Chapter 23 Chapter 5 Guide to Ancient Dharma Book Ruins

In the vast territory of our country, the mountains and rivers are flourishing, the scenery is beautiful, the scenic spots are full of wonders, and there are ancient Dharma books engraved by successive dynasties. It blends together and complements each other.Tourists climb mountains and look far away or wait and see by the sea, and they often feel out of the scenery and become more interested in books.Because there are so many masterpieces among them, they are not inferior to the collections of the museum. Today, I will introduce the highlights of the magnificent scene I have personally experienced, and I will act as a tour guide for the Han Mansion, so that readers will not forget to enjoy it while enjoying the vast natural scenery. The style and spirit of Chinese calligraphy art.

The ancients sang meritorious deeds, worshiped ancestors and chasing ancestors, or wrote poems to record victories, all of which should be recorded in order to last for a long time, so they were carved out of tripods and Yi, or written on bamboo paper, or engraved on steles.However, bamboo and wood are easy to wear out, and paper and silk are easy to be damaged. Although casting and engraving on bronze ware is reliable, the texture of the vessel is easily altered and engraving is inconvenient. Therefore, the best way to preserve it is to inscribe it on stone.Stone was born between heaven and earth, and its nature is solid and stable. Therefore, most of the Dharma books of the past dynasties are stored in stone carvings, or in famous mountains and rivers, historic sites and scenic spots; or in remote and deep valleys, dangerous passes and narrow roads; Hall; or secretly living in a temple in the village, alone in a corner of the town.

In order to facilitate viewing and storage of cultural relics, the government concentrated the stone carvings scattered nearby, and added exhibition rooms, pavilions, etc. for placing steles, which constituted the forest of steles.Among them, the collection of Hongfu, the most famous one is Xi'an Forest of Steles. Xi'an Forest of Steles is located in the Confucian Temple of Sanxue Street on the inner side of the south city wall of Xi'an.It is grand and profound, and the essence gathers here.There are more than 3,000 inscriptions from Han, Wei, Jin, Sui, Tang, Song, Yuan, Ming and Qing dynasties, among which Tang steles are the richest.Such as the neat and rigorous "Kaicheng Stone Classic", the majestic and charming "Mysterious Pagoda Stele", the mellow and dignified "Yan Family Temple Stele", and the swiftly swaying "Draft for a Seat". "Monument of Master Daoyin", the simple and round "Monument of Three Graves", the meticulous and colorful "Monument of Zen Master Dazhi", the steep and powerful "Broken Stele of Xingfu Temple", Gao Yiyanjing's "Jizi Shengjiao" "Preface", the majestic "Yanqinli Monument", the gentle and elegant "Tongzhou Sanzang Shengjiao Preface", the bold and unrestrained "Huaisu Cursive Script with Thousand Characters", the indulgent and hearty "Tummy Pain Post" and so on, so people It is often said that one must go to Xi'an to see the steles of the Tang Dynasty.In addition, there are the warm and elegant "Poems of Touring Tianguan Mountain", the slender and vigorous "Monument of the Grand View Sacred Work", the majestic and majestic "Lin Zexu's Poems of Touring Huashan Mountain" and so on.If you just browse for a few hours at this point, I am afraid that you will only be dazzled. If you can stay there, you will be led into the palace of art and enjoy the sublime beauty.

Zhaoling Mausoleum is located on Jiuyi (zongzong) mountain in Liquan County, Shaanxi Province. It is a huge cemetery for Tang Taizong Li Shimin and his officials who were buried with him.Due to the prevailing customs in the Tang Dynasty of setting up steles in front of tombs and making aspirations underground, there are many steles left here.These steles not only have important historical document value, but also are direct materials for exploring the art of calligraphy in the Tang Dynasty.Among them, the famous steles of the Tang Dynasty are: "The Monument of Wen Yanbo", which is sharp and refreshing, the "Monument of Fang Xuanling", which is delicate and graceful, the "Monument of Gao Shilian", which is beautiful and neat, and the "Monument of Chu Liang", which is thin and refined. , the unrestrained and vigorous "Cheng Zhijie Monument", the round and beautiful "Yuchi Jingde Monument", the tranquil and soft "Kong Yingda Monument", as well as "Duan Zhixuan Monument", "Zhang Yin Monument", "Princess Yongtai's Epitaph", etc. Wait.The stone inscriptions in Zhaoling Forest of Steles inherit the aftertaste of the Jin Dynasty and have the characteristics of refreshing, healthy and rigorous.

In addition, the forest of steles in Shaanxi also includes the forest of steles in Yaowang Mountain, the forest of steles in Zu'an, the stele hall of Louguantai, the stele room of Sima Qian Temple, etc., all of which are impressive. In recent years, following the example of the ancient system, new forests of steles have often been established in various places, gathering Buddhist scriptures of famous contemporary masters, and erected stone inscriptions, such as "Yellow River Stele Forest", "Hanyuan Stele Forest", "Qingcheng Mountain Stele Forest", "Thousand Mountain Stele Forest" and so on. They are all scenic spots of the grand view of Jifashu.At this point, you can enjoy both a Range Rover and a book.

The Baoxie Road in Hanzhong, Shaanxi Province is a plank road built by chiseling stone frames and wood across the Qinling Mountains in the Eastern Han Dynasty.One of the tunnels is a man-made tunnel, known as "Shimen" in history.The tunnel through the mountain was dug through, and the natural moat became a thoroughfare. This has a historical contribution to the far-reaching history. The people of the time chiseled the "Stone Carving of the King Opening the Baoxie Road" on the cliff of Shimen, which was the first to open the stone carving of Baogu Cliff.Cliffs refer to engraving characters on unpolished, naturally flattened mountain walls.Since then, the Baoxie Road has been abandoned and repaired repeatedly, so it may record the passage of the plank road, or record the rise and fall of the ancient weir, or recall the merits of the ancients, or imitate the natural scenery. completed.Its characters are unique and charming, with both gorgeousness and lushness, vigorousness and exquisiteness at the same time, and the meaning is as it should be, completely natural.

Here is the "Ode to the Stone Gate", which is known as the representative work of the Han Dynasty, with natural posture and elegant atmosphere. Yang Shoujing's "Pingbei Ji" says: "Its strokes are really like wild cranes and gulls, floating like celestial beings, and the Shuxiu school of the Six Dynasties has since out." There are also cliff carvings with similar tastes, such as "Yang Huai and Yang Bi's Notes", "Li Juntong Pavilion Road".In addition, there is also the "Shimen Inscription" that has lasted through the ages.Calligrapher Wang Yuan is good at literature and calligraphy, and his poems are full of vitality and style, which converge into a chapter.Here, there are eight Chinese Li characters that are more eye-catching, each with its own interest: the word "Shihu" is ancient and gloomy; the word "Shimen" is simple and smooth; The color is like jade, and its shape is like a basin; the word "Gunxue" is round, thick and beautiful, imitating rolling waves, like flying snow.The value of the art of calligraphy lies in its ability to connect with the connotation of literature. It goes without saying to enjoy the eight characters and appreciate the beauty of its calligraphy art. More importantly, it can also inspire and guide our understanding of natural scenery.

On the Huashan Mountain in Shaanxi, there are also many cliffs. The word "Yuntai Peak" can carry a tripod, and the word "sea of ​​clouds" is magnificent and flexible. As the name suggests, it describes the misty scenery of Canglongling after the rain.There are also characters such as "Wuliguan", "Shoushan" and "Quanzhendang" along the way, all of which are full of backbone, solemn and simple, and are integrated with the steep and steep natural mountain scenery. Above we have visited the relatively concentrated stone carvings and cliff groups in Shaanxi Province, but we also need to take a look at the famous monuments scattered in the Guanzhong historical sites.

"Jiucheng Palace Liquan Inscription" is at the site of Jiucheng Palace in the south of Xincheng, Linyou County.His characters are the most radiant, with agility and meaning in the rigorous, and a radiant face in the rules.It has both the momentum of fairness and the fun of danger. It is indeed a masterpiece of elegance. On the left and right sides of the south gate on the ground floor of the Big Wild Goose Pagoda in Xi'an, there are two stone steles inlaid: "The Preface to the Holy Teachings of the Tripitaka of the Tang Dynasty" and "The Preface to the Holy Teachings of the Tripitaka of the Great Tang Dynasty", both written by Chu Suiliang, a great calligrapher of the Tang Dynasty.The rules of the two steles are gentle and elegant, bright and healthy, with interesting meanings in the brush and ink, and the meaning of action in the thinness, which has always been respected by the world.

Seven kilometers west of Pucheng County, northeast of Xi'an, there is also the "Monument of General Yunhui Li Sixun" written by Li Yong, a famous calligrapher of the Tang Dynasty.Although his books come from the two kings, they are separated from their traces and incorporated into the style of the Beibei to form a style of their own.The two are in harmony with each other, the majesty and ingenuity reflect each other, the bones are profound, and the spirit is full of energy. There are also "Huashan Monument" in Xiyue Temple, Donghuayin County, Xi'an, and "Shu Sheng Ji Monument" in front of Qianling Mausoleum.

Luoyang, Henan, the ancient capital of the Central Plains, has a long history and rich cultural relics, and there are many Dharma books around it. The first is the records of statues in Yique Longmen Grottoes, which are distributed in various caves. As long as you read carefully, many famous records can be seen by hand.Such as "The Story of the Statue of Niu Prong", "The Story of the Statue of Shi Ping Gong", "The Story of the Statue of Yuan Xiang", "The Story of the Statue of Xie Boda", "The Story of the Statue of Wei Lingzang", "The Story of the Statue of the High Concubine", "The Story of the Statue of Yang Dayan", "The Story of Zheng Changqiu's Portrait", "The Story of Sun Qiusheng's Portrait", "The Story of Gao Shu's Portrait", "The Story of Hui Gan's Portrait", "The Story of He Lanhan's Portrait", "The Story of the Portrait of the Concubine Hou", "The Story of the Statue of the King of Qi County" etc.Looking at this batch of Longmen famous products, each one is extremely exquisite, or expresses the meaning, or shrinks and restrains the spirit, frank and open, just like nature.Its frank and sincere interest seems to be childish in seeking work, and it is clumsy in seeking ingenuity, showing the natural charm of Tianji's maneuvering place unintentionally.Later generations believed that this type of stone inscription was the standard font in the Wei stele.In the history of ancient Chinese calligraphy, it is unique in its style of thinking, fun, truth, Dian and Yu.Although some caves are difficult to see clearly due to the lack of light in the cave, the natural and interesting atmosphere of light and shade seems to be more attractive. On the east side of Yishui opposite Longmen is Xiangshan where the tomb of Bai Juyi, a poet of the Tang Dynasty, is located.In recent years, contemporary calligraphers have been invited to write Bai Juyi's poems, and a corridor of Chenbei has been built, which is also very impressive.Since tourists have come to Longmen, they must come here to have a look. Not far from Longmen, there is also a "Guanlin", which also hides many famous steles. It would be a pity for tourists to ignore it. In addition, there is "Qian Tang Zhi Zhai" in Xin'an County near Luoyang. It is a cave dwelling purchased by Mr. Zhang Fang (fang Fang) Boying himself, which contains more than 1,000 epitaphs of the Tang Dynasty, commonly known as "Iron Gate".The epitaphs are all embedded on the inner wall of the cave, row upon row [zhi to] ratio, dazzling.If you linger, you will get the comfort of looking forward to it. For example, walking from Luoyang to the direction of the Yellow River, Mengjin County also has "Nianshan Garden" written by Wang Duo, a famous calligrapher in the early Qing Dynasty.Although the original stone is damaged, rubbings may not be easy to see clearly, but the original stone can still be identified clearly. Luoyang has a prominent position in the history of calligraphy in our country. Visitors come here to imitate stone inscriptions, read extensively, and absorb the essence of ancient methods from them, which is of great benefit to the formation and enrichment of their own calligraphy style. As one of the birthplaces of the ancient culture of the Chinese nation, Shandong has countless cultural relics and historic sites left over from thousands of years. The Forest of Steles of the Confucian Temple is located in the Confucian Temple in Qufu, Shandong.Out of reverence for Confucius, the Temple of Confucius has become a holy place that people must come to pay their respects to.Many famous steles were originally placed here, and then some famous inscriptions nearby were gathered here, so it became a grand sight of inscriptions.Famous inscriptions include: "Five Phoenix Carved Stone", "Kong Jun's Tombstone", "Ritual Vessel Stele", "Kong Zhou Stele", "Shi Chen Stele", "Kong Biao Stele", "Kong Bao Stele", " Jia Sibo Stele", "Yiying Stele", "Zhang Menglong Stele" and so on.It is often said that if you want to see the monuments of the Han Dynasty, you must go to the Confucius Temple.As for the steles of the Han Dynasty, here are the most preserved ones. Here you should also take a look at the "Yuhonglou Fatie Stone Carvings".This is during the Qianlong period of the Qing Dynasty, Kong Jisu (su Su), the fifth younger brother of Yanshenggong Kong Jilu (huohuo), made great efforts to collect famous works, and carved stones as Buddhist scriptures.People may see the "tie" of the extension, but they must go to Qufu to see the original stone. Mount Tai is located in Tai'an, Shandong Province, and is the honor of the Five Sacred Mountains.Qin Shihuang once came to Fengchan, and left a posthumous inscription.Later generations have inscriptions and inscriptions, so stone carvings are all over the mountain.From the root of the mountain to the top and behind the mountain, there are relics of Dharma script along the way. The east corridor of Dai Temple has placed all the inscriptions in it, such as "Taishan Inscription Stone", "Zhang Qian Stele", "Hengfang Stele", "Western Jin Dynasty Rencheng Taishou Wife and Sun Madam Stele", "Da Tang Qizhou Shenbao Temple "The Jie" and other masterpieces have been properly protected.In Bingling Gate, there are more famous stones gathered in many directions, embedded in the wall, arranged in a neat way, the courtyard is fragrant, and Hancai is full of brilliance.Viewers often stop and don't want to move. Go out of Houzai Gate of Dai Temple, pass Dai Zongfang, step up from the Tiantianmen Gate where Confucius ascended to heaven, go up the east road, pass Doumu Palace, and go northeast to Shiping on the river bed. Here is the famous "Jing Shiyu" Taishan Diamond Sutra, the characters are one foot and eight inches in size, full of eloquence, just like the exposed pages of a heavenly book, worthy of the giant cliff.As a calligrapher, if you don't have a glimpse of this valley, you can't appreciate the overwhelming image, you can't really understand the trend of "painting outside the paper", you can't comprehend the spirit of coherence, and you can't understand the mind of the universe. On the mountaineering road, there are scenery along the way, and the scenery must be guided by books. The places of interest and historical sites are integrated with the book of poetry and couplets, for people to watch, to inspire people's reverie, and to taste. Daiding Daguan Peak has a huge natural wall. Xuanzong Li Longji's "Jitai Mountain Inscription" sits upright in the south, and the inscription chant Zhouza (zazha). In the south of Shannan, there is also the "Great Prajna Sutra Carved Stone" on the top of the cliff, which is similar to the "Jing Shiyu", but the styles of the big characters are different, which is not interesting. In addition to the "Jingshiyu Taishan Diamond Sutra" and "The Great Prajna Sutra Carved Stone", there are many scriptures carved in the Northern Dynasties in Shandong.Most of them are concentrated in the mountainous area between Tai'an and Zouxian about 100 kilometers from north to south, namely Wenshang Buffalo Mountain and Tieshan, Gangshan, Geshan, Jianshan (commonly known as Four Mountains) and Yunfeng Mountains in Zouxian County. Before the cliff-carved scriptures appeared, the handwritten copies of scriptures were widely used.During the Northern Dynasties, wars were rampant and wars were raging everywhere, and the paper books were easily burned. Therefore, "it is entrusted to a high mountain to keep it forever" (Zouxian Tieshan's "Ode to Stone"), which not only preserved Buddhist scriptures, but also enhanced the religious atmosphere.The author uses huge rocks as paper, and pours all his strength into the fine end, which makes people feel clumsy and delicate, smooth and smooth. The scriptures carved on the cliffs of the four mountains are generally similar in artistic style. Most of them are square in shape, or they are stretched, interspersed and avoided, stretched comfortably, and the rules are shaped according to the mountains. It is vigorous and simple, and it is possible to detect Xiao Yuan's interest in the middle of the day. Cliff carved scriptures are the product of the combination of religious consciousness, natural environment and calligraphy art. Calligraphy and scriptures undoubtedly enrich the cultural connotation of natural scenery.While enjoying the handwriting, visitors can also plunge into the embrace of nature to gallop their minds and sway their temperaments. The four mountains of Yunfeng, Taiji, Tianzhu and Linglong are also gathering places for cliff carvings in the Northern Wei Dynasty.Yunfeng Mountain, also known as Wenfeng Mountain, is where the famous "Stele of Zheng Wengong" is located.It has two steles, the upper one and the lower one. The upper one is on Tianzhu Mountain in Pingdu County, and the lower one is on Yunfeng Mountain in Laizhou.The characters on the lower stele are extremely mature, with random strokes, strange and lively, and the engraving effect adds a bit of elegance and simplicity.Many of the cliff carvings here, some with few scattered algae, and some of Zhuo's long poems, such as "Guan Hai Tong Poems" and "Lun Jingshu Poems", have formed a cliff group.In addition, there are several kinds of inscriptions on the immortal altar in Mount Taiji, all of which are vigorous and vigorous, with a magnificent bearing.In addition to the "Shangbei", there are eleven inscriptions on Tianzhu Mountain, which are as graceful as clouds and cranes swimming in the sky, and clear waves are rippling.Linglong Mountain, known as Baifeng Mountain in ancient times, is inscribed in Baiju Valley. It is elegant and steep, and it is beautiful to wait and see. The inscriptions on the cliffs of Yunfeng Mountains were produced during the period of change from Li to Kai. Using it as data to explore can not only trace the development of calligraphy history, but also glimpse the context of writing changes. Traveling southwest from Laizhou, the Weifang area is also worth a visit.Zheng Banqiao once served as an official here, and his legacy still exists. His "Town God's Temple Stele" is extremely exquisite.In the 300 years of the Qing Dynasty, there were six champions in the city of Weifang. It is conceivable that this place is indeed a gathering place for humanities.The big "shou" character in Yunmen, Qingzhou, the "inch" is taller than a person, and it is also quite dignified.An examination paper for the number one scholar in the collection of the Special Museum, although it should be made, does not have the habit of pavilions and pavilions, and has a strong character. Beijing, as the capital and cultural center, condenses the civilization history of the entire Chinese nation.Judging from the remaining palaces, altars, mausoleums, gardens, gatehouses, pavilions and other ancient buildings, they are either solemn and magnificent, mighty and sacred, or majestic and majestic, majestic, or exquisite and comfortable. Discovery, each appreciation area has its own characteristics, each with its own merits.Among these scenic spots, the remains of ancient Dharma books are everywhere. There is the famous Sanxi Hall in the Hall of Mental Cultivation on the West Road of the Forbidden City.Emperor Qianlong of Qing Dynasty's "Sanxitang Ji" stated that "Wang Xizhi's "Quick Snow Post", Wang Xianzhi's "Mid-Autumn Post" and Wang Xun's "Boyuan Post" are all rare treasures. Because of this, it is the greenhouse of the Hall of Mental Cultivation. Changed its name to "Sanxitang" to hide it", and the name of Sanxitang is due to this. "Sanxitang Fatie" is a large series of postcards compiled and engraved by the imperial court in the early years of Qianlong.The selection and the essence of engraving are unmatched by official and private engravings in the past.There are more than 340 pieces of Kai, Xing, and cursive scripts from Wei Jin to the end of Ming Dynasty, more than 200 inscriptions and postscripts, and more than 1,600 seals, which can be described as magnificent. The stone inscription of "Sanxitang Fatie" is embedded in Yuegulou on the west side of Qiongdao in Beihai.The upper stone is copied by master hooks, not only the charm of each character is fully displayed, but also special effects such as thick ink, flying white, and gossamer involvement are not hidden in the slightest. The carved stones here include fine works of famous calligraphers, such as "Quick Snow and Sunshine Tie", which was praised by Emperor Qianlong as "unmatched in the world, ancient and modern", "supernatural skills", and praised by Mi Fu as "handling pen like fire". The painting is dusty, even it is unprovoked, the so-called one-stroke book, the first post that everyone in the world respects", "Mid-Autumn Post", there is also a strange atmosphere, looking forward to not going wild, bowing to unrestrained restraint, you can spy on the Jin Dynasty. "Boyuan Tie" with strong calligraphic style, "Lanting Preface" copied by Chu (Suiliang) Lin and Feng (Chengsu), "Tao Sheng Tie" by Cai Xiang, "Huangzhou Cold Food Tie" by Su Shi, "Songfeng Pavilion" by Huang Tingjian ", Mi Fu's "Tiaoxi Poems", Zhao Mengfu's "Wan Fan Fu", "Daochang Mountain Poems", Shen Du's "Four Admonitions", Shen Zao's "Ode to Orange", Wen Zhengming's "Yu Ye Ting Zha", " and Xiguza", Dong Qichang's "Cao'e Stele", "Ni Kuan's Praise" and so on. What's more worth mentioning is that there are many historical celebrities, scholars and officials here. Everyone admires their achievements, but few people know their characters. For example, the characters of Su Xun, Su Zhe, Ouyang Xiu, Zeng Gong, Lu You, Zhu Xi, etc. have been exhibited. Visitors can appreciate and appreciate the style of each family here. Yunju Temple is located in Fangshan, Beijing. There is a Buddhist scripture cave on the mountain opposite the temple. The stone scriptures in the cave were written and carved by Jing Wan, a monk in the early Tang Dynasty.Then it was inherited and inherited in successive dynasties, and Yunju Temple has become a place where stone scriptures are collected.Among them, Jing Wan's own handwriting is extremely exquisite. The layout of the Beibei was standardized in the Sui Dynasty and improved in the Tang Dynasty, thus obtaining an art with both ancient beauty and new appearance, both new appearance and ancient style. Effect. The above mentioned places are relatively concentrated. In fact, on the land of China, there are "characters" everywhere.In particular, some places of interest are bound to be places where cultures gather and show off.With Nanjing as the core, Yangzhou in the north of the Yangtze River, Suzhou, Wuxi, and Zhenjiang in the south of the Yangtze River are also a piece of scenery, a piece of Wenhua Hanfu in the Southern Dynasty. "Xiao Yu [dan Dan] Monument", "Xiao Jing Tomb Shinto Stone Pillar", "Xiao Xiu Monument", "Ming Zhengjun Monument", "Three Unique Monuments", "Jiaoshan Monument", "Yu He Ming" are scattered in this area. Of course, the collections of museums in various places are more abundant, whether it is the display of stone carvings, or the collection and exhibition of ink marks, each has its own secret treasures, which are innumerable. Many gardens, or carved stone, or carved wood, attached to the towers and pavilions have added infinite literary grace to the scenic spot. Hangzhou and Shaoxing in Zhejiang Province are also must-go places for calligraphy lovers. The beautiful scenery of the West Lake is beautiful everywhere. Xiling Yinyuan, the stone chamber of the three elders, the flying ghost, and the Ziyun rock wall all have inscriptions and chants. In the Yuewu Mu Temple of King E of the Song Dynasty, Qixialing had the honor to bury the loyal bone and leave it to future generations. Therefore, it is praised and paid tribute to the works. Some are inscribed on stones as ambitions, and some are bound and collected.Here, in addition to paying homage to King E, you can also get edification from the art of calligraphy. Shaoxing Kuaiji is the second hometown of Wang Xizhi, and the hometown of Lanting Xiuyu. Although it may not be accurate, posterity has reproduced the original appearance as much as possible according to the documents.There are still high mountains and high mountains, lush forests and bamboos, pavilions and curved waters, and green waves in the Goose Pond. Many contemporary famous artists often gather here, and the winding water flows to pursue the elegant things of the ancients. Many excellent works are exhibited here.Therefore, visitors here can also get enough artistic enjoyment. There is also Yu Temple and Yuling Mausoleum in this area. The "Guiyu Stele" is certainly not credible, but it is not completely false. A close look can also appreciate a different kind of interest. There is also a "Qingteng Bookstore" in Shaoxing Street, which is the former residence of Xu Wei, a calligrapher and painter in the Ming Dynasty.Among them are not only collections to see, but also the life sentiments of ancient calligraphers and painters, which will be beneficial to understanding and learning from them. As we all know, tourism is beneficial to the body and mind. It can not only relieve the fatigue of work, relax the tense emotions, stretch the stagnation, and rejuvenate the spirit, but also devote yourself to nature, get the influence of beauty, and understand the ancient sages' philosophy of the unity of nature and man, and the unity of things and ourselves. At the same time, the relics of Dharma books turn all these into visible and tactile perceptual forms, so that we can consciously gain lessons.In the process of traveling in the mountains and rivers, our vision has been broadened, our knowledge has been enriched, and we have a deeper understanding and appreciation of the rich and long-lasting cultural traditions of the Chinese nation. This not only improves our own cultural literacy, but also enhances our understanding of the motherland. It further enhanced the love for the motherland.Therefore, the excellent relics of ancient Dharma books are indeed a legacy for future generations, and their merits will last forever.