This book contains thirty-four essays written by the author from 1927 to 1929, and at the end is a "Bibliography of Lu Xun's Translations" written in 1932.First published by Shanghai Beixin Bookstore in September 1932.preamble Four years ago, my fourth book of miscellaneous thoughts "The Collection" was published.Last spring, a friend urged me to compile the miscellaneous feelings since then.Looking at the publishing industry in recent years, it is hard to say that creations and translations, or long papers on major topics, are rare, but short criticisms, which are so-called "miscellaneous feelings", are indeed very few. See.I could not at the moment tell the reason for this.

But if I think about it roughly, I am afraid that the word "miscellaneous feelings" will disgust the writer with high aspirations, and I fear that it will not be far away from it.Some people, whenever they intend to ridicule me, often call me a "miscellaneous sense person", in order to show the contempt in the eyes of high-level literati, which is a proof.Also, I think that although well-known writers may not have changed their names, and have written this type of text, they may just try to avenge their personal grievances, raise fear or tarnish their reputation, or have ulterior motives, and exposing them will hinder the fight. , so it is largely allowed to disappear.

"Miscellaneous feelings" to me, some people certainly regard it as a "death disease", and I myself have suffered a little because of it, but I still want to edit it.Just because it is a troublesome thing to read the publications and cut them into a book, so it has been delayed for more than half a year, and finally it has not been done.On the night of January 28th, a war broke out in Shanghai, and the fighting became fiercer and fiercer. Finally, we had no choice but to leave alone. [1] The books and newspapers were left under the fire line. The spirit of "the baptism of" has washed away the bad posthumous posthumous title of "dissatisfied with the status quo" "miscellaneous sentimentalist" [2].Unexpectedly, when I returned to my old apartment at the end of March, the books and newspapers were not damaged at all, so I searched here and there, and started editing, as if someone recovering from a serious illness wants to take care of his thin face more than usual, Like wrinkled skin.

I first compiled the texts from 1928 to 29. The number of articles was very small, but apart from the five or six lectures in Peking and Shanghai [3], which were not recorded in the first place, the others seemed to have not been lost.I remembered that these two years were the period when I seldom wrote manuscripts and had no place to submit them.I was stunned by the blood in 2007 and left Guangdong. [4] Those hesitating words that I didn’t have the guts to say directly are all recorded in "Ji Ji Ji".But when I arrived in Shanghai, I was besieged by the pens of the writers. People from the Creation Society[5], the Sun Society[6], and the Crescent Society[7] of "honest men" all said that I was not good. Now most of the gentlemen who flaunt the literary school have been promoted to writers or professors, and in their writing at that time, they would often secretly ridicule me a few words to show their brilliance.I was nothing more than a "rich if you have leisure", a "remnant of feudalism" or a "declining person", and then I was sentenced to be a clubist who advocated killing young people. [8] At this time, a Mr. Liao [9] who escaped from Ziyun in Guangdong and stayed in my apartment finally said to me angrily: "My friends look down on me and don't get along with me. I have come and gone, saying that I live with such a man."

At that time, I became "such a person"."Yusi"[10] edited by myself is really without rights, not only because I have some scruples (see "I and Yusi" at the end of the volume for details), as for other places, my articles have always been " It's only possible to "squeeze", but right now it's being "suppressed", so why should I throw it in.So I only wrote a few things. Now I have collected all the mistakes and merits of the writing I made at that time in this book.As for the writings of the opponent, although there are some in "On Lu Xun" and "Controversy on Chinese Literature and Art" [11], they are all the big writings on the sunny side of the auditorium in Eguan Bodai, and they are not enough to get a glimpse of the whole. I think otherwise The collection is also a first-class work of "miscellaneous feelings", compiled into a book, called "Encirclement and Suppression Collection".If you compare it with this book of mine, it will not only increase the interest of readers, but also better understand the other side, that is, the various tactics of the dark side.I am afraid that these methods will not be lost for a while. Last year's "Left-wing writers are all for the ruble" [12] said that it is one of the old books.Young people who ask themselves that they have something to do with literature and art may not need to imitate, but they may as well know about it.

In fact, I have checked myself, no matter in the novel or in the short commentary, there is no trace of advocating that young people should be "killed, killed, killed" [13], nor do I have such thoughts.I have always believed in the theory of evolution, and I always thought that the future must be better than the past, and the youth must be better than the old. I respect the youth so much that I often give me ten knives, and I only return one arrow.But then I realized I was wrong.This is not because of historical materialism or revolutionary literature and art. When I was in Guangdong, I witnessed the fact that the same young people were divided into two camps, or they wrote books to inform them, or they helped officials arrest people!As a result, my thoughts were bombarded, and then I often looked at young people with suspicion, and no longer had unconditional awe.However, after that, they also shouted a few times for the young people who entered the battle, but it didn't help much.

Everything in this collection is probably all that I wrote in two years, only the prefaces of the books, but I only selected a few works that I think there are still a few sentences for reference.When I was looking through books and newspapers, I suddenly discovered something that was written in 1927 and was not compiled in "Jie Ji". I think, probably "Night Notes" was originally intended to be a separate book, lectures and lectures. Correspondence was not included at that time because it was shallow or irrelevant. But now it is edited in the front as a supplement to "The Collection".I had another idea, thinking that just reading a speech and an article quoted in a correspondence would be enough to understand the face of Hong Kong at that time.I went to give lectures, a total of two lectures, the first day was "The Old Tune Has Been Sung" [14], and now I can't find the manuscript, and the second day was "Silent China", so superficial and mediocre, but actually As for being shocked as "heresy", it is forbidden to publish it in the newspaper.This is Hong Kong.But now Hong Kong like this is almost all over China.

One thing I want to thank the Creation Society is that they "squeeze" me to read several scientific literary theories, and I understand that the previous literary historians have said a lot, but I still have tangled questions.And because of this, I translated a copy of Pulikhanov's "On Art", [15] to correct my - and because of me, others - the bias of only believing in the theory of evolution.However, I printed the materials collected during the compilation as "Novel Old News Notes", to save the power of young people's censorship, and made it like I used the name of the proletariat to refer to "leisure", and "leisure" is still As for the three, [16] is still not completely forgotten.I thought that the proletariat would not have practiced the Chouner[17] method in this way, they had never learned "knife and pen"[18].It is compiled and named, and it is still imitating me by shooting.

On the night of April 24, 1932, it was compiled and recorded. BB [1] During the 128th War, the author lived at the bottom of Beisichuan Road, which was close to the war zone. After the war broke out, he took refuge in the branch of Neishan Bookstore in the British Concession, and moved back to his original apartment on March 19. [2] Liang Shiqiu, a "dissatisfied with the status quo", published "Dissatisfied with the status quo" in the eighth issue of the second volume of the "New Moon" monthly magazine (October 1929), so what? "One article, which said: "There is a kind of people who are just blindly 'dissatisfied with the status quo'. One day they say there is a problem here, and the next day they say there is a problem there. He is particularly dissatisfied with the prescription... as if he is afraid that once the current situation satisfies him, he will have no miscellaneous feelings to do."

[3] After the author arrived in Shanghai from Guangzhou in October 1927, he was invited to give lectures in some schools.On October 25th, he gave a lecture entitled "On the Intellectual Class" at Labor University, and the income is now paid.On October 28, he gave a lecture titled "Fossils of Great Men" at Lida Academy, the script of which is unknown.On November 2, he gave a lecture entitled "Revolutionary Literature" at Fudan University, with Xiao Li's transcript, which was published on May 9, 1928 in Shanghai's "Newspaper·Xuehai".Lecture at Guanghua University on the 16th, recorded by Hong Shaotong and Guo Zixiong, published in the seventh issue of the second volume of "Guanghua" Weekly (November 28, 1927), and the editor added the title "Literature and society".Lecture at Daxia University on the 17th, the title and speech are unknown.On December 21, gave a lecture entitled "Wrong Ways of Literature, Art and Politics" at Jinan University, which was later received.Afterwards, on May 15, 1928, he gave a lecture titled "The Theory of Being Old and Immortal" at Fudan Experimental Middle School in Jiangwan, the script of which is unknown.On November 10, he gave a speech at a university in mainland China. The title and script of the speech are unknown.On December 4, 1929, he gave a lecture entitled "Lisao and Anti-Lisao" at Jinan University, with Guo Boru's transcript, published in the twenty-eighth-thirty-second joint issue of "Jinan School Magazine" (one January 18, 1930).In May 1929, the author went to Peiping to visit relatives. On May 22, he gave a lecture entitled "Overview of Today's New Literature" at Yenching University, which was later included in this book.Lectures were given at the Second Academy of Peking University on May 29, at the Second Normal College on the morning of June 2, and at the First Normal College on the evening of the same day.

[4] When the "April 15" counter-revolutionary incident in Guangzhou occurred, the author held a teaching position at Sun Yat-sen University. Because the rescue of the arrested students was ineffective, he resigned from all positions in anger, and left Guangzhou for Shanghai in September. 〔5〕Creation Society, a well-known literary group in the New Literature Movement, was established between 1920 and 1921. Its main members include Guo Moruo, Yu Dafu, Cheng Fangwu, etc.Its initial literary tendency was romanticism, with anti-imperialist and anti-feudal overtones.During the first Civil Revolutionary War, Guo Moruo, Cheng Fangwu and others successively participated in the actual work of the revolution.In 1927, the agency advocated the proletarian revolutionary literature movement, and at the same time added Feng Naichao, Peng Kang, Li Chuli and other new members who had returned from abroad.In 1928, the criticism of Lu Xun by the Creation Society and the Sun Society, which advocated proletarian literature, and Lu Xun's rebuttals to them formed a debate centered on the issue of revolutionary literature.In February 1929, the agency was closed by the Kuomintang reactionaries.It has edited and published (quarterly), "Creation Weekly", "Creation Day", "Flood", "Creation Monthly", "Cultural Criticism" and other publications, as well as "Creation Series".For the debate on revolutionary literature, see note [1] on page 66 of this volume. [6] The Sun Society was a literary group established in Shanghai in the second half of 1927. Its main members included Jiang Guangci, Qian Xingyu, Meng Chao, etc.In January 1928, "Sun Monthly" was published, advocating revolutionary literature.After the establishment of the Chinese Left-wing Writers' Union in 1930, the society disbanded itself.For the controversy between the Sun Society and Lu Xun in 1928, see note [1] on page 66 of this volume. [7] The New Moon Society, a literary and political group with bourgeois intellectuals as its core, was established in Beijing around 1923. Its main members include Hu Shi, Xu Zhimo, Chen Yuan, Liang Shiqiu, Luo Longji, etc.In the name of the Poetry Society, the society once published "Poetry Magazine" (weekly magazine) in the "Morning News Supplement" in Beijing in the summer of 1926. In 1927, it founded the Xinyue Bookstore in Shanghai and published it in March 1928. The comprehensive monthly Crescent.The main members of the Crescent Society were once known as the "Modern Review School" because they organized the "Modern Review" magazine.They first attached themselves to the Beiyang warlords, and after Chiang Kai-shek's rebellion against the revolution in 1927, they turned to the Kuomintang. At the same time, they advocated "British-style democracy", reiterated the idea of ​​"good government doctrine", and tried their best to attack the revolutionary literary movement in literature. "Righteous gentleman", Datong Evening News, which supported Zhang Shizhao during the Beijing Women's Normal University incident in 1925, called Chen Yuan and others of the Modern Criticism School (later the Crescent School) "honest gentlemen of the Dongjixiang School". [8] For "leisure is wealth", see "How to Build Revolutionary Literature" by Li Chuli in "Cultural Criticism" No. 2 (February 1928).After quoting Cheng Fangwu’s words that Lu Xun and others are the “leisure class”, he said: “We know that in today’s capitalist society, the leisure class is the rich class.” For “declining people”, see “Creation Monthly” Volume 1, No. 11 (May 1928) Shi Housheng (Cheng Fangwu)'s "After all, he is "drunk and intoxicated"": "It is rumored that he (referring to Lu Xun) has been buying and reading social science books recently. 'But immediately there is a big problem': Is he really going to be a loyal apprentice of social science? Or is he just painting colors and whitewashing his own decline? This latter path is a deceitful behavior, which is deeper and more irresistible The decline of the cure." For "the remnants of feudalism" and the clubists, see "The Remnants of Feudalism on the Literary and Art Front" by Du Quan (Guo Moruo), No. 1 (August 1928), Volume 2, "Creation Monthly": "He is a remnant of feudalism before capitalism. Capitalism is a counter-revolutionary to socialism, and the remnants of feudalism are a double counter-revolutionary to socialism. Lu Xun is a dual counter-revolutionary figure. I used to say that Lu Xun was a wavering element in the transition period between the old and the new. He is a humanitarian, which is completely wrong. He is an unwilling Fascist (Fascist)!" According to Fascist, someone translated it as stick-drinking doctrine at that time. [9] Liao Jun is Liao Li'e, a native of Xingning, Guangdong.Originally a student of Xiamen University, he transferred to Sun Yat-Sen University with Lu Xun in January 1927. [10] "Yusi" literary weekly, originally edited by Sun Fuyuan and others, was founded in Beijing on November 17, 1924. It was banned by Feng Faction warlord Zhang Zuolin in October 1927, and then moved to Shanghai Continuation.It was published on March 10, 1930 until the fifth issue of the fifth volume was discontinued.Lu Xun was one of its main contributors and supporters, and served as editor for a time after the journal was published in Shanghai. [11] "On Lu Xun" and "Chinese Literature and Art Controversy" were both edited by Li Helin, and published by Shanghai Beixin Book Company in March 1930 and October 1929 respectively.The former included 24 critical articles on Lu Xun and his works from 1923 to 1929, and the latter included 46 controversial articles from various factions in the 1928 Revolutionary Literature Movement. [12] "Left-wing writers are all for the ruble" This was the reactionary framing of progressive writers at that time.For example, in the "Liberation of Chinese Literary World" published in Shanghai's "Republic of China Daily · Consciousness" on May 14, 1930, it was stated that progressive writers were "bought by the red imperialism and subsidized by Soviet Russian rubles"; On February 6, 1931, the Shanghai tabloid "Golden Steel Diamond News" published "Lu Xun's Motivation for Joining the Left League", saying, "The Communist Party initially paid 800,000 rubles a month for literature and art propaganda in Shanghai, resulting in the so-called proletarian literature and art. "etc. [13] "Kill, kill, kill" is what Du Quan said in the article "The Remnants of Feudalism on the Literary and Art Front": "Kill! Kill! Kill! Kill all the terrible young people! And hurry up! This is The philosophy of this 'old man' (referring to Lu Xun), so the 'old man' is not dead." 〔14〕According to "The Old Tune Has Been Sung", it was published in March 1927 in Guangzhou "National News·New Era", which was later edited by Xu Guangping; and according to "Lu Xun's Diary", this speech was written in On February 19, 2007, the second day the author went to Hong Kong, the speech on the first day was "Silent China". 〔15〕Pulikhanov (CAD 艶GHIJKL, 1856-1918) Tongyi Zhangxie, Daying Huanyao, Jinjie Musone, Jia Tao, Li Huanyao *later became the leader of the Mensheviks and the opportunism of the Second International one. For "Art Theory", see "Two Hearts Collection·Preface to the Translation of "Art Theory"" and its notes [1]. [16] Cheng Fangwu, whose pen name is Shi Housheng, is from Xinhua, Hunan, a literary critic, and a key member of the Creation Society.In the article "Completing Our Literary Revolution" in the twenty-fifth issue of the third volume of "Flood" (January 1927), he said that "Mr. Lu Xun is sitting under the canopy and is copying old news about his novels". A kind of "interest-centered literature and art", "there must be a taste-centered life tone behind it"; and said: "This taste-centered life tone implies a kind of life in a small world. The self-deceiving self-sufficiency, what it holds back is leisure, leisure, the third leisure." 〔17〕Exercising Zhou Na means to fabricate charges and bring people to justice.The words come out of "Hanshu Lu Wenshu Biography": "If you are afraid of being afraid of playing, you will exercise and practice it during the week." [18] "Daobi" here refers to the method used by the Daobi officials (litigators) to weave human crimes. In "Creation Monthly" Volume 2, Issue 2 (September 1928), Kexing's "Bigan People's "La Miscellaneous Article"" said that Lu Xun "takes out his original knife and pen, and writes bitterly and coldly." scolding hot scolding".The author quotes here as a kickback.