Chapter 30 Chapter Thirty

Bitch Production／Bitch Production1 I went to make a movie this Spring Festival. Before the filming started, I announced the news in a very relaxed tone, full of "nothing" and "joining in the fun" to everyone who knows me and who doesn't know me. Although I am a little funny and nonsense on the surface, I am very serious in my heart Suddenly realized: Maybe, I am not too far away from the life of "wearing sunglasses when going out". On the first day of filming, I was very serious and came to the scene on time. On the first day, I was the only actor in the scene, and the other actors were still at home celebrating the Spring Festival.This is a good opportunity for me to communicate with the director.

The director finally came, took a look at me, and said, "Come on, don't be in a daze, go and put on makeup." In order to make it easier for non-professional actors (that is, me) to find the feeling of the play, the director decided to shoot in the order of the plot.The first scene is me getting up.I was lying on the bed in my comfortable and loose pajamas, and I was foolishly watching a bunch of people rushing around. At this time, the director came to me and said: "You close your eyes and find out the feeling. This scene is very simple: You woke up, didn't open your eyes, touched your side first, and found that your husband didn't come home all night."

"Yeah." I obediently agreed, then closed my eyes and began to brew emotions. After an unknown amount of time, I heard a roar: "Why are you asleep?! You're still snoring!" The second is to introduce Liu Suola whom I know little by little, and Sola introduces Ning Ying whom I know. The first time the three of us got together until one o'clock in the middle of the night, the second time until 4 o'clock in the morning, and probably less than the fifth time we decided to make a BitchPro －duction, we have three bitch packages for everything. I originally thought that was the way to say it. In many matters in art, the process of coming up with ideas is the most interesting. Once it comes to execution, everyone retreats.So most of the discussions I'm involved in are stuck at the idea stage.I didn't expect that Ning Ying is such a serious person, and she does things very quickly. Not long after we messed around until dawn, her story outline, shooting plan, venue, and personnel were all settled.I admire Ning Ying's speed and confidence in making decisions.I'm the indecisive, three-minute-an-idea kind of person, and most of the time I really don't know what I want.Ning Ying was the complete opposite. I introduced her to use my mother's house as the venue. She went to see it once and said that No. 51 Shijia Hutong would be ruined if it didn't make a movie, and then it was fixed.Both my mother and I were caught off guard. The crew is a group with powerful destructive capabilities. I accidentally took it home.

So La's style is completely different from Ning Ying's, she only has inexhaustible and good inspiration.When I watched her play, I felt like I was bombed by a B-52, and the inspiration came right away, so you couldn't hide her wisdom.No matter in life or art, Sola is a very generous person, she can dedicate all her artistic inspiration to her friends without reservation.Even for her, this is not dedication, this is her life. Preparations for filming seemed to be going well, but the final difficulty was the actors themselves.I can understand Ning Ying's philosophy. She thinks that the experience of Chinese women in their 40s cannot be found in this world, because they have experienced hundreds of years of changes in other countries in the first half of their lives. The outline of the movie's story is just a skeleton. And its flesh and blood is the experience of the four of us.This is a difficult problem for all of us, when we are ourselves, when we are characters, and how to match the two. This skill is a challenge for both professional and non-professional, no matter who will have psychological barriers.Some of our sadness and confusion are exactly what we want to hide and forget. Playing ourselves in front of the camera is no different from being naked. One exposes the body and the other is the soul.

3 "Lift your head up a little more," said the director. "Is that so?" Lala made a gesture without feeling anything. "No! You find some light on your own face!" mpanel(1); Lala shook her body casually, then burrowed her head two inches into the shadow, then looked at the director with a smile on her face and said, "Is this here?" The director almost left the monitoring screen in desperation, took a deep breath, coughed, sighed, tried his best, and cursed people in Italian. Lala didn't understand why the director was in a hurry, so she asked mischievously in a low voice, "What's wrong with her? Did I do something wrong?"

The director suddenly turned around and said to Lala: "Tell me, what kind of pose do you think you want to pose?" "Does this look good?" Lala lazily made a ghostly gesture, and then said, "I think I should be in this state." The director looked at her, looked at the camera, looked at her again: "Ok, you are here." Then he said to the crew, "Change the camera and adjust the lights." Immediately, everyone in the room moved When I got up, the director also went to help adjust the light.The four of us were chatting quietly there. I don’t know who told a joke again. Lala laughed up and down. At this moment, the director came back. The camera had just moved and the lights had just been adjusted, but Lala was swaggering smiling.

"Sola Liu, why are you moving again!!!"