Chapter 45 get a friend's letter

one It is also the ordinary desk facing the wall, only a few sprigs of tender yellow freesias are inserted in the empty wine bottle on the desk, and the sentimental charm is much stronger.The two thick and sturdy wooden bookends are even more solid: the color of the wood is dark and dull, revealing the moisture in the forest and sea in the mountains and villages, it is black, and even the deliberately carved patterns have become stained with ax marks.Things are always so strange: At the beginning, I sandwiched some twenty German pocket picture albums between the black wooden bookcases, but I didn't realize that the bookcases were so yang and the picture albums were so yin. . "Sister-in-law's body should be so shameless. If there is any trouble, Wu Er will recognize her as sister-in-law in his eyes, but his fist will not recognize her." Pocket albums include "Erotis des Exlibris, Exlibiors der Dame, Der Kup, and "Der Kup". There are two volumes of Liebe Lust, including "Allerlei Liebe, "Genie Bet die Liebe, and Es Lebe die liebe," which are full of embroidered curtains and half-rolled tents: whether it is cloud or rain or even a romantic affair in a boudoir--Wu Song The lingering fist can't be broken.This is already crazy enough; when the lights are turned on, the paintings hanging on the three walls of the bookcase seem to be half-drunk and half-awake by the dark fragrance of freesia, leaving only the naked strong man in the Dutch exlibris to die Against the soft and boneless clouds all over the sky.Yin is Yin.Yang is Yang.Blackwood bookends are blackwood bookends.A pocket picture book is a pocket picture book.A letter from a friend on articles and poems actually said:

...I read Tang Menglai's words on Liaozhai's Ci, which is very touching; transcribe it for your enjoyment: "There are two diseases in poets: one is Fendai's disease, which is soft and greasy as if there is no bone. Li Qingzhao's is true, and Qin Huaihai's is not. This is the so-called superior in the world, I feel pity for it, but I don’t want to do it. A big man in Kansai is sick, yellow and bearded, dumb and squatting, Siping Yiyang’s plank, who restrains clouds and cracks rocks. This is what everyone at that time No, but men and eyebrows are like halberds and have the spirit of a husband. This is almost unavoidable. To avoid these two diseases, the only ones to avoid these two diseases are steepness and Masako! The steepness is like a clear mountain after snow, and all the mouths and mouths come out. Every grass and stone has spiritual energy; elegance is like a merchant. Yi Han Zun, with variegated scars, set up a few cases, which makes people travel for three generations. Liaozhai Ci has no two problems, it can be said to be steep." I hate articles without bones, and articles full of cheap meat: "Ya" This word is overused by people, and it is not enough to rely on; "Qiao" is different, it is tall and straight, but also has a little bit of strangeness, which makes people aftertaste.This realm is too rare.you say? ...

two Neither Pan Jinlian nor Wu Song!But it seems to be too late: the naked strong man in the exlibris has long been leaning against a naked woman, her skin is so slippery, half of her face blends into the man's sweaty shoulder blades, and she holds the newborn baby in her arms. Baby, forget the distant horizon and the grass on the soles of your feet.The soft and boneless Fendai can be matched with the man who suppresses the cloud and cracks the stone to form a beautiful picture. Margaret Walters said in The Ntde Male: A New Perspective that in the past two hundred years or so, Western painters who were interested in body painting were mostly obsessed with female nudes; in fact, Western art experienced two formation periods, one belonging to the early classical Greek art period , one belongs to the early Italian Renaissance, and the art of both periods is dominated by male nude paintings: naked ancient gods, naked Jesus Christ, and naked strong men drawn by Michelangelo.However, until the nineteenth century, women's psychological and background moral standards tended to be reserved, reserved, and elegant, and they did not have the habit and interest of appreciating male nudity.Men also cannot tolerate women obsessing over their naked bodies.Lady Chatterley's lover complained that his wife liked to look at his body as she looked at ancient Greek statues.A few years ago, a man in a British tavern showed a striptease to a woman and went to court. The judge ruled that this was the prelude to the decline of civilization.In fact, "women can also see men as men have always seen women. They will also learn to see men as sexual objects." The author of "The Naked Man" said.

three "...the muscles of the shoulder blades are arched into a bow shape, one arc after another, and the whole back has a very smooth curve. The sun shone fiercely on it, and the sweat flowed from the shoulders to the waist. Beads of sweat formed on his broad and firm chest... When Mrs. Fu Sheng wiped his body with a towel, she stood in front of him and didn't even dare to lift her eyes. Her face touched his. She saw the heat and the smell of sweat coming from his chest, and she saw that his trouser waist was completely soaked. When Mrs. Fu Sheng took the sweat-soaked towel into the room, she locked the door for some reason and covered her face. snuggled up on the towel...”

The pocket album is sandwiched between the black wooden bookends, and it really has a lot of charm, and there are a few scattered tender yellow freesias.This is Yin?Is it Yang?is ya?is it?you say?When writing poems or essays, you don’t have to deliberately focus on fandom or masculinity.In the deep boudoir, it takes a big man from the west to have an affair; the tiger-fighting hero on Jingyanggang only needs red sleeves and wine to show his fist.The key is whether you can write about Fendai with true "taste" and whether you can write with "qi" when you write about men; Mrs. Fu Sheng locked the door and snuggled her face on the towel soaked in men's sweat , is the prelude to the Chinese Renaissance.