There is no other character more familiar to us.There is nothing more touching than the story of the Three Kingdoms era.Cao Cao's treachery, Liu Bei's benevolence, Guan Gong's righteousness, Zhuge Liang's wisdom, Zhang Fei's courage, Lu Bu's fierceness and vivid faces are still shining in front of us; Tragic, the raging fire of the Chibi War, the fierce fight in front of Changbanpo, and the scenes of the past, still come to our minds.These characters and stories are no longer simple history, but a part of our traditional culture and a part of our life. We grew up in this strong atmosphere of the Three Kingdoms culture. Even if we go to the ends of the earth, two yellow-skinned Chinese people can still find common topics and common cognition here.

This cognition has even broken through the barriers of values.For example, in Hong Kong, the police will burn incense in front of Guan Gong's shrine before arresting robbers; and gangsters will also burn incense in front of Guan Gong's shrine when committing illegal acts.Lord Guan, should we help the police or the gangsters?The palms and backs of the hands are full of flesh, which is definitely a problem. This problem stems from the flaws and insufficiencies in our understanding of traditional culture, as well as our estrangement and unfamiliarity with history. As we can see in the book, there is a certain distance between the characters of the Three Kingdoms in traditional culture and history.This distance comes from the creation of culture, and this kind of cultural creation, while affecting our perception of the world, also allows us to live in inherent concepts, thus keeping us away from ourselves.

We need to know ourselves, this is one of our life lessons.As for self-awareness, cultural concepts are the most important.In this sense, we need to clarify the difference between the characters in traditional culture and the characters in history. This difference is the difference between the real self and the cognitive self. If we say that the cognition of self is too metaphysical.Then, we must admit that the images of the characters of the Three Kingdoms in traditional culture are limited by the limitations of stage plays, and are far less vivid than the characters in history.The characters of the Three Kingdoms in history are far more interesting, lively and lively than those on the stage.

This is the meaning of this book. This book is dedicated to analyzing many doubts in history and tradition, and solving one after another Three Kingdoms mysteries for you: Why did Liu Bei pay three visits to thatched cottage?Why did Guan Yu ride alone for thousands of miles?Why did Cao Cao only admit that he and Liu Bei are heroes?What exactly does Longzhong mean?Why can't Mrs. Sun and Liu Bei love each other?Why doesn't Zhao Yun like Liu Bei?Why did Zhuge Liang keep using troops against Cao Wei?Why are the children of Jiangdong so talented?Was Ma Su who lost the street pavilion beheaded with tears?Or escaped?Or died playing hide and seek in prison?Why must the world be divided for a long time?Why do we have to reunite after a long time?why……

There are many doubts, and few historians have given a clear answer.However, readers are subject to the influence of traditional culture, and have long turned a blind eye to these problems.Even if there is a slight doubt, there is no way to answer it. And this book is dedicated to finding an answer close to the origin of our human nature for you from these unreliable records in traditional culture and history. Every time we decipher an unreliable record, we take a step towards our own soul. In the process of reading, we experience the superior pleasure of intellectual advancement.This is the value of this book, it is not a simple repetition of ancient history, but an interesting spiritual journey.

It is for sequence. Fog blocks the river