Chapter 53 Commentary on the Sixteen Characters of Taoist Kongkong

Aid "Tao" into "Explanation" I think that the theory of "color and emptiness" is a thing of the past.Although these sixteen characters do not necessarily cover the whole book, they are still the finishing touch in thought, and they must be known, so I will briefly describe them.His speech said: Seeing form because of emptiness, giving birth to emotion from color, conveying emotion into color, self-color and Wukong. From emptiness to emptiness, there is the word "kong" at both ends. It seems that the name of Kongkong Taoist comes from this, but it is not.Gu first had the name of Taoist Kongkong and then got this meaning.And the following text says "then changed its name to Qingseng, and changed the stone record to Qingsenglu", it can be seen that the sixteen characters are the meaning of Shishi, not Guan Xuanmen.It is also quite strange that Taoist priests become monks.It helps Daoism to be interpreted, and it is the one who finally returns to Buddhism among the three religions, which is also the purpose of "Red Mansion".It would be trivial to take Baoyu as a monk.Let's try to say these sixteen characters.

Gudao comes from the Heart Sutra, but there are three differences. The word "color" has different meanings, one is also; the scriptures say that form is emptiness, and emptiness is form. This is said to be formed from emptiness, and form to emptiness, two things;Love is the purpose of the whole book.Eroticism is connected, so the interpretation of color and the meaning of emptiness are different from the Heart Sutra.The three are consistent. The meaning of "color" is different, and "emptiness" has a deep purpose Let's talk about the different meanings of color characters first.Those who pass through the cloud and color, the color of the five aggregates, including the material world, is opposite to the consciousness of perception and thinking.The color of the cloud, the color of color, is called form, eroticism, and lust.Its breadth and narrowness are so different that it cannot be said that form is emptiness, but only clouds return from form to emptiness.Short novels do not have to be the same as Buddhist scriptures, there are also other books.

For example, Dehui said in the twenty-eighth chapter of "Lai Sheng Fu Tan Ci": "For those who are deeply in love, the color and form must be broken together.... The Heart Sutra clearly says that form is emptiness, and emptiness is form. After understanding these two sentences, there is still something wrong in my heart. Where is it clean?" The following text says: "It's not just the form that tires the mind." This is because there is a misunderstanding in the meaning of the Heart Sutra.However, people with a lot of love have to break their appearance, so they can almost move it as a footnote to the sixteen characters. "Laishengfu" does not include the name of the person, but puts it behind.

According to the interpretation of the text, the so-called "emptiness" is just an ethereal meaning, but it has a deep purpose, such as "falling into a vast white land is really clean" and the like.The Taoist of Kongkong died as Gonger, who is today's Anonymous.In the four sentences, the upper two characters of "se" are read like the color of hue, and the lower two characters of "se" are read like the color of lust.And "feeling" has both obscene meanings. The fifth chapter of the words of warning fantasy says: Lasciviousness is lewdness, knowledge is even more lewd.

The semantics are extremely clear and cannot be misinterpreted, and pornography is inseparable.Ruoqiang explained it, and it was just as she said: Lust is not lascivious... Love is not lascivious... These are all words that do not conceal one's ugliness. Regardless of whether the reason is perfect or not, that is, the pain is straightforward, and it has been through the ages.There was a word in "Linjiang Immortal" before: "How many gold fans are drunk, it is really shocking", Gai said this. Please refer to other articles for details. November 10, 1978.