One night, five or six people chatted at Lin Yanni's house and talked about ballet. Lin Yanni went to the bedroom to find a pair of old ballet shoes and came out.She hasn't worn the shoes for a long time but still retains the loveliness and beauty of the past. She slowly put them on and tied the straps (is it the divine figure in Degas's chalk drawing?), smiling and standing on her toes, onpoint A half Aiabesque was posed.Her eyes were a little dazed, did she remember the scenery when she was a little girl? I think the little girl Lin Yanni is not as good-looking as the big girl Lin Yanni.Her current good looks are mixed with a lot of knowledge, vision, temperament from books and music, the infiltration of the atmosphere of metropolises such as New York, Paris, Rome, etc., and the slightly mature fragrance, which is called chicetelegante in France.

These qualities float in her prose, beside her pink pillow, next to the pure white sofa, among the purple and perfumed letter paper, and float on her chinchilla fur carpet.The pillows, the sofa, and the letterhead were all real, and the outrageously extravagant carpet was just her imagination.Her novels are like that too—delicate, elegant, and sometimes extravagantly "spoilt" (as Tony in My Boyfriend puts it). Any article is like a person.Lin Yanni's novels are written and printed with perfume, and readers should smell the fragrance in the book.Although there is no real perfume in the ink, when you are reading, don't you smell the luxurious perfume of mature ladies?

Her novels have a unique style, laughing and sighing in the form of novels, but more of them are helpless melancholy and many unresolved melancholy. She carves and describes women's psychology in detail. They are all mature, beautiful and wealthy women in the metropolis.Their troubles and sorrows are in fact nothing serious, and are often caused by their own waywardness and arrogance, but this is true sorrow after all.Rarely has anyone written so truthfully the troubles of these rich ladies in the metropolis.Tears wiped on Swiss silk handkerchiefs are also tears of pain. Some of the poems left by Li Qingzhao, Zhu Shuzhen, and many other female writers in ancient China are really profound and touching, but the content is too stereotyped, and they are always "resentments".Now when female writers write novels, the subject matter can be varied and the characters can have various personalities.Lin Yanni's novels are all "love novels", but because of the different identities and personalities of the characters, there can be many different ways of love, but overall, they are still variations on the same theme.The theme is: "Women are troubled because they can't get the ideal love". The ideal is too beautiful, but the world is too mediocre.One of the driving forces of literary creation is that the beautiful imagination in the mind cannot be realized in troubled times.Among men, there are religious, political, military, and social ones. For women writers, no matter in ancient or modern times, the only theme is always love.

Many heroines in Lin Yanni's works are very cute. I especially like the female ghost in "The League", Helen in "Ten Hours", and the girl with candles on the water in "Mourning".The men she described are far worse in comparison. Even the billionaire Mr. Du in "Short Dreams" is really not worthy of the heroine's dreaming about him, but her fiancé is even worse.But people always want to dream, so there is no way.All men in the world are like this, lovely ladies, how can you not be troubled?Reading Lin Yanni's novels makes men feel Jia Baoyu's low self-esteem. All men in the world are made of mud, and women are made of water.However, Lin Yanni's writing is very realistic. In terms of love, men in the world do seem to be made of mud. (She will write novels in the future, paint these clay dolls like men under heaven with some nice colors, otherwise, those beautiful ladies in the novel will continue to worry, and readers will feel sorry for these beautiful ladies .)

It is said that her writing is very real, because in her writing, in the cutting-edge industrial and commercial metropolis, men and women cannot get rid of the values ​​​​of the industrial and commercial circles in love.Those "beauties who can't be married" are unable to marry, not because their conditions are not good enough, but because their conditions are so good that men can't afford to marry them, like three 100-carat diamonds, radiating brilliance and beauty in a glass cabinet ordinary people dare not even take a second look, let alone ask the price.The melancholy of many beautiful women in the novel is caused by the incompatibility between men and women. This is a modern "good match", very unromantic, but very true.