Chapter 41 Walking on the Shasha · Mei Can in the Waiting Hall/Ouyang Xiu

"Waiting hall" is what we call a hotel today. "Zhou Li · Local Officials · Remains" "There are waiting houses in the city" Zheng Xuan commented: "Waiting halls, the buildings can be watched." It probably refers to hotels with a certain level, which can be seen at a glance. wanderer. "Mei Can" and "Liu Xi" point out the time is early spring.Slowly shaking the bridle, the distance from home is getting farther and farther away, but the sorrow of parting is getting heavier and heavier, like spring water that goes on and on, without end.Using water as a metaphor for sorrow, Li Houzhu "asked you how much sorrow you can have, just like a river of spring water flowing eastward" ("Yu Meiren") seems to have exhausted it, but it doesn't mean that future generations can no longer use it, it just needs to be turned over. Come up with new ideas and create new words by yourself.Li Houzhu used "a river of spring water" to describe the amount of sorrow, and Ouyang Xiu used "long distance" to describe the length of sorrow, which is different.The two characters of "gradual" continue endlessly in time and space, with endless aftertaste.

The next film "Soft Intestine" and "Pink Tears" are naturally transferred to Sifu. "The height of the building is not close to the dangerous fence", which reminds us of Wen Tingyun's "Wang Jiangnan": "After washing up, lean on the Wangjiang Tower alone. It is not a thousand sails to pass by. The slanting light is swaying and the water is long, and the heart is broken on Baipingzhou." Leaning on the dangerous fence does not mean that there is no pain of lovesickness, but it has a little taste of "fear of going to the upper floors" in Xin Qiji's "Ugly Slave".

"The end of Pingwu is the Spring Mountain, and pedestrians are even outside the Spring Mountain", is a famous sentence appreciated by later generations.Yang Shen's "Ci Pin" compared it with Shi Manqing's poem "The water is endless, and the people are at the end of the sky", and he thinks that the artistic conception is similar.However, Wang Shizhen of the Qing Dynasty disagreed in "Flowers and Grass Picking up", thinking that European sentences are far better than stone sentences.He said: "'The end of Pingwu is the Spring Mountain, and the pedestrians are outside the Spring Mountain'. Sheng'an is imitated by Shi Manqing's 'Water is endless, and people are at the end of the sky'. .” That makes sense.