Chapter 46 Part Three: Playing back the image of the famous female spy on screen in "The Story of the Red Lantern" with one chants and three sighs

"Fancy cheongsam, permed hair, high-heeled shoes, often with a cigarette in her mouth...", when such a dress appears on the screen, it must be a female spy; Secret agent fixed style image.Whether in the many anti-specialty films that were all the rage in the 17 years before the "Cultural Revolution", or in films with similar themes in the new era, the audience can almost see this type of female spy image appearing on the screen. As early as the early 1940s, the famous actor Zhang Ruifang played the role of a conscientious female Kuomintang spy in "The Baptism of Fire". Coincidentally, at the end of the 1940s, the drama actor Danny also starred in the drama based on the same name of Mao Dun. In the adaptation of the novel, the role of the awakened female spy is probably the image of the female spy that is better known to the audience in the early Chinese screens.What they leave to people can only be too long memories.

In the film world of New China, the earliest image of a female spy appeared on the screen, probably in 1950 in "Iron Warrior" filmed by the Northeast Film Studio. Secret agents, the kind of deliberate attire that took off their military uniforms and put on floral cheongsams, permed hair and high heels, left the initial impression of this image of female spies on the audience.And then in another anti-specialty film "The Ruthless Front", the well-known actor Yao Xiangli played a female spy who was recruited by the secret service group. Of course, because of the needs of the role, she did not have the typical image of a female spy.In "It's Not a Small Thing" directed by Yan Jizhou in 1956 by Bayi Film Studio, in "So Love", one of the 8 short stories, there is also a character played by Deng Jingsu who pretends to be in love with a PLA cadre As for the female spies who specialize in spying on military intelligence, these are the appearances of female spies on the screen in the early days of the new Chinese film industry.

Bayi Film Studio's second anti-specialty film after "Footprints" was "Battle Eve" filmed in 1957.The film describes the story of our coastal navy and civilians uniting against the enemy and jointly defeating the conspiracy of the enemy agents.Drama actor Jiang Fang played the role of the female spy Lin Meifang in the play. She wore the Lenin uniform that was popular at the time.The main performance characteristic of the actor itself is to clearly distinguish the two different faces of the female spy when she is in love and secretly spying on intelligence.This inherent facial makeup performance traces and stereotyped performance routines have been completely inherited and developed in the female spies in many later anti-special films.Although this female spy does not have the usual flowery cheongsam, perm hair and high heels, she is exactly the same in the rich and changeable facial expressions of the characters.

In the famous film "Heroes and Tigers" by Bayi Film Studio, the famous actor Wang Xiaotang played the beautiful and charming female spy Alan, which aroused the most interest and fascination of the audience. The First Female Spy".Alan danced the fashionable "Rumba" in the film. After probing and infiltrating into the bandit's lair, Zeng Tai, the chief of the reconnaissance section of our army, had a secret love, and finally blocked the bullet shot at the "Deputy Commander" with his own body. And the regrettable and inferior ending of being killed for love and being forced to change to intertwined regrets, and being shot and killed by our army from love and hatred, will always pull the hearts of the audience.Alan's worries, Alan's fascination, and of course Alan's longing and Alan's fascination, will affect the hearts of the audience all the time.Therefore, in every appearance of Alan, people are all attracted and concerned by Alan's every smile, every move, every word and deed on the screen.

And Li Yuegui, who played another female spy and bandit leader in "Heroes and Courage", also performed very well in every gesture.The role played by Hu Minying is also an actor from Bayi Film Studio. In 1963, she played the villain "Rotten Cauliflower" in "Seizing the Seal" is also very tasteful.It's a pity that such an actress with acting talent suffered repeated misfortunes in terms of personal marriage. In addition, because of the capriciousness of the political movement at the time, she was greatly stimulated mentally. Finally, in her 40s, she At that time, he finally couldn't bear the psychological burden and committed suicide.The actor's own tragedy outside the screen is probably beyond the imagination of many audiences.

On the eve of the "Cultural Revolution" storm in 1965, the anti-special thriller "Secret Drawings" shot by Bayi Film Studio was the three most famous films in the 17 years before the "Cultural Revolution" along with "Yangcheng Dark Whistle" and "Tracking Chase". One of the most influential anti-special feature films.Director Hao Guang took a different approach and chose Shi Wei, who was hailed as a "girl star" at the time, to play the role of the female spy, which shows his foresight.And as Shi Wei herself, in the few plots she appeared in the film, whether it was stage performances, or street joints, whether it was designing lies, or the all-or-nothing when she escaped, all of them were completed with a very natural character development. This female agent develops her character around the secret task of stealing film, without any of the usual performance techniques of being coquettish and flirtatious.Therefore, Shi Wei once again used his two-way fusion of "true performance" and "character performance" to make the female spies in this film fresh and refined, making people feel fresh and lovely.Although Fang Li on the screen is beautiful and foreign-looking, Shi Wei, who plays the female spy at this time, is already a 37-year-old middle-aged woman.

Lu Lizhu, a famous drama actress from Zhengzhou Repertory Theater Troupe in Henan Province, has a cold and beautiful appearance, which combines elegance and extraordinary temperament.With years of stage performance skills and solid skills in shaping various characters, she was selected by Wang Ping, a famous female director of Bayi Film Studio, and was invited to shoot on-site in Shanghai in 1957 to reflect the period of the Anti-Japanese War. In the famous feature film "The Electric Wave That Never Dies", my underground party member went through life and death and established a secret radio station, playing the role of Liu Nina, a Japanese and puppet "double material" female spy.As a villain with many appearances and plenty of roles, Lu Lizhu played Liu Nina, a "double agent" who was born as a socialite and later joined Wang Jingwei's government and Japanese intelligence agencies, in an extremely layered manner.Whether it is the "interpretation of the current situation" when the characters appear on the stage, or the collusion with the Japanese secret agents, or even the racking of brains and brains to adopt "regional blackouts" in order to crack down on the underground radio station, and finally appearing as the female secretary of the Kuomintang "receiving officer" , They all firmly grasp the different changes of the character's personality at any time and the times as the focus, and wonderfully performed the psychological characteristics of this female agent who is like a snake, cold and scheming.Later, Lu Lizhu suffered a great deal of physical and mental damage during the "Cultural Revolution" for this film, and the rebels ridiculously and childishly "matched" the role and the actor, which also invisibly set off The image of Lu Lizhu as a female spy is deeply rooted in the hearts of the people.In the early and mid-1980s, Lu Lizhu, who came back again, also starred in the drama "Mysterious Ancient City" with the liberation of Kaifeng as the background, which once caused a sensation.

In 1960, in the anti-special feature film "Menglongsha" co-directed by Wang Ping and Yuan Xian, which described the People's Liberation Army task force going deep into the Dai people in Yunnan to mobilize the masses, was filmed at Bayi Film Studio in 1960. Actress Cao Ying of Chongqing Repertory Troupe followed five years ago After playing Qiaofeng in "Wu Geng Han", she was "electrically shocked" again, and appeared as the female spy knife Ai Ling in this film.This is a female spy who lurked in the home of the head of the Dai nationality and carried out sabotage of land reform activities during the KMT's collapse.This female agent is wearing a long skirt of the Dai ethnic group, and she talks and walks in a pretentious manner, which is very similar to the standard "flowered cheongsam, permed hair, and high heels" of female agents.The performance of the actors is also completely in accordance with the unique model of the female spy, with an obviously exaggerated and facial makeup performance mode, so that people can see the scheming inner world of the female spy at a glance from the face.

In the 1950s and 1960s, due to the specific background of the political era at that time, anti-special films, as a kind of plot treatment that reflected social reality in a timely manner and had its thrilling style, were deeply loved and welcomed by the audience.In the early days of the founding of the People's Republic of China, "The Net of Heaven and Earth" and "Break the Devil's Claw" were the earliest attempts of the Shanghai Film Studio with similar themes.The "Yangcheng Dark Whistle" filmed by Shanghai Haiyan Film Studio in 1957 is the most classic masterpiece of anti-special films, which combines thrilling styles, suspense features and twists and turns. The image of the female spy is particularly commendable.This film is adapted from a true story that happened in Guangzhou.

Di Fan and Liang Ming played the roles of female spies "Eight Gu" and "Aunt Mei" in the film, which undoubtedly added the most exciting and successful touch to the film itself.In addition, the well-known director Lu Jue, with his profound artistic skills, extended the "Aunt Mei" in the original script, in which the actor Xia Xia played the real identity of Boss Ma, to the maid Liu Ma, making the storyline more complicated and exciting. The twists and turns, and let the female spy leader not show her "true face of Lushan Mountain" until the last climax scene of the film. I have to admire the director's superb skills.Di Fan and Liang Ming have been in the film industry since the 1940s, and they have participated in many feature films such as "The Man on the Water" and "Sister Robbery".Di Fan, who played the role of the female spy "Eight Aunt", carefully played this role and played the best acting skills as an actor. This "Eight Aunt" has not only become the most glorious masterpiece of Di Fan's personal screen, but also Many old movie fans still miss her "Eight Aunt".Now, Di Fan walks outside and is still affectionately called "Eight Aunt", which shows the great influence of the role.And what is the charm of this role?This is mainly because Di Fan did not simply restrain himself by following the villain's performance routine. (She neither desimplifies the character nor even uses a single "facialization" to uglify this character, but instead shows the woman's cold heart behind the coquettishness, and the longing for true love that is hidden from the scout Wang Lian. The love that I always want to confide and express in my heart, as well as the cunning and stupid character who pretends to be smart but is misunderstood by cleverness, are all vividly performed with the development of the plot.) Although the behavior of this character in the film is only It's just to the point, and I didn't dare to use the film to deliberately render and express too much, but in the extremely limited scenes, Di Fan, relying on his in-depth and detailed understanding of the characters, truly showed Bagu's seven emotions and six desires. character mentality.Liang Ming, who is also a well-known actor from Shanghai Film Studio, is mainly known for playing the role of "Lao Dan". Ninety percent of the female spy "Aunt Mei" she plays in the play is a kind-hearted maid. The identity of the person appeared, and the mystery was not revealed until the end of the film.Therefore, the mystery of "Aunt Mei" innately endows this role with great plasticity.From the clothes of the servants of the characters to the cheongsam of the female spy chief, the personality changes naturally turn from this, and her specific image is highlighted with the change of roles.

"The Sentinel Under the Neon Lights", filmed by Shanghai Tianma Film Studio in 1963, reflecting the deeds of "Haoba Company on Nanjing Road", was adapted from the drama of the same name performed by the Nanjing Frontline Repertory Troupe, which caused a sensation all over the country.Although this film does not focus on anti-spies as the main line, it also puts a lot of ink into the plot of fighting hidden spies. Therefore, the image of female spies appearing in the film naturally caught the audience's attention.The main task of this female spy named Qu Manli is to be instructed by the old spy K to prepare to blow up the "May 1st" garden party and create social chaos in the new Shanghai. Of course, the plot was thwarted in front of the heroic "Good Eighth Company" soldiers. , smash the conspiracy.Ma Qi, the original cast member of the Frontline Repertory Troupe, appeared on the screen, and Jiang Manpu, an actress of the troupe, also played the role of the female spy.Jiang Manpu has a charming appearance, fair complexion, and a soft-spoken voice. Although her clothes are fashionable and gorgeous, they are by no means as dazzling as those of female spies.In the early days of Shanghai's liberation, the image of female spies Jiang Manpu created mainly appeared as college students, which is of course another type of unique image of female spies.Jiang Manpu's husband, Bai Wen, is the screenwriter of the influential play "I'm a Soldier", which was later adapted into the comedy film "Brothers Are Good". As the cradle of new Chinese films, Changchun Film Studio was once a "big household" for shooting anti-specialty films, so it produced the most anti-specialty films among the major film studios in the country.Whether it is "The Invisible Front", "Mysterious Traveling Companion", "Bianzhai Beacon", "Ten O'Clock on National Day", "Morning in the South China Sea", "Sea Condor" in the 1950s and 1960s, or "The Condor of the Sea" in the 1970s and 1980s. Fengyun Island, Bear Trail, Hidden Reef, and Where Do Guests Come From? Of course, the most successful and famous ones are The Silent Forest, Tracking the Tiger's Nest, The Case of Xu Qiuying, and The Outpost. , "Guardian of the Railway", and "Guest on the Iceberg" are six excellent anti-special feature films that many audiences are familiar with and never forget. A special feeling beyond watching movies. Bai Mei, a famous actor who starred in many films such as "The Beauty with a Mole" in the mid-1940s during the "Puppet Manchukuo" period in Northeast China, was mainly engaged in dubbing dubbing work in Changying Film Studio after liberation. There are only a handful of films. In 1956, Bai Mei and the "handsome boy" Wang Xingang co-starred in the anti-special feature film "Silent Mountain Forest" shot by Changchun Film Studio. In the film, she played the female spy Li Wenying who came back from overseas , sneaked into a certain city in the northeast to win over, corrupt, find and develop new spies, and prepared to cooperate internally and externally to jointly create counter-revolutionary incidents.This female spy pretends to be progressive on the outside, but she is extremely reactionary in her heart, and deeply rooted in hatred and opposition to the nascent republic regime.My scout Shi Yongguang disguised himself as Feng Guangfa, a special agent running a business, and got acquainted with the female spies from contact to acquaintance, so as to fully understand the clues of the spy group's activities, and finally cooperated with the public security to catch all the airdrop spies and hidden spies.What is valuable is that in shaping the image of the female spy, Bai Mei first performed the unique tenderness of women to the fullest. When dealing with the female spy and her young son who had been separated for many years, she showed her motherly love, showing that she is a woman and a woman. The most authentic and natural side of human nature revealed by the mother is also the highlight of the image of this female spy.And in the rival scene with Wang Xingang playing the role of scout, the tenderness of a woman is developed to the inevitable ambiguous relationship between men and women, and the performance is very decent and in place, showing the rich personal emotions of the female spy.Therefore, Li Wenying, played by Bai Mei, changed the image of the "facialized" female spy, and truly revealed her heart, delicately showing an actress' penetration into the role and her personalized performance.Later, the last role of Bai Mei, who entered old age, was in Changying Studio's anti-specialty film "The Third Murderer", playing the screen image of the female spy Roman lurking as a nun. During the same period, Changchun Film Studio's "Tracking the Tiger's Den", as a typical anti-special feature film with a thrilling style, also had two female spies foreshadowing the plot development in the film.One is the female spy Mi Ruzhen played by actress Mang Yiping from Beijing Film Studio, and the other is female spy Zi Liping played by Ye Linlang from Changying Studio.On the eve of the founding of the People's Republic of China in Beijing, Mang Yiping co-starred with the famous comedian Han Fei in "Flying Red Scarf" directed by Wu Yonggang.The image of the female spy she played in the film, in terms of appearance, mainly reveals the inner character of the character through clothing modeling.The first time she appeared in a cheongsam, she was extremely dissatisfied with her boss's order to lurk down and carry out sabotage activities. The second time she appeared, she was dressed in a fat padded jacket worn by a rural woman in the northeast, showing her ferocity and courage when carrying out sabotage activities in the countryside. sinister.Mang Yiping's appearance is very suitable for the common image of a female spy in people's minds. After her natural and superb performance, she can be said to be the representative and model of the standard type of female spy on the screen.It's a pity that this potential actress is limited by her acting skills. Although her acting skills are free, she has not been valued by the directors. Of course, her own image positioning, of course, is impossible to play an important role when the focus is on the theme of revolutionary struggle. Therefore, Mang Yiping's screen image left to people seems to have no other roles except the image of a female spy.As for Ye Linlang, who is different from the famous actress who specializes in female spies and can open up comedy dramas, in "Tiger's Nest Tracking", she plays the "underground" female spy who steals information under the cover of the Secretary of the Food Bureau.Therefore, the external identity of the character is that the female spy never shows her true nature until the last scene reveals her true form. Ye Linlang plays this female spy step by step in a relaxed and calm manner, and continues this role vividly and vividly. It is played on the female spy Wang Manli in another anti-special film "Railway Guard" with the background of the War to Resist US Aggression and Aid Korea. "Guardian of the Railway" filmed by Changchun Film Studio, as a well-known anti-special feature film, has long been known to every household, because all feature films were banned during the "Cultural Revolution", and in its later period to commemorate the 40th anniversary of the War to Resist US Aggression and Aid Korea, Zhou Enlai The Prime Minister personally initiated the selection of five feature films with the theme of resisting U.S. aggression and aiding Korea for public re-screening.Strictly speaking, "Guardian of the Railway" cannot directly center on the North Korean front line like "Fighting the Invaders" of "Amnesty", "Heroes" and the Korean film "Brothers in Arms". This "Guardian of the Railway" only uses the War to Resist US Aggression and Aid Korea as the background of its storyline, because the main creators of another famous film "Shangganling", which directly describes the Korean battlefield, did not get the "rightist" issue. Thorough "liberation", so "Railway Guardian" accidentally "replaced".The female spy Wang Manli played by Ye Linlang is a latent spy. She wears a Lenin outfit, straight hairstyle, and single cloth shoes, instead of the colorful cheongsam, perm hair and high heels that the audience thinks of female spies. The physical movements are full of articles, and the uniqueness of this role is no wonder that the audience is deeply impressed.Many years later, Ye Linlang, who has entered old age, was recognized by many farmers watching the filming of "Scented Soul Girl" in a rural area in the south of the Yangtze River. Everyone was pointing and whispering about her Wang Manli, talking quickly, Ye Linlang, who is bold and full of comedy, came to perform on the spot. She clasped her fists humorously, and said repeatedly: "It's me, it's me, I was just released from prison." Her words amused everyone laugh. At the end of 1961, Zhang Yuan, a famous actress from Changchun Film Studio, who was selected by the Ministry of Culture as one of the "22 Great Stars" of New China, has always appeared on the screen as a dignified and virtuous Chinese woman. Whether it is the teacher in "Flowers of the Motherland", or the underground party in "Underground Vanguard", whether it is the street sister-in-law in "Smiling Faces", or the Red Army soldier in "Ode to the Qiang Flute", Zhang Yuan's simple and unpretentious performances are all so wonderful. In the sensational anti-special film "The Case of Xu Qiuying", Zhang Yuan "uncharacteristically" played the role of the female spy Qiu Difan. This is undoubtedly a deep expansion of Zhang Yuan's screen image.Although the real story of this film is a big unjust case that was later rehabilitated, the prototype of the female spy Qiu Difan played by Zhang Yuan in the film does exist.Starting from the appearance and identity of the character, Zhang Yuan handled the character without any simplicity from the beginning to the end, so that the image of the female spy became a whole. Li's "anti-angle and positive performance" is similar in purpose. "The Outpost" is also one of the more successful anti-special films produced by Changchun Film Studio. Although this film is not very famous, the development of its storyline is also run through by a female spy. Therefore, among contemporary movie fans There are still some memories in my heart.The female spy Ali in the play is played by Changying actor Zhang Qinzhen.She mainly appeared as a simple fisherman's girl. It was not until the last scene in the cave that her true identity was revealed, so her attire was changed from coarse cloth to Kuomintang military uniform. This simple change of clothing was entirely for the sake of Designed to change the image of a female spy.In fact, in real life, there is absolutely no need to interpret the role through such a simple change of clothes.Zhang Qinzhen has always appeared in the supporting role of "Green Leaf" in many films, and she has indeed worked hard in shaping the image of this female spy.Especially in the rival scene between her and Li Yalin playing the role of a public security officer, it shows the potential performance quality of an actor. In the rare role of Ali, she has relatively complete and comprehensive acting skills. The anti-special feature film "Guest on the Iceberg", which is known for its thrilling style and distinctive national lyrical style, is a successful attempt and outstanding artistic feature of this anti-special "alternative" area.This famous anti-specialty film produced by Changchun Film Studio is the highest achievement of its kind.The background of the story is set on the Xinjiang border, with the frontier soldiers looking for their former lovers as the main line, which leads to the anti-special story of true and false Gulandam.The fake Gu Landam is played by Gu Yuying, who graduated from the Beijing Film Academy. Gu Yuying, who has a very distinctive appearance, is actually a typical Han nationality. The true identity of the heroine she plays in the film is a national As a female spy in costume, she mainly portrays and completes the character's inner character through complex facial expressions.Later, Gu Yuying only participated in a few films such as "The Singing of Tianshan Mountain" and "Blue Shield Safe", and had already emigrated abroad in the early and mid-1980s. Known as one of the three excellent anti-special feature films in the 17 years before the "Cultural Revolution", "Tracking and Chasing" is directed by the famous director Lu Jue who directed the famous "Yangcheng Dark Whistle" after being transferred to Zhujiang Film Studio. A successful anti-special feature film.This is a fiction based on the materials of many real stories. It mainly describes the thrilling story of the Guangzhou Public Security Bureau destroying and foiling the hidden secret agents' plot to blow up the power plant on National Day.The film also deliberately arranges a female spy Xu Ying who plays a very important role. As a liaison with foreign spies, she has been running through the development of the storyline. She is friendly and kind on the outside and sinister and vicious on the inside. This character has the same identity In exchange with the double psychology, Hong Bing, a senior actor from Zhujiang Film Studio, relies on his solid acting skills to perform this female spy with ease, and can be regarded as another successful representative of many female spies. In 1964, Changchun Film Studio started filming another anti-special feature film "Morning in the South China Sea", which described our South China Sea civilians annihilating Taiwan's invading enemies. The film was written by Zhao Ming, directed by Zhu Wenshun, starring Li Yalin and Hu Lepei. A latent female spy Nie Yujiao, imagines cooperating with the enemy inside and outside, and always dreams of her old days. This female spy is played by Zhang Wei, an actress from Changying Studio.It's just that this film was shot on the eve of the "Cultural Revolution" storm, and there are traces of "taking class struggle as the key link" everywhere in the film. Even the title subtitles are accompanied by a gunpowder-smelling unison song, which makes the film full of thrills, twists and turns. The anti-special theme style full of suspense is greatly reduced in this film. After a long decade of catastrophe, Chinese films have ushered in the revival of the spring of literature and art. In 1978, the anti-special feature film "Black Triangle" shot by Beijing Film Studio surprised the audience and friends to see their favorite anti-special film genre that had not been seen for many years.Although it seems that this film has many formulaic and procedural processing modes, many viewers still have vivid memories of a female spy who appeared in the film—the old popsicle seller named "Yu Huang".Indeed, such a lurking civilian dress, on the screen in the long decades of Chinese movies, and the inherent high-heeled shoes, flowered cheongsam, curly hair and the flirtatious female spy who often holds a cigarette in her mouth Compared with the image, there is a very "alternative" stand out.Although the movie also inevitably cuts into the story of the old popsicle seller recalling that she joined the spy organization when she was young, and deliberately facial makeup, the costumes of the characters are also tried to move closer to the inherent female spy model in the past. , the director with a limited level did not get rid of the model of a female spy, but let her pretend to be yin and yang and said: "For God, I will not do it, for our cause, I will do it", giving people a feeling of dumbfounded laughter.But what is commendable is that the female spy who appears in a large amount of space in the film is the image of the ordinary neighborhood aunt who seems very kind, kind and homely. From the handling of the plot development, the actor's simple performance style is not deliberate. Performed an exaggerated performance of the villain of the female spy, in which an old lady selling popsicles walked up to the spy driver and casually threw a ball of paper to convey information. Presumably many audiences can still remember it vividly, but in the film In the development of the plot, the expression of the actor peeping through the crack of the door, and the hideous face deliberately revealed after the final identity is revealed, are also artificially performed for the role of the female spy, which is exactly the same as the memory plot.Therefore, people remember the actress who played the role of the "old lady selling popsicles" as the female spy. It is the old actor Ling Yuan who played the kind old lady in "Plain Guerrilla" and "Icing on the Blossom" and in many movies. .Ling Yuan changed her way of acting and uncharacteristically played the role of the female spy, which became the most prominent screen representative work in her lifetime acting career. In addition, famous old actor Shu Yi played Effie, a Kuomintang female spy in "A Thousand Miles Against the Wind", Su Manyi played Mary, a Kuomintang female spy in "Eternal Life in Fire", and drama actor Bai Ling played a female spy in "Soldiers Under the City". The Kuomintang female spy Roman, due to the restriction of appearance, it is difficult to fully play the actor's own complete image of the role of the female spy. From the early 1970s to the mid-1980s, it was listed as a "new era film" by Chinese film history. Pearl Film Studio, Changying Film Studio, Beijing Film Studio and Xiying Film Studio successively launched eight anti-special films. , and without exception, there are female spies in the film, whether it is the female spy Kang Manqian played by Tao Baili in "Shark Fighting", or the female spy played by Pang Min in "The Fog" and "After the Entrapment" Lin Jingjing and Japanese female spy Fangdao; whether it is the female spy Lin Mengya played by Ding Tiebao in "Eastern Sword", or the female spy Lili played by Yu Yindi in "The Man Who Deals with the Devil"; whether it is Zhou Lina in "The Third The female agent Ai Xiadi played in The Murdered, and the female agent Yoshiko Kawashima played by Fu Yiwei and Zhang Xiaomin in "The Merry Spy" and "Yoshiko Kawashima" respectively of the same theme. An indispensable continuation and deepening of the spy image. Although time spans many years, many of the actors who played female spies, such as Bai Mei, Mang Yiping, Zhang Yuan, Hu Minying, Cao Ying, Hong Bing, Shu Yi, Zhang Qinzhen, etc., have passed away, but the unique charm of their screen images , but they will always remain in the original films of anti-special story films and the hearts of the audience who love old movies, and have become one of the audience's favorite genres.