Chapter 82 Preface to "Give Me a Girl at Eighteen"

Preface to "Give Me a Girl at Eighteen" Feng Tang In terms of time, this article is the prequel of the novel.In terms of content, it has nothing to do with .In the future, I will write a postscript about a vulgar love story from Beijing to the United States, and then return to Beijing from the United States. The title is tentatively set as "East of Beijing, West of New York". The motivation for writing "Give Me a Girl at Eighteen" is very simple, to record my first experience with violence and pornography before I completely forget it. A boy of seventeen or eighteen years old wears a military satchel on his back with a kitchen knife inside.The waist is quite straight, and there is a penis in the center.The same sharp weapon pierces the body of a man and a woman, but the blood red is different.

At that time, there were mixed peanut trees and flocks of warblers flying around.The secretion of hormones is booming, and there are not many rules and regulations in the mind. Going up and down the world is the closest to birds and beasts.However, these agility was quickly slapped down by the so-called society with big bricks.The eyes are wide open, the flowers are blooming, and they are defeated in an instant.With the so-called social experience, I went to Nanjing to play one day, and I happened to read Zhu Yuanzhang’s pair of chess pieces written by Mochou Husheng: "The world is like chess, and it will last for a long time. Tenderness is like water, how long will it flow through the Six Dynasties Spring." At the moment, it was like five thunderbolts: Fuck me, I was deceived by these old and young bastards again, and the literal translation of Zhu Yuanzhang's vernacular is: control the hormone level, be careful and safe, put your head on the job, and honestly fight and pick up girls.Zhu Yuanzhang is a well-known hooligan who gathers crowds to cause trouble, marries ugly wives, kills brothers, uses religion, recruits recruits and has rich experience. His words should be somewhat reasonable.

At that time, when wandering in Beijing, the most common Chinese character was "demolition".Painted on the wall, most of them are written by the foreman. They are white, flat-headed and flat-headed. Sometimes there are circles and crosses around the words. "Demolition" is not "breaking", "demolition" is more complicated than "breaking", and it cannot be simply stabbed in with a knife, it needs to be careful.Originally, I wanted to use it as the title of the book to reflect the activities and mood at that time.But booksellers think the name is too peaceful, and it has been used repeatedly by some modern artists.It is neither eye-catching nor original, so forget it.

At that time, listening to Cui Jian's songs and seeing his outfit, he looked like a big brother who always claimed to help me fight.I remember that he has a line in the lyrics, saying that the problem is too complicated to explain clearly and cannot be solved: "It's like giving you a girl when I was eighteen."I feel that Changing and Changing is a good topic for a novel, so I decided to use it.