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Chapter 4 "Extraordinary Magenta Red House" became popular on university campuses

Very Magenta House 苏芩 460Words 2018-03-18
Su Qin, a ghost in the red altar, cracked the twelve mysteries of the Red Mansion and became popular on the university campus Why did Baoyu Baochai "gold and jade become empty" in the end? Why is Daiyu's final fate related to Grandma Liu? What is the reason for Sister Feng's long-term crazily amassing money? How many beautiful men in the Red Chamber did Jia Baoyu maintain explicit or covert homosexual relations? Eighty chapters later, why did Jia Baoyu commit the felony crime of beheading? ... In the second spring of 2008, the new generation of red altar genius Su Qin's Hong Xuexin broke the mystery of the 200-year-old red altar, adding another wonderful branch to the century-old red altar!This book deeply interprets the mystery of the truth about the fate of the twelve beauties in Jinling from a new perspective, and fills in the gaps in the history of many studies of red studies before. It is an extraordinary masterpiece of red studies!

It is the beginning of the author Su Qin's advocacy of "the youthful attitude of Hongxue", vowing to carry out the youthful innovation of the century-old Hongxue to the end.No matter the language style or the writing structure, they all incorporate fashionable and modern style elements, bringing the reading of classical masterpieces into a brand new young age.Bring readers a brand-new concept of academic reading, and tell the Chinese people an unheard-of truth about the Red Chamber!After reading it, countless readers suddenly realized: So it is still possible to read like this? !

The author Su Qin perfectly combines the depth of academics with the readability of the text. Once the excerpts of the book were published on the Internet, they received rave reviews and were deeply loved by young fans. A model among famous works, it has been enthusiastically sought after by many fans, and it has become popular on university campuses in a very short period of time.
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