Chapter 20 Preface to "Ji Kang Collection" [1]

Preface to "Ji Kang Collection" [1] There are fifteen volumes of Ji Kang Ji by Wei Zhongsan and one volume of Lu in Liang Dynasty.To Sui Yi volume two.Tang Shi came back, but lost his "Record".Since the Song Dynasty, only ten volumes have survived. The number of volumes contained in Zheng Qiao's "Tong Zhi" is the same as that of the Tang Dynasty, which is based on the transcription of old records, which cannot be seen by the eyes.Wang Mao has already tried to identify it [2].As for the engravings, those in the Song and Yuan Dynasties had never heard of them. In the Ming Dynasty, there was a copy of Jiajing Yiyou Huangxing Zeng, and Wang Shixian's "Twenty-one Family Collection" [3], both in ten volumes.Those in Zhang Pu's "Han, Wei and Six Dynasties One Hundred and Three Famous Artists Collection" were combined into one volume, and those engraved by Zhang Xie were changed into six volumes. [4] The covers are all from Huang Ben, and the mistakes are slightly corrected and the Yiwen is added. .Zhang Xie originally changed the order of chaos and lost the old.However, Cheng Rong engraved ten volumes [5], and there are many different texts. It seems to be based on another book, but it is still not far from his original.It is recorded in the book collections of various families in the Qing Dynasty, and there is also a copy of the Wu Kuan Cong Shutang in the Ming Dynasty, which is said to have originated from the Song Dynasty and was collated by Pao'an.Fortunately, his book is now in the Beijing Normal University Library, and I was able to write it urgently. I even compared it with Huang Benyu, knowing that the origin of the two books is actually the same, but they are robbed of each other.However, what is missing here can be corrected by other books, and it has both advantages, which is more successful.I don't know if the old school really came out of Pao'an?To cover more than one person.The first is the ink school, which has the most additions and deletions, and the original text is often lost, so that it cannot be distinguished; the basis is only the engraved version, and the other's false ones are used to change the old banknotes.Later, there was another Zhu school, and according to the engraved version, all the characters that were spared before were reprinted and changed to make everyone follow the same.Covered by the three schools of Zhu Mo, but the length of the old banknotes is gone.

Now that this school is established, the old school will be rejected and the original text will be preserved.It was destroyed by thick ink, and those who had to change the original version said: The characters are from the old school, and the writing is suspicious.There are two kinds of righteousness, and those who change from the old school to the engraved version say: each version is a certain one, so as to preserve its differences.Based on the five engraved editions of Huang Shengzeng, Wang Shixian, Cheng Rong, Zhang Pu, and Zhang Xie, the engravings were compared, and the annotations of "Three Kingdoms", "Book of Jin", annotations, "Ye Ke Series", Hu Ke's family translated Song Youmao's " Annotated by Li Shan in "Anthology" [6], and "Kaoyi" written by him, annotated by six ministers in "Anthology" in the Song edition [7], according to legend, the remnants of "Anthology Anthology" in Tang Dynasty [8], "Ancient Poems" [9] , and Chen Yumo's engraved edition of "Beitang Shuchao", Hu Yanzong's edition of "Yiwenleiju", Xishan Anguo's edition of "Beginners", and Bao Chongcheng's edition of "Taiping Yulan" [10], etc., have similarities and differences.In Yao Ying's "Collection of Righteous Qi in Qian Kun" [11], there are also nine volumes of Chinese prose, and there is nothing right and wrong, and there is no way to repeat it.However, Yan Kejun's "Quan Sanguo Wen" and Sun Xingyan's "Xu Gu Wen Yuan" [12] collected, there are some words of correction, because they are recorded together for future reference.If the collection is like this, and the engraved version has been changed, for example, "俧" is "怪" and "寤" is "Wu";

Or the engraved version is longer than this, such as "you" is "you", "tai" is "tai", "yu" is "yu", "zun" is "respect", "sacrifice" is "you", "orderly" " is "decoration", "leisure" is "leisure", "蹔" is "temporary", "repair" is "repair", "one" is "one", "tu" is "paint", "return" is "Fan", "She" is "She", and "Xian" is "string"; ", "play" is "翫", "disaster" is "disaster"; or even though different texts can be understood, such as "nai" and "nai", "郄" and "stingy", "qiang" and "qiang" ", "Yu" and "Yu", "No", "Wu" and "No", there are so many of them, and they are all omitted to save trouble.There are also less than ten volumes of the old banknotes. The first volume has que leaves, and the second volume is lost. Some people use "Qin Fu" as sufficient.After the third volume was lost, some people used "Yunsheng Lun" as a sufficient source.The ninth volume should be the next part of "Theory of No Good and Bad Health in Difficult Houses", but if it is lost, it will be divided into two chapters in the sixth volume, "Natural Love of Learning", and the seventh and eighth volumes will be changed to eight. Nine and two volumes, I thought it was the end of the book.Huang, Wang, and Cheng's engraved editions are all like this, and they are still unchanged today.Gai compared the ten volumes that Wang Mao saw, and the number of volumes was the same, but one volume and two half volumes were actually lost.Originally there was a catalog in front, but it was added after the proofreading, which is similar to the Huang version.According to this article, don't create a volume to replace it, and write "Yi Wen Kao" and "Biography Kao" at the end.I hate the shabby knowledge, neglect and cover a lot, and I want to keep the old literature, so I have to spread it a little bit.

Preface to Kuaiji on June 11th in the third year of the Republic of China. ※ ※ ※ [1] This article was written on June 11, 1924, and was originally contained in the ninth volume of "The Complete Works of Lu Xun" "Ji Kang Ji" in the 1938 edition. [2] Wang Mao (1151-1213), styled Mianfu, was born in Changzhou (now Suzhou, Jiangsu) in the Song Dynasty. He is the author of thirty volumes of "Ye Ke Series".For the number and language of the volume of "Ji Kang Ji" contained in Wang Maobian's "Tong Zhi", please refer to the quotation in "General Catalog of Siku Quanshu" in "Recording and Research of Ji Kang Ji" in this book.

〔3〕Wang Shixian was born in She County (now Anhui) in Ming Dynasty. "The Collection of Twenty-One Masters" is "The Collection of Famous Masters of the Han and Wei Dynasties", one, two and three volumes, published in the Wanli period of the Ming Dynasty, including ten volumes of "Ji Zhong San Ji". 〔4〕The Collection of One Hundred and Three Masters in the Han, Wei and Six Dynasties consists of 118 volumes, including one volume of Ji Zhong San Ji.Zhang Xie, courtesy name Shaohe, was born in Longxi (now Zhangzhou, Fujian) in the Ming Dynasty.Wanli Juren.It is engraved with "The Collection of Seventy-two Famous Artists", and contains six volumes of "Ji Zhong San Ji".

[5] Cheng Rong, courtesy name Boren, was born in She County in the Ming Dynasty.Ten volumes of "Ji Zhong San Ji" are engraved. 〔6〕You Miao's "Wen Xuan" was published in the eighth year of Chunxi in the Southern Song Dynasty (1181), and it is the earliest complete block edition of "Wen Xuan" in existence. 〔7〕The Song version of "Wen Xuan" with six ministers' annotations, "Wen Xuan" was not only annotated by Li Shan, but also annotated by Lu Yanji, Liu Liang, Zhang Xian, Lu Xiang, and Li Zhouhan in the Kaiyuan period of the Tang Dynasty, which is known as "Five Officials' Annotations" .People in the Song Dynasty engraved the two volumes together, calling it "Wenxuan Liuchen Zhu".

〔8〕 According to legend, the name of the author of the untitled collection of annotations in the fragmentary edition of "Anthology of Tang Dynasty" is slightly similar and different from the annotations of Liuchen.The book analyzes "Selected Works" into 120 volumes, which are incomplete.Luo Zhenyu borrowed 16 volumes from the original collection of Japanese Gold Translation Library, which was photocopied in 1918 and included in "Jiacaoxuan Series". [9] Anthology of Poems, edited by Guo Maoqian in Song Dynasty, 100 volumes.A collection of Yuefu songs from the Han, Wei, and Five Dynasties, as well as ballads from the pre-Qin to the end of the Wei Dynasty. "Ancient Poetry Ji", formerly known as "Shi Ji", a collection of poems, compiled by Feng Weina in the Ming Dynasty, with 156 volumes.Compilation of poems from the Han Dynasty to the Sui Dynasty, as well as ancient poetry and so on.

[10] Chen Yumo (1548-1618), styled Xixuan, was born in Changshu (now Jiangsu) in the Ming Dynasty. The engraved "Beitang Shuchao", 160 volumes, has been tampered with the original.Hu Zuanzong, courtesy name Kequan, was born in Qin'an (now Gansu) in the Ming Dynasty.The engraved "Yiwenleiju", one hundred volumes, was printed in the sixth year of Jiajing (1527).Anguo, courtesy name Mintai, was born in Xishan (now Wuxi, Jiangsu) in the Ming Dynasty.The engraved "Beginners", 30 volumes, was printed in the tenth year of Jiajing (1531).Bao Chongcheng was born in She County (now Anhui) in the Qing Dynasty.The engraved "Taiping Yulan", a thousand volumes, was printed in the seventeenth year of Jiaqing (1812).

[11] Yao Ying (1785-1853), styled Shi Fu, was born in Tongcheng, Anhui in the Qing Dynasty.Co-edited 20 volumes of "Collection of Righteous Qi of Qian Kun" with Gu Yuan and others, and selected works of 101 people below Qu Yuan in the Warring States Period. 〔12〕 "Continued Ancient Wenyuan" Collection, 20 volumes.It compiles the posthumous writings from the Zhou Dynasty to the Yuan Dynasty, so it is named because of the old book "Guwenyuan".