Chapter 29 Vierica sexy melancholy

(1) In the sense of life of modern people, the individual's own sense of death returns to himself, and no longer resides in concepts or wisdom outside the body.Just as the sense of incarnated death returns to the individual through the incarnation of the soul, the sexy also returns to the individual.When an individual's body is alive by the grand vision of the transcendent world or the wisdom and rationality of the universe, the individual's sexuality is as incorporeal and sensitive as the sense of death.When the individual body leaves the grand vision of the transcendent world or the wisdom and rationality of the universe, the individual soul is generated with the generation of the individual body, and begins to face the love and desire of the body it lives in.In the past, not only the death of the individual's own body, but also the erotic desire of his own body was borne by the religious promise of the afterlife or the rational cosmic order (Leviathan-like soul). Once people got rid of the Leviathan-like soul, they refused By creating all kinds of superindividual souls that do not belong to one's own body, the intuition of individual souls embodies the sexuality of the body.The body itself does not have eyes to intuit its own feelings, but the shadow of the body is such eyes.

How does the individual soul feel when it sees the death of its own body? The feeling that Vielika's (in Krakow's) physical death touched her own (Paris') individual soul, as if a person - who was connected to her physically and mentally - had left her life. Erika's body, which was making love, suddenly felt a burst of razor-like sadness. Vierica's individual soul wanted to cry. Vierika's boyfriend felt baffled, not knowing what happened. Wasn't Vierika still immersed in sexy pleasure just now?He stroked her face lightly with his fingers: "why are you suddenly unhappy? Didn't it satisfy you?"

Vierica didn't speak, she turned her head away, not wanting to look at him. Vierica's boyfriend thinks he understands the sexiness of her body, but he doesn't know that there is a thin thread on her sexy body, which leads to Vierica's body and soul, and it feels its own death when making love. Vierica's physical death (in Krakow) is felt only by Vierica's individual soul (in Paris).The dead and the living meet each other face to face, so that the cold sense of death that Vierica's individual soul feels from the back of her body suppresses the hot sexiness in the front of her body.Vierica's sorrow is the sorrow of the individual soul at the death of the body that is absolutely mine, the sorrow of the own body (life) seeing its own death.Vierika's boyfriend ignores Vierika's individual soul, cannot understand her sorrow, and cannot touch her sensuality entangled with her individual soul.

(2) The degree of bodily sensitivity of sexy and the degree of bodily sensitivity of sense of death are one and the height of individual sexiness is parallel to the height of sense of death.Correspondingly, in modern ethics, the theory of eros and the theory of death are rising in parallel.The grand conception of patriarchal customs and the rational order of the universe take away the shadow of the individual body, and the sense of death and sexiness of the individual are two-dimensional.A mortal individual does not need to feel the death that is absolutely mine, because this death is not absolutely mine, but belongs to the Leviathan-like soul, and the sensuality that is most sensitive to the sense of death becomes something that must be suppressed physically. Feel.In the Leviathan soul, sensuality is either a starting point for the natural purpose of life evolution, or a process in the natural cycle of biological nature.Once the Leviathan-like soul entangled in the individual is released, and the individual soul returns to the individual body that is absolutely mine, the physical sense of death appears: death becomes the most desolate feeling that a biological individual can feel. Another body.At the same time, sensuality becomes extremely physical—acute to the point of exaggeration.In this way, the feeling of love and desire collides head-on with the only natural enemy—the sense of death.

Und nun ist zu erwarten, dass die andere der beiden "himmlischen Machte", der ewige Eros, eine Austrengung machen wird, um sich im Kampf mit seinem ebenso unsterblichen Gegner zu behaupten. "The one of them, the eternal Eros, will affirm itself in the mortal struggle against his equally immortal counterpart. - Freud) When the Leviathan-like soul hugs the individual body, one hand holds the individual's sense of death, and the other hand holds the individual's sexiness, preventing the individual's sense of death and sexiness from meeting directly.It is precisely because the Leviathan-like soul is not a embodied soul that it can prevent the individual's sense of death and sexiness from meeting directly.When the individual perceives his own death and sex no longer through the Leviathan-like soul, but the individual soul in the individual himself, the individual sense of death and sexiness meet face to face, and from then on they are tightly entwined, and the individual soul There is no way to separate them again.Therefore, the individual body and soul often suffer from existential typhoid fever, either feeling too cold or too hot.The confrontation between sexy and sense of death in this life of the individual has become the basic issue of modernity ethics, which is how the individual body and soul can reconcile the sense of death and sexiness in the same body.

Sensuality that is aware of the sense of death in one's own body is sexuality that is particularly physically sensitive, and Vierica's sexuality becomes melancholy due to the sense of death.She had to leave her boyfriend asking why she was sad, feeling that she could no longer find her sex appeal with him. We can now roughly guess who it was that accompanied Sabina and Vierica's bodies through the long night of dreams in their "theatre stage"-sized bed.This is the shadow of their own bodies, the dead and sexy individual souls clung to their own bodies.The individual soul is a embodied soul, like another body of itself, which requires so much space that Sabina and Vierica dare not turn over at night to make their bodies a little more comfortable.Singles Sabina and Vierica need a bed "like a stage in a theater" precisely to give their respective shadows of bodies - each of them a different shape - space to rest at night - —The body needs sleep, and the body shadow that makes the body's sense of death and sexy body sensitive also needs sleep.

Now we can understand why the narrative of Kieslowski's "The Double Life of Vierica" ​​is a matter of exploring the individual soul according to him, but it is about death and sexiness.The ethical question to be asked is clear: how can a person's body shadow bear the death of his own body?To what extent is the burden of the individual soul-body shadow in this world heavy?