Chapter 9 Asian growing up movies (2)

Asian growing up movies (2) Although we can't draw the conclusion that Japanese teenagers are all autistic and promiscuous from the shots of cutting-edge directors, at least, in this developed country where all tap water meets drinking water standards, teenagers with oriental characters They do have more conditions to be depressed and confused, or in layman's terms, they are full and have nothing to do.In Japanese movies, many deformed and extreme cases of problematic teenagers honestly reflect the inner pain, depression and conflicts of this nation. For example, as far as Japanese adults are concerned, they often prefer to stand on the subway on their way home from get off work, facing the darkness of the tunnel outside the window, rather than sit on a seat and look at the passengers on the opposite side-because they said that they had a day in the company The tongue cramps from speaking honorifics, the waist hurts from bowing for a day, and the muscles on the face are stiff from smiling all day—I really wish I could sit still for a while with a blank expression on my face, and then I don't want to see anyone's ugly face anymore.

From this gimmick, it can be seen that human nature is suppressed under a humble expression and cannot be released, which eventually leads to people's blindness of value, which is even more unbearable for young people because of their relative fragility, that is, the shadow of society casts on their original white youthful background Projects a more striking contrasting color.Therefore, there are many typical so-called "cruel youth" in Japanese growing up movies.This is its specialty. Korean growth movies, "Love Novels", "Spring, Summer, Autumn, Winter and Spring", "...ing", (including "Taichi Flag Flying", "Old Boy", "August Photo Studio", etc. ) is milder and more natural than Japanese movies.

Personality is normal, experience is bumpy. But the weak background is still doomed not to give Korean movies a classic.The shooting style of Korean movies is still relatively simple, and most of the techniques are still linear for narrative purposes. Many movies use the ups and downs of the plot to cover up the paleness of the film language.TV dramas have an obvious advantage (for example, as the editor of a certain issue said, the Korean cook who cooks and the singing of a few girls who look like boys in China really account for most of the ratings).Korean growing-up movies focus on gently expressing personal emotions, often filling youthful content with old themes such as friendship and love.

Iran.The Islamic humanistic feelings of Muslims' great achievements have been fully demonstrated in their growth movies.I don't know about Iranian movies in recent years, but in the past, Maguire Majidi's "Little Shoes", "Children of Paradise", "Brotherhood", Jaffa Panasi's "Who Can Take Me Home", "White Balloon", "The Moment of Drunken Horse" by Gobadi, "Blackboard" by Sharmila Makomarpafu, "The Color of Paradise" by Master Abbas...all of them are about the growth of little boys story.The incision is very narrow, so it is impossible to dig too deep, but the unparalleled moral feelings and true tolerance for life (especially those tough women and children) displayed by them are indeed without religion. The countries with the roots cannot hold a candle to it.

Among the well-known Iranian films and masterpieces, many are about the life and growth of some young teenagers.The complex and the main line are usually very simple, but the rich use of film language and the exquisiteness of photography and framing are also very good.I believe everyone can remember the splendid flowers all over the mountains and plains in "The Color of Paradise", and the close-up of the weak and trembling hands of the child after waking up at the end.The hardships of life gave them dignity, not cruelty and violence.This is the reflection of the glory of Islamic civilization.

In 2005, Hana, a 14-year-old Iranian girl, was the youngest director in the competition section of the Venice Film Festival, and took her own work to participate in the best debut award.Hana, who came from an Iranian film family, participated in the Locarno Film Festival in Switzerland with her first short film when she was 8 years old.It's amazing how awesome Iranian cinema is. Compared with all other growing-up movies, Iranian growing-up movies hit the soft underbelly of growth and even the true meaning of life with its kindness and gentle moral concern.This is a great feature.