Since the Warring States period, Zhao Wuling Wang Hufu riding and shooting, riding has been greatly developed, not only used in military training and combat, but also as acrobatic performances for people's entertainment.Both "Salt and Iron Theory" and "Xijing Fu" recorded circus performances, and in the stone mural portraits of Han tombs unearthed in Yinan, Shandong, there are wonderful images of acrobats performing horsemanship and theater carriages.According to the "Book of Southern Qi·Li Zhi", during the Jin Dynasty and the Yuanhui of the Middle Dynasty, there was a circus performance of "riding lying down and riding upside down, from Donghuamen to Shenhumen".Tang Taizong Li Shimin was very good at riding because he conquered the world on horseback.Tang Xuanzong Li Longji was proficient in various skills and was also a master of riding.The Liyuan disciples under Li Longji trained many "dancing horses" for him.Accompanied by the melody of the music, these "dancing horses" can step on the beat and perform fierce movements.Sometimes a strong man is ordered to hold "a couch" and let "the horse dance on the couch", while several musicians stand on the left, right, front and back to accompany him.According to "Old Tang Book·Le Zhi" and Tang Dynasty Zheng Chuhui's "Minghuang Miscellaneous Records" and other books, some of the "dancing horses" trained in Li Longji's palace were scattered in the hands of the warlord Tian Chengsi after the "Anshi Rebellion". Tian Chengsi didn't know that it was a dancing horse in the palace, so he mixed it with ordinary war horses.Once, Tian Chengsi held a large banquet in the army and played San music. "Dancing Horse" couldn't help dancing when he heard Xiange. "Killed.There are a lot of records about the "Dancing Horse" in the Tang Dynasty. Zhang Shuo, the Minister of Empress Wu, wrote six poems about "Dancing Horse", one of which says:
It depicts the horse cage man wearing colorful clothes, holding a whip on the bed, walking back and forth in small steps, and the horseshoes can dance in accordance with the rhythm.Lu Guimeng, a poet in the late Tang Dynasty, also wrote a poem "Dancing Horse":
This poem is also titled as one of "Seven Poems of Kaiyuan Miscellaneous Topics", which recalls the fact that Tang Xuanzong ordered the horse to dance in the downstairs of Qinzheng during the Qianqiu Festival.
After the great development of the circus in the Tang Dynasty, there was a new breakthrough in horse skills in the Song Dynasty. In the Song Dynasty Meng Yuanlao's "Tokyo Menghualu" Volume 7 "Driving to Baojin Tower and the Army Presents a Hundred Operas" records, there is "騗Difficult and thrilling movements such as "horse", "saddle", "handstand", "drag the horse", "hide in the stirrups", "leopard horse", etc. In the end, both sides "use guns or grass sticks to fight horses in the field", amazing skills .In the Qing Dynasty, it followed Tang, Song, Yuan and Ming Dynasties, and then inspired the present, and made more outstanding contributions to circus. The "Equestrian Picture" painted by Lang Shining in Qing Dynasty vividly depicts the scene of Eight Banners children engaged in riding and archery training.
Figure 12 Baby Playing Bird (see "Chinese Folk Traditional Festivals")
Cockfighting and cockfighting appeared in the pre-Qin period. According to Ge Hong's "Xijing Miscellaneous Notes" in the Jin Dynasty, Liu Ji, the father of Liu Bang, the emperor of the Han Dynasty, liked cockfighting and cockfighting when he was young.It is also recorded in "Xijing Miscellaneous Notes" that during the reign of Liu Ao, Emperor Cheng of the Han Dynasty, the Jiaozhi Kingdom (now Vietnam) presented "Long-crying Chicken".This rooster is very accurate in telling the time, "the long crowing means it will keep eating for a while", and it also has the ability to "fight well over long distances".King Lu Gong of the Han Dynasty also liked to domesticate "fighting cocks, ducks, geese and geese", etc., and invested "two thousand stones" every year, which was equivalent to the salary of Jiuqing, Lang Jiang, Jing Zhaoyin, and the magistrate for one year.In "Taiping Guangji" Volume 461 "Zhu Jigong" records, there was Zhu Jigong outside Luoyang City in the Han Dynasty. He was a big chicken trainer and chicken farmer. It has a name", "In the twilight under the tree, let it go".Because he has been training and raising chickens for a long time, and has rich experience, which has reached a miraculous level. As long as he calls the chicken by its name, he "comes from the species". Hundred" out of its left and right.This matter comes from the "Biography of Lie Xian" written during the Eastern Han Dynasty.During the Wei and Jin Dynasties, cockfighting was very popular. During the Taihe period of Wei Ming Emperor (227-232 A.D.), a cockfighting platform was built on the outskirts of the capital as a place for entertainment.Cao Zhi wrote poems "Cockfighting" and "Mingdu Pian", which recorded the cockfighting between him and Cao Pi, and the scene of Cao Rui building a cockfighting field.Among the seven sons of Jian'an, Ying Jie and Liu Zhen both wrote "Cockfighting Poems", which described "sharp claws probing jade, angry eyes containing fire. Long wings frighten the wind, and vigorous he is stretching. Raise the beak lightly, The scene of cockfighting with electric shock and return to flight".During the Six Dynasties, Liu Xiaowei, Su Gang, Yu Xin, Wang Bao, etc. all wrote poems about watching cockfights.This style flourished in the Tang Dynasty, and cockfighting activities were mostly held around the cold food of the lunar calendar.Du Yan, an important minister of Emperor Gaozu of the Tang Dynasty, once accompanied Li Shimin, who was the King of Qin at that time, to watch the cockfight, and was ordered to write a poem "Singing Cold Food Fighting Cocks in response to King Qin's Teaching":
Describes the scene of bloody cockfighting.In ancient my country, cockfighting and cockfighting were the largest and most popular in the Kaiyuan and Tianbao years of Emperor Xuanzong of Tang Dynasty.When Li Longji was a vassal king, he liked "cockfighting".After Li Longji inherited the throne, he built a chicken workshop between the Daming Palace where the Supreme Emperor lived and the Xingqing Palace where he lived. He also collected thousands of roosters from the suburbs of the capital to domesticate in the workshop, and selected them from the "Six Armies". 500 children specially domesticated these roosters for him.Because the emperor was fond of cockfighting, the princes, relatives, princes, and ministers all rushed to follow suit. Soon, many people in Chang'an City also took cockfighting as a profession.Jia Chang, the son of Xuanzong's long-sword personal guard Jia Zhong, was "excellent in speed", "good at coping, and able to interpret birds' language", and he was an expert at taming chickens.He was selected into the palace by Xuanzong at a young age as a "Chicken Boy". Later, because of his extraordinary skills, he was promoted to be the head of 500 children in Jifang, and he was especially favored by Xuanzong.After Jia Zhong's death, Jia Chang Fu's coffin was buried in Yongzhou. In order to curry favor with him, the officials along the way even conscripted civilian husbands to escort him. Therefore, the "Shenji Tongzi Ballad" was popular among the people at that time: