Chapter 72 Only Chu has talent, but Yu Wen only prospers

Only Chu has talent, but Yu Wen only prospers Feng Tang Hunan female writer Sheng Ke is an anomaly among the vulgar, dirty, impetuous and shameless people born in the 1970s. Her existence prevents future generations from summarizing this generation as short-tongued and flat-chested in a hundred years. In the 1970s, a group of ordinary people like us were born. Not to mention the pre-Qin and Southern and Northern Dynasties, but in modern times, compared with the May 4th generation represented by Eryiyiqian (Zhou Zuoren, Zhou Shuren, Qian Zhongshu), we have no minor achievements, teacher inheritance, and suffering: our palms have not been hurt. I have never been forced to become a traitor by the Japanese devils or forced into an isolated island in Shanghai or a remote place in western Sichuan, I have never memorized the Thirteen Classics, I feel stupid, I can’t read the Twenty-Four Histories, and I can’t write like John Ruskin , Stevenson, or Maugham with a taste of stylists can't write Japanese with a taste of Karesansui, let alone get rid of classical Chinese and create vernacular, let alone formulate simplified characters and pinyin.In the present world, compared with the Cultural Revolution generation represented by two kings and one city (Wang Xiaobo, Wang Shuo, Zhong Acheng), we have no ideals, cruelty and suffering: we carry schoolbags from school to the door in a regular manner, and eat on the street. A bunch of kebabs and candied haws.From the street, I didn't learn anything else. We haven't repaired the earth, we haven't repaired bicycles, we haven't seen real female hooligans, and the slight impulse to fight in groups has been frightened away by repeated crackdowns.

The generation of the Cultural Revolution was extremely devout to words. They died of heart disease in their 40s for words. They drank a lot of wine, took heavy drugs, slept with pure actresses for words, jumped on the table, and shouted, "Despicable is the passport of the despicable, noble is noble epitaph of the deceased".They did not wipe out the May Fourth generation, but they at least enriched the form and style of modern Chinese.We have never used a "Huafeng" brand ballpoint pen to write one million and another million on the 400-character manuscript paper produced by the Beijing Tramway No. 2 Factory Printing Factory. ", it will not make us burst into tears, nor will it fundamentally change our destiny.If it cannot be published, we will regard "October" as a typical example of stupidity, and classify it with cultural centers, writers' associations, labor insurance supplies and public medical care, and believe that they will soon perish.

We have not been delayed, we entered Peking University and Tsinghua University in groups instead of training as hooligans on the street, we rely on learning to change our destiny, we learn English, computer science management, we take TOEFL, GRE, GMAT, CPA and CFA, we Going to the United States, Europe, New Zealand, Singapore, Hong Kong, we know how to tie more than two styles, we must wear a suit without white socks, and we understand double-entry accounting, return on investment and marketing, and we miss the United States. Immigrate to Canada with a green card, we buy a Grand Cherokee and a big house with a water view, so we must live a good socialist life.Our brain weighs, considers, compares, analyzes, our brain directs the penis, our brain directs the feet, and our brain directs the ass.Our brains don't stop.

Writers of our generation, as a whole, have no voice.Basically, those who are thick-skinned, have a strong desire to express, have a little bit of beauty, and can use the full spelling method to enter Chinese characters are beautiful writers.First, Wei Hui and others posted distorted photos of beauties on the Internet and on the cover of the book, under the banner of "body writing", and shyly said "I'm wet", and then Jiu Dan justly said that I am "prostitute literature", "I Occupy the airport and sell it to white-collar elites in the 1960s and 1970s", and then Mu Zimei took the banner of "liquid writing" and said frankly, "I am exhibitionist", "I will show you if you talk nonsense", the recent progress is Women writers post nude photos directly online.I saw the escalation of market competition among female writers and the booksellers behind them, but I did not see literature and temperament.The threshold of the market is indeed getting higher and higher. If you want to be famous, it seems that you have to install a camera at home and live broadcast 24 hours a day naked at three o'clock.Facing the huge shadow of Li Bai and Du Fu, women who really don’t have good looks and men with good looks at all levels decide to use millet plus rifles to defeat airplanes and cannons, transform their strategies, avoid the real and ignore the false, and specialize in the next three roads, preparing to be known in the history of literature "Lower body".If you pick chicken from peppers and pick generals from scorpions, Mianmian has written a good novel of 30,000 to 40,000 words, Li Shijiang learned from Zhu Wen, learned some bones from the superficial, and some of the novels have some temperament.Fuck, the one who wrote about pillows didn’t produce Li Yu, and the one who wrote about fists didn’t produce Gu Long.The best minds of our generation are building statistical models for fund portfolios on Wall Street, improving Oracle database structures in Silicon Valley, and selling digital switches for the director of telecommunications in Shenzhen.

Before despair, read Sheng Ke. I went to southern China and ran between Hong Kong and Shenzhen. MSN asked Crazy Horse, a publisher with three-quarters of his body rotten on the Internet, what writers in Hong Kong and Shenzhen can I meet?Hong Kong has Huang Daxian and Li Bihua, and Shenzhen has Murong Xuecun and Sheng Ke.Li Bihua has claustrophobia. Murong Xuecun has eaten. He is a motivated young man similar to Shi Kang. Can Sheng write well?Well done among young female writers.Do you look good?I can't see it on the Internet, who is responsible for the photos?But big waves.Really, then no matter how good it looks or not, go see and see.

First read the "Water Milk" published on the Internet, it doesn't look like something written by someone with big waves. "Water Milk" tells the story of a woman who has no romantic marriage, no accidental derailment, no happy reunion, and no drama to maintain the marriage.The article is calm, sharp, not self-conscious, not narcissistic, and alone in the wind and rain.I think, even if it was plump before, the author must wield a small knife to cut off the fat after it is formed.I think that if the author didn't have a miserable childhood, he must have the potential to be a killer.In a trance, I felt the reality and bloodiness of Yu Hua when he debuted, but the natural expression of tactful virginity made this reality more different, and the bloodiness was more weird.

Then I read "Bei Mei", Sheng Ke's debut novel, not as sophisticated as "Water Milk", but richer than "Water Milk", I like it better. "Northern Girl" tells the story of a young girl from Hunan who came to Shenzhen and worked in various jobs. Every job was cheated. She met all kinds of men, and every man was a pervert.After struggling and returning to the starting point, there is no money, no home, no love, no hope, the difference is that the breasts are so big that they become a burden, and they lose their aura, as if they lost their nipples, leaving only ten catties of dead meat. "Northern Girl" does not have the crested head and leopard tail of "Water Milk", but it has the pork belly and more abundant writing pleasure that "Water Milk" does not have. Like the first time of all novelists, it must not be their best. But certainly not their worst.

Sheng Ke grew up in northern Hunan. There is a Peach Blossom River at the entrance. It is said that with a Mazha, if you sit at the entrance for a while, you can see groups of beauties swimming around.Sheng Ke did not receive any formal training, rarely studied, came out early to do various odd jobs, endured a lot of hardships, and suffered a lot of grievances, but he was still calm and did not hate society.One day in early 2002, when the star was at opposition to the sun, Sheng Ke felt his heart swell unbearably, so he quit his job and wrote full-time. He wrote more than 600,000 words a year, including "Water Milk" and "Northern Girl".

I think that when there is no reason to speak, it must be the fault of genes.Chu land is full of water, but Chu has talents. It is a place where supernatural genes often appear. In the past, there were Qu Yuan and Jia Yi. In modern times, Shen Congwen and Can Xue had elementary school education.Such people do not need to read or learn. The reason why writing was created is to record the voices of these people.Such people, entrusted by the emperor, became shamans, wronged by society, founded cults, and teased by fate, became poets.Du Fu said, "Articles hate fate", and I kept nagging, saying, "Sheng can do it, you must be true to yourself, you must not be surprised by honor or disgrace, and you must not go to Beijing."

As a generation in the 1970s, we revitalized the Chinese economy, and we made foreigners less powerful.As a generation, we have desolate ourselves, and we have no base for our souls.Fortunately, there are still genetic mutations, and it's fine to mutate them.