Chapter 116 jesus and judas

jesus and judas Da Vinci's "The Last Supper" took more than ten years to complete.He painted this mural like this So slow, according to Lomazzo, who wrote his biographer: he wrote very carefully, and sometimes went to church early in the morning Come on, climb up the wooden frame to paint, and don't stop until dark, even forgetting to eat.but sometimes But he didn't draw a single stroke for three or four days. He stood in front of the painting with his arms folded, as if observing other people's works. Look closely like he can't make a sound. According to legend, there is another major reason why Leonardo da Vinci was unable to complete this work for a long time.

At that time, two suitable candidates could not be found for him to be the faces of the two characters of Jesus and Judas in the painting. There are two models: one is so kind and benevolent, and the other is so greedy and despicable.It is said that he did it for With this difficulty, I could not continue to draw after many years of writing, so that the steward of St. Mary's Monastery became a little impatient. In front of the Duke of Milan, he went to speak ill of Da Vinci, saying that he was lazy and refused to paint.Da Vinci listened to this One of the monks in charge joked that he couldn't find a suitable model for Judas, so

Since he couldn't write, now he feels that the appearance of the monk in charge is quite ideal, and he plans to paint his appearance. Judas in the painting and so on.When the monk in charge heard that Da Vinci wanted to paint him as Judas in "The Last Supper", That would be a bad smell for thousands of years, so I was so frightened that I didn't dare to rush him anymore. But Da Vinci finally found Bondinelli to make him a model of Jesus, but a model like him The imaginary figure of Judas could never be found, and this was delayed for many years, until one day, Davin Xi accidentally saw a beggar on the road, and felt that the greedy and petty appearance of this man was like an ideal Judah.

When he was young, he hired him as a model to sketch from life, and completed the jewish piece needed in "The Last Supper". Great styling. Here lies the most appalling discovery: It is said that until the beggar Leonardo finished his portrait, Finally, he told Da Vinci that he was none other than the former Bondinelli.so jesus He, Judas is also him! Many people who study Leonardo da Vinci's biography say that it is just a legend, not a fact, but a meddler made up.But I don't think it should matter even if it were true, because when the down-and-out Bondinelli In the hope of defrauding a little salary, he did not hesitate to hide his truth from this master. His greed is despicable,

Already on par with Judas who betrayed his rabbi for a little money. The Woodcut Stories of Maisie Lehrer We should be familiar with the works of contemporary old Belgian printmaker Franz Maiselle, because For his four woodcut serial stories: "A Man's Passion", "My Confession", "Words Without Words" Story" and "The Pursuit of Brightness" were introduced to China as early as 1933. In the summer of 1933, I bought several volumes of Masereller's woodcut stories in a German bookstore in Shanghai. I met Zhao Jiabi of Liangyou Book Company at that time. At this time, Liangyou Company was working on

In addition, it turned to the printing of new literature and art books.Zhao Jiabi wanted to reprint these woodcut collections and asked Mr. Lu Xun for them Mr. Lu Xun thought it was possible, and agreed to write a preface, so this work was formally carried out Yes, this is the reason why these four collections of Michael Huller's woodcut stories were published in China.Lu Xun The husband selected "A Man's Passion", he wrote the preface himself, and handed over "My Confession" to Yu Yu. Foreword by Mr. Duff.Since I am the "owner" of these books and I have always liked woodcuts, I

I was assigned a copy of "The Pursuit of Brightness" and wrote a preface."A Story Without Words" left No one wrote the preface, because Zhao Jiabi was the editor of Liangyou, so he volunteered to be the editor of this volume. Writing sequence work. Originally, there was an introduction in the front of each volume, which was written in German. Mr. Lu Xun and Mr. Yu Dafu Both the student and the student understand German, so it doesn't seem like much trouble.I don't know German, it's a pain in the ass, look it up in the dictionary, I went to ask Duan Keqing, who knew German, and consulted other materials, and finally I managed to write the preface.but

Later, Mr. Lu Xun inevitably ridiculed a few words in an article, saying that I only know that I have said a lot of things. Regarding the history of woodcuts, I forgot to introduce "The Pursuit of Brightness" itself. As for the originals of the four volumes of woodcut collections, I originally lent them to Liangyou Company. Later, Zhao Jiabi said Each volume was disassembled during plate making, and they refused to return it to me.It was very difficult to buy German documents in Shanghai at that time. Although I was compensated for the price of the book, it was no longer available, so I lost the original four volumes.it is good

Now that a reprint has been made, and it is well printed, I have nothing more to say. These four volumes of Maisie Lehrer's woodcut stories have been out of print for a long time.Until last year, about to get Maisie Layler The news of his visit to China was reprinted in Shanghai, and the "One Man" with the preface by Mr. Lu Xun was printed first. The Crucifixion of the People's Republic of China, and later reprinted the book "My Confession" with the preface written by Mr. Yu Dafu. In "Lu Xun's Letters", there are three letters to Zhao Jiabi, which are about these four woodcut stories.

set of.