Chapter 6 induction

Nature is a temple with living pillars Make some slurred speech from time to time; Pedestrians pass there, through the symbolic forest, The forest looked at people with kind eyes. Like some long echoes from afar, Blending into a dark and profound unity, Boundless as the night and as the light, Fragrance, color, and sound all respond to each other. Some fragrances are as fresh as a child's skin, ② Soft as an oboe, ③ green like pastures, ④ —Others, decadent, rich, triumphant, With an expanding power of infinite things, Like amber, musk, benzoin, and frankincense, Singing a frenzy of mind and senses.

Translated by Qian Chunqi * This poem was published directly in the first edition, written around 1845 Around 1855, also said to have been written around 1855. Concept sheet of "induction" It has reached Baudelaire's aesthetic thought and is an important theoretical basis of symbolism. This theme is often repeated by Porch, see Romantic Art: Wagner and Tannhauser", "Exposition of 1855".In "1846 In "The Salon", Bosch once quoted E. T． A．Hoffman's Kreisleri A section in "Ana": "I found that there is a certain similarity between color, sound, and fragrance.

Sexual and some sort of secret union..." Some critics have taken from the first stanza Resonates with a few lines of Poe's poems, such as Poe's "Al Aaraaf" There are these two lines in: All nature speaks, andeen ideal things Flap shadowy sounds from visionary Wings． ① Comparing nature to a temple is a common metaphor in French literature. ② Olfactory and tactile synaesthesia. ③The sense of smell and hearing. ④Olfactory deafness and visual synaesthesia.