Chapter 93 Meet Liu Lanxi again

After collecting a set of "Shaw Brothers Film Collection", I took out one of "Evil and Evil". After watching the opening title, I suddenly discovered that the heroine was actually Liu Lanxi. The Taiwanese folk song movement in the 1970s paid special attention to the singer's voice.Before folk songs, the "time songs" of the 1940s and 1950s, because of the incomplete recording technology and the trend of fashion, distorted the singer's original voice, while the Taiwanese film songs that did not take hold until the 1960s could not be separated from nightclubs. The muddy embryo is a distortion of the singer's voice and temperament.Although Taiwanese folk songs grew up from such a chicken coop, they insisted on "looking up at the starry sky in the mud". Although Gu Manzhen in the picture was raised by Gu Manlu, he was somewhat ignorant of this feeling. He must forget his roots and leave Go to the other side.Singers in the age of folk songs must first have a clean voice, and secondly, they must be clean. Whether it is the texture of the voice or the temperament of the voice, they strive to be clean and clear, and the arrangement and recording also strive to highlight the "true" spirit of the singer's voice. .The musical instrument is behind, just a shadow in the distance. In the age of folk songs, it is really "people" singing.And the fashionable sound of our time is broken, degraded, separated by a layer of paper, part of the machine.In the age of folk songs, half of the singers in our era may not be able to get away with it.

Liu Lanxi's voice fully complies with the aesthetic standards of the folk song era, so she was eagerly discovered and sang when she was only 16 years old. With her sweet image, she won the hearts of the people.Her first album "Sunset Love Song" attracted attention. Under the Taiwan record industry's low production cost and mass production strategy, many albums were released in a short period of time.Sing and You act, and she was very lucky, and was immediately invited by Qiong Yao to act in a movie. In "Dream's Clothes", she is Cao Yijuan; in "The Gathering and Scattering", she is Zhong Kehui; in "On My Heart", she is Li Shaoqing; in "Last Night's Light", she is Lin Yuyuan.However, under the cover of Brigitte Lin and Lv Xiuling's stars, she has acted in more than a dozen movies, but she has always played around in roles such as Xiao Jiabiyu and the heroine's close friend, becoming the "eternal second heroine".It was already the early 1980s, and Taiwan's romantic literary films had gone downhill. The heroine was gone, and how could the close friends be attached?So she transferred to Hong Kong to develop, and finally had the opportunity to play leading roles, "Evil After Evil" is one of them.

When the red ends, it turns to ashes. After the scattered flowers have fascinated the eyes, it is inevitable to look back suddenly, divide the flowers and brush the willows, and look for the return journey.After studying Buddhism in the United States for five years, in July 1991, she received the blessings of her family, especially her husband, and officially became a monk.During the shaving, her parents stood aside.She knelt down and said silently over and over: "Don't cry! Don't cry!" Half a year later, after adapting to her new life, she told others that learning Buddhism made her "quiet and comfortable inside, and I can laugh even in my dreams."

In 1998, Rolling Stone Records published a set of "Reunion·Folk Song Selection", one of which was "Reunion·Liu Lanxi". She once sang in "Golden Thread Shoes": "Sing for me one more time, and smile another beautiful and beautiful smile", but she was still silent, just "Go, go back, in their eyes Up, like a piece of delicate butterfly".