He He taken by the female administrator. Female administrator: (glances) It's him, it's him, yes, it's him. Yoshimura: Like us, neither the suspect nor He Yingliang knew that Rieko Takagi was dead.Each has loopholes.The death of this Takagi Rieko turned out to just prove the relationship between the suspect and Rieko.Additionally, the suspect

The fingerprints left by Luo Ye on the doorbell and doorknob of room seven have also been checked. Photo of fingerprint verification on the door handle. The fingerprint verification photo on the fist-sized stone at the accident scene. A big brand new poster. The title of the song that starts playing immediately grows larger until it occupies the entire screen. destiny Section Chief: Then, Imanishi, please introduce the suspects in this case and the suspicious points of He Yingliang's crime. Imanishi stood up, and all eyes were on him. Imanishi: First, let’s start with Hega’s identity and background.

Pick up a copy of the household register from the desktop. Imamishi: This person's origin is No. 1, Ebisu Street, Naniwa District, Dakou City. His father is He Yingzang, and his mother is Kejiang.But this household registration was fabricated by He He.In fact, he is a buddy of this family, and his household registration during the war was destroyed by the war. It's just that he made it up by taking the opportunity to re-register after the war.His real birthplace is... Imam picked up another copy of the family register and read it. Imai Nishi: No. 12, Unozhong, Dayan Village, Egami County, Ishikawa Prefecture...Father, Ura Chiyokichi, mother, Afang.He was the child of these two people, his real name was Benpu Xiuyao, and his birth date was March 17, Showa 12.

The first and second floors of the hall were packed with audiences, and there were no empty seats. The auditorium lights dimmed and the stage lights brightened. There is a platform in the middle of the stage, on which a white piano is placed, and a large symphony orchestra is neatly lined up on the left and right stages behind. He He appeared on the side of the stage holding a sheet music. Applause, bursts of applause. He He walked to the center of the stage and stopped in front of the piano, and asked the entire symphony orchestra to stand up and bow to the audience who applauded even more enthusiastically.

Imanishi: However, when Hideo Motoura was three years old, his mother Afang abandoned the family because of his father Chiyokichi's illness. Since then, he was raised by his father alone... In the summer of the 17th year of Showa, Chiyokichi left his hometown and wandered.dragging Hideo, who was only six years old, walked out of the village. He He stood by the piano. All the members of the symphony band watching Kazuga. There was no sound in the arena. Imam: Why did his mother abandon the family and he went there, and why did his father and son leave their hometown?It was because his father, Chiyokichi, was ill... leprosy, which was considered an incurable disease at the time.

He He's eyes were shining brightly, as if he was staring into the air. Lightly tapped the piano two or three times with his left hand, raised his right hand, and directed the symphony neatly. The symphony began solemnly. A view of a lonely village surrounded by mountains on three sides. "Immishi once stood on that high slope in the past. The season is the same as that time, and the mountains are buzzing with cicadas. At the other end of the village, two people listlessly climbed up the high slope.With a few luggage on his shoulders, Motoura Chiyodai looks like he is going to the mountain to worship the temple.This Kandaiji is dragging six-year-old Hideo in his hands.

The two stood on the high slope, with infinite sadness in their eyes, overlooking their hometown. Solemn music. After a while, Chiyokichi urged Hideo on his way, as if wanting to cut off the unbearable nostalgia. But Hideo didn't move. Chiyokichi grabbed Hideo's shoulder fiercely, and Hideo took a step closer. Imanishi stood where he was, without speaking. All eyes were fixed on Imai. The sound of the music continued. Imanishi: How the father and son continued to wander, I can only imagine... Only the two of them know the real situation. Chiyoyoshi and Hideo walked on the snow-covered white ground.

The father and son walked to the beach, and in the wind and snow, they came to a temple of Ci at the end of the cape, praying devoutly. They walked along the seashore as if they were going to be blown away by the strong wind. They trembled on the icicle-lined road, panted on the slopes of the village, and begged in the homes of ordinary people. However, the peasant woman who was about to give alms saw Chiyokichi's appearance and closed the door roughly with a whoosh. Father and son silently looking at each other. Kazuki playing the piano. This fateful song is not sentimental, but vigorous and powerful, and it reaches a climax step by step. Cross the bridge at the entrance of the village and walk down from the cemetery on the hill. The wind and snow were blowing harder and harder. Hideo took the hand of the hesitant Gandaiji, and crawled under the floor of a temple corridor. ① In a Japanese-style house, there is a gap of 30 to 50 centimeters under the floor of the corridor and the house. 155 In the corridor of that mountain temple Under the Floor (Night) The wind remained undiminished, and the snow was still falling. The begging father and son slept together with their arms around each other. Hideo snuggled into Chiyone's arms, and Chiyokichi hugged Hideo tightly, and the two hugged each other as if they were one person. The wind became more and more violent, and the snowflakes floated to the floor and hit the father and son. In Waga who continued playing the piano. He He raised his head and left the piano. Began quietly directing the symphony orchestra. On the hills and in the villages, the cherry blossoms are in full bloom, all over the mountains and fields, boundless. * * * A father and son begging at the door of a farmhouse. Chiyokichi sang the incense song and rang the bell from time to time. Hideo, who didn't know when he had memorized the song completely, hummed it with Kandaikichi in a dissonant tune. After singing the incense song, the two rang the bell. However, none of the family came out. Xiufu got angry and rang the bell randomly, several times violently.However, there is no sound in the room, only the surrounding flowers are competing to bloom.Still no one came out. * * * On the village road full of farmhouses and cherry blossoms on both sides. Five or six children surrounded Xiufu, teasing and bullying him. Hideo glared at them with round eyes. He congratulates in directing the symphony orchestra. Hideo glared at the children. Hideo suddenly jumped at a child and beat him up. So, the boys besieged Xiufu, pushed him against the farmhouse's board wall, and knocked him to the ground. Chiyokichi came out from a nearby farmhouse, and when he saw this, he yelled, roared, picked up his walking stick, and beat up one or two children.The children fled away like little spiders scattered. Chiyokichi stroked Hideo who stood up, and seemed to be uninjured, and after a while, the two walked away together. The children who fled for a while, this time throwing stones from a distance, followed. Hideo stood on a small high slope and looked down. On the current campus, students are doing gymnastics; in the classroom, students are singing in a chorus. Chiyoji who was standing next to him was restless, but Xiuyao stared enviously and remained motionless. Chiyokichi urged him two or three times, and finally yelled loudly. But Xiufu's heel, as if it had taken root, remained motionless. It was drizzling. The father and son beggars were cooking under the bridge, like a little girl playing house. Something was gurgling in the pot. Hideo waited impatiently, swallowed a few mouthfuls of saliva helplessly, looked at the pot excitedly, and then smiled at his father. Carp banners fluttered everywhere. At the entrance of the village, a village policeman pointed a bulletin board to Chiyokichi and Hideo. A notice board says no beggars allowed. Chiyokichi repeatedly nodded and bowed, begging to let them enter the village, but the patrolman refused.Chiyokichi still begged earnestly. The patrolman suddenly pushed Kanyokichi away, and Chiyokichi leaned forward, staggering and about to fall. The patrolman insisted on chasing them away, laying his hand on the hilt of his sword. Hideo, who had been glaring at the policeman, rushed towards the policeman unpreparedly, and the panicked policeman swung Hideo into the ditch next to him; The pale-faced Chiyokichi jumped into the ditch, hugged Hideo, and was taken aback.There was a cut in the corner of Xiufu's left eye, and blood dripped out. The face of Chiyokichi who desperately covered Hideo's wound, shouted Hideo's name like crazy, and was overwhelmed with grief. Imamishi: ...Whether the father and son walked along the Wakasa and Tottori San'in Roads from the Hokuriku Road, or once they reached Kansai, went west along the Sanyo Road, and arrived there via Okayama or Hiroshima? Got it, but it's Showa In August of the eighteenth year, the two... Piece of lush green paddy fields. In the mountains of the Chinese mountains, there are whirling white clouds. The beggar father and son walked over in a hurry. Hideo with a scar under the corner of his left eye. Hot weather.Chiyokichi dragged his frail body and struggled to walk. The two walked in front of Guisong Station on the Kiji Line in silence. Imanishi picked up the stack of documents on the desk. Imanishi: What happened after that, we learned from the village diary of Kenichi Miki kept by the Mimori Police Station in Shimane Prefecture, related archives, archives kept by the Shimane Health Bureau, and the historical records of Kameson Village... this In addition, it was provided by villagers who knew the situation at that time. Patrolman Miki (32 years old) patrols on a bicycle. A middle-aged farmer was grumbling to himself. Sanshui who got off the bicycle nodded repeatedly. Farmer: No matter how merciful Lafayette is, he will be angry if he is always offended. I can't forgive him every time. Miki: Uh, uh... Farmer: But if you don’t give him anything, he will dig the sweet potatoes in the field, and pull the eggplants and cucumbers in the field.
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