Chapter 28 The twenty-seventh chapter: Thoughts on Exploring the Nunnery

There are not many things worth repeating in the "Four Details", because there are too many "added" contents she advocated, and even the "copy house" was added later, and many characters did not exist before....This kind of "account" is not easy to calculate, so we keep our own accounts, that's all. There is one point worth thinking about. According to a comment, she said "Jia Yun went to the nunnery out of righteousness", so she speculated that Miaoyu and Fangguan were not the ones she was looking for, and she put the possibility on Xichun.This opinion is compelling.

However, neither Xichun's verdict nor the prose indicates that she will have any plot or role after she becomes a monk, but only "lying alone next to the ancient Buddha with the blue lantern".It may not be right, why did Jia Yun visit her?And is it for "righteousness"?It is not easy to explain why it can be used as a contribution to "Exploring the Lost". Now I am reminded of another possibility by her revelation. In the past, I was influenced by a certain gentleman (forgot his name) in the same industry, and I thought that the nunnery was the place where Sister Feng was in trouble, and Baoyu's prison temple was divided into two places where "men and women are different".At present, I am looking for other clues in the book, and interacting with each other to see if there is something new——

Jia Yun's appearance is to seek a job and income in the Grand View Garden project, ask Sister Feng for help, and persuade Jia Lian.Then, he jokingly recognized his young uncle Baoyu as "father".After recognizing his "father", he paid tribute to a pot of white crabapple. Bai Haitang named Tanchunqi Club, and "Baitang Poetry Club" started the whole book's "poetry pattern" from then on. The real meaning of Haitang club is: the club was opened for Xiangyun, she came at the end and wrote two songs alone.Later, because Baoyu begged the old lady to send someone to pick him up, he was the only distinguished guest among the "members" of the society (the others were all from the Jia family, and the hairpin also belonged to it, so she was the daughter-in-law of the Jia family).

Starting from Begonia, it leads to the chrysanthemum poem, to the catkin poem, and to the last couplet, in which Xiangyun is the main poem on the Mid-Autumn Night (see "Zhou Ruchang's Comments on A Dream of Red Mansions"). In the middle, there is also a wonderful and wonderful story of the golden unicorn. ——So why spend so many important pens and inks?Who is it for?Could it be because Shi Xiangyun met a benefactor in the future, and his name was Wei Ruolan? Strange!The great writer Eileen Chang actually thinks this is a huge "goal" for ten years of hard work, "big demolition", "big addition", and "big relocation"? !I ask.

In the Yihong Courtyard, "Two Plants of Banana and Tang" is a key symbol. The Tang is Yuxiang, and the banana is Bidai, that is, "Yihong is fast green". "Red makeup never sleeps at night", "I am afraid that the flowers will fall asleep late at night, so I burn high candles to illuminate the red makeup", and there is also the title of "Chongguang Pancai" Begonia, which is also Dongpo's "Dongfeng Curling Pan Chongguang"! I would like to ask Ms. Zhang again: When you read "Red Mansion", which daughter Xueqin gave so much dazzling brilliance and poetry?Why do you take the attitude of "nothing to worry about" and "no need to wait" for these things, and you just blindly talk about "post-addition", "post-reform", "big relocation"-to demolish Qibao Tower so badly?

Wei Ruolan, when and which time do you think it will appear?What does he look like in terms of the conception, composition, function, and meaning of the entire book?Xueqin has played such a big trick, is it considered "unusual ten years of hard work"? Judging from the above-mentioned general context, Jia Yun is the envoy who "led" Shi Xiangyun to Shi Xiangyun with Begonia, and he is the only man who has ever entered Jiang Yunxuan, so I feel that there is "information" to be found in the middle, He went to the last scene of "Exploring the Nunnery", which should be a plot still related to Xiangyun.

After Xiangyun fell into disaster, he went through many hardships and dangers, and later lived in a nunnery, but was imprisoned by bad people, unable to be free, and unable to get in touch with Baoyu. After many twists and turns, Baoyu learned of this clue, but was unable to rescue him, so Jia Yun generously agreed to go to find the trace. This is risky, and you will be caught in an unpredictable situation.At the expense of her family and life, Jia Yun went for righteousness and finally gained confidence.Then Feng Ziying, Wei Ruolan and other noble sons helped to rescue Xiangyun, and they combined Bao and Xiang's love and became family members.And the reunion of Jinlin is the Yilin that Wei Ruolan once lost, and finally reunited.

This is my thinking about Jia Yun's "exploring the nunnery".Although it is a hypothesis, it may be more worthy of in-depth study than my previous speculation.Because from the perspective of the rules, Xiaohong is the old person who comforts Baoyu in the prison god temple, and Jia Yun is the relative who sent Begonia and Jin Yihong.The power of Hong and Yun made it possible for Baoyu and Xiangyun to reunite and reunite after being displaced from the two places after the disaster, and finally became a twin star with white heads—so the name "Jiang Yunxuan" is actually a pun on Xiaohong and Jia Yun. The meaning, but people can not detect, hastily read the ear.

Crimson: Jiangdong, Qiansha Yun: Yun is a vanilla, and it is also the cloud of Xiangyun. This layer also. Crimson: Ruby Yun: Jia Yun Another layer too. Jia Yun and Xiaohong rescue Jiangdong and Xiangyun Another layer too. If Eileen Chang sees my explanation, she doesn't know how to comment, so she nods?Don't say a word?Although the mouth does not say what the heart agrees? exactly: There are several layers of homophonic and witty words, and the two couples are brave. In the past, Tanghua was a gift, but today it is even more difficult to do justice. "Nightmare" and "Nightmare", it is reported that Ms. Zhang showed the book to Song Qi, who said "Nightmare in the Red Chamber" in foreign language, so she liked it very much, so she adopted it as the title of the book.

This nightmare "suppressed" her dream for ten years, she imitated Du Mu's words, saying that it was a dream after ten years, Earned the title of Nightmare in the Red Chamber. I also imitated Xiao Du's sentence: Zhang Junyan, who has not woken up for ten years, Win the demolition of the Red Mansion and change its name. Jokes, no wonder. My little book seems to be to disagree with Zhang Ailing's textual research in this style and method, but it is not entirely true. I just saw that the main premise of some of her arguments was based on other people's conjectures. There are so many layers of cumbersome derivations and hypotheses derived from the rationale. On the surface, they are logical and eloquent, but in fact, most of them are non-existent. Take this as the true face of "Red Mansion". This is a mirror for writing—is it wise?Will it lead people into a misunderstanding?I am not self-conscious about worrying about the sky, but fortunately, I am not guilty of this foolish remark.

Some people say that "Red Learning" is a "significant learning" in modern times.Just because of this "show", more and more people are chasing after it.There are very few people who really work as hard as Ms. Zhang Ailing.Therefore, although I do not fully agree with her arguments, I admire her earnest seriousness.If it can be said that it is advocated to learn a little bit of Zhang Ailing's style of study, it will be of great benefit to the cause of red studies in the future. The poem says: It's not my selfishness to suppress Li Yangzhang, the flowers bloom red and purple in new poses. It is not advisable to turn a dream into a nightmare, and cherish the talented female masters.