Chapter 10 Famous in Japan

When they first came to Japan to develop, the goal of Polydor Records was to make Teresa Teng stand shoulder to shoulder with another top singer, Meiling Chen, so they spared no effort to make Teresa Teng the second of Meiling Chen.Therefore, in terms of personal image, the record company dressed Teresa Teng as an idol singer, and asked her to always be on par with Chen Meiling, wear some clothes with collars and sleeves, and let her have long hair.At the beginning, Teresa Teng was obedient, especially when she kept her hair long.But after a while, she got annoyed that long hair was not pleasing to the eye, so she secretly cut it short.Unfortunately, he was discovered by the company when he was on the show.Luckily, a beauty is always beautiful, and her short hair is kind of playful, and the audience responded well to her short hair.The record company just turned a blind eye, pretending it didn't see it, and didn't say anything.

When the company and Teresa Teng were having a hard time worrying about her hair, some newspapers and magazines were writing about Teresa Teng's beautiful straight legs, especially praising her "beautiful leg line". , even more upside down sentient beings. The "nonsense" in the media did not catch the company's attention.Until three years later, in 1976, Teresa Teng accidentally wore a Chinese cheongsam with high forks on the TV, which unexpectedly received a strong response from the audience, left a deep impression on everyone, and received rave reviews for a while.

Many fans wrote to ask for photos of Teresa Teng wearing a cheongsam, and some even wrote to praise Teresa Teng's beautiful legs exposed by the slits of her cheongsam.For these praises, Teresa Teng was flattered. "I never thought that my legs have such a great charm." Teresa Teng said, "It is very disadvantageous for me to sing in Japan, because there are many female singers with my appearance and singing style, so the company designed a cheongsam for me. image.” She also jokingly told the media, “The Japanese praised my beautiful legs, but I said that because of my ugly face, I had to wear a high-cut cheongsam to divert everyone’s attention!”

In the Japanese music industry, there is the so-called "fifty circles", that is, the top fifty weekly national record sales statistics published in major newspapers and magazines across the country, which is a sign of whether a singer is popular. From 1976 to 1977, every record of Teresa Teng entered the "fifty circles", which is a sign of Teresa Teng's popularity in Japan.In February 1975, Teresa Teng won the "Japan's 18th Record Awards" and "Shinjuku Music Festival Newcomer Award", and toured all over Japan, becoming well-known and popular.In September of the same year, he won the "Tokyo TV Daily Top Ten Singer Award" sponsored by "TV Daily". In November of the same year, he won the "Silver Jubilee Award" and "Honorary Award" with the highest score. In 1976, the personal album was launched in Japan, ranking the nineteenth in total sales in Japan. In January 1977, Japan held the "Where is Hometown" singing contest, with more than 5,000 contestants. Teresa Teng became one of the fifty candidates, and finally won the Tokyo "Where is Hometown" song contest champion.In August of the same year, he won the "TV broadcast" award in Japan with "あなたと生きる".As of 1977, Teresa Teng had released eight major albums and twelve small albums in Japan, each of which entered the top 30 of the charts. In 1978, Teresa Teng won the "Zheng Zhang Zhong" award with a song "Tokyo Night View" in Japan.

This is Teresa Teng's performance in highly competitive and very exclusive Japan. During this period of struggling in Japan, Teresa Teng held an average solo concert every month. "Each solo concert lasts one hour and forty-five minutes, and each program arranges 35 songs, including Chinese, English and Japanese songs. Each new program will take about three months to prepare. , Just memorizing the lyrics in the last month exhausted me." Every solo concert is a great challenge to Teresa Teng's physical strength and singing skills.But it is precisely because of such training that Teresa Teng laid the foundation for stage performances, and she introduced a brand-new performance concept to Hong Kong and Taiwan, allowing other artists to imitate, and invisibly injecting a source of progress into the Chinese entertainment industry.

No matter how hard and tiring, Teresa Teng thinks it is worth it, after all, the hard work has been rewarded.Moreover, at the end of each concert, the warm applause from the picky Japanese audience always made Teresa Teng's heart surge, and sometimes she was moved to tears. Teresa Teng spent ten years in Japan and earned at least five billion yen in profits for Polydor Records.But the record company also racked their brains and painstakingly in order to launch Teresa Teng. In the summer of 1976, when Teresa Teng released her seventh new song "The Ferryboat Under the Night" since her stay in Japan, Polydor Company specially made a Chinese-style "worship" for her, praying for God to bless the record to be popular.

This Chinese-style "worship" was held at the Lou Wai Lou Chinese Restaurant in Tokyo.At that time, the "offering table" was full of sacrifices, all of which were Chinese dishes such as chicken, duck and fish.Teresa Teng wore a cheongsam, which symbolizes Chinese women, while several male employees of Polydor Company wore Chinese-style robes.They burned incense together with Teresa Teng to worship the gods, but their looks and expressions were very funny.The Japanese man with long hair and beard is wearing Chinese clothes, and there is a promotional ribbon for "The Ferryboat Under the Night" hanging on the clothes, which is even more nondescript.What's even more ridiculous is that a pair of red candles on the "offering table" actually read "A hundred years of good marriage, five generations of prosperity", which is an auspicious word used when wedding candles in the bridal chamber.

While this absurd farce was going on, another group of people from Polydor was actively organizing a press conference, allowing journalists to record this new way of publicity and sales on camera and on paper.In this way, Poloido did an unexpected or absurd miracle from time to time.But no matter what, the effect of this publicity was achieved. The new song "The Ferry Boat Under the Night" ranked ninth in the total sales of all Japanese records in that month. For five full years, Teresa Teng worked hard in the Japanese music scene and became the fourth Chinese singer to become popular in Japan.However, among the Chinese singers who have always gone to Japan for development, Teresa Teng created many unprecedented records and eventually became the most famous Chinese singer in Japan.

Teresa Teng, who is famous in Japan, has many crazy fans, and there are a few "listeners who always sit in the front row". They will always appear in front of her at her concerts , and they are the first row of seats as soon as they appear.Their obsessive eyes are full of nostalgia and admiration; their uncomplaining actions show their love and tenderness for her. "They are about 20 to 30 years old, and most of them are men. At first they sat in the first row separately, and then a few of them even sat and talked together. Obviously they know each other!" Teresa Teng said, "For them Such support, as a singer, I am undoubtedly very touched, this is my personal honor, but in any case, I can never do anything to them, of course they have no way to get to know me, I don't know them Is it pain or pleasure to be so obsessed, I have to smile at them and nod my head every time I meet their eyes every time I sing, this can be regarded as my gratitude to these loyal fans!"

But according to Teresa Teng, some of those obsessed fans are very clever and "magic", and they actually got to know Teresa Teng through her company or acquaintances.These male fans introduced by the company or acquaintances, Teresa Teng just greeted them very politely, because she has never considered dating Japanese men, so she thinks it is necessary to keep a certain distance from them.Despite this, fans still try to get in close contact with Teresa Teng through various channels. Among them was a male fan who was the most memorable for Teresa Teng. At that time, Teresa Teng felt particularly confused and embarrassed by this, and sometimes worried about whether he would do something crazy, but there was nothing he could do.That man is gentle and polite, and he has no other requirements, as long as he can serve Teresa Teng's mother and daughter, he will be satisfied.He voluntarily and self-servingly does what he wants to do for Teresa Teng, regardless of Teresa Teng's personal reaction.This strange man works as a senior employee in an airline company. He often volunteers to carry clothes for Teresa Teng, and often gives Teresa Teng some small gifts.In addition, he would inquire about the big news and weather in Taiwan every day, and then call and report the news of that day in Taiwan and the weather in Taipei to Teresa Teng's home, so Teresa Teng called him an "ambassador of nostalgia".Later, under the introduction of the manager of Watanabe's company, the man invited Teresa Teng to dinner and wanted to meet her formally.That day, the "Nostalgia Ambassador" took his wife and children to have dinner with Teresa Teng, which relieved Teresa Teng, who was already in a hurry. It turned out that he was simply fascinated by her singing. I like her songs.Teresa Teng couldn't help laughing, she thought too much.

Japanese fans love to send gifts. Teresa Teng has received all kinds of gifts from the company or sent directly to her. Some are very unique, some are very ordinary, and most of them are accompanied by "mysteries" from fans. , It made Teresa Teng feel the warmth and pride of "friends all over the world".Teresa Teng was very reluctant to throw away so many gifts, but it was impossible for the gifts to fly around with her, so she shipped these dolls, pandas, etc. to Taipei by sea, and gave them to her brother's children.As for the dozens of bright roses after each concert, she gave them to her neighbors. Teresa Teng's soft and sweet singing swept Dongying Japan, and the Japanese were crazy about her and drunk for her.While appreciating her songs, many people scrambled to comment, pointing out the reasons for Teresa Teng's popularity, and summing up experiences and lessons for her. A columnist in Hong Kong, Murong Bagong, after "research and analysis", pointed out that Teresa Teng's popularity is related to her naturally round face.He said in the article: "A round face is a standard beauty in the eyes of the Japanese, because many beauties in Japan have this face shape. The terrible thing is that Teresa Teng not only has such a standard beautiful Japanese doll face, but also sings well. Coupled with a pair of slender legs, there is absolutely no "big root" like radish feet. Such calves are also the "beauty of the feet" they admire. Therefore, Teresa Teng's contract has been renewed year after year, because it has appeal to such Japanese companies are not willing to let people off easily." Teresa Teng's image in Japan is indeed very successful.Teresa Teng's personal temperament and personality are very similar to traditional Chinese women, with a kind of classical style, like a flower with a blushing moon, and a wild goose sinking like a fish.When Japanese companies build Teresa Teng, the first thing is personal image.Her clothing and hairstyles are expertly designed and very personal.As a result, the image of a gentle, gentle, pure and fresh girl is created, which is very in line with the tastes of the Japanese who yearn for classical oriental beauty.Teresa Teng's consistent gentle image quickly entered the hearts of millions of people. Many Japanese think that Teresa Teng can become the so-called "Asian Diva" by the Japanese mainly because she touched the hearts of the Japanese with correct Japanese.A Japanese music critic said that Teresa Teng's most important thing to the Japanese is that she is a foreigner, but she can sing the correct Japanese very thoughtfully and politely.Especially when the Japanese say "morning" and "thank you" in Japanese English, Teresa Teng focused on learning Japanese and spoke the correct Japanese, which moved the Japanese very much.In addition, Teresa Teng's elegant humanity and love beyond borders also made the Japanese respect her very much. Teresa Teng said that in the past few years in Japan, her singing has changed a lot. In June 1977, Teresa Teng said in an interview that her pitch used to be relatively high with accents, but after coaching and performing on stage, her pitch is now relatively low, more natural, and her timbre is more stable. In Asia, which is full of European and American "trend" singing styles, Teresa Teng is unique.Japan, in particular, is deeply influenced by European style and American rain, not only in the introduction of music production and other aspects, but also in the introduction of European and American singing styles, which are regarded as advanced by Japanese singers.They imitate the rough style of yelling and yelling in European and American music, and also match the body movements of dancing and shaking, so that they gradually lose their national style and become something that is not foreign every day. The immaturity caused by copying Europe and the United States has caused nostalgia in the music world, nostalgia for traditional lyric songs, and singers such as Hibari Misora. At this moment, Teresa Teng appeared singing a traditional Japanese lyric song. She was so gentle and elegant, and her voice was so sweet and sad, that the Japanese always regarded Teresa Teng as Hibari Misora, and they were so intoxicated that they didn't know where she was. place. Famous in Dongying for five years, Teresa Teng rushed to the market continuously, traveled all over Japan, and worked at least 12 hours a day. After hard work, she finally brought her a high reputation. The name of Teresa Teng (Teresa Teng) has into the hearts of the Japanese.Teresa Teng's records can be seen everywhere in record shops in metropolises such as Tokyo and Osaka.In addition to prominently displaying her English name Teresa Deng (Teresa Teng) on ​​the billboards displayed by some major record companies, her Chinese name "Teng Lijun" is attached below.At the same time, the struggle in Japan became a turning point in Teresa Teng's singing career and opened a new era of Teresa Teng's acting career. However, Teresa Teng felt that "the work is fulfilling, but there is no fun." Although she has won numerous awards and is widely popular, Japanese artists are far behind, but her heart is always unsettled. She doesn't like Japan very much, and she doesn't like it too much. Japanese.She rarely buys Japanese goods, and rarely makes Japanese friends except for business needs. She rejects many young Japanese men who admire her.This may have something to do with her father's participation in the Anti-Japanese War and the education he received since childhood.Japan, maybe just the needs of her career, she was moved by the enthusiasm of the Japanese, and also pleased by the care and rewards she received, but after all, she was endlessly grateful and could not sincerely like it. "I generally don't touch Japanese products in Japan. Japanese cars are indeed cheap and beautiful, but I bought a German Beetle car. Not only does it have no air-conditioning, but it has a manual transmission. I bought a Japanese car at the same price. I don't know if I can change it. What a new style! A lot of people laugh at me stupidly, but they don’t know what I mean. Maybe it’s because of some ethnic complexes. To be honest, I hate Japan. The only thing I do is to earn their money in Japan. , and then remitted back to my hometown.” This was Teresa Teng’s early attitude towards Japan. Teresa Teng is very proud of her image as a Chinese female singer in Japan.In Japan, she is an out-and-out foreigner, learning to speak Japanese and singing Japanese songs, but she does not take a Japanese stage name, but only uses the English name Teresa Deng (Teresa Teng), and she never hides that she is a Chinese singer .Every time Teresa Teng sang publicly in Japan, there must be a Chinese song. This is stipulated in her contract with the brokerage company. Teresa Teng agreed that each concert must have at least one Chinese song. "When Will You Come Again", "Green Mountains" and "Little Rain of Tears" are the three Chinese songs that Teresa Teng sang most often when she held a concert in Japan or was a special guest.Not only singing by herself, Teresa Teng also often taught Chinese songs to Japanese singers on the same stage or Japanese fans present. Japanese singers Momoe Yamaguchi, Kenji Sawada, and Michiyo Azusa all learned Chinese songs from Teresa Teng; and these singers also became Teresa Teng The object of reference and the friend of communication.In addition, every time she performs, she also prepares a Chinese cheongsam to appear, and sometimes even spends a lot of money to order it from Taiwan to Japan by air.So until now, "Teresa Teng" is still a popular Chinese singer in Japan. From 1974 to 1978, there were almost five full years. Teresa Teng seldom appeared in the Chinese circle because of her efforts to sprint into the Japanese market, and almost cut off contact with fans in Chinese areas such as Taiwan, Hong Kong, and Southeast Asia. But she The fans have not forgotten her, her singing is still sung in the Chinese area, her works still have a large market, and she has repeatedly won awards in the Chinese record market. When Teresa Teng left Taiwan, she also transferred from Taiwan's record company to Hong Kong and Japan's record company.During her time at Hong Kong Lefeng Records (1971-1975), her works were mainly film songs.With the vigorous development of Hong Kong and Taiwan movies, especially the popularity of Qiong Yao's romantic movies, Lefeng Records released more than 20 records for Teresa Teng with movie theme songs or episodes as the main axis.Among them are the 1972 films "Love 1, 2, 3", the 1972 films "Love Soul", "The World Laughs", "Colorful Clouds Flying", the 1973 films "When I Already Know Love", "Where Seagulls Fly" , the 1974 film "Sea Rhyme", "The Prodigal Son and the Schoolgirl", and the 1976 film "Ghost, Horse and Pretty Doctor" and other original soundtracks.The songs include "I don't know with spring", "Love you and never hate you", "Little flowers under the sunset", "Bury love in my heart", "A thousand words", "How can I leave you", "The one you love Flowers", "Rhyme of the Sea", "Remember You Remember Me", "Water Ripples", "Who Knows Me", "Can't Keep Your Heart", "If You Like This Song" and so on.These songs all rose to prominence along with the popularity of the movie.Teresa Teng's representative song in this period is "A Thousand Words". "A Thousand Words" (lyricist-Er Ying, composer-Gu Yue): I don't know why, sorrow surrounds me; I pray every day, quickly drive away the loneliness of love; from that day on, you said to me, love me forever; thousands of words and thousands of words, passing by the wind and clouds; I don't know why What, sorrow it surrounds me; I pray every day to drive away the loneliness of love. The song aroused a great response because it described the shy but entangled feelings of a young woman.The charm of Qiong Yao's movie and Teresa Teng's tenderness blended together in perfect harmony, which soon made the song very popular, becoming Teresa Teng's golden signature and an important milestone in Teresa Teng's singing career. "Colorful Clouds Flying" (lyricist-Qiong Yao, composer-Gu Yue), which is also Qiong Yao's movie, because of Qiong Yao's lyrics and ancient music tunes, Teresa Teng's songs are deeply rooted in the hearts of the people with the release of the movie. Teresa Teng sang typical Qiong Yao-style love with a mature and delicate voice, delicately expressing the steadfastness of love. Following Teresa Teng's success in Polydor Records in Japan, she joined Polydor Records in Hong Kong in 1975.Teresa Teng's famous series "Island Love Songs" was published after joining Polydor in Hong Kong. There are countless excellent works of Teresa Teng in the Polydo period. In September 1975, Teresa Teng launched the first episode of "The Love Song of the Island Country" "Goodbye!My Lover", including her famous song "Airport" in Japan.In September and October of this year, Teresa Teng went on a concert tour in Malaysia; Yue recorded "Teresa Teng TV Album" on Hong Kong TV for the first time. In the late 1970s and early 1980s, Hong Kong was experiencing Japan fever.As Japanese department stores have entered Hong Kong in a big way, clothing, comics, songs, food, etc., Japanese style is very popular.Many of the music played in fashion shops on the street are Japanese pop songs.Hong Kong musicians are also constantly going to Japan for further studies, and Japanese influence can be seen everywhere in advertisements, fashion, and photos.At that time, Japan was at the forefront of world trends, and Tokyo, whose geographical location was far closer to New York and London, naturally became a popular city for cutting-edge consulting. Teresa Teng is a singer who has successfully entered Japan, which makes her singing voice have advanced meaning.Teresa Teng's original lofty status in Hong Kong is now unmatched by anyone. Teresa Teng went to Japan to study and improve her skills when she felt that her singing and singing styles in Taiwan and Hong Kong had become routines.Her unique Chinese folk-song style is limited by the style of music creators in Taiwan and Hong Kong. Although she is very popular among Chinese, she always has a tendency to sing out and become vulgar.Therefore, after Teresa Teng developed in Japan for a long time, her singing skills improved rapidly. At the same time, she also began to introduce Japanese pop music to Taiwan and Hong Kong, thereby broadening her singing career.In addition, she also began to sing a large number of works by Japanese creators, gradually introducing Japanese-style music into the Mandarin pop music scene. On March 27, 1976, Teresa Teng held her first solo concert in Hong Kong. Teresa Teng's first solo concert in Hong Kong will be performed at the Lee Theater.Lee Theater is not a place where ordinary people can perform on stage casually.The Lee Theatre, located on Percival Street, Causeway Bay, Hong Kong Island, was built in 1920 by Lee Hysan, a famous opium tycoon in Hong Kong.It took five years before and after the construction of this theater. Its appearance is modeled after London's Piatim Theater, and its interior is decorated with carved beams and painted buildings. It is completely Chinese-style architectural design.Until the 1970s, 50 years before the arrival of Teresa Teng, the Lee Theater has always been the most luxurious and grand performance venue in Hong Kong.Famous Cantonese opera singers Ma Shizeng, Xue Juexian, Fang Yanfen and Peking opera master Mei Lanfang all chose the Lee Stage to perform in Hong Kong.Teresa Teng, who was only 23 years old, had her first solo concert on the Lee Stage, which shows Teresa Teng's status in the Hong Kong music scene at that time.In the future, when Teresa Teng performed in Hong Kong, of course the performance venue she chose was Lee Stage. Teresa Teng, who has been baptized by the Japanese entertainment industry for three years, has lived up to the love of Hong Kong people.She brought a more modern way of acting to the Chinese world.Although China's modern pop music has been developed for decades, compared with the West or neighboring Japan, there is still a world of difference, especially in the way of performance.The performances in Taiwan and Hong Kong still focus on the singing skills of the artists themselves, paying great attention to individual singing characteristics, while ignoring the overall stage effect.On stage performances, even if there are dancers, it is only for decoration, and the band is just a pure accompaniment role.Teresa Teng brought a brand-new stage performance model back to Hong Kong, and specially invited a 20-member Japanese big band to serve as the accompaniment; at the same time, she also brought an exclusive dance group. Teresa Teng held three large-scale concerts at the Lee Stage.For several days in a row, the concert venue was full, and the gate of the venue was full of young people waiting to buy refund tickets.At the concert, Teresa Teng was kind and easy-going. Sometimes she chatted with fans, sometimes led the audience to sing with her, and sometimes walked into the auditorium and shook hands with them cordially. "As long as you don't feel tired, it doesn't matter if I sing all night." She sang in Mandarin, Cantonese, Japanese, or English, and she also showed a "horizontal spring performance" during the singing, which won the Full house.The versatile Teresa Teng, with her intelligence and hard work, only learned horizontal spring in Japan for two months before performing on stage. Since 1976, Teresa Teng, who has many works and countless fans, has changed her previous performance form and made personal concerts that can fully demonstrate her singing skills the focus of her performance form.For more than two years, she has held intensive solo concerts in Hong Kong and Japan.Shortly after Hong Kong's first solo concert, Teresa Teng held her first Japanese solo concert in Shinjuku, Tokyo in July 1976; In March, Teresa Teng chose to hold a solo concert at Lee Stage in Hong Kong for the third time. In 2010, Teresa Teng held a large-scale concert in Japan. When Teresa Teng held a solo concert at the Tokyo Yakult Hall, all the tickets were sold out a few days ago.When the concert was about to start, countless Japanese and even many foreign fans gathered in the lobby of the hall early.The lights flickered on the stage, and Teresa Teng appeared in a pink gauze dress.Her steps were light and her eyes were bright. Before she could speak, thunderous cheers erupted from the audience.On the brilliant stage, under the radiance of the first-class band, Teresa Teng's vermilion lips parted lightly, and her singing immediately floated into people's hearts and echoed in the depths of memory. Where the singing stops, the applause starts again, and the cheers are like a heat wave, one wave after another.Countless people called her name over and over again: "Teresa Deng, Teresa Deng..." Her beautiful and sweet songs and whispers have stayed in the hearts of the Japanese for a long time. In Southeast Asia and Taiwan, due to the lack of large-scale performance venues, Teresa Teng mainly performed on shows or recorded TV albums instead of personal concerts.In Southeast Asia, Teresa Teng's singing strategy has always been based on show performances. In November 1977, Teresa Teng led the "Lixing Opera Troupe" to tour Malaysia; in 1978, he toured in Singapore and Malaysia. The sky in Southeast Asia is full of Teresa Teng's singing, soft or plaintive.Her melodious and cool singing voice is all enjoyable, such as "Keep Spring in My Heart" (lyricist-Dishan, composer-Cha Rongji): The warm spring breeze blows open the clusters of wild flowers; the green water flows endlessly, the green hills are full of smiles, and the paradise is full of spring; on this beautiful day, let us express our love to each other, and our hearts are like each other, and our faces are more red than flowers; The beautiful scenery is gone in a hurry, although life is like a dream; as long as the two of us grasp the time well, spring will always remain in our hearts. In June 1977, Teresa Teng signed a contract with "Taiwan TV" and recorded Taiwan's first "Teresa Teng Album".This time, Teresa Teng returned to Taiwan from Hong Kong and was warmly welcomed by people from all walks of life in Taiwan.People from the entertainment circles met frequently, news media scrambled to report, and crowds of fans chased her every step of the way. In Taiwan, unlike Teresa Teng's business methods in other regions, she prefers to use TV albums to promote records and maintain fans' feelings.On the one hand, it is limited by the poor venue of the concert in Taiwan, and on the other hand, it also considers how to get the most economic benefits with the least amount of time. How many flowers bloomed? Teresa Teng quickly swept across Taiwan Island, and her singing made people in her hometown feel more cordial, such as the cheerful song "Print You in My Heart" (Lyricist-Excuse me, Composer-Li Junxiong): I remember the first time we met, we didn't pay attention; we just greeted each other lightly, and the relationship started like this! I always avoid you when I meet you, this is just a shy back; I dare not explain to you, but in fact I have already imprinted you in my heart! There are photos of Teresa Teng everywhere on TV, newspapers and magazines in Taiwan, with her unrestrained and unrestrained demeanor, her calm and charming smile, and her singing and typhoon are praised everywhere.One of the newspapers commented on her: "When Teresa Teng performed on the stage, people felt that her songs were sweet, her voice was soft, graceful and gorgeous, her articulation was clear, and she was full of emotion. She knew how to use her voice very well. Different songs use different voices. The songs use different emotions, the timbre is rich and colorful, and can be played freely. Every song is sung so naturally, delicately and beautifully..." Teresa Teng's ability to interpret love songs is particularly amazing. She can use her rich heart to understand the connotation of each song, and then use her expressive voice to express the complex emotions, such as "How Do You Say" (Lyricist-Shangguanyue, Composer-Sima Liang): I haven't forgotten that you forgot me, you even said the wrong name, which proves that you are lying to me, see what you say today; you said that you came to see me in two days, and the first wait was more than a year; three hundred and sixty-five It's a hard day, you don't have me in your heart, give me back my love. Teresa Teng sang a female image who was emotionally deceived, full of grievances but also somewhat stubborn, resentful yet playful, angry yet a little willful. "Give me back my love" has infinite melancholy in the persistence.In addition, Teresa Teng's songs in this period were greatly influenced by the Japanese singing style. In the original proficient style, a sad and poignant style was added. At the same time, through the mastery of singing skills, Teresa Teng's love songs showed a new style. In March 1977, Hong Kong held the first "Golden Disc Awards". Teresa Teng, who has won numerous awards in Japan, became the "Hong Kong's first Golden Disc Awards" with the second episode of "Treasure Island Love Song" "Thinking of You Tonight". Winner of the first gold disc. Regarding Teresa Teng's outstanding performance, Zhang Wenxin said: "When I was a DJ, Teresa Teng had reached a higher level. She practiced singing in Japan, and her singing skills became more sophisticated. "Good Bye My Love" and other translations into Chinese are very popular. Compared with the Cantonese songs sung by superstar Alan Tam at the time, her songs are more penetrating. And her singing style has a kind of Chinese talent. Homesickness." In 1978, Teresa Teng won the third "Golden Record" award in Hong Kong at the same time with two albums "Teresa Teng GREATEST HITS" and the third episode of "Treasure Island Love Song".Among them, "Love is More Beautiful" and "A Love Letter" are "platinum records". While winning applause from the audience and various reputations, Teresa Teng actively carried out charitable donation activities. In 1978, she donated the proceeds of her personal concerts in certain sessions to a charity fund, and won the "Police Broadcasting Charcoal Award" from Taiwan's "Police Radio and Television Station". In the past few years, Teresa Teng traveled from Southeast Asia to Hong Kong to Japan, from Japan to Hong Kong, and then to Taiwan. Every time she came and went in a hurry, every time she was greeted by a sea of ​​flowers, and countless laurel crowns were worn on her head.The brilliance of Teresa Teng made Asia in the 1970s extraordinarily splendid.