Chapter 39 Seven Wonders·Mogan Mountain

Turn over and go back into the seven-person room, looking back at the peaks and mountains into the vast sky. , Fengchi has arrived at Qiantang again. This poem was first published in the sixth issue of "Party Documents" in 1993. Although the quatrains in this travelogue and scene description are impromptu recitations, they are full of emotion and charm. The poem begins with boarding the car and setting off, and starts with the action of "turning over". "Turn over" means to turn around. Du Fu's "Ai Jiangtou": "Turn over and look up to the sky and shoot the clouds, and you are falling with two flying wings with a smile." Walking on the horse and turning over again." The word "jump into" expresses the vigorous posture and the lightness of the movement of the person boarding the chariot.The slang-style "seven-person room" is used as a metaphor for a car, which is popular and humorous.The seven characters in the first sentence, with coherent movements, brisk rhythm and lively tone, fit the poet's state of mind.

The second sentence continues to write that on the way down the mountain, the green peaks and emerald mountains outside the car window change from big to small, from near to far, from high to low, so that it is misty and sometimes hidden. Now, if there is not.This sentence adopts a concurrent sentence pattern, "peaks and mountains" is not only the object of "looking back", but also the subject of "entering the boundless".In the Northern Song Dynasty, Chen Tuan's poem "Returning to Hermitage" said: "Ten years of walking in the world of mortals, looking back at the green mountains and falling into dreams." It is about dreams. "Looking back at the peaks and mountains" is similar to "Looking back at the green mountains and falling into dreams", but they describe the real scene. "Looking back" echoes the "turning over" at the beginning, showing the poet's nostalgia and unfinished interest in famous mountains and scenic spots. "The peaks and ridges enter the vastness" and "the mountains are in the middle" (Tang Wangwei's "Hanjiang Linpan") have the same effect. The word "enter" makes the static scenery dynamic, which is very vivid.

The direct distance between Mogan Mountain and Hangzhou City is nearly a hundred miles. In terms of distance, it should be more than this, and it cannot be reached in a short time by driving.But the artistic time and space of poetry can "observe the past and the present in a moment, and caress the world in a moment" (Jin Luji's "Wen Fu").If the "looking back" sentence expresses the image of time passing by in a rapidly changing space scene, then the last two sentences use the artistic method of time-space deformation to turn time into an instant, shrink a hundred miles into a distance, and write a unique aesthetic feeling.

"Forty-eight Discs" shows a spatial image of twists and turns, twists and turns, while "Just Passed" has a rapid development of time rhythm.The word "enter" in the previous sentence represents a process, and "entering the mangcang" is after the car leaves the mountain road."Looking back" means looking backwards all the way, watching the "mountains" go away with all your attention.When the mountain scenery finally melted into the vastness, when I turned my face, I realized that the car had already stepped on the ground before I knew it. This is the psychological basis for "just passing by".From the top of the mountain to the bottom of the mountain, what the poet feels is only a fleeting moment, so the original space is greatly compressed.The first two sentences of the author's "Seven Laws: Climbing Lushan Mountain" "A mountain flies up to the riverside, leaps to the verdant four hundred spins", while showing the majestic and magnificent space scene, there is a very fast "jump" character. , All of a sudden, the distance between the upper and lower sides of Lushan Mountain is reduced, vividly showing the poet's pride. The word "walking" in "forty-eight pans" means galloping, has the same artistic function as the word "yue", and is synonymous with "wind gallop" in the next sentence.And if there is no transition of the word "Fengchi" in the ending sentence, it will give people the illusion that the foot of Mogan Mountain is "Qiantang".In fact, "Forty-eight Discs" is only a short section of the return journey, and it is still a hundred miles away from Hangzhou. However, the author uses the wheels to rotate at a speed that is as fast as flying, vividly expressing the high speed of time, and compressing the distance between the starting point and the destination. Huge spatial distance. "Ha" responds to "cai" in the previous sentence, forming a sequential relationship between the two sentences. "You" points out that "going to Qiantang" is not the first time, implying the comings and goings from Hangzhou to Moganshan, and then back to Hangzhou from Moganshan, which has a strong generalization power.

From "turning over" to "jumping in", from "looking back" to "entering the vastness", from "just passing" to "arriving at Qiantang", the speed of time is getting faster and faster, and the distance of space is getting smaller and smaller.It is with the help of this rapid change of time and space that the author vividly expresses the joy and joy of Yixing Trent flying on the way home.