Chapter 17 Huatangchun

One generation and one couple in a lifetime, fighting to teach two places of ecstasy.Lovesickness looks at each other but does not have a blind date, who is the spring for? It's easy to beg to the blue bridge, but it's hard to run to the blue sea.If you visit and drink Oxford, you will forget your poverty. 【One pair】 This word starts from Shaoyou again. "Huatangchun" first appeared in Qin Guan's "Huaihai Collection". It is a song chanting the spring scenery of Huatang. This poem should be regarded as the representative work of Rongruo's love poems. I read it very early. At first, I was attracted by the first two sentences: "One generation, one couple in a lifetime, fight for two places of ecstasy." After reading it together, I saw two People are angry, and Jia Mu said "It's not that enemies don't get together".It feels amazing!Isn't this about Sister Lin and Brother Bao?A pair of beauties who were originally created in heaven, but were tossed around by the world and turned into a model of love and ignorance.The two and even the whole family believed that each other was a suitable partner. The marriage contract was close at hand, but the heaven and the earth were always separated. This could not be more appropriate to explain Bao Dai's love affair!

I have always been very sorry to Rong Ruo, but I didn't know that this poem was written by him at that time.I always know his sentences first, and then his words, and I always feel that his sentences are better than the whole article. "There are sentences but no chapters" is Rong Ruo's problem, and it is also a common problem of poetry since the Tang Dynasty and Ci since the Northern Song Dynasty.Saying "There is no article" is too harsh.To make a compromise, Rongruo belongs to "one sentence and one short article".His eulogy is innocent and choked, sincere to the point of death, it has the momentum of a long rainbow penetrating the sun in one go.Love words come next, followed by other words.

The allusion in this poem is very particular and perfect.Continuous use of allusions is not jerky, and there is no feeling of stacking at all.These two allusions have diametrically opposite meanings. When used together, they do not conflict, but also promote each other, which enriches the meaning of the words, which is rare.I have always advocated that poetry should use less allusions, and don't rush to show off if you don't have that skill. If you want to use it, you should use the realm of the big sound and the invisible, and simply integrate it. "Paddle to the Blue Bridge" uses an allusion from Pei Yuli of the Tang Dynasty. When Pei Hang arrived at the Blue Bridge by boat, he was thirsty for water and met Yunying. He fell in love with him at first sight, so he proposed marriage to his mother, who asked for a jade pestle as a betrothal gift. , before marrying a daughter.Later, Pei Hang finally found the jade pestle and got married.After smashing the medicine for a hundred days, both immortals will go.Rong Ruo used this allusion to imply that it is not hopeless for two people to have a marriage contract (even if it is a secret contract) before their lovers enter the palace.

"Huainanzi-Lan Ming Xun" contains: "Yi asked the Queen Mother of the West for the medicine of immortality, and E stole it and went to the Moon Palace." Come to the world.Li Yishan's "Chang'e should regret stealing the elixir, blue sea, blue sky and heart every night", Rong Ruo used Yishan's poetic meaning here, saying that even if there is an immortal medicine, it is difficult to fly into the moon palace like Chang'e, and it is difficult to meet even if there is affection! It is also recorded in Zhang Hua's "Natural History": "Tianhe and Haitong are connected, and people live on the sea. Every year in August, they see the floating chasm and come and go without missing the date. Many grains go there on the chasm. After more than ten days, I can see the city. The house looks like a house, and there are many weavers in the palace. I saw a husband holding a cow and drinking it. I asked where this place was, and I answered that you would know when you returned to Shu County and asked Yan Junping. The man returned to Yan Junping in Shu, saying : "On a certain day in a certain year, there is a guest star who commits Alguniuzhu, counting the years and months, and it is when this person arrives at Tianhe." Therefore, drinking Oxford refers to the legendary Tianhe, which is a place that ordinary people cannot easily reach. The difficulty of a lover's tryst.

When Li Yishan was young, he was in love with a concubine in the palace. There is a famous saying in "Haike": "The sea guest rides on the boat to the purple atmosphere, and Xing'e stops to weave to hear each other. You should just don't worry about the jealousy of the cow and give it to you with a support stone." "Rong Ruo is in love with his lover, and he also uses this allusion to coincide with Yishan.It can be seen that this word is written for lovers who are forced into the palace. The concluding sentence adopts the power of suggestion in the dictionary of Chinese poetry.Rong Ruo intentionally changed the meaning of the word from "drinking Oxford" to "weeping in cow clothes" Rong Ruo is the son of the prime minister, who was not poor at first, and now uses the phrase "relatively forgetting poverty", just saying that if I can meet her, One is like a cowherd and the other is like a weaver girl, so you can relatively forget your words.If we can be united, we are satisfied even as a poor and lowly couple sleeping in cowclothes.

People who have experienced helpless parting emotionally will have a special feeling for this poem, and they can't help feeling the same-how many people love each other but can't make a blind date, and can't help but ask: Who is the spring for? Suddenly, I remembered that a man who lived alone in the desert and looked at Baituo Mountain in the west once said that when he was young, he always wanted to know what was on the other side of the mountain. In fact, there was still a mountain on the other side of the mountain. This side is better. This principle applies to many people, including Rong Ruo.The feeling of not getting it is like a mountain that you want to climb but can't climb, lying at the bottom of your heart.

But sometimes, what if you climb over it?We are no longer superstitious about getting.