Chapter 58 lady boss

"Miss boss, madam forever. Mistress, the light of my life, the fire of my desire. My sin, my soul. Lao-ban-maid: The tip of the tongue goes up, in three steps, from the palate down to gently land on the teeth .Boss.Boss.Mother." ——If someone initiates an activity to write love letters to the characters in the movie, there must be a large number of love letters written to the proprietresses of many ancient costume films, such as Jin Xiangyu, Tong Xiangyu, Qiu Ruolan...the proprietresses have become one of the characters in the movie. The fixed image frame is far superior to female nurses, stewardesses, OLs and other professional desire projection objects in terms of quantity and quality, and it is completely worthy of such a nasty love letter.

The image of the proprietress has a long history.However, the image of the proprietress in the ancient costume movie is probably Hu Jinquan's "The Storm of Yingchun Pavilion" filmed by Hu Jinquan in 1973. Li Lihua played the proprietress as a "throb". Leading four female running halls to engage in self-employment, and hooked up with a local official as a backer, she is not only good at dancing, but also emphasizing love and righteousness.Since then, the proprietresses in costume films have followed this path from dress to personality.With such a successful image as a benchmark, other ancient costume martial arts films either add a proprietress out of nowhere, or try to amplify the role of the proprietress.

In Gu Long’s novels, Mrs. Gao, the proprietress of Happy Lin, is not the most important role. Once adapted into a movie, Mrs. Gao is promoted to the heroine. In Hu Jinquan’s "Dragon Inn", the boss is originally a man, but Tsui Hark's "New Dragon Inn" ", but borrowed the image of a "glamorous" to create a gold inlaid jade. As for Aunt Chun in Chu Yuan's movie "Ai Nu", Qiu Ruolan in "Lotus Fighting for Hegemony", Tong Xiangyu in "Wulin Biography", and even The proprietresses in "Three Shots Surprise" are basically the immediate family members of the "thriller".

There are so many unforgettable proprietresses, such as the proprietress of the porcelain shop in "Fengyue Qitan", the white lady in "Legend of the New White Snake", and Bai Wenshi in "The Legend of the New White Snake". Mrs. Aqing in "Shajiabang", Fang Qingzhuo in "Xue Ye", and Tao Hong in "Xue Ye" form the branch of realism in the history of the proprietress image.And outside of movies? ——Search for "boss lady", the first thing that appears is a large number of erotic novels with the boss lady as the object of lust. Why does the proprietress become an object of desire and a fixed literary image?Probably because the career history of women is not long. For thousands of years, the range of jobs available to women has been very narrow. They have always been among maids, waitresses, entertainers, and prostitutes. If you really want to start from these Choose a desire projection object among women who show their faces due to professional reasons. Prostitutes are obviously too direct, entertainers are too miserable, and maids and maids have not even solved the problem of freedom. The women of a good family are free to welcome and send, and they are also confident in their amorous style.

More importantly, the word "mother" in her identity attributes can most arouse maternal associations.She is warm, independent, able to make decisions on her own, easy to get rid of, and heals her own injuries.The proprietress represents a secular ideal female image. In all the movies where she appears, she is like a warm nest, a bowl of warm soup, and a weight wrapped in flannel, giving people a sense of security.