Chapter 2 Part 2 Spectacle (1)

●Story He created many incredible stories, always so unexpected.A novel cannot be without a story.Even a simple novel must contain a simple story. What is doing?It is a chain structure composed of a series of relationships, or it may be just a scene or a sound. Once upon a time there was a mountain, and there was a temple on the mountain. In the temple, there was an old monk and a young monk. The old monk was telling stories to the young monk.He said that once upon a time there was a mountain with a temple on the mountain. In the temple there was an old monk who was telling stories to the young monk.Once upon a time... This is the most primitive form of the story, and it is also the most mysterious part of the story.

Every novelist has his own unique story. , Every novelist's unique understanding and experience of the characters and the world are condensed in the stories he weaves. The story is fiction, however, it is often truer than real life. A story always contains a certain time and place, or always contains a certain cause and effect.However, it often transcends all time and space and causality. A story is a system in itself. It leads us to hear another kind of speech, a speech beyond the divine. All good novelists are good storytellers, and Gu Long is certainly no exception. He created many incredible stories.

Unexpectedness is the biggest feature of Gu Long's story. In the novel, it was Shangguan Ren who killed his father and enemy, but he didn't know until the truth finally came to light.The reason why Shangguan Ren wanted to kill Zhao Wuji's father, Zhao Jianshi, was a trick designed by Zhao Jianshi himself, so that Shangguan Ren would sacrifice his head to the enemy, and finally achieve the goal of destroying the enemy and protecting his own gang.Zhao Jianshi's attitude towards death, and Shangguanren's tolerance for humiliation are almost unthinkable to ordinary people. The real murderer is precisely Chu Liuxiang's best friends: Wuhua and Nangongling.In the words of Gu Long, your best friend is your worst enemy.

The devil in "Sword Qi Full of Flowers" is actually Zheng Siyuan, the leader of the upright martial arts, and the current head of Shaolin, Wudang, and Kongtong is actually his accomplice. There are a few unexpected ones, one is that the black panther kindly rescued Bobo, and it turned out to be just a trap.Second, it was unexpected that Bobo would finally say to Black Panther: I love you.Third, unexpectedly, Bobo's father, a well-recognized gentleman, was actually a complete villain. Gu Long's novels always make people have unexpected discoveries and sighs. It is unexpected that there are so many traps in the world, that there are so many changes in people's faces, and that people's hearts are so unpredictable.

The story of Gu Long is always full of suspense at the beginning, like a fog, which makes people puzzled. In the novel, Yu Fanghe and his son Yu Peiyu, a family of martial arts, were suddenly attacked at home, and Yu Fanghe was killed in a trick.Yu Peiyu escaped from the dead, just happened to meet her father's friend Lin Shoujuan's daughter and her fiancée Lin Daiyu, and learned that Lin Shoujuan and several other famous martial arts masters had also been murdered.But not long after Lin Daiyu finished speaking, Lin Shoujuan and several other famous martial arts figures suddenly appeared.Lin Shoujuan told Yu Peiyu loudly that his father was not dead.Peiyu saw that her father's body had disappeared.He ran away from home alone, went through hardships, and came to Huangchi to participate in the martial arts conference, but met his father Yu Fanghe.All this made him wonder, what is the truth?Who can impersonate his father?Who can pretend to be so many famous martial arts masters?Who is the mastermind behind the scenes?What is his (her) intention?

Among them, a floating corpse is floating on the sea.The deceased were Zuo Youzheng, the head of the Tianxing Gang, Ximen Qian, the head of Zhusha, and Zamuhe, the king of the desert and Lingjiuzi of the Three Swords of Hainan.On the surface, these people seem to be killing each other.But why would they kill each other?Chu Liuxiang finally revealed the truth based on the clues. In "The Falcon", whenever a purple smoke rises, a person's life will end immediately, and this seems to be related to a mysterious courtyard and a mysterious woman living in the courtyard. Suspense arouses readers' interest in reading.

The answer to the suspense is that the author reveals to the readers the secret of life he has observed stroke by stroke. All suspense, like ordinary scenes in daily life, hides complex motives and backgrounds. In the development of suspense, various forces conflict with each other, forming the evolution of the plot.These forces may be forces of good and evil, or conflicts between different ethnic groups, or gang disputes. However, the conflict pattern of Gu Long's stories is quite different from that of general martial arts novels, and his stories are closer to detective novels and romance novels.He hardly wrote any stories about ethnic conflicts or treasure hunts.In the depths of his stories, it is often only human lust that drives the actions of the characters and the development of the plot.

Gu Long is an expert in lust analysis.He explores and describes the possible lust and its consequences in human nature, allowing readers to witness the sea of ​​desire hidden behind the bizarre and tortuous stories. The palace masters of Yihua, Yaoyue and Lianxing, killed Jiang Feng and Huayuenu out of jealousy and hatred, but left their twins behind.They left one of them to Jiang Feng's sworn brother, the hero Yan Nantian, while they took the other up for adoption.The purpose is to make brothers kill each other in the future.The whole story is derived from such a sinister and peculiar plot, full of blood and hatred.

The plot of "Sword Flower·Misty Rain·Jiangnan" depends on a beautiful deception. Xiaolei fell in love with the maid Xianxian and had a fruit of love. But when Xianxian told Xiaolei that she was pregnant, Xiaolei said indifferently. Don't love her anymore, let her go.Xianxian wanders the rivers and lakes with great resentment, wanting to commit herself to other men to take revenge on Xiaolei.It wasn't until later that she found out that the reason why Xiao Lei did that was because that day he learned that an enemy had come to kill him.That enemy is extremely powerful, wherever he goes, he doesn't leave a blade of grass.In order to let Xianxian escape from death, he pretended to be heartless and let Xianxian go away in anger.Such a story is a romance novel, not a martial arts novel... The situation in "The First Sword of Wind and Cloud" was also caused by jealousy.Ma Kongqun, the master of Wanma Hall, the brother who lived and died with Bai Xianyu, the master of the Divine Sword Hall, hated Bai Xianyu's reputation as a hero in the world and his ever-growing Divine Sword Hall, and attacked Bai Xianyu.The participant is Ding Baiyun, who once fell in love with Bai Xianyu and was abandoned.She had lived with Bai for 77 days, so she scored 77 knives on her face.From love to hate, love and hate are inseparable.The former best friend and the former beautiful lover teamed up to kill all 11 members of Bai Xianyu's family.

The twists and turns are bizarre and confusing, and the manipulators behind the scenes are actually Ji Beiqing, Ji Kuqing, and Yu Duhe.The three had incest between brothers and sisters, as well as extramarital affairs.The darkest and most primitive side of human nature is all in it. And so on, and so on. In Gu Long's novels, there is a character who always says when answering other people's questions: No reason. Indeed, when people take a certain action, they often don't think about why, they just want to do it, so they do it. The impulse of "no reason" is secret and profound, but it often constitutes the motivation of Gu Long's stories.

Gu Long's story likes to leave a gap in time. His favorite time words are "once upon a time" and "that period of time".As he himself said: When our stories happened, it was a very special era. In this very special era, there is a very special class. In this particular class, there are some very special characters. This era, this class, and these characters have created our martial arts world. In this world, full of romance and passion. Full of iron and blood, love and hatred, gentleness in violence and elegant violence. Iron and blood fight, love and hatred entangled, it has become a legendary story that some people are fascinated by. The story does not have a real time background, of course it is a tricky way, and it does not need to be bound by the historical era and can be played freely. However, this trick also shows that Gu Long focuses on pure human nature itself. He does not pay attention to the influence of social and historical factors on people. He only discusses how human nature should be revealed and developed in the pure state of interpersonal communication. of. Because of this gap in time, Gu Long's stories are often allegorical.What he wants to tell you is the eternal truth of life, what is the permanent and unchanging human nature outside of time. Perhaps, Gu Long felt that human nature is complex and elusive, just like there is always an unknowable in the universe, so his stories are often mysterious and weird. Not to mention the Murderer Village in the movie, even ordinary manors, simple restaurants, and ordinary caves become so mysterious and strange in the story of Gu Long. As for the characters in the story, they are even more strange, crazy and mysterious.What they say and do is often for reasons that ordinary people can't think of. Sometimes, Gu Long will analyze it, and sometimes leave suspense for readers to guess.For example, at the end of the book "Falcon", it says: "What kind of organization is that organization? Bu Ying will not think about it for the time being. Anyway, that is another story." Although there are many strange peaks and twists and turns, but if you read carefully, you will feel that Gu Long's stories are actually very simple. The reason why it is so exciting seems to be related to his love of exaggeration.When Gu Long narrated the story, he almost completely projected his own emotional concepts into it.He was eager to confess himself. Therefore, his stories give people a sense of coherence, which immerses people in the atmosphere he creates, but sometimes they also give people a sense of pretentiousness. For example, his description in "Sword Flower·Misty Rain·Jiangnan": With her head down, Xianxian gently opened the door.She has a small room of her own, which is very comfortable and clean, and this is her own world.Here, no one ever bothered her. She gently closed the door, turned around slowly, leaned against the door, and looked at the opposite window.Her pale and beautiful face was suddenly dyed a blush.At this moment, her person seemed to have completely changed. She quickly took off the outer skirt, and the inner clothes were thin and light. She pulled out the gold hairpin from her bun, let her long black hair hang loosely on the dress, blinked at the rhombic mirror on the dressing table, then reached into her bosom again, and untied a very long white silk .Then, her flat chest suddenly miraculously expanded. She breathed a sigh of relief, and made a face in the mirror.She turned around and opened the window again, knelt on the bed, looked out the window, saw no one was around, she jumped out of the window lightly. In late spring and March, the grass grows and ducks fly.In the spring rain, the green grass looks as soft as a lover's hair. Xianxian held her long hair in one hand and her shoes in the other. She was running barefoot on the green grass. Chunyu wet her hair, she didn't care.Her toes are beautiful and delicate, and the grass pricks the soles of her feet, which are itchy and numb, but she doesn't care. Now, she is like a yellow duck that just flew out of the cage, she doesn't care about anything anymore, she only wants to find her spring partner.The stream is clear, and the rain falls on it, causing circles of ripples, just like the hearts of girls in spring. She ran up along Qingxi, and there was a peach blossom forest on the hillside. In this paragraph, there are not many story elements, but more of the author's subjective rendering.Rather than saying that he describes a girl going on a date with a lover, it is better to say that the author writes about the mood of a girl who is going to meet her lover in his imagination. A very simple story, Gu Long can render it vividly. His stories are lean and lean in their trunks, but rather lush in their branches. In general, Gu Long's story types can be divided into four categories: the first category is martial arts novels that are biased towards norms, such as, etc.; the second category is detective novels, such as, etc.; the third category is romance novels , such as "Sword Flower · Misty Rain · Jiangnan", etc.; the fourth category is a complex formed by combining the above three types.Most of his most famous works such as , , , etc. belong to this kind of synthesis. The complex can be said to be Gu Long's original creation, he will be a martial artist.detective.The combination of strange emotions creates an unprecedented story style, which seems to be very classical and modern. Gu Long's story emphasizes suspense, pursues surprises, and looks strange.At the same time, he deliberately exaggerates the stories he narrates, and especially likes to create a mysterious and weird atmosphere. Therefore, his story style can be said to be tortuous and ethereal, monotonous and complicated, perverted and poignant. ●Style jumping structure, sensual text, full of emotion, form a clear and concise And a volatile picture. A novelist tells a story by language and structure. The same story, told by different people, will have completely different styles, or styles, due to the different means of using language or structure.Every writer should have his own style, his own, or the style that distinguishes him from others. What kind of style did Gu Long create? The second feature is the organic interlacing of short sentences and long sentences, which form the arrangement points of the text and the sense of rhythm in reading.If Jin Yong's language is dense and unhurried, then Gu Long's language is turbulent, jumping and floating. For example: Du Qi's hand was on the table, but it was covered by a big Malianpo straw hat. It's the left hand. No one knew why he put his hat on his hand. Dusk, before dusk. There were many people on the street, and suddenly a fast horse galloped over, knocking down three people, two stalls, and a wheelbarrow. The man on horseback with a long knife on his waist was strong and vigorous. When he saw the signboard of Tian Xiangyu, he suddenly flew up from the saddle, turned over in the air, and flew into the wine hug like an arrow. There was a commotion upstairs, but Du Qi didn't move. Most of them are short sentences, occasionally inserting one or two long sentences.There are a lot of paragraphs, and very few paragraphs exceed three lines.The disadvantage is of course that the description is not detailed enough, which sometimes makes people feel rough, but it also has the advantage, that is, it is simple and clear, without sloppiness.Especially visually, it creates a strong momentum, as if there is a compelling force, so overwhelming that you have to read it all in one breath. Some people say that this is a typical commercial style, with many sections for the sake of more words, and of course more words for the sake of more manuscript fees.Moreover, the use of short sentences requires only talent and imagination, and does not need to be meticulously crafted, nor does it need to be fully prepared in knowledge. It seems that after Gu Long, this short-sentence-based style has become popular rapidly and has become a trend.There are fewer and fewer text components, and more and more visual things, a bit like the storyboard of a movie. As Siegel foretold, as cities developed, the activity of the eyes greatly outpaced that of the ears.People are more and more fond of perceptible and visible images, and they will become more and more repulsive to music and words that require imagination or reasoning. The second characteristic is the intervention of poetic elements.Gu Long purely writes novels in the way of poetry. The plot of traditional novels is treated with a string structure: The plot of poetic novels uses a radial structure: In the radiation structure, the setting of the plot is subject to the change of emotions, and the author controls the development of the plot with the ideas he wants to express.This is a poetic way of thinking.The writing of poetry is centered on images, and the reason why images can condense different images into a harmonious body depends on the projection of the poet's emotions.For example, brilliant flowers, the vast clear sky, and children's laughter can be juxtaposed together. These objects seem to be unrelated to each other, but in essence they all reflect a certain bright and cheerful mood in the author's heart. Gu Long's novels are full of such imagery things, and the casual arrangement is full of emotional tension.When Gu Long narrates the plot, he often does not just describe, but expresses and sighs. It can even be said that almost any description of details strongly reflects the author's emotions.He is undoubtedly a highly subjective novelist. Gu Long's novels are filled with a poetic melody that is difficult to see in ordinary popular novels, which may be the most important reason why Gu Long's novels are charming.He often sublimates an ordinary life picture into a poetic image, which is endlessly memorable. For example, this sentence appears repeatedly in his work: One person, one box. A silent and ordinary person, carrying an old and ordinary box. It couldn't be simpler, and almost all the modifiers have been removed.However, this is typical imagery language.What it draws the reader's attention to is not a specific behavior.Appearance, but ethereal imagination.What kind of person is this?What kind of box?Why are you silent?What kind of ordinary is it?These are all blanks, as if they could be any one, any interpretation. Its imaginative space is enough to contain the capacity of a full-length novel. The third feature is the extensive use of film means.Gu Long's novels are often composed of pictures, similar to the Montages of movies.One frame after another, it seems that the camera is moving, not only the juxtaposition of time and space, but also the confusion of time and space. ,,, Many of his novels are like film literary scripts, which can almost be directly filmed.For example: Gansi in February, at noon. On Guanluo Road. Sima Chaoqun whipped the horse, let the rein go, and galloped. Gallop to Chang'an. His horse is still galloping, still going strong, because he has changed horses four times on the way... On the same day, in the afternoon. The official road outside Chang'an City. Chang'an was approaching, but Sima Chaoqun's mood became more irritable, and his ominous premonition became stronger. He seemed to be able to see one of his closest people struggling and crying in a pool of blood. But he couldn't see who this person was. On the same day, at the same time. Chang'an. Zhuo Donglai is sure that he should be dead, and he also knows that Xiao Leixue has never missed a murder. But he didn't die. The fourth feature is that the dialogue plays a major role in the development of the plot. Gu Long's novels are full of dialogues, lack of natural plot transfer, and all the answers to the mysteries are told by the characters, which sometimes seems boring.Moreover, most of the dialogues of the characters in Gu Long's novels lack individuality, and they are often Gu Long's own mouthpiece. He uses the characters in his works to express his various views on life, society, and everything unscrupulously. Especially the later works are often arranged in dialogues on whole pages: Hua Ruyu smiled and said: "Whoever drinks has never been drunk." Feng Siniang said: "So you were drunk too?" Hua Ruyu said: "I am often drunk." Feng Siniang said: "But you don't drink like you usually get drunk." Hua Ruyu said: "Who said that, I was drunk once last year." Feng Siniang said: "Last year?" Hua Ruyu said: "I was drunk once five years ago." Feng Siniang said: "You have only been drunk twice in your life?" Hua Ruyu said: "Twice is already a lot." Dialogue like this is actually kind of optional, seemingly just for length. Gu Long's novels have their own unique style, which is naturally closely related to commercial operations, so some people call it "urban style".Its main feature is that it likes to use simple declarative sentences or judgment sentences.The bouncing structure, perceptual text, and abundant emotion form a concise and turbulent impression. Gu Long was the first writer who applied this kind of urban style to the creation of martial arts.But in the history of fiction, he is not the first to try this style. Tao Jingsun was probably the earliest writer to achieve urban style. He wrote several exquisite and lively short stories in the 1920s, which were able to express the light and shadow of urban life.By Mu Shiying in the 1930s, this urban style was most fully developed.Mu's novels were all the rage in Shanghai at that time, and many sentences were used as advertisements.So far, Mu Shiying is still a classic writer of urban style, and few people can write works beyond "Shanghai Foxtrot" and "Five People in a Nightclub".He has mastered the poetic language of montage. Although Gu Long was not a pioneer in the development of this style, he was the one who practiced it with all his strength, and at the same time he was the most accomplished writer who pushed this style to the public. The strengths and weaknesses of Gulong itself are all related to this style.We have mentioned many times before that this style is easy to be accepted by readers in urban life, and it is also easy to produce commercial effects, and it is also convenient for mass production.So, at present, it is quite a popular style. However, the flaws of this style are also obvious, for example, it often makes people feel that the depth is insufficient, superficial, or full of too much nonsense and moans.In short, if the author has no real feelings and clever talent, then it is difficult for novels created in this style to stand the test of time, and they are just cultural consumer goods in the commodity society, which are thrown away after reading. ●Tricks in an instant, Nobody understands what's going on, Knife or sword has been struck, The opponent has fallen. Wuxia is a combination of "Wu" and "Xia". "Wu" means "martial arts", a fighting skill beyond ordinary people.The characters in martial arts novels generally have martial arts, and they all belong to different schools and use different routines. Taking Jin Yong as an example, the protagonists in his works always have a growth process, learning various martial arts little by little, and finally become masters.Guo Jing's foundation is "Eighteen Palms Subduing the Dragon", Chen Jialuo's foundation is "Hundred Flowers Cuoquan", and so on.Everyone's martial arts has a name with profound meaning, and when they fight with others, there will be more detailed artistic descriptions. Gu Long first learned from Jin Yong, and the design and writing of martial arts are roughly the same as Jin Yong.However, in the end, he gradually established himself and created his own routines.The martial arts in his writing are no longer the well-known and well-known moves written by Jin Yong and others, but "the moves without moves". "No tricks" is Gu Long's most creative martial art.In an instant, no one understood what was going on, the knife or sword had been shot, and the opponent had fallen. Using nothing to overcome existence, using emptiness to respond to reality, faintly visible, infinitely mysterious. Let's look at his two descriptions: spark! When the eyes of the two met, a series of sparks seemed to be sparked. A string of invisible sparks, although no one can see it with their eyes, everyone can feel it in their hearts. He only heard Shangguan Jinhong say word by word: "Where's your knife?" The man's fingers turned back, and they were already at the fingertips. Xiao Li Feidao's hand was surprisingly stable, as if it had been completely condensed in the air. Fingers long; strong, with clean manicured nails. These hands seem to be more suitable for holding a pen than a knife, but they are the most valuable and terrifying hands in the martial arts. Knife, this is a very ordinary knife. But in these hands, this ordinary knife also has a compelling edge and murderous aura! Shangguan Jin Hong stood up slowly, and slowly walked across to Li Xun Huan. Now, he is less than two zhang away from Li Xun Huan. But his hands were still in his sleeves. Shangguan Jinhong's "Dragon and Phoenix Twin Rings" shocked the world 20 years ago. It ranked second in the "Weapon Spectrum", even higher than Xiao Li Feidao! In the past twenty years, I have not seen his double ring attack... Shangguan Jinhong's hand finally stretched out from his sleeve. Hands are empty. Li Xun Huan said, "Where's your ring?" Shangguan Jinhong said: "The ring is already there." Li Xun Huan asked, "Where is it?" Shangguan Jin Hong said: "In my heart!" Li Xun Huan said: "In your heart?" Shangguan Jin Hong said: "Although there is no ring in my hand, there is a ring in my heart!" Li Xunhuan's pupils suddenly shrank! Shangguan Jinhong's ring was actually invisible! Just because you can't see it, it is everywhere and everywhere. This is the pinnacle of martial arts! This is already the realm of immortal Buddha! Others don't understand, but Li Xunhuan understands. Others are even a little disappointed... Suddenly heard a person say: "moving means not moving, not moving means moving, do you understand?" The voice was old and everyone could hear it clearly. Where is the man who does not see him? Another person said with a smile: "In this case, if you fight, you don't fight. If you don't fight, you fight. Why bother?" The voice was clear and beautiful, like a yellow warbler ducking out of the valley. But no one saw her person. The old man said: "They want to fight only because they don't understand the true meaning of martial arts." The girl giggled and said, "You say they don't understand, but they think they understand very well." When these two people said that, except for Li Xunhuan and Shangguan Jinhong, everyone was shocked. Some people dare to say that he doesn't understand martial arts. If they don't understand, who else in the world understands? The old man said: "They think that if they don't have rings in their hands but have rings in their hearts, they have already reached the pinnacle of martial arts, but in fact they are still far away. The girl said: "What should I do to truly be the pinnacle of martial arts?" The old man Guang said: "If you have no rings in your hands and no rings in your heart, when the ring is me and I am the ring, it is almost the same." " The girl said: "How much difference?" The old man continued slowly: "The real pinnacle of martial arts is to be able to participate in good fortune, to the point where there is no ring and no self, and the ring and me are both forgotten, then it is truly omnipotent and invincible!" Speaking of this, Li Xunhuan and Shangguan Jinhong couldn't help but change their colors... The sword light flashed and struck down like lightning. Zhuo Donglai didn't hesitate, didn't flinch, and wasn't confused by the lightning-like dazzling sword light. He has already found the sharp point of this sword in the flashing light. The tip of the sword is the heart of the sword. The sword's momentum changes with the sharp edge, and this change is the lifeblood of the sword. He cut off the lifeline of the sword with one blow. The sword light flashing all over the sky suddenly disappeared, and Zhuo Donglai's blade was already behind Sima's left neck. He no longer had the strength to dodge, parry and fight back, and the sharp blade could cut off his head in an instant. There was only a flash of the knife, but no blood spattered. This knife is backed down with a knife. Then he left; he neither turned his head nor looked at Sima Chaoqun again. Sima couldn't help hissing and asked, "Why didn't you kill me?" Zhuo Donglai still didn't turn his head back, but said flatly: "Because you are already a dead person now." The above two paragraphs are quite representative of Gu Long's martial arts style.Compared with Jin Yong and Liang Yusheng, it does have a completely different taste.Here, the complicated and elegant martial arts moves are completely gone, only the tension of the two masters facing each other, and the subtle psychological pulsation, especially the urge to examine each other and try to see through each other's weaknesses. Martial arts is completely a matter of one move, because they have already calculated every situation when they hit one move. Gu Long once said that martial arts are used to kill people, not to be seen by others. Therefore, his characters kill when they kill, without playing tricks.He also said that a real master's killing depends on one move, and if he misses one move, he will retreat completely. Perhaps, we can say that no matter in Jin Yong's writing or Liang Yusheng's writing, the description of martial arts moves often shows their own inner aesthetic realm or life realm.Especially in Jin Yong's novels, the achievement in this aspect is almost the pinnacle.He will be the spirit of Chinese art.Chinese chess, piano, calligraphy and painting, as well as the hidden philosophy and charm, all infiltrated into his martial arts moves, calmly performed, fascinating, the integration of poetry and sword, the integration of civil and martial arts, the integration of self and nature, in Jin Yong's martial arts It is vividly reflected. So, what kind of aesthetics or life realm does Gu Long's martial arts show? Life in the extreme state is the most beautiful, the momentary brilliance is condensed into eternity, as if the daily endurance, persistence, endless training and trekking are all for this moment.At this moment, which is saturated with all the pursuits of life, all the boundaries are eliminated, good and evil, beauty and ugliness, etc. are gone, and what is left is only a "qi", a "heroic spirit" that makes a person a human being.With such a "qi", no matter what kind of difficulties, even facing death, there is no fear.Also because of this energy, no matter what kind of enemy you face, your heart is still filled with kindness and love, tolerance and sympathy.Therefore, Gu Long's "no move" actually seldom kills people, especially when two masters fight each other, in the end, no one usually kills. Of course, it can also be explained by the saying in Laozi that "the great music has no sound, but the elephant has no form". There is also a saying in Buddhist scriptures, "the doctrine of non-speaking".It is said that the Venerable Subhuti was sitting in meditation in a cave one day, and many flowers suddenly fell from the sky.Subhuti asked who scattered the flowers and why?The voice in the air answered: I am Brahma, because the Venerable is good at teaching Prajna Dharma, so Yuhua admires it.Subhuti said, I am here, and I haven't said a word, how can I say anything?Brahma replied: The venerable speaks without speaking, and the younger generation listens without listening.This is the supreme law. Gu Long's "No Moves" naturally has the foundation of this kind of oriental philosophy.At the same time, it is stained with the romantic and fairy-tale color of hero legends, reflecting the impulse to break through the limitations and norms of human beings, thus longing for a free play of life, or in other words, longing for life to manifest itself in an instant All the splendor and beauty.