Chapter 21 Feminism

In previous years, Mr. Tetsuguchi Nobuo said at a symposium on women writers: In the Nara Dynasty of Japan, there was King Ueda (royal woman) who wrote the best women's literature in the world. It's gone, now you are female writers who are learning to write men's literature──It's really short-lived. It turns out that the Neolithic civilization was developed by women, who were with the sun and were the sun god, because rice was invented by women and needed water and the sun.The poplar branches in the Guanyin Jing bottle are originally rice, and the nectar in the bottle is water for agriculture. Japan has been called the country of the sun, the country of rice, and the country of water since ancient times.Avalokitesvara's bottle, indicating that the woman invented pottery.The wheel is also a woman's invention, enshrined in Ruyi Wheel Avalokiteshvara, the wheel of the Hindu Goddess.Astronomy is of course a woman's invention, because astronomy is viewed from the perspective of agriculture, and women invent agriculture so they are also the sun god.Not to mention the loom.Mathematics is also invented by women. Nüshao follows the rules and Fuxi follows the rules. Yang is round and Yin is squared, but Nvshao is Yang.Music is the female snail began to make Shenghuang.Okano marveled at the two large jugs unearthed from the Neolithic Age. They were so majestic and unmatched by later generations. They were the works of women.

The world remembers this scene of the Neolithic Age, and the most prototype is the Amaterasu God of Japan's Kojiki. She is the god of the sun, living in Gaotianyuan, where there are fields of rice, picking girls weaving on locomotives, and Xinchang (new rice debut) festivals. It is really a long-lasting scenery.In the end, women invented the family, and thus opened the court of the world.In the following thousands of years, the civilizations of Babylon, Egypt, and the Dravidians in India, and China may have reached the time of the Yellow Emperor. Although men appeared, civilization still relied on these few magic weapons invented by women, from rotation to mathematics, etc. .

But then the woman is no longer the sun, and changes from a yang position to a yin position.There are three reasons for this: 1. Several inventions such as the wheel, astronomy, music, mathematics, rice fields, etc. have been used inexhaustibly for all ages, and it is impossible to invent one or two. The founding cause of women has come to an end. 2. Women finally invented the family, so that all kinds of inventions have a home and a unified implementation, and women change from intellectual light to sentiment, and it is enough to beautify it. 3. So men come to explain the reasons for what women have invented so far, and make it a theoretically systematic knowledge. In China it is the Book of Changes, in Greece it is mathematics, but this is the creative force of men, and women are overwhelmed , although the greatness of the invention that is less learned than that of women has been created, what women do is Mingde, and what men do is Mingmingde, only to explain the existing Mingde.However, because of this knowledge, and deduced the progress of mathematics, agriculture, etc., the progress of the court system, etc., in the following three thousand years, until today, all the constructions of Toyo are based on Chinese culture. All Western constructions are based on Greek culture, and it has become a world full of men.

Women are determined to be inferior to men in learning, and even lose in art, female tailors are inferior to male tailors, and women on stage are inferior to men in disguise.Women have completely lost their creativity. It turns out that the higher animals are all female and ugly, and so are the Paleolithic people, but it was only in the Neolithic civilization that women became beautiful. The light of men shines, and the beauty of women is determined according to the wishes of men. If men do not produce heroes, women will not produce beauties.For two thousand years, women have been submissive and rebelled against the world of men (not for women's rights).Knowledge is created by men, and women have never touched it, so it lies in women. I just feel that it is not kind. All women are anti-theoretical. Once a woman enters the court, she will surely perish.But the memory of women being the sun is still there in the beginning, and the old Chinese drama Fan Lihua and others are meant to take over the country on behalf of men.

The inventions of women in the Neolithic Age do not rely on theory, but on feeling. Later, men created theoretical knowledge, which has advantages and disadvantages, and Huang Lao objected, so Huang Lao is similar to women.I have this experience myself.For example, when I wrote articles before, I didn't know the Book of Changes. Of course I didn't know the five basic laws of nature. Now that I know these laws, I can't write the same articles as before.Recently, I feel that my sensitivity has become blunted. However, this is not just a personal matter of my age. The history of the world has reached a corner with no future.Today, it is necessary for women to be the sun again, to rejuvenate the human senses, so that everything can be revived, even knowledge is included.

A woman can be the sun again.Yin and Yang are of breath, male and female are of matter, matter is due to Yin and Yang, but Yin and Yang are not restricted by matter.Women are going to replace men to start a new era today, and start with the article movement.It turns out that the Neolithic civilization was all invented by women, and then women only beautified it.I think women were the first to know beauty in the Neolithic Age.The Paleolithic man knew the neck decoration, which was to intimidate the enemy, but it was not until the Neolithic woman invented the beauty all at once.Later, men also learned to be beautiful, but their natural sense of beauty was not as good as it was. Girls still know what beauty is better than boys. I am not as good as my daughter when I go to department stores to look at shoes. Women’s sense of beauty is what they discovered at the beginning The understanding of wheels, music, mathematics, astronomy, and paddy is definitely beyond the reach of men.

Men, on the other hand, intellectualize what women invented, such as the Chinese Book of Changes and Greek geometry.Chinese men also beautify theories, so the poems of Li Bai and Su Shi are all rational. Using reason as poetry is only found in Chinese literature, but it is still not as good as women's sense of beauty, which comes directly from the understanding that founded civilization in the Neolithic Age, and is even more superior to the beauty of reason.Song Ci can be said to be a new type of female beauty in literature.There is also the new status of Fan Lihua and others in novels and dramas, which we should all promote today.In comparison, Helen in Greek epics and the so-called lover of Napoleon are a bit like night dances and window shows, not as good as Fanlihua.

Since Fu Xi painted gossip in Chinese civilization, women are theoretically inferior to men, and men are inferior to women in aesthetics. It is a perfect match, but the power of theoretical knowledge is so powerful that women cannot avoid being wronged, that is, beauty feels wronged.Mei felt the grievance, that is, the theoretical knowledge gradually lost her anger.In history, Song Confucianism was corrupted for the first time in history, and women were far better than men. For example, under the atmosphere of Song Confucianism, Rongning Guofu, Jia Zheng and Jia Zhen were all circuitous and obscene, while many women in the Grand View Garden were still lively. of.Or women are more resistant to pollution.Today's Westernization is the second major corruption in history. This time, China's theoretical knowledge has been compromised, men's style has almost been lost, and women still retain their old-fashioned sense of beauty.

Our urgent task now is to revive China's theoretical knowledge, otherwise we don't know how to restore the mainland.Theory is oppressive, but aesthetics are touching, but the oppressiveness of theory is still terrible. For example, Zhu Tianxin said that when she was in junior high school, she saw her mother come to school to deliver bento, and she felt very ashamed.If you can use theory to prove that burden is good, you won't be so naive.In the past few days, only old women are participating in Bon Odori dances in various places in Japan. Young women feel ashamed of folk song Bon Odori, so they don't participate. This is also unreasonable.Theoretical learning is to understand this principle.When the world is in chaos in history, the first is to revive the beauty of Qingming, and the second is to revive the theoretical knowledge of Qingming.This is also the case today, but this time the woman will take the lead.

Heroes have always loved sex, and he learned beauty from women, which is what men lack.The rule of law in the Qin Dynasty was boring, and the scenery was still in women. When Emperor Gaozu of the Han Dynasty was a pavilion chief, he liked to drink at Wang's house. There she cultivates awe-inspiring spirit.Another is the young mother who invited Han Xin to eat bento.During the Qin and Han Dynasties, the breath of the times, the confidant of the times, still lies in women.However, the beauty of the concubine Yu of the Chu nationality and the beauty of the women of the Han nationality are actually divided into the colors of the military flags on both sides.

In the past, women seldom read books, and women's beauty is really folk.In the early years of the Republic of China, most of the women in Shanghai were illiterate. They ignored the foreign thoughts at that time, but very naturally kept the tradition and adopted Westernization in their lives. Every time I felt that I was talking about ideas to them. Learn.In this way, we can know the significance of many folk songs during the Wei, Jin, Southern and Northern Dynasties to the times.That is to say, I learned from Zhang Ailing and Zhu Tianwen and Zhu Tianxin. In Japan, I learned beauty from Japanese women, otherwise I would not be able to make progress today. After the Republic of China, many women received school education and deliberately Westernized. On the contrary, they were not as natural, fresh and affectionate as women in Shanghai in the early Republic of China.At the time of the May 4th Movement, Western theories of "progress," "democracy," and "science" were also a new trend, giving new-style women a sense of freedom and brilliance. Women's unique ability to feel beautiful comes from their own destruction.Female educated people are like this, and male educated people have become loach. Although Mr. Sun's great thought has theoretical knowledge, it has no human aesthetic ability to match it, so the mainland has fallen. To revive the sense of beauty today is more difficult than theoretical knowledge. I have done theoretical knowledge, but everyone must also do it at the same time.In the past generations, men learned aesthetics, which is not their specialty, because they are not as good as women, but they have to have it, and men have actually managed to beautify theoretical knowledge.Today, women come to learn theoretical knowledge, and it is not their strong point, because what is inferior to men is first-hand, but it is necessary, and women can learn it, and only women can give new life and new life to theoretical knowledge through beauty. form.Women should be like Fan Lihua, to bear the burden of this era.Concubine Yu belongs to the Chu nationality, Fan Lihua's beauty belongs to the Han nationality, and Princess Shuangyang (who recruited a marriage with Song general Di Qing) and Princess Daizhan are all said to be Fanbang princesses. It turned out to be based on their rebellious spirit. The average youth in Taiwan today is attracted to Western-style love, Napoleon's lover's style, and Helen's style, and if it is modern, it is in Taiwan today.But now I know that I have learned those things, and if I want to fall in love in the future, let it be the Chinese style. Fan Lihua and Xue Dingshan's are better than any Western ones. In January of the 1970s of the Republic of China, it was published in the 27th issue of Sansan Collection